Displaying items by tag: Doubt
Review - "Doubt: A Parable" at Writer's Theatre
When a play is produced as often as “Doubt,” each theatre company must ask of itself, why now? What can our company give to this work that another has missed? Over the past decade or so, it’s becoming nearly impossible to open a newspaper and not read a headline about sexual abuse in the Catholic Church. This play is endlessly topical, but can a play lose its punch if it’s overly produced? In Chicago alone we’ve seen several noteworthy companies take on “Doubt” and Writer’s Theatre is no exception.
Director William Brown has a unique vision for John Patrick Shanley’s Pulitzer Prize winner, and it’s remarkably effective in distinguishing this production. Staged in the Glencoe Union Church, this marks the first occasion Writer’s has done a site-specific engagement. It seems borderline blasphemous, but at the same time there’s nothing in the script that either supports or condemns organized religion. The highly atmospheric quality created by Brown even serves to underscore the authority of Sister Aloysius.
That said, Karen Jane Woditsch’s performance as the aggressive school principal is downright scary. Woditsch’s sharp features are constantly at work. There’s a contemplative, calculating look in her eyes throughout the show. It’s as if she sees right through you, just like she instructs naïve teacher, Sister James (Eliza Stoughton) to do. Her intensity in movement and severity in diction are on an entirely different level than the rest of the cast.
There’s a degree of ambiguity in Shanley’s text. Is Father Flynn guilty? It’s a choice the director and the actors must make. Without an actor’s certainty the role comes off as weak. Steve Haggard’s Father Flynn is very convincing, a fascinating choice considering so often Flynn’s character comes off as guilty from the get-go.
The well-being of a child is the central conflict in this briskly-paced work. The problem is the inherent coldness in this play. It’s beautifully worded, but highly mathematical in its structure. It’s too easy to be swayed by Sister Aloysius. Sister James exclaims that the school is run like a prison, and she’s right. It’s a different kind of child abuse. Given all the headlines and the tendency to be drawn to the salacious, it’s easy to overlook the lasting effects of educational system without warmth and life without grey area.
Through July 19th. Writer’s Theatre at Glencoe Union Church – 263 Park Avenue. 847-242-6000
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