
Scapegoat; Or (Why the Devil Always Loved Us) a satirical political drama now playing at the Den Theatre, takes the audience on a wild ride through a rather unusual family affair. But the play rapidly bogs down with its own complexity.
The curtain rises mid-action, and we gradually piece together that the six members of the Porter family are career politicians: patriarch Senator Anse Porter and his son, Congressman Coyote “Coy” Porter, represent Ohio as Democrats. The Senator’s Chief of Staff John Schuler is married to his daughter Leza, who is in the final weeks of her pregnancy. Matriarch Eleanor Porter and the Senator’s adopted daughter Margaret, are lobbyists for the United American Muslims.
The plot centers on the passage of a bill that would favor Christianity over other religions in the U.S. This bill is supported by Congressman Coy Porter, who is courted by the Religious Freedom Caucus, comprised of three Republican Senators: Frank Mason, Texas; Mary Colbourn, Illinois; and Perry Allen, Arizona.

Plans go awry when Congressman Porter’s father Anse, the senator, is outed as a Satanic Priest. He decides he will filibuster the bill. To dissuade him, so the bill can pass, the Religious Freedom Caucus hints they will award him a judgeship.
While it took a while to figure out what was going on, once I did, I loved the concept. And the play delivers some strong social commentary on religious freedom – a topic of great social currency. It also scores some comedic points – Senator Porter delivers a complete Black Mass in downstage while the political drama unfolds upstage in convincingly delivered press conferences.
Jeffrey Freelon Jr. gives a strong performance as the put-upon Chief of Staff John Schuler. Likewise for Echaka Agba (Margaret), John Kelly Connolly (Frank), Barbara Figgins (Eleanor Porter), Jack McCabe (Perry), Cassidy Slaughter-Mason (Leza), Kelli Strickland (Mary) and Norm Woodel (Anse).
Scapegoat is needlessly layered, starting with its grammatically suspect title, through characters whose background and details have little bearing on the main action on stage: That Margaret is the Senator’s adopted daughter is revealed in the second act – along with the fact that she chose to keep her birth mother’s last name (so she is Okafor-Porter). So? Coy Porter is widowed, and occasionally has seizures. Um, did we need to know that? This made Evan Linder’s job playing Coy a challenge, but he rose to it.
Scapegoat is by and large a sentimental comedy. The script by Connor McNamara, a Chicago actor, brought to mind those fast-paced 1930’s screwball comedies loaded with mayhem. But the play is probably closer to You Can't Take It With You, George S. Kaufman and Moss Hart’s 1936 Pulitzer prize-winning satire.
There are some rich moments here: Deciding to filibuster anyway, Anse reads chapter and verse from the satanic scriptures, driving the believing Caucus senators from the chamber floor. This intelligent script which renders the political processes and dynamics with veracity, is, is fast paced and strong at its core. The direction by Kristina Valada-Viars is very well done. Scapegoat plays through May 7. www.thenewcolony.org
Sanctuary Stories plumbs the line between theater and journalism, and the powerful human dramas both can depict. Funded by a Northwestern…
For its sixth Halloween season, Rough House Theater Co. has transformed Steppenwolf’s Merle Reskin Garage into a spectacular puppet haunted…
Let he without sin cast the first stone, Lyric’s “Don Giovanni” seemingly says when they bring up the house lights…
They're creepy and they're kooky, Mysterious and spooky, They're altogether ooky, The Addams Family. Yes, ooky. BrightSide Theatre’s production of…
With Halloween creeping closer, there’s something fitting about revisiting one of opera’s earliest flirtations with macabre horror - especially in…
Avalanche Theatre announces the world premiere production of They Broke Up by Chicago playwright Skyler Tarnas, November 6–22, 2026. Opening…
Grab your party hats — Broadway In Chicago ’s Cadillac Palace and James M. Nederlander Theatres are turning 100! The…
Oil Lamp Theater is proud to announce the cast and creative team for its next production and the final production…
Christmas Day is in our grasp. Why the vodka? Glad you asked! Who's Holiday! brings R-rated Cindy-Lou Who back to…
The Sarah Siddons Society is pleased to present its 2026 Award to actress and director Victoria Clark, who recently starred…
At fifteen, the world can feel like a television show you haven't quite figured out how to turn off. For…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to launch its 51st Season with the world premiere of…
Hell in a Handbag Productions is thrilled to announce its 25th Anniversary Season, featuring three "camptacular" shows guaranteed to delight lovers of…
Chicago’s Theater Wit is now offering new, state-of-the-art closed captioning service, marking a dramatic improvement in making live theater more…
“God bless us, everyone,” because there’s a fresh, new, reimagined version of Charles Dickens’ classic tale A Christmas Carol debuting…
Following last year's critically acclaimed, sell-out engagement, Steppenwolf Theatre Company is pleased to announce the return of John C. Reilly…
The Saint Sebastian Players open their 45th season of travels to different places with A Murder is Announced, a classic Miss Marple mystery…
Today, Goodman Theatre raises the curtain on its future as leadership and artists share a vision for its next century…
Two Edge Theater, a reincarnation of the Edge Theater Company that enjoyed eight successful seasons in the Denver, Colorado area,…
Chicago's historic Fine Arts Building and Studebaker Theater are thrilled to announce their Halloween co-production of Manual Cinema's acclaimed Frankenstein…
Trap Door Theatre is thrilled to continue its 33rd season with Any Rebellion of Will, written by S.L. Daniels and…
Jonathan James Productions presents the world premiere of The Years Between Us, a new play by Liana Sonenclar, directed by…
Oil Lamp Theater, currently presenting the highly recommended Dial M for Murder, through November 1, is proud to announce its…
As a lifelong Hitchcock fan, Dial M for Murder has always been one of my comfort film thrillers - the…
Artemisia Theatre is proud to announce the return of the WeWomen Play Festival, its annual celebration of new feminist work.…
In the 2019 film Yesterday, a struggling musician wakes up in a world where The Beatles never existed. A similar…
Red Bike is an intimate, movement‑driven play that follows a young person navigating a town transforming faster than they can…
Through music, documentary video, sound, photos and live actors, “SANCTUARY STORIES: A JOURNALISM THEATER PROJECT” captures in words and images…
Red Theater is thrilled to announce the cast and production team of the world premiere of Church Hurt by Brynne…
The Auditorium (Chicago's landmark stage at 50 E. Ida B. Wells Drive) continues its 2026-27 Dance Season titled North American…
Robert Falls Directs a Sinfully Satisfying Don Giovanni at Lyric Opera of Chicago
Inside Six Strange Worlds: Exquisite Corpse VI: LULLABIES
'Sanctuary Stories' Ventures Into Emotional Drama Behind the News on Immigration
BrightSide’s Addams Family Musical Revives the Wonderfully Weird World of the Addams Clan
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.