From the moment the sisters along with Mother Abbess sang “Maria” in one of the show’s earliest numbers, I knew I was in for a special performance. Their voices soared through the theater with a magnificence beyond what I had hoped. And when Mother Abbess (so richly performed by Susan Moniz) sang the final line in the song, “How do you hold a moonbeam in your hand”, it nearly brought tears to my eyes – just the beauty in her voice and the compassion within her words.
Paramount Theatre is currently taking on one of the most timeless musicals ever created in stage history in Rogers and Hammerstein’s “The Sound of Music”. And though many excellent renderings of this musical have come through Chicago over the past several decades, I can only imagine that this production would join the others among the best produced, casted and performed. From its majestic sets that seamlessly change from scene to scene to its large catalog of masterpiece musical theater numbers, this production wows the audience one scene after another.
The Sound of Music is based on the 1949 memoir penned by Maria von Trapp The Story of the Trapp Family Singers. The story was first staged on November 16th, 1959 at the Lunt-Fontanne Theatre before being released as a film in March of 1965 where it won just about every award imaginable, taking off internationally thanks in part to memorable performances by Julie Andrew and the late, great Christopher Plummer. Taking place in 1938 Salzburg, Austria, its story revolves around Maria, a wannabe nun that might not be quite ready for life in The Abbey. Wanting her explore life again on the outside before committing to sisterhood, the Mother Abbess sends free-spirited Maria to serve as a governess for the widowed Captain Georg von Trapp, a retired naval officer, where she would care for his seven children. Georg is strict and has distanced himself from his children since his wife’s passing. His children now answer to whistles and march as though they were in the military. Maria becomes intent on not only breaking through to the children (who are now on their seventh governess) but also connecting them once again with their father whom they once knew much more closely. While doing so, unexpected feelings emerge between Maria and Georg. At the same time, Nazi Germany is spreading throughout Europe, Austria being no exception. The beloved country was being annexed by Hitler’s dark empire. But Georg is a devout Austrian and refuses to serve under the Third Reich. So, then the story also becomes one of escape.
For a Sound of Music production to work well, Maria must be cast well. And in Paramount’s production, they have done just that. Alicia Kaori is extraordinary. She gives us a Maria who is playful, warm, understanding, loyal, devoted, brave and adventurous. She brims with confidence when needed yet occasionally wrestles with her doubts. Kaori’s vocals are also impressive - her range is remarkable.
The remainder of the cast is superb. As mentioned prior, Susan Moziz excels as Mother Abbess though excellence is also found in Christopher Kale Jones’ portrayal of Captain Georg von Trapp. He does a great vocally but also in capturing the captain’s exacting behavior while showing his vulnerability and his need for love again. With a cast so large, the standouts are plentiful. Included in that group would be Julia Aragon as the eldest von Trapp sibling, Liesl – one of the show’s highlights being her and Rolf’s (Michael Harp) rendition of “Sixteen Going on Seventeen”. Stephen Schellhardt as Max Detweiler and Nellie Shuford as Baroness Elberfeld are both quality additions and take on their roles with much aplomb. The children are fun to watch as their talent should not be overlooked, as well as the production’s ensemble roles.
Every aspect seems to have been taken in consideration while creating this production. The sets, massive and detailed, take us inside the von Trapp home so much that we, the audience, almost feel we are invited guests during the party scene and concert goers during the Sazburg Music Festival. The costumes are rich and painstakingly precise, giving the production an element of authenticity at every turn.
If you are already familiar with the story and are looking forward to hearing to hearing such classics as “Do-Re-Mi”, “Edelweiss”, “So Long Farewell”, “Climb Ev’ry Mountain” or its exhilarating title track, “The Sound of Music”, you will not be disappointed. If you’ve never seen the film or staged production before, you will undoubtedly become a fan.
Adeptly directed and choreographed by Amber Mak, this incredible production of The Sound of Music is being performed at the Paramount Theatre through January 14th. For tickets and/or more show information click here.
Highly Recommended!
In 1997, Disney came out with the most magnificent adaptation of Rodgers and Hammerstein’s Cinderella that has ever been made.…
In 1997, Disney came out with the most magnificent adaptation of Rodgers and Hammerstein’s Cinderella that has ever been made.…
What the hell is pantomime anyway? Will I be reviewing a game of Charades? Google to the rescue! But I…
The Chicago International Puppet Theater Festival is pulling strings to raise funds this fall, offering three exclusive sneak peeks of…
Oil Lamp Theater is proud to announce the cast and creative team for its first production of the 2025 season, The Complete…
Chicago theatres will present a wide variety of festive plays, musicals, dance, and comedy offerings this holiday season. In support,…
Steep Theatre will kick off the new year with the Chicago Premiere of David Harrower's A Slow Air, directed by Steep…
The Driehaus Museum and the African American Museum of Performing Arts (AAMPA) announce the casting for A Nativity Tribute, an adaptation of Langston Hughes' gospel…
Overall Citadel Theatre’s ‘Dames at Sea’ has a smashingly great cast of singers and dancers, perfect for a musical comedy…
When Francesca Zambello, director of The Glimmerglass Festival, commissioned an opera about race in America, the country was reeling from…
Even 40 years later, the AIDS crisis continues to shape American life. Long before Hollywood brought AIDS stories to the…
I thoroughly enjoyed Drury Lane's enchanting stage production of Disney’s The Little Mermaid from start to finish. While few are…
Pegasus Theatre Chicago is proud to announce the authors and plays being presented at the 38th Annual Young Playwrights Festival, January 5 - 26,…
Get ready to dive into the holiday spirit like never before on December 7th and 8th with A Christmas Cabaret…
“Every Brilliant Thing,” places unusual demands on its lead character, Narrator. Jessie Fisher delivers a carefully calibrated performance from a…
Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, continues its 2024–2025 season with Louisa May Alcott's…
Music Theater Works is proud to announce the cast and creative team for the final production of its 2024 season, Legally Blonde:…
After pausing its operations last year to reorganize and create a new business model, Chicago's Tony-Award winning Lookingglass Theatre Company, in association…
BrightSide Theatre has announced that it will perform the long-running hit Broadway musical JEKYLL AND HYDE in a concert presentation…
Hell in a Handbag Productions is pleased to open its 2024/25 Season with the 25th anniversary edition of Artistic Director David Cerda's* holiday classic Rudolph…
Sometimes history has a way of repeating itself and it’s not always for the better. Try as we might to…
Throughout our busy lives we often seek out the new. It is easy to see the allure. Beginnings offer a…
I've always had a deep fondness for the two timeless films Holiday Inn and White Christmas. These movies feature outstanding…
Due to popular demand, Steppenwolf Theatre is pleased to announce Jane Lynch's A SWINGIN' LITTLE CHRISTMAS has added a sixth and final performance to its nearly sold-out…
The Joffrey Ballet's critically acclaimed reimagined classic, The Nutcracker by two-time Tony Award®-winning choreographer Christopher Wheeldon, returns to the Lyric Opera House, 20 North…
Lifeline Theatre brings their first MainStage production of the 2024-25 season to the stage with Jacob Marley's Christmas Carol. Tom Mula's holiday tale…
Individual tickets for SHUCKED, the Tony Award® winning musical comedy The Wall Street Journal calls "flat out hilarious," will go on sale on…
Invictus Theatre Company’s latest production of The Tragedy of Macbeth, adapted and directed by Sarafina Vecchio, delivers a potent, intense…
Ngozi Anyanwu’s Leroy and Lucy, in its electrifying world premiere at Steppenwolf Theatre, takes the legendary tale of Robert Johnson’s…
I’ve delighted in Babes with Blades since they began in 1997, and they are never more delightful than when slashing…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.