Displaying items by tag: Elvis Presley

You might not think of Starved Rock as a place to get your rock on, but last weekend the popular national park was jumpin’ to The King’s music during a three-day event that had premiere Elvis Presley impersonator Michael St. Angel belting out one classic after another. Often making the rounds from table to table during Starved Rock Lodge’s Tribute to the Stars Series dinner event, St. Angel had the blissful audience clapping along and often joining in for some of those choruses we know so well. With an abundant repertoire of Elvis classics and even some Bobby Darin, Jay and the Americans and Engelbert Humperdinck sprinkled in, guests enjoyed an action-packed two-set performance that ended in two standing ovations.

This is the third year in a row performing at the Starved Rock Lodge for Michael St. Angel where he entertained for both matinee and evening shows. St. Angel’s first set included many of Elvis’ earlier hits including “Return to Sender”, “It’s Now or Never”, “Viva Las Vegas”, Darin’s “Mack the Knife” and also a very inspired rendition of Jay and the American’s “Cara Mia”. With the look, moves and a voice that puts him among the best of Presley impersonators, St. Angel’s tribute is thoroughly fun to watch and take part in.

Part two of Michael St. Angel’s enactment of The King was more about the Vegas years. Re-entering the room clad in Elvis’ trademark white jumpsuit to the theme of 2001: A Space Odyssey, St. Angel immediately jumped into “See See Rider” and aptly followed up with many greats such as “The Wonder of You”, “Bridge Over Troubled Water” and “Suspicious Minds”. Infusing even more energy into his show as the night went on, fans feasted on St. Angel’s enthusiasm and charisma to which it seemed there was an endless supply. Of course – the crescendo - it wouldn’t be a true Elvis concert without “American Trilogy”, and St. Angel didn’t disappoint, performing the song flawlessly before ending his show with the same song Elvis often ended his concerts, “Can’t Help Falling in Love”.

Michael St. Angel, located in the Chicagoland area, plays roughly fifty to sixty shows per year. Depending on the gig or request, St. Angel can perform with or without a full band and is available for corporate events, private parties, weddings and/or summer festivals. Should one not opt for a full band, St. Angel is accompanied by a serious sound system that is sure to rock the house regardless. Fans are also encouraged to drop by and check out Michael’s act on the fourth Friday of each month at Chef Shangi-La’s in North Riverside.

You can’t help but notice the fervor St. Angel has for Elvis’ music during his performance – and that’s what you really want in a tribute entertainer. It’s clearly not just a job but a passion – the passion to pass on Elvis’ legacy in a way fit for a king – or The King.  

For upcoming performances and more information on Michael St. Angel, visit his website by clicking here. For upcoming Starved Rock Lodge entertainment click here.

Northshore Center for the Performing Arts in Skokie was host to yet another spectacular Elvis Presley birthday celebration, The Elvis Tribute Artist Spectacular. This time celebrating birthday number 80, there was even a more special air around the theater. Fans filled the seats to capacity and sat back for a nostalgic trip to yesteryear when Elvis was king. Going through Elvis’ history in chronological order, we were able to experience a career first hand had by no other.

After warming up the crowd with a few numbers by The Blackwood Quartet, one of Elvis’ favorite gospel groups, Cody Ray Slaughter and Ryan Pelton took turns performing as Elvis from the mid-1950s through the movie years that spanned through 1968. Not only did the young Slaughter have all the early Elvis moves down to a science – arms swaying rhythmically about and feet immersed in fancy footwork to the beat, but his voice and subtle mannerisms were so dead on it made the illusion highly believable the moment you let your guard down.

It was nice to also hear so many songs that were not from the popular hits catalogue. With a nice selection from the movie King Creole (title track, “Hard Headed Woman”, “Trouble”, “Crawfish”), Viva Las Vegas (What’d I Say”, “C’mon Everybody”), G.I. Blues and a few other fave Presley films, we were met with a well-rounded Elvis spectacular that the truest of fans certainly enjoyed. We were also treated with the hits that made Elvis…well, Elvis. From “Heartbreak Hotel” to “Teddy Bear”, it was a true Elvis musical feast.

Not only was each performer backed by a full band complete with a horn section, but original Elvis drummer D.J. Fontana took to the stage to play along on the first few songs. And though the 83-year old legend may have lost a step or two, he sure hasn’t lost the beat. Also, performing backup vocals besides The Redwood Quartet were the Sweet Inspirations including the great Estelle Brown who sang with Elvis from 1969 through his untimely death in 1977. The absolute thrill to witness the performance of two Elvis bandmates was simply breathtaking.

After a brief intermission the show recreated an early 1970s Elvis concert. Here we hear the later Presley classics like “In the Ghetto”, “The Wonder of You” and opening number “See See Rider” brilliantly performed by Shawn Klush decked out in a white, high-collared jump suit. Almost like a second show in its own right, the hour-plus set was an energized one as Klush also gave an animated performance of “Suspicious Minds” before ending the show with the appropriate “American Trilogy” to the lowering of a giant American flag behind the performers.  

The Elvis Tribute Artist Spectacular was an amazing show despite a near tragedy when a stack of amplifiers fell onto the drummer’s leg (not D.J Fontana). After a few minute timeout, he was helped off stage while one of the guitarists filled in on the drums, but later returned after the intermission.  

This is a highly recommended show – a show that Elvis himself would be proud of.

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One could only picture what would have happened should four of the greatest rock and roll pioneers ever stepped foot in the same studio at the same time. And just imagine if the above referenced were Elvis Presley, Jerry Lee Lewis, Carl Perkins and Johnny Cash. Well, one winter afternoon in December of 1956, that’s exactly what occurred when these four music trendsetters met unexpectedly at Sun Records in Memphis, Tennessee. Though no one really knows all the details of what happened during that meeting, most are quite certain a jam session like no other took place, later earning the four the nickname “The Million Dollar Quartet”.

Currently playing at Harrah’s Showroom at Harrah’s Hotel & Casino in Las Vegas and at the Apollo Theatre in Chicago, Million Dollar Quartet brilliantly takes its audience into the Sun Records studio where it combines theatre with a truly entertaining rock and roll show. Filled with jaw-dropping singing and instrumental feats, Million Dollar Quartet in fact conveys the excitement of mid-1950’s rock music while at the same time providing viewers with a good feel for the time period itself. Let’s focus on the Las Vegas production, which is certainly on par with Chicago’s.

Million Dollar Quartet does not require elaborate set changes, taking place entirely in a recording studio (Sun) converted from an auto parts store. The show makes its mark as one of the hottest shows on stage thanks to its amazing musical performances, well-defined characters and a storyline that perfectly delivers the enthralled, but forceful supposition of “What could have been?” The story also points to the importance of Sun Records and their impact on the music world, mainly owner Sam Phillips (superbly played by Marc D. Donovan) and his ability to recognize and shape the talent of each recording artist, by having them reach inside themselves.

What contributes greatly in making Million Dollar Quartet so special is the incredible cast they managed to assemble. Not only does the Las Vegas cast deliver the personality traits and behaviors of each, including Jerry Lee Lewis’ dancing eyebrows and Elvis’ sneers and unique body language, but it is each actor’s ability to convincingly sing as their character along with their musicianship that takes this show to a much higher altitude.

At times, Martin Kaye literally makes the audience forget they are not watching the real Jerry Lee Lewis with his maniacal piano playing intertwined with the showmanship that helped the rockin’ pianist become famous. Robert Britton Lyon’s sizzling guitar licks and strong vocals makes a highly believable Carl Perkins, while Benjamin D. Hale nails Johnny Cash with spot on singing and his ability to capture his live qualities. Justin Shandor who first stuns the crowd with his accurate rendition of “That’s All Right” and then later seals the deal with a classic performance of “Hound Dog” plays Elvis Presley. The cast is rounded out by studio session players Fluke (Mark Ferratt) and Jay Perkins (Josh Jones) who are a show worth watching in their own right, and Felice Garcia plays Elvis’ Girlfriend Dyanne that joins in the jam session with a couple songs of her own including an inspired version of “Fever”.

Million Dollar Quartet starts off with a bang with “Blue Suede Shoes” and then continues to highlight memorable songs from each performer including “Folsom Prison Blues”, “Who Do You Love”, “Great Balls of Fire”, “Peace in the Valley” and many more. A good mix of concert and theatre, the show is heartfelt, entertaining and will be sure to leave a lasting impression, not to mention have many go searching through their record collection when they get home. This is definitely a show you want to check in while in Las Vegas that embodies rock n’ roll fun throughout and ends on a high note with its dynamic ending as a big Las Vegas show should.

Million Dollar Quartet is currently playing at Harrah’s Showroom in Las Vegas, the Apollo Theatre in Chicago and is also touring nationally. For more information visit www.milliondollarquartetlive.com. 

When you think of Las Vegas many things come to mind – gambling, bright lights, monstrous hotels and casinos to which one can easily get lost, glamorous showgirls, dry heated air, the Bellagio fountain, The Rat Pack, Bugsy Segal and Seigfried and Roy. But maybe the largest association one has with Vegas is none other than the King of Rock and Roll, Elvis Presley himself. After flopping in Las Vegas during the 1950s (they just weren’t ready for rock n’ roll), Elvis returned with a vengeance in the late 1960s and had several highly successful years as a residency and touring act until his death on August 16^th, 1977.

Since the King’s passing there have probably been more Elvis impersonators than one can count, and though most may go unnoticed, Trent Carlini does not. Formerly known as the Las Vegas Hilton where Elvis performed with regularity, Carlini currently performs an amazingly inspired tribute at what is now called Westgate Las Vegas Resort & Casino. Known as one of the best Elvis impersonators in the business, Carlini does not disappoint.

Set in the Shimmer Cabaret, a 350-seat theatre, fans are treated to a very intimate Elvis experience that is a true celebration of Elvis’ life and music. Trent Carlini packs an accurate, and highly entertaining, musical chronology into his 75-minute show that starts with Presley’s earliest hits like “Blue Suede Shoes” and keeps on rolling through the 1970s. Touching on the movie years, we hear classics like “Rock-A-Hula”, “G.I. Blues”, and of course “Viva Las Vegas”, before Carlini appears in that famous leather suit for some ’68 Comeback Special action. Carlini also dons Elvis’ legendary white suit for an emotionally stirring rendition of “If I Can Dream”.

“The King starring Trent Carlini” gives audience members a taste of Elvis Presley’s music in a way many thought could not be done. Carlini’s vocal ability to sound like Presley is haunting, his likeness almost uncanny at times, his movements right on and he even captures some of the late legend’s renowned charm whether it be in joking with the crowd or letting off a simple impish grin. Band members play along with Carlini but are not exposed until a few songs in, adding another dimension to the show. Expect a good amount of audience participation, as Carlini prods the crowd to sing along on occasion (or on their own!), invites the ladies to step up to the stage for a kiss, personally greets a good amount of the crowd during “Love Me Tender” and later passes out scarves to the adoring women in true King fashion.  

With each period of Elvis’ life, Carlini sports the proper attire from Presley’s Lansky collection to his well-known jumpsuits (complete with karate demonstrations). We get a little history lesson along the way though the main focus is on the music, as it should be in a tribute show. Pumping out the Elvis faves like “Hound Dog”, “Jailhouse Rock” (one of Carlini’s self-proclaimed top choices), “Burning Love”, “Can’t Help Falling in Love” and “The Wonder of You”, fans leave the theater feeling as though they got their full dose of Elvis-mania. The show concludes on an apropos note with Carlini’s powerful version of “American Trilogy” that really gets the goose bumps going. Carlini hits the song’s final note with precision and might – a note that so many other tribute artists substitute with a lower octave.

There is a huge variety of shows to see in Las Vegas, but this is one that should be on your must see list, Elvis fan or not. It is a show for all ages and one that anyone who likes to rock can enjoy. “The King starring Trent Carlini” is completely entertaining and thoroughly engaging. Trent is one of the best in the business and what better place than to relive, or get a taste of, the musical performance of Elvis Presley.

“Thank you. Thank you very much.”