Displaying items by tag: Margaret Atwood
Margaret Atwood's 'The Penelopiad' Is a Zesty Romp, Even If a Bit Cerebral
“The Penelopiad” is a zesty romp and very entertaining. With a script by a writer I adore, Margaret Atwood of “The Handmaid's Tale” fame, and based on her novella by the same name, it tells the story of Odysseus’ wife Penelope (played stunningly by Jennifer Morrison)—and how she occupied herself during the long odyssey recounted in Homer’s Greek epic poem, “The Odyssey.” I had recently finished reading a new translation so that story was fresh on my mind.
Of course, this being Atwood, it is a reset of the tale, told from the woman’s point of view. And it is very scholarly, perhaps a bit cerebral in the first half, relating in more detail than Homer’s work the origins of Penelope, and how she ended up married to Odysseus, the King of Ithaca. We also see what life was like in the palace from Penelope’s perspective, and that of her dozen maids.
Odyseus went off to fight in the Trojan War. He was gone such a long time, 20 years, that princes of his realm presumed him dead, and vied to marry his supposed widow Penelope, and claim the throne. As the years wore on, they didn’t behave nicely—living on the palace’s largess and hitting on the maids relentlessly. It was an unapologetic patriarchy, to be sure.
In Homer’s version, Penelope is celebrated for being steadfast and true. And Atwood gives us this too, but without the male gaze. Penelope constantly thwarts and outwits the obnoxious suitors, and her corps of maids switches genders and roles to show what that was like. With an all female cast, and set with frequent music and dance, “The Penelopiad” relates many of the high points of the original poem. The first act, then, is a recitation of the Odyssey revisited.
Without question, “The Penelopiad” under the direction of new artistic director Susan V. Booth gives the best ever and very understated caricature of male behavior by women actors: the boasting stance, the lack of self-awareness, the entitlement, and the varieties of ways this is displayed by classically awful male personality types. It’s a bracing and edifying experience for a man to see.
This corps of maids also plays identifiable characters (though not credited in the program): the growing Telemachus, evolving from whiny teenager critiquing his mother Penelope’s behavior, to self-empowered accomplice when his father does finally return; the oldest maid, who carps at Penelope and the sisterhood she forms with the young maids. She soon recognizes the disguised Odysseus by his scars when he returns, and selects at his request the maids who will be punished for fraternizing with the suitors.
We also see a maid as Odysseus himself, a pompous braggart at times, who certainly did not make rushing home to Penelope his priority. These transformations in gender are aided by artful breastplate costumes (costume designer Kara Harmon).
Atwood describes “The Penelopiad” as most akin to a cabaret along the lines of Kurt Weill. The music and scintillating choral singing is composed by Samuel Davis and directed by Jeremy Ramey.
While in the first half we get mostly a poetic oration in a series of scenes—Penelope being cast heartlessly into the ocean by her father, surviving and gaining stature as a demigoddess; Penelope’s first encounter with the immature Odysseus—the second half gives rise to real drama. As the years wear on, Penelope develops one final ruse to avoid the suitors: she will weave a shroud for her father-in-law, and when it is done, will select one of the group to marry. Famously she unweaves the shroud each night, and eventually the suitors catch her.
Luckily, Odysseus is back, and the Odyssey plot grinds quickly to its well-known conclusion. Odysseus slays the suitors, and then horrifically hangs the maids as well. Penelope examines herself in Atwood’s retelling of the epic, and how she has survived only because she sacrificed the maids to the suitor’s unwanted advances. She was powerless to keep Odysseus from hanging the maids, though to her credit, Odysseus kept his intent from her. It’s a truthful and sad conclusion, set in a wholly entertaining frame of music and dance. Kudos to the dramaturg Neena Arndt for her role in bringing us this lesser known work.
”The Penelopiad” runs at Chicago’s Goodman Theatre through March 31
GDC Spring Program Eloquently Distills the Vagaries and Splendor of Life Through Dance
07 April 2025 in Dance in ReviewDance performances can often be moving events but rarely do they hold the density, breadth and depth of emotions Giordano…
‘Trial of Themistocles’ Shows Off Best of the Culture of Greece, and Chicago Jurisprudence
05 April 2025 in Theatre in ReviewWalking into the Harris Theater for the “Trial of Themistocles,” I was expecting something translated from ancient Greek, togas, masks,…
A Hull Lot of Laughs: Titanique Makes Waves On Stage
02 April 2025 in Theatre in ReviewAll hands on deck Titanic fans! Get ready for a lavishly produced musical that boldly reimagines the Titanic story, navigating…
MOULIN ROUGE! THE MUSICAL is Now Playing
02 April 2025 in Upcoming TheatreWelcome back to the Moulin Rouge! Broadway In Chicago is thrilled to announce the Tony Award® winning production, MOULIN ROUGE! THE MUSICAL is now playing…
Disney's THE LION KING Returns to Chicago
01 April 2025 in Upcoming TheatreBy popular demand, Disney’s The Lion King will return to Chicago for the first time since 2023, where the production played a sold-out…
Review: The Listeners at Lyric Opera of Chicago
31 March 2025 in Theatre in ReviewTHE LISTENERS has undergone several incarnations since the 2021 novel by Jordan Tannahill. It’s been a full-length movie, a TV…
IDENTITY PERFORMING ARTS: Spring Concert 2025 - 'Instinct' at Ann Barzel Theater (April 26-27)
31 March 2025 in Upcoming DanceIDENTITY PERFORMING ARTS Presents Spring Concert 2025 “Instinct” A captivating performance of four distinct works on April 26 & 27…
Dynamic South Chicago Dance Theatre at The Auditorium in one perf only, May 3
26 March 2025 in Upcoming TheatreThe Auditorium (Chicago’s Landmark Stage® at 50 E. Ida B. Wells Drive) proudly welcomes back the eclectic energy of hometown favorite South…
Open Space Arts announces staged reading series and a powerful premiere for April through June
26 March 2025 in Upcoming TheatreOpen Space Arts (OSA), who recently won some of the top honors in the Joseph Jefferson Awards for 2024 productions,…
Review: 'it's been ten years since everybody died' at Open Space Arts
26 March 2025 in Theatre in ReviewI’ve reviewed a number of shows at Open Space Arts (OSA) – I love the place – so I’m familiar…
Hell in a Handbag Productions' World Premiere of SCARY TOWN By Artistic Director David Cerda Directed by Cheryl Snodgrass April 9 – May 11, 2025 at The Clutch
25 March 2025 in Upcoming TheatreHell in a Handbag Productions is pleased to continue its 2024/25 Season with the world premiere of Scary Town, Artistic Director David Cerda's semi-autobiographical…
Definition Theatre Defines the Crisis: 'Splash Hatch on the E Going Down'
24 March 2025 in Theatre in ReviewIn Definition Theatre's production of "Splash Hatch on the E Going Down," Kia Corthron's 1997 work feels unnervingly relevant in…
Kokandy Productions Announces Line-Up for CHICAGO MUSICAL THEATRE FESTIVAL Returning April 3 – 6, 2025 at The Chopin Theatre
22 March 2025 in Upcoming TheatreKokandy Productions is pleased to announce the official selections for the annual Chicago Musical Theatre Festival, a celebration and showcase of the…
Hive of Hilarity: Copley Theatre’s 'Spelling Bee' is a Buzzing Triumph!
21 March 2025 in Theatre in ReviewI’m not holding back—Copley Theatre’s latest offering, The 25th Annual Putnam County Spelling Bee, is an absolute winner! I’ve seen…
The Search for Truth Turns to War in Oil Lamp’s Outstanding ‘The Lifespan of a Fact’
21 March 2025 in Theatre in ReviewDon’t be deceived by the title. The phrase “lifespan of a fact” sounds about as dry as the Mojave Desert…
Disability-inclusive company brings Frankenstein to Chicago Shakespeare Theater
21 March 2025 in Upcoming TheatreA.B.L.E.—Artists Breaking Limits & Expectations—a Chicago-based nonprofit that creates theatre and film for, with, and by individuals with Down syndrome…
Invictus Theatre Presents Enchanting Production of The Winter’s Tale
20 March 2025 in Theatre in ReviewWalking into Windy City Playhouse, audiences are immediately transported to somewhere new. Scenic Designer Kevin Rofls fills the space with…
Writers Theatre announces 2025/26 season
19 March 2025 in Upcoming TheatreArtistic Director Braden Abraham and Executive Director Kathryn M. Lipuma announce Writers Theatre's 2025/26 season. The five-play season is marked by four productions never seen before…
About Face Theatre presents the return of Re/Generation Studio at The Alice at Goodman Theatre March 28-30, 2025
19 March 2025 in Upcoming TheatreAbout Face Theatre announces the return of Re/Generation Studio, a weekend of community building, education, and performance to help build the future…
Steppenwolf Theatre Presents Broadway's Kelli O'Hara - April 18 & 19, 2025
19 March 2025 in Upcoming TheatreFresh off her critically acclaimed and Tony-nominated run in Broadway's Days of Wine and Roses, Steppenwolf Theatre Company and Mark Cortale are pleased to present…
Grand Opera that is Truly Grand: La Bohème at the Lyric
19 March 2025 in Theatre in ReviewGoing into “La Bohème” with little knowledge of Puccini’s masterpiece, I was just a naive theater-goer seeing it fresh at…
THE PHANTOM OF THE OPERA Returns to Chicago
18 March 2025 in Upcoming TheatreCameron Mackintosh is delighted to announce that a revitalized new production of Andrew Lloyd Webber’s legendary musical, THE PHANTOM OF THE OPERA, will play…
Marriott Theatre Continues 50th Anniversary Season with Tony Award-Winning Titanic the Musical - Opening April 16th
18 March 2025 in Upcoming TheatreChicagoland's longest running musical theatre, Marriott Theatre, continues its 50th Anniversary Season celebration with the epic production of Titanic The Musical, directed and choreographed by Connor…
Teatro La Plaza teams up with Chicago Latino Theatre Alliance for wonderful production of Hamlet at Chicago Shakespeare Theater
16 March 2025 in Theatre in ReviewSer o no ser esa es la cuestión We are all familiar with Shakespeare’s iconic line: to be or not…
Announcing CityTalk: A Series of Conversations on Assimilation, Antisemitism and Culture
14 March 2025 in Upcoming TheatreTheater Wit, in collaboration with the Crown Family Center for Jewish Studies at Northwestern and Northlight Theatre, hosts CityTalk: A Series of Conversations on Assimilation, Antisemitism…
Steppenwolf Theatre Presents THE BOOK OF GRACE - March 27 – May 18, 2025 - Chicago Premiere!
13 March 2025 in Upcoming TheatreSteppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to continue its 49th season with the Chicago premiere of The…
Lyric Opera announces 2025/26 season, including major collaborations with Billy Corgan, avery r. young
12 March 2025 in Upcoming TheatreLyric Opera of Chicago today announces the company's 2025/26 Season, its first complete season under the leadership of new General…
BEETLEJUICE is Now Playing Through March 16
11 March 2025 in Upcoming TheatreBeetlejuice, Beetlejuice… Beetlejuice! You’ve summoned him once again, Chicago— BEETLEJUICE is back for another hauntingly hilarious run! The edgy and irreverent Broadway…
The Auditorium proudly presents Parsons Dance One Night Only: Saturday, April 12 at 7:30 PM
11 March 2025 in Upcoming DanceThe Auditorium (Chicago’s Landmark Stage® at 50 E. Ida B. Wells Drive) proudly presents a special evening with Parsons Dance, the New…
The critically acclaimed hit production of Obliteration returns
10 March 2025 in Upcoming TheatreObliteration, LLC & The Revival Theater announce a limited engagement of Obliteration, written by Andrew Hinderaker, directed by Jonathan Berry, featuring Michael Patrick Thornton and Cyd Blakewell. Obliteration runs April 10-May 4,…
Latest Articles
-
GDC Spring Program Eloquently Distills the Vagaries and Splendor of Life Through Dance
Written by Mitchell OldhamDance performances can often be moving events but rarely do they hold the density, breadth and depth of emotions Giordano Dance Chicago’s (GDC) Spring engagement encompassed Friday night at the Harris Theater. Part tribute, part commemoration of a milestone, and… -
‘Trial of Themistocles’ Shows Off Best of the Culture of Greece, and Chicago Jurisprudence
Written by Bill EslerWalking into the Harris Theater for the “Trial of Themistocles,” I was expecting something translated from ancient Greek, togas, masks, maybe a chorus, and a scholarly script that would take some work to wade through. Instead I found the latest… -
MOULIN ROUGE! THE MUSICAL is Now Playing
Written by Buzz Center StageWelcome back to the Moulin Rouge! Broadway In Chicago is thrilled to announce the Tony Award® winning production, MOULIN ROUGE! THE MUSICAL is now playing at the Cadillac Palace Theatre (151 W. Randolph St.). MOULIN ROUGE! THE MUSICAL is playing for a limited three-week engagement through April… -
A Hull Lot of Laughs: Titanique Makes Waves On Stage
Written by Ken PayneAll hands on deck Titanic fans! Get ready for a lavishly produced musical that boldly reimagines the Titanic story, navigating it into fresh and unforeseen waters. The story of the "unsinkable" Titanic is one most of us know well—the ship’s…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.