It's not often you see the words erotic and Dachau in the same sentence. Bent by Martin Sherman is one of the few literary works to address homosexuality and the Nazis. Under the direction of Keira Fromm, The Other Theatre Company presents this Pulitzer Prize nominated play as part of their freshman season.
Bent calls to mind many of the same themes and issues raised by Christopher Isherwood in his novel The Berlin Stories, later to inspire the musical Cabaret. What makes these stories so fascinating is the alternative narrative to the well-known story of Hitler's persecution of Jews. What many don't know is that the Nazi regime persecuted gays, gypsies, the handicapped or anyone who was different. Also, that non-Jewish Germans simply went along with the darkening tide, terrified or unaware of its ultimate goal: ethnic cleansing.
Sherman set out to write a play that mirrored his own time, a closeted late 1970s on the cusp of the AIDS epidemic. While there are some glaring historical inaccuracies in this play - he makes his point. Philandering Max (Nik Kourtis) lives both and in and out of the closet as it suits him, until he finds himself imprisoned at Dachau for "perversion." While en route, he befriends fellow "queer" Horst (Alex Weisman) who helps him stay alive. Over the course of their internment at Dachau the two become lovers in uniquely staged sexual encounters.
While the play is quite faithful to its source material, the direction could have been stronger. Weisman is quite sure of himself and turns in a top notch performance as tragic Horst. Kourtis on the other hand stumbles through the emotional peaks and valleys of his anti-heroic character. By now, there are countless literary interpretations of the Holocaust and what this particular production misses is the bewilderment victims of concentration camps must have felt. These characters never seem to step back and address the atrocity and disbelief of the exaggerated instances of cruelty in the script. They're prematurely numb to the horrors of camp life and in the end, the inherent sense fear doesn't translate to the audience in the way many other Holocaust dramas have succeeded. The underlying themes get a little mixed up and you're never sure exactly what The Other Theatre Company would like you to take away.
Through July 26th at The Other Theatre Company. 3829 North Broadway. (773)528-9696
In 1997, Disney came out with the most magnificent adaptation of Rodgers and Hammerstein’s Cinderella that has ever been made.…
In 1997, Disney came out with the most magnificent adaptation of Rodgers and Hammerstein’s Cinderella that has ever been made.…
What the hell is pantomime anyway? Will I be reviewing a game of Charades? Google to the rescue! But I…
The Chicago International Puppet Theater Festival is pulling strings to raise funds this fall, offering three exclusive sneak peeks of…
Oil Lamp Theater is proud to announce the cast and creative team for its first production of the 2025 season, The Complete…
Chicago theatres will present a wide variety of festive plays, musicals, dance, and comedy offerings this holiday season. In support,…
Steep Theatre will kick off the new year with the Chicago Premiere of David Harrower's A Slow Air, directed by Steep…
The Driehaus Museum and the African American Museum of Performing Arts (AAMPA) announce the casting for A Nativity Tribute, an adaptation of Langston Hughes' gospel…
Overall Citadel Theatre’s ‘Dames at Sea’ has a smashingly great cast of singers and dancers, perfect for a musical comedy…
When Francesca Zambello, director of The Glimmerglass Festival, commissioned an opera about race in America, the country was reeling from…
Even 40 years later, the AIDS crisis continues to shape American life. Long before Hollywood brought AIDS stories to the…
I thoroughly enjoyed Drury Lane's enchanting stage production of Disney’s The Little Mermaid from start to finish. While few are…
Pegasus Theatre Chicago is proud to announce the authors and plays being presented at the 38th Annual Young Playwrights Festival, January 5 - 26,…
Get ready to dive into the holiday spirit like never before on December 7th and 8th with A Christmas Cabaret…
“Every Brilliant Thing,” places unusual demands on its lead character, Narrator. Jessie Fisher delivers a carefully calibrated performance from a…
Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, continues its 2024–2025 season with Louisa May Alcott's…
Music Theater Works is proud to announce the cast and creative team for the final production of its 2024 season, Legally Blonde:…
After pausing its operations last year to reorganize and create a new business model, Chicago's Tony-Award winning Lookingglass Theatre Company, in association…
BrightSide Theatre has announced that it will perform the long-running hit Broadway musical JEKYLL AND HYDE in a concert presentation…
Hell in a Handbag Productions is pleased to open its 2024/25 Season with the 25th anniversary edition of Artistic Director David Cerda's* holiday classic Rudolph…
Sometimes history has a way of repeating itself and it’s not always for the better. Try as we might to…
Throughout our busy lives we often seek out the new. It is easy to see the allure. Beginnings offer a…
I've always had a deep fondness for the two timeless films Holiday Inn and White Christmas. These movies feature outstanding…
Due to popular demand, Steppenwolf Theatre is pleased to announce Jane Lynch's A SWINGIN' LITTLE CHRISTMAS has added a sixth and final performance to its nearly sold-out…
The Joffrey Ballet's critically acclaimed reimagined classic, The Nutcracker by two-time Tony Award®-winning choreographer Christopher Wheeldon, returns to the Lyric Opera House, 20 North…
Lifeline Theatre brings their first MainStage production of the 2024-25 season to the stage with Jacob Marley's Christmas Carol. Tom Mula's holiday tale…
Individual tickets for SHUCKED, the Tony Award® winning musical comedy The Wall Street Journal calls "flat out hilarious," will go on sale on…
Invictus Theatre Company’s latest production of The Tragedy of Macbeth, adapted and directed by Sarafina Vecchio, delivers a potent, intense…
Ngozi Anyanwu’s Leroy and Lucy, in its electrifying world premiere at Steppenwolf Theatre, takes the legendary tale of Robert Johnson’s…
I’ve delighted in Babes with Blades since they began in 1997, and they are never more delightful than when slashing…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.