I’m going to admit, this was not exactly what I expected. I heard flamenco and, me being a guitarist and passionate for the instrument, I thought…hmmm…Flamenco guitar music. That fact that the show would feature the degree of dancing it did never even occurred to me. So, I got the best of both worlds. There were guitars playing in the very impressive musical outfit, accompanying by dancing that was nothing short of spectacular. Two singers and percussion were also included in the act. Like I said, this show had everything.
Eduardo Guerrero was the lead dancer and was exciting to watch, each move as graceful as the last with just the right amount of aggression when needed. Six dancers performed different variations of Flamenco dancing throughout the presentation so we as the audience were treated to a true cultural experience to remember. Everything about the show was amazing.
One of the things that draws me to Latin Music is the rhythm. You can’t escape it. I looked up the word flamenco and found it comes from the word Flemish. The people who originated this type of dancing were gypsies from that area. Interesting.
Another thing I have noticed about Spanish music is how much I hear an Arabic flavor to the melodies and harmonies. You couldn’t miss it in the vocal melodies. I had a chance to watch a Turkish band play a while back and the music was so very similar. It’s fun to see how we are musically influenced from all parts of the world.
But back to the dancing. Microphones were strategically placed on the stage to pick up the sound of the dancers’ feet, literally making their bodies part of the music. Guerrero did some solo work out there that was so rhythmically driven I could see why they needed an intermission with so much energy being spent. This type of dancing must be exhausting. Some of the dance numbers were quite lengthy and would surely wear out even the strongest of dancers.
The costumes alone were worth the price of admission. I also sense a bit of an Arabic influence in that department. Bright colors dominated the stage to make each number as colorful as it was precise and energetic. The many people involved in making this production seem effortless are extremely gifted.
Guerrero and company did a fantastic job and left us with something wonderful and uplifting to take home. I heard the audience respond positively throughout the entire performance and rightfully so. This was yet another great show at the MacIninch Art Center (The MAC) at College of DuPage, proving again that you don’t need to go downtown to be entertained.
Jazz legend Ramsey Lewis can take the melody of “Twinkle, Twinkle Little Star” and turn it into a work of art. After watching and listening to him, I am sure of this. Eighty-years-old, he has the musical energy of a much younger man. He also brought to MacIninch Art Center a very talented group of musicians.
First up was Henry Johnson on guitar. The first thing I thought of was Wes Montgomery. For those of you not familiar with Montgomery’s style, Wes mostly played with just his thumb on his right hand. Henry switched between that and a pick which he must have held in his palm while using his thumb. Johnson’s other influences include Kenny Burrell and George Benson. As a fledgling jazz guitar player myself, I found him to be a tasty player and learned a lot watching him play.
Joshua Ramos was on bass. He switched between upright bass and a five string electric through the set. Ramos got some serious applause from his solos. He played with the fluency most lead guitar players might envy. Having said that, he stayed in the pocket when he needed to do so.
On drums was Charles Heath. Heath is an amazing jazz drummer, switching from sticks to brushes depending on the song. I found out he started playing drums at an early age and I am not surprised. He started working as a musician at the age of fourteen and earned a degree in music at Shaw University. His list of playing credits is quite long.
Then, of course you have Mr. Lewis, “the great performer”. Ramsey certainly lives up to the title. Though understandably a bit slow walking across the stage, it did not reflect his musical energy. He took Pop melodies to new heights. The Beatles’ “Here There and Everywhere” was my personal favorite. Another Beatles song he did amazing things to was “Hard Day’s Night”. Stevie Wonder’s “Living For The City” was very nice as well. I didn’t hear too many songs that one would consider jazz standards, except possibly his own compositions. Lewis did have a few hits in his heyday, most jazz musicians cannot claim that. The ability to take a familiar melody and turn it into something greater is truly an art. I overheard someone say how he never played one of the songs the same way twice. The jazz musical mind just seems to work like that. Lewis did not give you a heavily rehearsed, boring performance. It showed the listener how music can be spontaneous and structured at the same time.
The art of jazz is not as popular as it once was in America. You could tell this from the crowd. The average age was at least sixty, if I had to estimate. Personally, I find it so refreshing to see great musicians actually perform without the use of gimmicks. The raw energy of the performance was the key on this particular Saturday night.
If you have any interest in seeing real music played the way it was supposed to be played, go see it now before all the classic players are all gone. At eighty-years-old, Ramsey won’t be around forever. The music will live forever, but the performers will not. I don’t want to sound like a cynic, but I think a lot of this is lost in music today. Go support music being played by real musicians like The Ramsey Lewis Quartet. Good music elevates you mind, body and soul to new heights.
In the end, I found the performance inspirational and highly rewarding. The reward was an emotional sense of elevation. Music is the ultimate escape. For one hour and forty-five minutes I had no problems in my life. Even after coming back to reality, I felt better. I wish to thank “the great performer” for this. Ramsey Lewis is simply amazing and it was great to see and of course hear him.
Ramsey Lewis Quartet
March 12, 2016-7:30 PM
MacIninch Art Center
College Of DuPage
Glen Ellyn, IL
Brightside Theatre's latest production, Jekyll And Hyde In Concert is a truly mesmerizing experience. And if you are a Chicago…
JaJa’s African Hair Braiding, written by first-generation Ghanaian American playwright Jocelyn Bioh and directed by Obie Award-winning Whitney White, is…
Broadway In Chicago and Starvox Touring are excited to announce individual tickets for XAVIER MORTIMER: MASTER OF MAGIC are now on sale. XAVIER MORTIMER: MASTER…
Drury Lane Theatre opens its 2025/26 with the thrilling Chicago Regional Premiere of The Da Vinci Code, based on the novel by Dan Brown,…
This winter, The Joffrey Ballet presents Golden Hour, a radiant mixed repertoire program of warmth and splendor. Featuring world premieres by Yuri Possokhov and Dani Rowe,…
Chicagoland's longest running musical theatre, Marriott Theatre, officially kicks off its spectacular 50th Anniversary Season with one of the most enduring and beloved musicals…
We all have Christmas rituals; practices we incorporate into our personal experiences of the holidays. For me, it used to…
Collaborations can produce tremendous results and the one between Nathan Gunn, his wife Julie Jordan Gunn and Jam Orchestra counts…
Drury Lane Theatre is thrilled to announce casting for Beautiful: The Carole King Musical, a heartwarming journey through Carole King's inspirational life story, where…
Alvin Ailey American Dance Theater, one of the world's most popular dance companies, returns to The Auditorium, Chicago's landmark stage at…
Chicago Shakespeare Theater (CST) announces today an exciting addition to the 2024/25 season: the North American premiere of the new musical 42 Balloons.…
It’s the second act, and Beau (Jake Odmark) is in quite a state. The love of his life is about…
Court Theatre – under the continuing leadership of Executive Director Angel Ysaguirre, with interim artistic leadership from Senior Artistic Producer Gabrielle Randle-Bent and Senior Managing…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to present a searing revival of Sam Shepard's dark and beautiful…
Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Artistic Director Braden Abraham, continues its 2024/25 Season with Frida...A Self Portrait, starring acclaimed…
Invictus Theatre Company has announced programming for its 2025 season, its second in residence at the Windy City Playhouse. As…
Kokandy Productions is pleased to open submissions for the 2025 Chicago Musical Theatre Festival (CMTF), returning April 3 – 6, 2025 on The Chopin Theatre…
The Artistic Home will present the Chicago premiere of Mark O'Rowe's adaptation of Ibsen's HEDDA GABLER. This pioneering work of…
My companion was apprehensive about the press release’s statement that “… the two-person cast will play all characters and will…
Unlike many of the shows I review, which I’ve often seen in other productions elsewhere, I went into Music Theater…
Chicago Shakespeare Theater presents Olney Theatre Center's production of Avaaz, a "powerful, defiant, celebratory" (Washington Post) exploration of family and the immigrant…
Between a triumphant European tour and a highly anticipated return to North America, OVO by Cirque du Soleil has undergone a full ‘metamorphosis’ under…
Beetlejuice, Beetlejuice… Beetlejuice! You’ve summoned him once again, Chicago— BEETLEJUICE is back for another hauntingly hilarious run! Broadway In Chicago announced that tickets…
Broadway In Chicago is delighted to announce that individual tickets for CLUE, the hilarious murder mystery comedy inspired by the Hasbro board game…
Chicago Shakespeare Theater (CST) announces renowned Chicago director Ron OJ Parson will helm the North American premiere of Lolita Chakrabarti's Hymn, making his CST directorial debut.…
I fondly recall watching the 1964 children’s television special Rudolph the Red-Nosed Reindeer each year with great wonder! Its message…
Trap Door Theatre is thrilled to continue its 31st season with a production of the renowned play, The Mannequins' Ball. Written by Bruno…
Upon entering the beautifully decorated lobby of Teatro Zinzanni theater on the 14th floor of the Cambria Hotel, you are…
Just as there are many Santa’s around town, this time of year we have a wide selection of Christmas and…
Today, Hubbard Street Dance Chicago (HSDC) unveiled the full program for the second performance series of its 2024/2025 season, Season 47: Winter Series.…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.