Home

Displaying items by tag: Janyce Caraballo

Like a lot of people, Louisa May Alcott’s Little Women has been mostly a cultural curiosity for much of my life. I know it’s perennially referenced when talking about women and their struggle to achieve personal agency and autonomy. Since it was published in 1868, shortly after the Civil War, Alcott’s quasi-autobiographical novel about a close knit family with its quartet of sisters has never gone out of print.  It’s been adapted to stage dozens of times, turned into an opera and Hollywood seems to have made a habit of rediscovering it and presenting a new interpretation of this undisputed American classic every generation or so.  Most recently, Greta Gerwig’s 2019 film version of Little Women drew a deluge of praise for the way it reimagined Alcott’s novel for a new era. Still, since it wasn’t required reading in my downstate high school, I never quite understood the magnitude of the story’s import until the other night at a world premiere.  Northlight Theatre, together with three other prominent regional theaters across the country, commissioned one of the nation’s most prolific and produced playwright’s, Lauren Gunderson, to develop her own vision of Alcott’s signature creation. Gunderson’s adaptation, now premiering in Skokie before making its way across the country to the other sponsoring companies, has made the blind me see. 

Over her career, the San Francisco playwright has developed a reputation for many laudable abilities. Chief among them is the way she can tap into the essence of her characters and turn them into people we easily recognize, empathize with or see startling resemblances to ourselves. She’s also a brilliant architect who can construct a story framework that’s as sturdy as a fortress, is wonderfully meticulous in its detailing and is usually flawless in plot continuity. Those attributes and more run rampant in this production. Joined by an elite creative team, Gunderson turns a 150-year-old classic into an unexpected revelation whose positive messages extolling character, resilience and determination shine with freshly burnished clarity.  

A progressive family whose parents fostered the pursuit of any interest their daughters found stimulating, the March’s in Little Women is a mirror image of Alcott’s own family. The four sisters were all modeled after the author and her three sisters. The second oldest, Louisa, or Lou as she was known to family and friends, was the driven one. Independent, ambitious and literally gifted, she chafed at the constraints imposed on women in the 19th century; just as women today are dismayed about similar career and societal constraints present in the 21st. 

That Little Women’s Jo is in fact Alcott’s fictional self has long been well established. But aspects in this account go further to draw attention to the similarities between the real and imagined person. In this iteration, the author and her alter ego become so enmeshed that the actor playing lead, Tyler Meredith, occasionally slips into portraying Alcott in addition to Jo March. Dressed in trousers that resemble pantaloons under her period dress, her attire becomes one more feature that distinguishes her. Playing Jo with forceful confidence, Meredith fills her character with an unshakable will that’s fed by the encouragement of her family.  She writes spirited plays that she and her sisters enact.  And the responses she gets from her writing submissions tell her the aspiration of becoming a self-sustaining writer is conceivably within her grasp.

While we’re admiring her tenacity and preternatural intelligence, we also take in the rest of the family and marvel at how quickly and distinctly their own personalities emerge.  Her older sister Meg (Janyce Caraballo); traditional, beautiful and pragmatic, is a stabilizing figure in the family modeled after their mother, Marmee (Lucy Carapetyan), the family’s true anchor and moral touchstone. Quiet and reserved, Beth (Demetra Dee), just below Jo in age, is musical and plays piano. Her profile rises in this effort to the point we have a much stronger understanding of how pivotal her place in this family is.  When she contracts scarlet fever after caring for an ill infant, the slow demise she endures gives us time to see how essential her presence is to the family. Dee is demurely marvelous in a role that highlights how diverse families can be within themselves and how that diversity is a secret strength.

The youngest sister, Amy, played with all the petulant entitlement of the baby in the family by Yourtana Sulaiman, is only slightly spoiled and enjoys painting. Her real-life counterpart went on to become an accomplished and recognized painter.  

Alcott would live out her life just as she imagined and hoped, unmarried and successful in her craft. Neither her publishers nor her public wanted the first of those two things for Jo, however. The friendship she strikes up with the parentless boy across the street who’s living with his rich grandfather seems as if it might lead to romance. Immediately infatuated by his spunky neighbor, Laurie (John Drea) can’t, and doesn’t want to hide his attraction to this dynamic young girl with the invincible spirit.  They both exude so much energy and potential on stage that their power seemed to pulse through the theater. Add to that the purity of Laurie’s guilelessness as he tries to make his friend more than a friend, and you’re virtually convinced this intrigue will lead to the altar. Jo’s too committed to her dream to jeopardize it with marriage. Especially since she doesn’t love her friend in the same way he does her.  Watching their friendship take flight, mature and endure after Jo rejects him for a final time; causing him to go on to marry one of her sisters, is a masterclass in how to live. Only exceptional writing and equally adept directing could present it with such compassionate coherence. Along with the playwright, Georgette Verdin as director strives to bring the fullness of what Alcott achieved in Little Women to the fore. There are countless lessons on the potency of familial love and the capacities of the human spirit to prevail despite discouraging odds. Bracketing the effort with novel approaches in directing and generous splashes of humor made this project as exciting and entertaining as it was enlightening. Placing it in the hands of such able and gifted actors simply added to its appeal. Watching Erik Hellman’s inspired transformation from Laurie’s self-effacing tutor to the German professor Jo meets in New York and eventually marries was a particular delight. It was also emblematic of the fine acting that filled this delightful experience.

Louisa May Alcott's Little Women

Through January 5, 2025

Venue: Northlight Theatre at Northshore Center for The Performing Arts

9501 Skokie Blvd. Skokie, IL  60077

https://northlight.org/series/little-women/

Published in Theatre in Review

Stellar Performances in “Prayer for the French Republic”

21 April 2025 in Theatre in Review

Early in the first act I whispered to my companion and said “I love this!” Extremely well written by Joshua…

A WONDROUS SOUND - Orchestra and Chorus of the Chicago Lyric Opera is a wondrous compilation of the best of the best!

21 April 2025 in Theatre in Review

The repertoire for this fabulous program - A WONDROUS SOUND, showcasing the full force of Lyric’s amazing orchestra and chorus,…

Citadel's 'A Jukebox for the Algonquin" - The Reality of Life in a Senior Center sets the Stage for Tunes, Friendship and Rebellion!

20 April 2025 in Theatre in Review

Citadel’s latest production, A Jukebox for the Algonquin, truly captured my heart. It’s a refreshing reminder that as we age,…

A Night to Remember Aboard Marriott Theatre’s Titanic

17 April 2025 in Theatre in Review

As a lifelong aficionado of the ill-fated ocean liner RMS Titanic, I’ve always gravitated toward any experience that would leave…

The Artistic Home presents CUT TO THE CHASE festival of one-act plays May 1-4 at The Den Theatre

17 April 2025 in Upcoming Theatre

The Artistic Home Studio will present the 2025 edition of its annual CUT TO THE CHASE festival of new one…

Chopin Theatre & Gwydion Theatre present "Theatre of the Absurd" festival Eight Darkly Comedic Tales May 2 – May 25, 2025 | Chopin Theatre Studio

17 April 2025 in Upcoming Theatre

In an era that often defies reason, Chopin Theatre and Gwydion Theatre launch the first annual Theatre of the Absurd…

Pegasus Theatre Chicago announces cast for its revival of Shakin' the Mess Outta Misery

16 April 2025 in Upcoming Theatre

Pegasus Theatre Chicago and Director ILesa Duncan proudly announce the casting for the revival of playwright Shay Youngblood's Shakin' the Mess Outta Misery, which follows…

THE LOVE OF THREE KINGS Returns and Kicks Off the Opera Festival of Chicago, May 9 and 11

16 April 2025 in Upcoming Dance

The Opera Festival of Chicago announces the cast and creative team for The Love of Three Kings (L’Amore dei tre Re), with…

See Chicago Dance Announces the Return of Chicago Dance Month, May 31 - June 28, 2025

16 April 2025 in Upcoming Dance

See Chicago Dance, the dance industry's nonprofit service organization celebrating its 20th anniversary in 2025, is proud to announce that its popular…

Steppenwolf Theatre Announces LookOut's Summer 2025 Season

15 April 2025 in Upcoming Theatre

Steppenwolf's LookOut Series is pleased to announce its action-packed summer lineup of comedy, magic, storytelling, drag and more! The Summer 2025 Season…

Writers Theater Excels in Brian Friel's Funny, Complicated 'Translations'

15 April 2025 in Theatre in Review

Brian Friel’s “Translations,” now playing at Writers Theatre in Glencoe, IL, shows off the renowned Irish playwright’s signature skill in…

Chicago Shakespeare Theater announces casting for the NORTH AMERICAN PREMIERE of a new musical from the producers of SIX - 42 Balloons

14 April 2025 in Upcoming Theatre

Chicago Shakespeare Theater (CST) announces today the cast of the North American premiere of the new musical 42 Balloons. From the multi-award-winning producers Kevin McCollum (Oh,…

Chicago Shakespeare Theater announces a Bold 2025/26 Season of 12 productions

09 April 2025 in Upcoming Theatre

Chicago Shakespeare Theater (CST) Artistic Director Edward Hall and Executive Director Kimberly Motes announce today the 2025/26 Season. As the nation's largest year-round theater dedicated…

Tickets on sale April 11 for A Night of Mellon Collie and Infinite Sadness

09 April 2025 in Upcoming Theatre

Tickets go on sale Friday, April 11 at 10 a.m. Central time for the world-premiere performances of A Night of Mellon…

TWILIGHT In Concert Comes to Chicago

09 April 2025 in Upcoming Theatre

GEA Live and Broadway In Chicago in association with Lionsgate, today announced the highly-anticipated 60-city national tour of the first-ever TWILIGHT IN CONCERT ( www.twilightinconcert.com) will visit in…

Layers Unfold in “The Book of Grace” at Steppenwolf

08 April 2025 in Theatre in Review

In a masterful stroke of programming, Steppenwolf Theatre Company presents the Chicago premiere of "The Book of Grace," Suzan-Lori Parks'…

Theo Ubique and CPA Theatricals to co-produce SENTINELS, a play with music celebrating the contributions of women over the past 80 years, August 1-10

07 April 2025 in Upcoming Theatre

CPA Theatricals and Theo Ubique Cabaret Theatre today announced a co-production of the play with music SENTINELS, which imagines a…

KIMBERLY AKIMBO On Sale

07 April 2025 in Upcoming Theatre

Broadway In Chicago is thrilled to announce individual tickets for KIMBERLY AKIMBO, winner of five 2023 Tony Awards including BEST MUSICAL and the most…

GDC Spring Program Eloquently Distills the Vagaries and Splendor of Life Through Dance

07 April 2025 in Dance in Review

Dance performances can often be moving events but rarely do they hold the density, breadth and depth of emotions Giordano…

Chicago Shakespeare Theater Presents Lively Production of Sunny Afternoon

06 April 2025 in Theatre in Review

“It’s not us… all this mucking about with our sound.”   Sunny Afternoon is about many things. This is in…

‘Trial of Themistocles’ Shows Off Best of the Culture of Greece, and Chicago Jurisprudence

05 April 2025 in Theatre in Review

Walking into the Harris Theater for the “Trial of Themistocles,” I was expecting something translated from ancient Greek, togas, masks,…

A Hull Lot of Laughs: Titanique Makes Waves On Stage

02 April 2025 in Theatre in Review

All hands on deck Titanic fans! Get ready for a lavishly produced musical that boldly reimagines the Titanic story, navigating…

MOULIN ROUGE! THE MUSICAL is Now Playing

02 April 2025 in Upcoming Theatre

Welcome back to the Moulin Rouge! Broadway In Chicago is thrilled to announce the Tony Award® winning production, MOULIN ROUGE! THE MUSICAL is now playing…

Disney's THE LION KING Returns to Chicago

01 April 2025 in Upcoming Theatre

By popular demand, Disney’s The Lion King will return to Chicago for the first time since 2023, where the production played a sold-out…

Review: The Listeners at Lyric Opera of Chicago

31 March 2025 in Theatre in Review

THE LISTENERS has undergone several incarnations since the 2021 novel by Jordan Tannahill. It’s been a full-length movie, a TV…

IDENTITY PERFORMING ARTS: Spring Concert 2025 - 'Instinct' at Ann Barzel Theater (April 26-27)

31 March 2025 in Upcoming Dance

IDENTITY PERFORMING ARTS Presents Spring Concert 2025  “Instinct”   A captivating performance of four distinct works on April 26 & 27…

Dynamic South Chicago Dance Theatre at The Auditorium in one perf only, May 3

26 March 2025 in Upcoming Theatre

 The Auditorium (Chicago’s Landmark Stage® at 50 E. Ida B. Wells Drive) proudly welcomes back the eclectic energy of hometown favorite South…

Open Space Arts announces staged reading series and a powerful premiere for April through June

26 March 2025 in Upcoming Theatre

Open Space Arts (OSA), who recently won some of the top honors in the Joseph Jefferson Awards for 2024 productions,…

Review: 'it's been ten years since everybody died' at Open Space Arts

26 March 2025 in Theatre in Review

I’ve reviewed a number of shows at Open Space Arts (OSA) – I love the place – so I’m familiar…

Hell in a Handbag Productions' World Premiere of SCARY TOWN By Artistic Director David Cerda Directed by Cheryl Snodgrass April 9 – May 11, 2025 at The Clutch

25 March 2025 in Upcoming Theatre

Hell in a Handbag Productions is pleased to continue its 2024/25 Season with the world premiere of Scary Town, Artistic Director David Cerda's semi-autobiographical…

 

 

         17 Years and counting!

Register

     

Latest Articles

Guests Online

We have 307 guests and no members online

Buzz Chicago on Facebook Buzz Chicago on Twitter 

Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it.

*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.