
A show somewhere between a play, standup act, memoir, and PowerPoint presentation. A show so chaotic you think it could never work. A show only Brendan Hunt could so perfectly pull off. Hunt’s solo performance is as hilarious as it is unexpectedly emotional, striking a balance between humor and trauma that only a child of divorce could pull off.
Hunt begins in 2022 with the story of the impromptu opportunity he had to meet Paul McCartney. Despite getting the opportunity by virtue of being a celebrity himself, Hunt – a lifelong, second-generation Beatles fan – was starstruck and wanted to tell Paul everything. He refrained, however, and thus The Movement You Need was born: a show where, instead, Hunt tells you everything he wanted to tell Paul. What unfolds is less a traditional narrative and more a kind of extended, often chaotic, and retrospective confession that uses that near-miss encounter as a framing device. It’s a clever but risky structure that gives the show both direction and elasticity, allowing Hunt to bounce between stories, timelines, and emotional registers (as well as lean into his personal neuroticism) without ever letting us forget that he’s fangirling to Sir Paul McCartney.
Loosely structured like a memoir, the show traces Hunt’s life from his earliest memories through adulthood and into fatherhood. Along the way, he paints a picture of growing up as a child of divorce and the son of an addict, filtering those experiences through humor that feels both self-aware and disarmingly honest. The performance leans into its rough edges in a way that works in its favor – featuring remarkably bad impressions, authentically cringey home videos, and stories that range from deeply processed to intentionally brushed past. Often, the line between curated and embarrassing is difficult to walk well (and such is the risk of making art) but as both a writer and performer, under the incredible direction of Ashley Rodbro, Hunt does so perfectly.
The evening, however, actually included more than one Brendan: Brendan Hunt, an avid Beatles fan, and an audience member who we will refer to as Brendan #2 – the lone, brave audience member who admitted to not being a Beatles fan at all. Centering a play around a fandom, even one of the largest of all time, is a premise that, on paper, might seem limiting. And yet, while Hunt’s love for the Beatles is the backbone of the piece, it’s not the barrier to entry you might expect. The show ultimately isn’t about encyclopedic knowledge of the band; it’s about memory, identity, and the stories we carry with us, as well as the way that we use something – anything – to form connections with those around us, even in the hardest of circumstances.
Technically, the production is just as thoroughly considered as the writing. The set strikes a careful balance between cozy realism and subtle nostalgia, creating a space that feels lived-in without becoming cluttered. Design elements – from Meredith Ries’s scenic work to Nick Solyom’s lighting, Kate Marvin’s sound, and Stefania Bulbarella’s projections – support the storytelling without overpowering it. Under the direction of Ashley Rodbro, everything feels intentional, giving Hunt the space to carry the show while ensuring the world around him remains fully realized and reflects his theatrical background, but never overpowering his performance.
Brendan Hunt’s one-man play-comedy-memoir hybrid is, from its writing to acting to production, one of the most cohesive and well-executed pieces of art I have seen in a long time. One big creative risk, the result is a show that feels less like something you watched and more like something you experienced alongside him. It’s funny, yes, and often wildly so – but it’s the emotional honesty underneath that gives it weight, turning what could have been a niche concept into something far more universal.
The Movement You Need: An Evening with Brendan Hunt is running at Steppenwolf Theatre through May 10th. More information and tickets are available at https://www.steppenwolf.org/tickets--events/seasons-/2025-26/the-movement-you-need/.
This review is proudly shared with our friends at www.TheatreInChicago.com.
Guarneri Hall, an intimate state-of-the-art, custom-built classical music venue in the heart of downtown Chicago, proudly opens its 2026/27 season…
Chicago Magic Lounge welcomes back acclaimed magician David Parr as its Fall Artist in Residence with David Parr: Time Traveler, a new theatrical experience…
A quick history lesson: Anne Bonny and Mary Read are two of history’s most famous female pirates. Both women disguised…
PrideArts' 2026-27 season will open in August with the world premiere of Chicago-based playwright Matt Schutz's WINDOWS, a comedy of LGBT…
The Tony Award® winning Best Musical, THE OUTSIDERS, based on the seminal novel by S.E. Hinton and Francis Ford Coppola’s landmark motion picture, returns to Chicago…
Chicago Shakespeare Theater (CST) announces the cast and creative team for Play On!, which opens the Theater's 40th Anniversary Season. This jazz musical tells…
Today, Goodman Theatre achieves a new milestone in its 100th anniversary season: Walter Artistic Director Susan V. Booth and Executive…
Kevin McCollum & Lucas McMahon and Mike Lavoie & Carlee Briglia, along with Broadway In Chicago announced today that Tony…
Lake Forest’s Citadel Theatre has announced the full cast and crew for its season opener - the satirical comedy EUREKA…
Rivendell Theatre Ensemble, Chicago's only professional theater that seeks to advance women through the power of storytelling, announces the cast for…
Two final shows in August mark the end-of-summer culmination of Collaboraction Theatre’s The Light youth training program. Look for The…
Definition Theatre is proud to present How We Got On, a mix-tape for the stage by playwright Idris Goodwin and directed by Tyrone Phillips. How We…
The nonprofit service organization 3Arts announces the date for its annual 3Arts Awards Celebration, a festive evening of dynamic performances by Chicago artists and the…
A new company, Heart of Gold Theatre, is presenting the Chicago premiere of Mike Barlett’s An Intervention. Bartlett is a…
Carmela misses her papi, because papi is missing some of his papers.Chicago Children’s Theatre presents Carmela Full of Wishes, a…
Promethean Theatre Ensemble announced today it will stage the Chicago premiere of BLOOD OF THE LAMB, by Arlene Hutton, a gripping two-woman,…
Metropolis Performing Arts Centre’s new staging of The Wizard of Oz sends audiences down the yellow brick road with a…
Jackalope Theatre Company is proud to announce the schedule for the 17th Annual Living Newspaper Festival, August 20 - 24, at the Jackalope Theatre…
Cerqua Rivera Dance Theatre (CRDT), the Chicago-based dance company, is proud to announce its 2026 - 2027 season. In the coming year,…
It may be the middle of summer, but for fans of Universal’s “Love Actually,” Christmas comes early this year. GEA…
Metropolis Performing Arts Centre, located in the heart of downtown Arlington Heights, 111 W. Campbell St., is proud to announce the cast…
Following multiple sold-out runs, "I Killed Andy Breitbart," the acclaimed 75-minute solo show, written and performed by Pam Dickler and directed by Drew Martin, returns…
Black Ensemble Theater continues its 50th Anniversary Season with the return of its outdoor musical celebration Fridays on the Green. The concert series is…
Award-winning Refracted Theatre Company is proud to announce the cast and creative team of I’m Gonna Marry You Tobey Maguire, written by Samantha Hurley and directed…
Eight Chicago artists from diverse backgrounds and disciplines have spent the past eight months in residence at the Chicago Puppet…
Broadway in Chicago’s latest offering at the Auditorium Theatre, & Juliet, bursts onto the stage with the kind of vibrant…
Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Alexandra C. and John D. Nichols Artistic Director Braden Abraham, opens its 35th Season…
Vape! The Grease Parody, a hilariously unhinged spoof of the beloved stage and film musical Grease, will make its Chicago debut at…
Idle Muse Theatre Company continues its 20th anniversary season with Witch, September 10 – October 10, written by Jen Silverman, directed by Idle Muse…
After a sold-out world premiere in December 2025, Broadway In Chicago is thrilled to announce The Unauthorized Hallmark(ish) Parody Musical will make its…
CHICAGO'S TYLER MEREDITH JOINS THE GLOBAL COMPANY OF THE ATTIC: THINGS I'VE SEEN WHILE LYING ON MY BACK
The Unauthorized Hallmark(ish) Parody Musical will play Broadway In Chicago’s Broadway Playhouse at Water Tower Place December 8—13
Steppenwolf Theatre Company Opens 51st Season with Revival of TOPDOG/UNDERDOG September 17 – November 1
yo ho. Delivers Queer Pirate Chaos, Big Laughs, and Fierce Swordplay
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.