Displaying items by tag: Champions of Magic

One of the things I have always thought that concerts and other live events had over theatre is the energy of the crowd afterward. While people certainly leave plays and musicals moved, impressed, or deep in conversation, there is often a certain reserve to the way theatre audiences spill out onto the sidewalk. That was not the case after Champions of Magic at Studebaker Theater.

Leaving the theatre, the crowd was electric. People of all ages and backgrounds were in full childlike awe, excitedly recounting their favorite tricks, debating the moments that scared or shocked them most, and trying (mostly unsuccessfully) to understand how any of it could have been done. At one point, while my friend and I were part of the herd heading toward the train, an older man turned to us mid-discussion and said, “Usually, I see tricks and, even if I don’t know exactly how they did it, I can wrap my head around it just being an illusion. That was true magic.” And it was – that’s the only explanation.

That reaction captures the biggest strength of the night: it makes magic feel genuinely special again. In an age when so much of our entertainment is filtered through screens, clips, and behind-the-scenes explainers, it is easy to think you have already “experienced” these kinds of illusions through television or YouTube. But seeing them live, in a room full of people gasping, laughing, screaming, and turning to strangers in disbelief, is a completely different kind of experience – one you can only get from the Champions of Magic, themselves.

The large-scale magic show runs upwards of 2.5 hours, including one intermission, and is loosely structured as a rotation between three featured acts: Young & Strange (Richard Young, Sam Strange), Liberty Laren, and Fernando Velasco. While each performer brings their own style and specialties, the show works best when it feels like a shared, collaborative spectacle. There is something especially exciting about seeing different magicians combine their individual strengths to create an experience that feels bigger, stranger, and more theatrical than a traditional magic show.

The company of Champions Of Magic - photo by Bill Axell.

The variety of tricks is especially impressive. Champions of Magic includes everything from classic illusions, like the classic woman-sawed-in-half, to large-scale and death-defying stunts, to more intimate pieces of sleight of hand with audience interaction. Some tricks are quick and funny; others are story-driven and beautiful. The show also includes bits of magic history, particularly through fourth-generation magician Liberty Larsen’s family history as the founders of the Magic Castle. This was one of the most interesting threads in the evening, and I found myself wishing there had been even more of that magical history woven throughout the show.

The production is also extremely audience - and family-friendly, with plenty of built-in participation. Volunteers are selected in playful ways, such as by launching ping-pong balls into the audience, and several children are brought onstage as assistants. That said, parents should be warned before intermission: the glowing “red light, green light” magic toy promoted during the show costs $30 in the lobby – much more than I expected and not advertised until kids were already next in line for their new toy.

Aside from the occasional product placement, the show’s biggest issue was with pacing. I understand that a production of this scale needs slower, smaller tricks for both budget and timing reasons, and not every moment can or should be a massive illusion. Still, for a show pushing two and a half, there were stretches that felt extensively padded with smaller-scale filler. Ironically, the grand finale had the opposite problem. It was packed with multiple incredible tricks, but they came so quickly - back-to-back - that there was barely time to absorb one astonishing moment before the next was already underway. A little more breathing room there would have made the ending feel even more satisfying, without risking exposing the secrets at play.

Even with those pacing issues, Champions of Magic is a very fun, very unique night out. It is bigger, more surprising, and more communal than I expected, and it reminded me how powerful live spectacle can be when experienced with an audience fully willing to believe in what they are seeing. Whether or not it was “true magic,” it certainly felt like it.

Originally scheduled to run through July 5th, Champions of Magic was extended before opening due to popular demand – now running at Studebaker Theater through August 23rd. Tickets are available at https://championsofmagictour.com/.

*Extended through September 2nd

Touring illusion show of five ‘Champions of Magic’ is playing at the Harris Theater for Music and Dance in Chicago, and it is a spectacle to behold. A well-rounded performance, it includes a duo act of British grand illusionists Richard Young and Sam Strange, British mentalist Alex McAleer, American close up magician Kayla Drescher, and Mexican-born escape artist Fernando Velasco. 

Opening the first act is Alex McAleer, who is as charming as he is capable of effortlessly guess your deepest secrets (or at least the name of your childhood friend). Mindreading is one of the most fascinating kinds of magic, as it doesn’t require any props and relies solely on manipulation techniques such as psychics and hypnotists use. I haven’t a clue how he does it, but still spend some time watching him very closely, which, of course, proves a waste of time, because McAleer is a very gifted mentalist and a remarkable showman. 

Kayla Drescher is a cheerful close-up magic performer, who has won multiple awards, including the Society of American Magician’s Presidential Citation and being voted “Magician of the Year”. Her cards act is very intimate, perhaps too intimate for such a large Theater. Though well executed, the cameraman’s presence just a few feet away (in order to project her act on the big screen for the audience to see) feels just a bit distracting. Drescher really shines when engaging the audience members, volunteering someone up on stage with an unassuming charm and then wowing the audience with her brand of [card] magic.

The most spectacular act belongs to Young and Strange. The comedic duo has gotten many tricks up their sleeves: some new, some old. Watching their performance took me back to my childhood, to when circus came to town and everyone went to see a famous illusionist. I was delighted to watch some of my old favorites, like, an assistant being cut in half and then put back together again. I mean, common, it’s a classic and should never go away! But Young and Strange dazzle with many of their original acts as well; they’re highly entertaining performers. 

‘Champions of Magic’ would not be complete without an impressive young escape artist Fernando Velasco’s act; at just 21 years old he is already the world’s youngest to perform magic’s most dangerous illusion, the Houdini Water Torture Cell. Though it’s slightly less spectacular due to the fact that the glass water chamber had become covered with fabric slightly too long, it’s nevertheless very well done. Velasco is a fearless performer, and undoubtedly has a bright future.

Overall, ‘Champions of Magic’ is a wonderful magic show featuring all of the stage magic’s various fields – recommended!

Through December 29th at Harris Theater for Music and Dance.