
"Funnyman", now playing at Northlight Theatre in Skokie, is a familiar tale about an artist who has reached the end of one phase of his career and has to either adapt to the new environs and trends in entertainment or retire to his old world , hopefully with his dignity intact.
George Wendt, lovingly known for his co-starring role as Norm in the hit series, Cheers, plays the lead character of "Chick", a vaudeville star abused as a child and later who was exploited as an adult in order to rehash, and cash in on, his tired old catch phrase "Wowsa!
Chick and his faithful agent, Milt Karp, played with real sympathy and humor by talented SNL alumna, Tim Kazurinsky, now makes Chick his only income by doing clownish Bromo Seltzer TV commercials.
After three years with no offers of theater work, Chick is finally offered a groundbreaking role in a French beatnik production that will bring his gifts to a new young audience and reinvigorate his career indefinitely - if he can pull it off. The flamboyantly gay director, played by Rob Lindley was a real comedic standout and his energy onstage reinvigorated the piece throughout the second act.
For much of the first act we only see that Chick is very depressed and like other funnymen we have known and loved - Robin Williams, John Belushi, Chick is only "funny' in public when he has to be - as a defense mechanism to get others to like him and finally, after hearing his catchphrase, to leave him alone.
His grown daughter lives with him after a prolonged absence when she was sent away as child to boarding schools. She presses Chick, Milt, and anyone who knew Chick in the early days and researches the library archives to find out why her father has always been so harsh and unapproachable to her. She also demands to know more about the mystery of how her beautiful showgirl mother suddenly died in a way that no one - least of all Chick - her own father will explain to her.
Although 'Funnyman" is billed as a comedy and there are several good laughs in it, the real satisfaction, and finally catharsis, comes to the audience as the underpinnings of the sometimes harsh world of vaudevillian entertainment come to light.
Apparently, Chick was used by his mother and father in what they called a "chaser act", meaning they "chase" the audience out of the theater at the end of the show. The thought being that the audience will be less likely to throw bottles and food at a couple holding a baby!
Chick learned as he got older that if he didn't make funny faces at as many as four shows, six days a week, he would not eat. When a four-year-old making funny faces ceased to appease the audience, the family's' routine morphed into what they called a "rough act" where Chick ended up being thrown across the stage for a laugh.
When one day he actually broke his collarbone after being tossed on stage, the stage doctor told his mother that he could not perform for a few weeks until it healed. His mother, whom Chick believes had sadistic tendencies, tells the doctor without flinching or humor, "No, he can go on, we will throw him underhand."
At one point Chick makes the observation that "Nobody takes comics seriously until they do something serious." For that reason this production, which was very satisfying as whole on many levels, reminded me of Michael Keaton's Oscar nominated role in the hit film "Birdman".
The audience goes in expecting to see and laugh at the warm, fuzzy, familiar "Norm” from Cheers but leaves feeling they have seen the full dramatic range of what a skilled actor like George Wendt is really capable of when given the right material.
It's a tragic irony reflecting on the seemingly endless well of insecurity that actors experience in general that in Funnyman they also quote the fact that "The hardest thing in the world... is comedy."
Great comic actors like Keaton and Robin Williams have forever been trying to prove that they are as "good" or as "gifted" as their more serious counterparts who tend to receive all of the Oscars and respect, when in reality as a skill, comic timing and comic writing are much, much harder to achieve. Comedic timing is quite simply a much rarer gift to be blessed with in this world, a true prolific comic, or comedian/writer is very, very rare indeed.
Chick's daughter played aptly by Amanda Drinkall finds an old news article about her mother and father performing together and notes that it is quite literally the only photograph of her father truly smiling that exists. Sadly it seems to her that she has never seen that smile on his face in real life - ever. I don't want to give away this important plot point about the tragedy of his wife's death but it shows that Chick was once a sweet, softie who finally had found happiness with his love, until it was taken away and never returned.
I loved the video touches with "I Love Lucy" and the Bromo commercial reenactment and the references to the golden age of Broadway including all of the agent to artist arguing and pep talking.
The set was functionally designed to keep the play moving quickly from scene to scene but I found myself wishing for more color, more definition, more character and less generalized nostalgia in each of the spaces. It felt a little sparse and depressing.
I highly recommend seeing this satisfying and ultimately encouraging and heartwarming ensemble type piece about overcoming your greatest fears regarding major transitions in one's life, even if one of your greatest fears, in this case Chick's abusive mother and weak father, are long gone from your life.
The fear of forgiving those events that have crushed you, and moving on to enjoy present life opportunities with your family and friends that are still here and do love you, must be faced and overcome.
Funnyman, clearly illustrates that if you cannot roll with the changes, especially in later years, then life itself becomes like Chick's life - a joke which has ceased to make people laugh, a bitterly boring and sad repetition of days without laughter or cheer - which is not a life worth living.
Funnyman is being performed at Northlight Theatre through October 18th. For tickets or more show information, visit www.northlight.org.
Cerqua Rivera Dance Theatre (CRDT), the Chicago-based dance company, is proud to announce its 2026 - 2027 season. In the coming year,…
Black Ensemble Theater continues its 50th Anniversary Season with the return of its outdoor musical celebration Fridays on the Green. The concert series is…
Award-winning Refracted Theatre Company is proud to announce the cast and creative team of I’m Gonna Marry You Tobey Maguire, written by Samantha Hurley and directed…
Broadway in Chicago’s latest offering at the Auditorium Theatre, & Juliet, bursts onto the stage with the kind of vibrant…
Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Alexandra C. and John D. Nichols Artistic Director Braden Abraham, opens its 35th Season…
Vape! The Grease Parody, a hilariously unhinged spoof of the beloved stage and film musical Grease, will make its Chicago debut at…
Idle Muse Theatre Company continues its 20th anniversary season with Witch, September 10 – October 10, written by Jen Silverman, directed by Idle Muse…
Broadway In Chicago is delighted to announce the highly anticipated return engagement of & Juliet, the hilarious, 9-time Tony Award-nominated jukebox…
The Heart of Gold Theatre announces the Chicago Premiere of An Intervention, a searing—and, for better or worse—timeless comedy by…
A Red Orchid Theatre, under the artistic direction of Kirsten Fitzgerald, is pleased to announce its 34th Season, featuring a world premiere adaptation…
Steppenwolf Theatre Company Artistic Directors Glenn Davis and Audrey Francis are thrilled to welcome veteran Production Stage Manager Laura D. Glenn into the company's world-renowned ensemble. Glenn,…
Chicago Tap Theatre (CTT) is proud to announce its Founder and Artistic Director Mark Yonally has been selected by the Preservation Committee for the…
The whole family can enjoy The Lizard y El Sol, returning by popular demand to 12 public spaces citywide this summer.…
Hell in a Handbag Productions, now celebrating its 25th year, is pleased to present a revival of the fan favorite Joan Crawford…
Award-winning Redtwist Theatre announced its 2026 - 2027 season, called the “State of Violence,” at 1044 W. Bryn Mawr Ave. last night…
Kokandy Productions’ HAIR revival lets the sunshine in this summer at the Chopin Theatre. Directed and choreographed by Brennan Urbi,…
The timeless magic of Arnold Lobel’s beloved children’s book series comes to life in the Marriott Theatre’s delightful production of…
Babes With Blades Theatre Company’s (BWBTC) 2026 season opens with a world premiere, yo ho., by playwright SMJ, directed by JD Caudill and fight choreography by Carly…
Following its critically acclaimed productions of Sweeney Todd and Into the Woods, Kokandy Productions once again celebrates the great Stephen Sondheim with a revival of his stunning…
Dave Malloy’s Octet is a musical with daring aspirations, currently gracing the stage in a powerhouse co-production between the Raven…
The Broadway musical - Disney's The Little Mermaid - will hit the Uptown Music Theater stage this summer in Deerfield,…
Welcome to Southie, a Boston neighborhood where a night on the town means a few rounds of bingo, this month’s…
Broadway In Chicago is thrilled to announce that single tickets for Tony® and Olivier Award®-winning OPERATION MINCEMEAT: A NEW MUSICAL, Entertainment Weekly’s #1…
Following last year’s smashing sold-out engagement, the Joan W. and Irving B. Harris Theater for Music and Dance proudly presents the return…
Oil Lamp Theater, currently at 1723 Glenview Road, announces its new future home will be at the former Ten Ninety Brewing Co.…
Nothing Without a Company (NWaC) is proud to announce five performances of The Trouble With My Hair: Coloring, Cutting, and…
Over the course of one night, through a haze of tequila, texting, and Taylor Swift, three teenagers banter, bicker, and…
Oscar Wilde’s The Importance of Being Earnest is one of the greatest farces ever written. His wordplay caricatured high society,…
Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, opens its new theater in Evanston with The Front…
A bold story about the controversial creation that reshaped women’s lives is the focus of The Birth of the Pill,…
Cerqua Rivera Dance Theatre Announces 2026-2027 Season
Black Ensemble Theater continues its 50th Anniversary Season with the free outdoor concert series Fridays on the Green August 14, 21 and 29, 2026
Refracted Theatre Company presents the Chicago Premiere of I’M GONNA MARRY YOU TOBEY MAGUIRE, Sept 18 - Oct 31
Redtwist Theatre Announces its 2026 - 2027 Season, "State of Violence"
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.