Home

Displaying items by tag: I and You

Prolific, and routinely recognized as being one of the most produced playwrights in the country, Lauren Gunderson’s range is as impressive as the quality and popularity of her work.  Inspiration for her plays often springs from things she loves, with history and science at the top of the list.  They can also arise from sheer curiosity or when she notices a subject matter void.  I and You can be said to fall in both latter categories.  Now playing in Lake Forest’s Citadel Theatre, it burrows into the lives of people we don’t see enough on the theatrical stage, the young.  By centering on youth, she gives us an opportunity to better understand ourselves from a rarely observed perspective. 

In I and You, a genetic condition diagnosed at birth has Caroline (Amia Korman), now 17, homebound.  She used to be able to go to school, but the progression of her illness now has her doing remote learning exclusively.  With a wonderful wall of photographs and images covering its back wall, a not too frilly bedroom and her stuffed turtle make up her universe.  The only human contact she has is with her mother; someone we never see.  Understandably, she’s both surprised and alarmed when Anthony (Jay Westbrook) bursts into her room after a perfunctory knock on the door looking for help with a homework assignment.  Directed by Scott Shallenbarger, it’s a tense encounter.  Anthony’s Black, and there’s a tinge of racial fear detectable in the scene.  But through it we get a baseline on the character of these two young people; or at least on how they relate to other people.

Caroline’s prickly, defensive and sharp-tongued.  We soon detect too that she’s angry about not having a normal teenage life and psychologically weary of waking up to the possibility of imminent death every morning of her life.  Anthony’s just a regular pleasant teenager intent on getting an assignment done.  Sports, other interests and procrastination have put him behind the eight ball and, with the assignment due the next day, he’s a little anxious.  When he lets slip that he volunteered to team with Caroline on this project, he’s compelled to admit he did so because she was a topic of curiosity at their school, and he wanted to meet her.  Walt Whitman’s Leaves of Grass is the assignment and, despite being an avid B-baller, Anthony’s a big fan of Whitman’s poetry.  Beautiful and still groundbreaking 170 years after it was originally published, Whitman’s classic looms large over the entire play.  So much so you might find yourself checking your bookshelves for a copy when you get home to reacquaint yourself with the poet’s seminal genius.

Gunderson’s writing and Shallenbarger’s direction perfectly capture the almost exasperatingly rapid speed and quirky fluidity of teenage-ese.  Well matched in its fluency, Caroline and Anthony also happen to be very intelligent and willing, once trust is gained, to speak candidly to one another.  Something not easily done with someone who’s accustomed to closing herself off from a world that hasn’t given her much to believe in.  What Caroline doesn’t want is pity, especially in the form of reflexive or obligatory niceness.  It’s the reason she initially closes the door to kindness of any type from Anthony. 

Picking up cues from the way Anthony talks about his father, his love of jazz and his interaction with girls, she feels he has it all.  It’s a notion he quickly disabuses her of by revealing personal flaws and confessing to missteps he’s taken that bring balance to her perception of him.  Flashes of vulnerability that they both share lead to frank, thoroughly absorbing dialogues about death.  When she confesses her dream of being a photographer and travelling the world, and then demurs saying she knows it’s all fantasy, it's Anthony’s turn to bristle by demanding she “stare it down and don’t give up”.   Both young actors display a natural and refined intuition for their craft. The deeper their roles take them, the greater their appeal as they invest an uncanny honesty into their characters.  As they disclose more and more about themselves, barriers between them begin to quietly tumble.  Something that they both notice, resist, slowly accept and finally embrace. 

As with so many who share her craft, displaying the universal need for connection between people was a conscious goal of the playwright in I and You.  That the two characters be of different races or ethnic backgrounds was a casting condition for Gunderson in this play as well.  As the playwright has noted, it’s reflective of the real world and doing so created a silent but constant reminder of the arbitrary boundaries we create between ourselves.   As Caroline and Anthony gain deeper insights into each other, and as they explore together the wonders and possibilities Whitman’s words engender, the barriers separating them, including that of race, fade like a mist.  They quite unconsciously begin to focus on what they have in common.  An affection that only deep understanding arouses begins to germinate, preceding an ending that’s so startling it makes some people gasp. A shock that prods us to take stock of ourselves and the world we live in through a more illuminating and expansive light. 

Unobtrusive yet discreetly distinctive, David Solotke’s set design held insinuating touches that added notes of mystery to the play and Jodi Williams’ lighting during pivotal moments amplified its drama in hugely rewarding ways.  Paired with an exemplary story, very fine acting and discerning sure direction, Citadel’s production of I and You is a delight that can be savored long after the lights come up. 

I and You

Through March 23, 2025

Citadel Theatre

300 S. Waukegan Road

Lake Forest, IL  60045

https://www.citadeltheatre.org/

 

*You can also find this review featured on https://www.theatreinchicago.com/.

Published in Theatre in Review

A Hull Lot of Laughs: Titanique Makes Waves On Stage

02 April 2025 in Theatre in Review

All hands on deck Titanic fans! Get ready for a lavishly produced musical that boldly reimagines the Titanic story, navigating…

Disney's THE LION KING Returns to Chicago

01 April 2025 in Upcoming Theatre

By popular demand, Disney’s The Lion King will return to Chicago for the first time since 2023, where the production played a sold-out…

Review: The Listeners at Lyric Opera of Chicago

31 March 2025 in Theatre in Review

THE LISTENERS has undergone several incarnations since the 2021 novel by Jordan Tannahill. It’s been a full-length movie, a TV…

IDENTITY PERFORMING ARTS: Spring Concert 2025 - 'Instinct' at Ann Barzel Theater (April 26-27)

31 March 2025 in Upcoming Dance

IDENTITY PERFORMING ARTS Presents Spring Concert 2025  “Instinct”   A captivating performance of four distinct works on April 26 & 27…

Dynamic South Chicago Dance Theatre at The Auditorium in one perf only, May 3

26 March 2025 in Upcoming Theatre

 The Auditorium (Chicago’s Landmark Stage® at 50 E. Ida B. Wells Drive) proudly welcomes back the eclectic energy of hometown favorite South…

Open Space Arts announces staged reading series and a powerful premiere for April through June

26 March 2025 in Upcoming Theatre

Open Space Arts (OSA), who recently won some of the top honors in the Joseph Jefferson Awards for 2024 productions,…

Review: 'it's been ten years since everybody died' at Open Space Arts

26 March 2025 in Theatre in Review

I’ve reviewed a number of shows at Open Space Arts (OSA) – I love the place – so I’m familiar…

Hell in a Handbag Productions' World Premiere of SCARY TOWN By Artistic Director David Cerda Directed by Cheryl Snodgrass April 9 – May 11, 2025 at The Clutch

25 March 2025 in Upcoming Theatre

Hell in a Handbag Productions is pleased to continue its 2024/25 Season with the world premiere of Scary Town, Artistic Director David Cerda's semi-autobiographical…

Definition Theatre Defines the Crisis: 'Splash Hatch on the E Going Down'

24 March 2025 in Theatre in Review

In Definition Theatre's production of "Splash Hatch on the E Going Down," Kia Corthron's 1997 work feels unnervingly relevant in…

Kokandy Productions Announces Line-Up for CHICAGO MUSICAL THEATRE FESTIVAL Returning April 3 – 6, 2025 at The Chopin Theatre

22 March 2025 in Upcoming Theatre

Kokandy Productions is pleased to announce the official selections for the annual Chicago Musical Theatre Festival, a celebration and showcase of the…

Hive of Hilarity: Copley Theatre’s 'Spelling Bee' is a Buzzing Triumph!

21 March 2025 in Theatre in Review

I’m not holding back—Copley Theatre’s latest offering, The 25th Annual Putnam County Spelling Bee, is an absolute winner! I’ve seen…

The Search for Truth Turns to War in Oil Lamp’s Outstanding ‘The Lifespan of a Fact’

21 March 2025 in Theatre in Review

Don’t be deceived by the title.  The phrase “lifespan of a fact” sounds about as dry as the Mojave Desert…

Disability-inclusive company brings Frankenstein to Chicago Shakespeare Theater

21 March 2025 in Upcoming Theatre

A.B.L.E.—Artists Breaking Limits & Expectations—a Chicago-based nonprofit that creates theatre and film for, with, and by individuals with Down syndrome…

Invictus Theatre Presents Enchanting Production of The Winter’s Tale

20 March 2025 in Theatre in Review

Walking into Windy City Playhouse, audiences are immediately transported to somewhere new. Scenic Designer Kevin Rofls fills the space with…

Writers Theatre announces 2025/26 season

19 March 2025 in Upcoming Theatre

Artistic Director Braden Abraham and Executive Director Kathryn M. Lipuma announce Writers Theatre's 2025/26 season. The five-play season is marked by four productions never seen before…

About Face Theatre presents the return of Re/Generation Studio at The Alice at Goodman Theatre March 28-30, 2025

19 March 2025 in Upcoming Theatre

About Face Theatre announces the return of Re/Generation Studio, a weekend of community building, education, and performance to help build the future…

Steppenwolf Theatre Presents Broadway's Kelli O'Hara - April 18 & 19, 2025

19 March 2025 in Upcoming Theatre

Fresh off her critically acclaimed and Tony-nominated run in Broadway's Days of Wine and Roses, Steppenwolf Theatre Company and Mark Cortale are pleased to present…

Grand Opera that is Truly Grand: La Bohème at the Lyric

19 March 2025 in Theatre in Review

Going into “La Bohème” with little knowledge of Puccini’s masterpiece, I was just a naive theater-goer seeing it fresh at…

THE PHANTOM OF THE OPERA Returns to Chicago

18 March 2025 in Upcoming Theatre

Cameron Mackintosh is delighted to announce that a revitalized new production of Andrew Lloyd Webber’s legendary musical, THE PHANTOM OF THE OPERA, will play…

Marriott Theatre Continues 50th Anniversary Season with Tony Award-Winning Titanic the Musical - Opening April 16th

18 March 2025 in Upcoming Theatre

Chicagoland's longest running musical theatre, Marriott Theatre, continues its 50th Anniversary Season celebration with the epic production of Titanic The Musical, directed and choreographed by Connor…

Teatro La Plaza teams up with Chicago Latino Theatre Alliance for wonderful production of Hamlet at Chicago Shakespeare Theater

16 March 2025 in Theatre in Review

Ser o no ser   esa es la cuestión We are all familiar with Shakespeare’s iconic line: to be or not…

Announcing CityTalk: A Series of Conversations on Assimilation, Antisemitism and Culture

14 March 2025 in Upcoming Theatre

Theater Wit, in collaboration with the Crown Family Center for Jewish Studies at Northwestern and Northlight Theatre, hosts CityTalk: A Series of Conversations on Assimilation, Antisemitism…

Steppenwolf Theatre Presents THE BOOK OF GRACE - March 27 – May 18, 2025 - Chicago Premiere!

13 March 2025 in Upcoming Theatre

Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to continue its 49th season with the Chicago premiere of The…

Lyric Opera announces 2025/26 season, including major collaborations with Billy Corgan, avery r. young

12 March 2025 in Upcoming Theatre

Lyric Opera of Chicago today announces the company's 2025/26 Season, its first complete season under the leadership of new General…

BEETLEJUICE is Now Playing Through March 16

11 March 2025 in Upcoming Theatre

Beetlejuice, Beetlejuice… Beetlejuice! You’ve summoned him once again, Chicago— BEETLEJUICE is back for another hauntingly hilarious run! The edgy and irreverent Broadway…

The Auditorium proudly presents Parsons Dance One Night Only: Saturday, April 12 at 7:30 PM

11 March 2025 in Upcoming Dance

The Auditorium (Chicago’s Landmark Stage® at 50 E. Ida B. Wells Drive) proudly presents a special evening with Parsons Dance, the New…

The critically acclaimed hit production of Obliteration returns

10 March 2025 in Upcoming Theatre

Obliteration, LLC & The Revival Theater announce a limited engagement of Obliteration, written by Andrew Hinderaker, directed by Jonathan Berry, featuring Michael Patrick Thornton and Cyd Blakewell. Obliteration runs April 10-May 4,…

Red Clay Dance Company’s 16 centers perseverance and legacy in Vershawn Sanders-Ward Revival and Bebe Miller Premiere

10 March 2025 in Upcoming Dance

The Dance Center of Columbia College Chicago announces 16 by Red Clay Dance Company for three performances only, April 17-19, 2025, featuring Founding Artistic Director and CEO Vershawn…

Stand Up Together Comedy stars unite during Chicago fundraiser to support California wildfire victims Thursday, March 27 at Laugh Factory Chicago

10 March 2025 in Upcoming Theatre

Stand Up Together, a comedy benefit in support of artists impacted by the Los Angeles wildfires, hosted by Second City and SNL…

Luck Be a Lady Tonight: A Rollicking Review of Music Theater Works’ 'Guys and Dolls'

09 March 2025 in Theatre in Review

Following a string of successful shows, Music Theater Works has once again hit the jackpot with their 2025 season opener,…

 

 

         17 Years and counting!

Register

     

Latest Articles

Guests Online

We have 961 guests and no members online

Buzz Chicago on Facebook Buzz Chicago on Twitter 

Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it.

*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.