Unlike many of the shows I review, which I’ve often seen in other productions elsewhere, I went into Music Theater Works’ current production of Legally Blonde blind. Other than the couple-decades-old movie the musical is based on, along with a covid-era TikTok fascination that my daughters had with a particular song from the show, I knew nothing about it. That’s always kind of refreshing, isn’t it?
Well, I went into the North Shore Center—always an enjoyable place to see a show—pretty much clueless and I left entertained.
You can tell director Mandy Modic has a real knowledge of, and love of, the source material and the show. Everything is thoughtfully laid out and beautifully executed. This is a put together show, just like the main character, Elle Woods.
Kayla Shipman, starring as Elle, has high heels to fill but she fills them well. As Elle grows and learns about herself, Shipman’s performance becomes more confident and assertive as the show progresses, making this the Y2K roman a clef the story calls for. The supporting cast sings, dances, and acts as Elle takes her journey—filling the show with the memorable people she meets. Korey White looms over proceedings as authoritative and suspect Professor Callahan. Amanda Handegan’s fitness-queen-turned-accused-murderess Brooke Wyndam brings us back to the days of the aerobics DVDs she’s shilling—before launching the show’s uproarious second act with an orange-is-the-new-black prison jump rope number. And Khaki Pixley’s hairdresser Paulette Buonofonte takes us to a whole other world every time we enter her salon, a realer world far from snooty tweed higher education or Greek life.
Each of the worlds we enter in this show are beautifully created by Scenic Director Shane Cinal. From Elle’s sorority house to the hallowed halls of Harvard to Paulette’s beauty parlor, each set pops visually and transports the audience.
But, like many good shows, it’s the ensemble that makes this one. Each and every member of this cast gives it their all. From sorority sister singalongs to a Greek chorus, from folks getting perms to a courtroom full of plot twists, the ensemble created each scene and populated it with movement, humor, talented vocals, and humanity. And each member received their moment to make the audience hoot and holler—with Isaiah Engram’s deliveryman Kyle getting the most hoots.
The movement of the show is thanks to the ensemble’s talent, but also features wonderful choreography by Mollyanne Nunn—she puts all of this talent to work in dance after dance and showtune after showtune, filling the stage and catching our eyes from every part of it.
Oh, and that TikTok song I mentioned before? That’s here, too. Morgan Schoenecker leads Elle and the ensemble through the “Bend and Snap,” and the number hasn’t lost any of its charm—for the audience or for the aforementioned daughter who was watching Legally Blonde with me.
Like other shows I’ve seen at Skokie’s North Shore Center, this was a thoroughly enjoyable production. Music Theater Works and Mandy Modic take their audience back two decades to tell us a timeless tale, one you’ll find in Legally Blonde, playing now until December 29.
My companion was apprehensive about the press release’s statement that “… the two-person cast will play all characters and will…
Unlike many of the shows I review, which I’ve often seen in other productions elsewhere, I went into Music Theater…
Between a triumphant European tour and a highly anticipated return to North America, OVO by Cirque du Soleil has undergone a full ‘metamorphosis’ under…
Beetlejuice, Beetlejuice… Beetlejuice! You’ve summoned him once again, Chicago— BEETLEJUICE is back for another hauntingly hilarious run! Broadway In Chicago announced that tickets…
Broadway In Chicago is delighted to announce that individual tickets for CLUE, the hilarious murder mystery comedy inspired by the Hasbro board game…
Chicago Shakespeare Theater (CST) announces renowned Chicago director Ron OJ Parson will helm the North American premiere of Lolita Chakrabarti's Hymn, making his CST directorial debut.…
I fondly recall watching the 1964 children’s television special Rudolph the Red-Nosed Reindeer each year with great wonder! Its message…
Trap Door Theatre is thrilled to continue its 31st season with a production of the renowned play, The Mannequins' Ball. Written by Bruno…
Upon entering the beautifully decorated lobby of Teatro Zinzanni theater on the 14th floor of the Cambria Hotel, you are…
Just as there are many Santa’s around town, this time of year we have a wide selection of Christmas and…
Today, Hubbard Street Dance Chicago (HSDC) unveiled the full program for the second performance series of its 2024/2025 season, Season 47: Winter Series.…
David Sedaris, author of the previous bestsellers Calypso, Naked, Me Talk Pretty One Day, Dress Your Family in Corduroy and Denim, and regular…
Hell in Handbag is pleased to host a special weekend of benefit performances during its upcoming 25th anniversary edition of Rudolph the Red-Hosed…
The Hip Hop Nutcracker has returned to Chicago by popular demand and is now playing at Broadway In Chicago’s CIBC Theatre…
[Reviewer’s Note: I’ve been reading a book whose main character is inveigled by Word of the Day; hence, I’ve striven…
Like a lot of people, Louisa May Alcott’s Little Women has been mostly a cultural curiosity for much of my…
There is something magical about Chicago at Christmastime. Even if there is no snow on the ground, there is an…
Lights come down at the top of the show. We are clearly in a rehearsal hall as the ensemble lets…
Charm, romance and humor abound in the 2001 comedic masterpiece Lobby Hero by Kenneth Lonergan, the Academy Award-winning screenwriter of…
Immediately following the gastronomical excesses of Thanksgiving are the monetary investments and personal sacrifices we make for Christmas. At the…
“No man is a failure who has friends,” is to film what “God bless us everyone” is to literature. Frank…
The Conspirators are proud to present the world premiere of Ayn Rand's "It's a Wonderful Life" as Performed by the Conspirators…
Porchlight Music Theatre is proud to announce Fun Home: Behind the Show Backstory with Artistic Director Michael Weber, Tuesday, Dec. 10 at 7…
Broadway In Chicago is thrilled to announce MEAN GIRLS – the record-breaking new musical comedy adapted from the hit Paramount Pictures film…
After pausing its operations last year to reorganize and create a new business model, Chicago's Tony-Award winning Lookingglass Theatre Company is proud…
City Lit Theater has announced its cast and creative team for the Chicago Premiere of GLASSHEART, by Chicago-based playwright Reina…
Steppenwolf's cozy downstairs theater provided the ideal setting for an evening of outstanding and expressive dance by the highly acclaimed…
I arrived at the Goodman Theatre for the opening of its 47th annual production of A Christmas Carol, directed by…
If you’re looking for a way to entertain the children (or grandchildren) this holiday season that doesn’t involve long lines,…
In 1997, Disney came out with the most magnificent adaptation of Rodgers and Hammerstein’s Cinderella that has ever been made.…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.