Court Theatre’s world premiere of Berlin, adapted by Mickle Maher from Jason Lutes’ monumental graphic novel, is a breathtaking achievement. Directed with precision and deep sensitivity by Charles Newell, Berlin brings the chaos and beauty of Weimar-era Germany to stunning life on stage, rendered in an unforgettable 1930s noir style.
Lutes spent two decades crafting his sprawling graphic epic, and it’s clear Maher and Newell approached this adaptation with profound respect. The production’s black, white, and grey palette—designed by scenic designer John Culbert, lighting designer Keith Parham, and costume designer Jacqueline Firkins—immerses the audience in a city teetering on the edge of catastrophe. Every shadow and seam speak volumes, creating a world that feels both immediate and mythic.
Raven Whitley leads the ensemble as Marthe Muller, capturing a young woman’s vulnerability and fierce independence with magnetic grace. Tim Decker’s Kurt Severing carries the weary idealism of a journalist witnessing democracy’s slow death, while Ellie Duffey delivers a moving performance as the idealistic Silvia Braun. Elizabeth Laidlaw is harrowing as both Gudrun Braun and Adolf Hitler, offering a brutal glimpse into rising fascism.
Special mention must be made of Julia Rhoads’ fluid, expressive movement direction, which underscores the sense of a city swirling with ideas, danger, and desire. Sammi Grant’s expert vocal and dialect coaching ensures every character’s voice feels authentic—from Joseph Goebbels’ oily charisma (a chilling performance by Terry Bell) to the many Berliners struggling to survive an unraveling world.
Kate Collins, Mo Shipley, Jack Doherty, Guy Van Swearingen, Christopher Meister, Molly Hernandez, and Brandon Ruiter round out the exceptional ensemble, each carving out vivid portraits of citizens caught in history’s gears.
Watching Berlin today mirrors America’s turbulent political landscape with haunting clarity. From surging extremism to collapsing civil discourse, from journalism under siege to widening economic divides—these echoes ring too close to home. Berlin is more than historical; it is an urgent warning, a desperate plea, and a piercing call for vigilance.
Newell’s production reminds us that civilizations don’t collapse with a bang—they decay slowly, invisibly. Each small compromise, each overlooked lie, each quiet injustice piles up until the ground gives way beneath us. By then, we’ve sealed our fate, having watched our undoing unfold in slow motion.
Court Theatre hasn’t merely adapted a graphic novel—they’ve unleashed a theatrical thunderbolt. Under Newell’s visionary direction, Berlin transforms into something rare and electric: a defining moment of Chicago theatre that will be talked about for years to come. In a time when we desperately need art that matters, Berlin delivers with a punch that leaves you breathless.
HIGHLY RECOMMENDED
When: Extended through MAY 18TH
Where: Court Theatre, 5535 S. Ellis Ave.
Running time: 2 hours, 30 minutes 15-minute intermission
*This review is also featured on https://www.theatreinchicago.com/!
If our day-to-day lives were a collective color, it would probably be the color blue. Whether you are feeling blue,…
A fool and their money are soon parted as the old expression goes, but what do you do when that…
Broadway In Chicago is thrilled to announce that HADESTOWN, the winner of eight 2019 Tony Awards® including Best New Musical and the…
The National Hellenic Museum is thrilled to host an exclusive in-person event on Greek mythology with cast members from the national tour…
Stories that explore the emotional lives of men—especially Black men—are still far too rare on the American stage. Outside the…
Chicago Opera Theater (COT), Chicago’s foremost producer of new and rarely staged operas, proudly presents the world premiere of She Who Dared by…
Something extraordinary happens on a street in Huntsville, Alabama. Mr. Woods (Keith Randolph Smith), a hard-working Black man in the…
The Den Theatre today announced upcoming June 2025 shows at the theatre's Wicker Park stages at 1331 N. Milwaukee Ave., including "Anatomy…
I reviewed TITUS ANDRONICUS in mid-February, so I was eager to see the sequel! In TITUS, Shakespeare tells the story…
BrightSide Theatre, Naperville’s professional theatre company, has announced the cast for the final show of its 13th season – the…
Eight Chicago artists from diverse backgrounds and disciplines have spent the last eight months in residence at the Chicago Puppet…
“Spring Awakenings,” now playing at Chicago’s Greenhouse Theater Center, is not the Tony-winning 2006 Broadway musical “Spring Awakening,” but an…
Rosemont's Parkway Bank Park entertainment district (5501 Park Place, Rosemont) will turn up the volume this summer with the return of its…
Lisa Sanaye Dring’s play “Kairos,” which just opened at The Edge Off Broadway theater, is one of the most thought-provoking…
It was a night of celebration, reflection, and breathtaking talent at the Civic Opera House. Fifty years of song echoed…
Court Theatre’s world premiere of Berlin, adapted by Mickle Maher from Jason Lutes’ monumental graphic novel, is a breathtaking achievement.…
Chicago's Rivendell Theatre Ensemble continues to celebrate its 30th Anniversary season with the World Premiere co-production of Keiko Green's GORGEOUS, directed by Kirsten Fitzgerald. The co-production…
Broadway In Chicago is thrilled to announce that its free SUMMER CONCERT will return to Millennium Park on August 11,…
The Joffrey Ballet concludes its 69th season with two-time Tony Award®-winning choreographer Christopher Wheeldon's enchanting and family-friendly Alice's Adventures in Wonderland. Set to…
“Henry Johnson,” David Mamet’s new play running at the vintage Biograph Theatre, is like many of his works, enigmatic and…
American Blues Theater, under the continued leadership of Executive Artistic Director Gwendolyn Whiteside, presents the Chicago premiere of Artistic Affiliate Charles Smith's Golden Leaf…
The critically acclaimed Trinity Irish Dance Company (TIDC), a Chicago-based company whose internationally-celebrated versatility and percussive power have been hailed…
Hell in a Handbag Productions is pleased to conclude its 2024/25 Season with the world premiere of QUEEN FOR A DAY written by…
Early in the first act I whispered to my companion and said “I love this!” Extremely well written by Joshua…
The repertoire for this fabulous program - A WONDROUS SOUND, showcasing the full force of Lyric’s amazing orchestra and chorus,…
Citadel’s latest production, A Jukebox for the Algonquin, truly captured my heart. It’s a refreshing reminder that as we age,…
As a lifelong aficionado of the ill-fated ocean liner RMS Titanic, I’ve always gravitated toward any experience that would leave…
The Artistic Home Studio will present the 2025 edition of its annual CUT TO THE CHASE festival of new one…
In an era that often defies reason, Chopin Theatre and Gwydion Theatre launch the first annual Theatre of the Absurd…
Pegasus Theatre Chicago and Director ILesa Duncan proudly announce the casting for the revival of playwright Shay Youngblood's Shakin' the Mess Outta Misery, which follows…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.