
It’s refreshing to know there are lesser-known Stephen Sondheim and James Lapine collaborations to continue exploring. While ‘Into the Woods’ and ‘Sunday in the Park with George’ may endure as musical theatre opuses, later works like ‘Passion’ showcase these two brilliant artists’ legacy together. The relatively young Blank Theatre Company revives the 1994 musical at Greenhouse Theatre Center under the direction of Danny Kapinos.
Sondheim was inspired to conceive ‘Passion’ after seeing the 1981 Italian film ‘Passione d'amore’ which is itself an adaptation of an 1869 novel ‘Fosca’. With all those Italian titles, it’s no surprise that Sondheim’s ‘Passion’ is a chamber opera with nearly all the dialogue sung-through.
Themes of unrequited love, jealousy and despair along with a soaring score stir emotions in this one-act operetta. ‘Passion’ follows a young army general Giorgio (Evan Bradford) who is carrying on an affair with Clara (Rachel Guth) until he’s unexpectedly transferred where he meets the sickly Fosca (Brittney Brown). Fosca is the cousin of Giorgio’s commander, but it’s the doctor of the troop who suggests Fosca’s health would improve if Giorgio spent time with her. The only catch? She’s strikingly ugly. Fosca’s obsession with Giorgio deepens despite the fact that her fiery spirit is worsening her health.
Blank Theatre’s production strips this show down to minimal staging relying instead on the superbly talented cast. Right off the bat both Evan Bradford and Rachel Guth stun with their first duet. The intimacy of the space ups the emotional impact as the cast also performs seemingly without mics. Brittney Brown as Fosca is a revelation, though it would be untrue to describe her as unattractive. Her powerful voice is every bit as convincing as her heartbreaking performance in the role of the rejected lover.
As Giorgio gets closer to Fosca, he begins to resent her clinginess, but his sense of duty prevents him from entirely casting her off. Through letters and short visits, Giorgio’s passion for Clara fizzles. It’s in these scenes Rachel Guth’s beautiful voice and pathos-inducing performance really shine.
‘Passion’ has all the elements of great classic opera. The setting is somewhat historically ambiguous; the story is a little strange and the intense emotions all work together to make for an enthralling evening at the theatre. In fact, original Broadway audiences are said to have behaved in a way typically only seen in opera theaters. Evidently some 1994 theatregoers became so enraged by Donna Murphy’s Fosca antics they roared from the balcony, “Die already!” If a show can elicit that kind of response, it’s got to be doing something right.
If you’ve never seen ‘Passion’, Blank Theatre’s production is a great way to experience it for the time. Between the haunting set created by Hayley E Wallenfeldt and the cast of gorgeous voices, Sondheim and Lapine’s strange baby deserves its flowers.
Through August 10 at Greenhouse Theatrer Center 2257 N Lincoln Avenue. 773-404-7336
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