Displaying items by tag: Courtney Gardner
Invictus Delivers Exceptional Production of Lynn Nottage's Ruined
Invictus Theatre delivers the finest acting in Chicago. The current run of Lynn Nottage's 2009 Pulitzer Prize winning play 'Ruined' is no exception.
Originally commissioned by Goodman Theater, where Nottage workshopped it in 2007, 'Ruined' is set in the Democratic Republic of the Congo. It tells the story of sexual exploitation and abuse of women, where rape of women is a weapon used by warlords in factions battling within the Democratic Republic of the Congo.
The action takes place in Mama Nadi's tavern and brothel, where women are fed and protected by Mama Nadi, but in exchange for accepting a controlled exploitation. As Mama Nadi, Tekeisha Yelton Hunter is on stage most of the play, and rules as an actress who is fully immmersed in her role. Please order the Jeff now.
But most surprising is Courtney Gardner as Salima, a farmer's wife stolen from her garden, and enslaved at an encampment. Largely silent in her early scenes, Nottage teases out ever more of Salima, as she does with all her characters. In this evolution on stage, Gardner goes from quiet and retreating, to bitingly sarcastic, funny, even wise, and delivers the essence of the play's message in a shattering and tragic soliloquoy.
The production team includes Rueben Echoles, whose costume design was notable, and Kevin Rolfs came up with a set that is practical and functional, and realistic.
Goodman mounted the world premier of 'Ruined' in its 2008 season, and Nottage's script does not shy from the brutal facts. As an audience, we are spared directly witnessing the suffering and degradation leveled upon these innocent women, carried off and tied down in their abusers encampments. And yet their words, and the power of the acting in this Invictus show, delivers the story viscerally, bringing this reviewer to tears, to cry out in woe, to bury my head in my arms
This is the third play by Lynn Nottage I have seen. 'By the Way, Meet Vera Drake' was a homerun for me; both 'Sweat' and 'Ruined' seem to have a diffuse first act. But the second act in 'Ruined' is incredible, and at curtain, I realized how I was applauding for a dozen fully-formed characters that Nottage had built right there on the stage. She's good. And so is 'Ruined.' It runs through March 20 at Invictus new home, the Reginald Vaughan Theatre, 1106 W. Thorndale.
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