Jeeves has returned and the ever-loyal valet is just waiting to get wealthy Londoner Bertie Wooster out of trouble – again. Quick-witted, reliable and extremely resourceful, Jeeves first order of business is always to keep a close eye on his charming and oft adventurous employer, Bertie, but in First Folio’s current production ‘Jeeves Saves the Day,’ he is tested to the fullest when Aunt Agatha and Cousin Egbert Bakewell enter the mix.
In the fifth play adapted by playwright Margaret Raether based on the ‘Jeeves’ stories created by P.G. Wodehouse (which began in 1915), chaos is afoot when Bertie desperately wants out of a marriage commitment. Rigid and stubborn Aunt Agatha will hear nothing or the sort. It’s going to take a small miracle for Bertie to get out of this one since the haughty Sir Roderick Glossip is the father of the bride to be. It doesn’t help that Cousin Egbert, loveable as he may be, is a handful of trouble and is hiding at Bertie’s home despite the family sending him to South Africa. Egbert is love-stricken after all, when a night out before his expected departure instead has him fawning over the sexy club singer Red Hot Maisie Dawson. He has no plans of going abroad now. It’s a frenzied mess and Jeeves is the only hope in restoring order to the family.
Jim McCance is a pleasure to watch as our hero, Jeeves. McCance’s droll and deadpan approach serves the character perfectly and he is a strong presence on the stage – a picture of stability amongst the disarray. Bertie is played by veteran actor and Chicago favorite Christian Gray. Gray is as dependable as it gets and delivers a remarkable performance once again. This is McCance and Gray’s fifth time performing together as the comical pair and their chemistry couldn’t be better. The two polished actors anchor a fantastic cast that includes Lucinda Johnston as Aunt Agatha, Sean Sinitski as Sir Roderick Glossop and Almanya Narula as Red Hot Maisie Dawson. Dan Klarer makes his First Folio debut as Egbert Bakewell and -wowza - does he leave an impression! Klarer’s hysterical portrayal of Egbert is something to behold. A throwback to The Marx Brothers, Three Stooges and the likes of Oliver Hardy, Klarer steals scenes throughout the entire production with one funny antic after another. Klarer not only gets to display his well-timed, comedic line delivery but coupled with a genuine knack for physical comedy, he is a force to be reckoned with. No shortage of talent here with this superb cast.
With an arsenal of such talent at his disposal, Director Joe Foust impeccably places all the pieces together to give us an engaging production that is entertaining from the word “Go”. Performed at the impressive Mayslake Peabody Estate, ‘Jeeves Saves the Day’ is a splendid stage presentation that everyone can enjoy.
‘Jeeves Saves the Day’ is being performed at Mayslake Peabody Estate in Oakbrook through March 1st. For tickets and/or more information, visit www.firstfolio.org.
It’s the big day. The most celebrated parade in the country, Macy’s Thanksgiving Parade, is about to set sail down 34th Street, of course passing Macy’s flagship store along the way. When a man who just happens to be named Kris Kringle (Neil Friedman) notices that the hired Santa for Macy’s is intoxicated he brings the matter to the attention of event director Doris Walker (Courtney Jones). But Santa is the grand finale of the parade! What to do? Thanks to a bit of quick thinking, and the fact that the complainant bears a striking resemblance to Santa Claus, Doris convinces Mr. Kringle to handle the role for the day who does so well he is later persuaded to take on the seasonal position as the store’s holiday attraction. Kringle’s a bit quirky. He actually believes he’s Santa Claus. But since he does so well with the hoards of children that come see him each day, the store is willing to overlook the fact that he might have a screw loose. After all, he’s harmless and her really has a way with children. He even speaks Dutch to a girl who does not speak English. Sensational.
Sound familiar? It should. It’s the story of Miracle on 34th Street and Theater at the Center has brought the 1947 film classic to life for the holiday season. An Academy Award winning film and a hit on Broadway since 1963, Theater at the Center brilliantly tackles the classic story with well-rounded cast that boasts an immense amount of talent.
The story revolves around the question – is Santa Claus real. Doris Walker’s daughter Susan (Stella Rose Hoyt) sure seems to thinks so, despite the fact that her mother has raised her not to partake in such silly beliefs. Doris’ friend and soon to be love interest, Fred (Christopher Kale Jones), is no help. He helps perpetuate Susan’s belief in Santa asking in so many words, “Why couldn’t he be real?”
When a disgruntled Macy’s in-house Doctor of Psychology deems Mr. Kringle insane and asks for him to be institutionalized, people rally for the self-proclaimed Santa and the matter is taken to court. The case is extremely publicized. Is Kris Kringle Santa Claus or just a delusional elderly man? Fred, himself, volunteers to represent Santa as his legal counsel in what becomes a well-paced, climactic ending.
Neil Friedman is perfectly cast as Kris Kringle. He brings a warm charm and playfulness to the role to give us a convincing character that we can’t help but root for from his very first scene. Courtney Jones gives us a strong Doris who is believable as the no-nonsense, protective mother that is withholding of a heart that so desperately wants to believe in holiday magic. And while Stella Rose Hoyt does a superb job as Susan and Christopher Kale Jones delivers a bit more of an aggressive and cocky Fred than movie buffs might be used to, we also get an ensemble that holds up to the best of 'em. But when it comes to the show’s most humorous scenes, it’s Dan Klarer’s outstanding portrayal of store manager, Marvin Shellhammer, that really delivers the laugh out loud moments.
Written by George Seaton and based on a story by Valentine Davies, the 1947 film starring Maureen O’Hara, John Payne, Edmund Gwenn and Natalie Wood has become a Christmas season tradition and the memorable music and lyrics by Meredith Wilson have given us the stage as yet another outlet to take in this charming and heartfelt holiday tale. Songs like “It’s Beginning to Look a Lot Like Christmas”, “Here’s Love” (the original name of the stage production), “The Man Over there is Santa Claus” and “Love Come Take Me” are as memorable as they are enjoyable to watch as they are performed.
The perfect extra touch for the Christmas season, Miracle on 34th Street the Musical is sure to inject holiday spirit into the hearts of your family and friends.
Miracle on 34th Street the Musical is playing at Theater at the Center in nearby Munster, Indiana through December 23rd. For tickets and/or more show information, visit www.TheaterAtTheCenter.com.
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