“This Is Our Youth,” with mesmerizing performances by Kason Chesky as Warren, Grayson Kennedy as Dennis, and Annalie Ciolino as Jessica, is still vital and fresh nearly thirty years after its Off Broadway premiere. Playwright Kenneth Lonergan set it in 1982 during the Reagen era, but these 48 hours in the lives of three dissolute young adults read fresh and vital today as it did almost 30 years ago.
Much of that is attributable to the outstanding performances of all three actors in Gwydion Theatre’s production at Greenhouse Theatre. Under the direction of Andrew Shipman, this trio really gives voice to Lonergan’s deftly drawn characters - locked in their personal traumas and immersed in the travails of their emergence from their upper middle class homes to independence. It’s just a snapshot - two days - during which the characters have some of their best and worst moments.
The two-act play is simple and straightforward: 19-year-old Warren has been booted from his house by his abusive dad, a driven businessman, and secretly lifts $15,000 of dad’s cash as he heads out. Arriving at his friend Dennis’s apartment, suitcase in hand, Warren is a dweeb and awkward, totally aggravating, and we soon side with the more dynamic and charismatic Dennis, who doesn’t want the risk of harboring Warren and his cash.
But Dennis relents, and hatches a plan for the hapless Warren to replenish the missing funds that he has carelessly spent along the way. Here’s how Buzz editor Ken Payne described it in the 2014 Steppenwolf production: a hair-brained scheme where they would buy some coke, keep some for themselves, cut it and then resell it for a profit exceeding the amount needed to replace the full fifteen thousand dollars.
Though I saw the 2014 Steppenwolf version of “This Is Our Youth,” which starred Michael Cera and Kieran Caulkin, I liked this version much, much better. Cera, in the Warren role, was a one-note actor, and Caulkin had nothing to play against - I really didn’t notice how good the script was. In Gwydion Theatre’s sterling production, we quickly learn that these young men have a neurotically abusive relationship.
Dennis is an ill-tempered drug user and purveyor; and Warren weathers a constant barrage of his demeaning put-downs and mean-spirited physical jousting.
When Dennis departs to carry out the scheme, we have a chance to meet Jessica, and Ciolino’s performance is outstanding. Her character allows the other dimensions of Warren’s personality to unfold, and we gain empathy andrespect for the two as more fully emotionally developed individuals, especially compared to Dennis.
Throughout the play, the conversations deliver the exposition and backstories effortlessly, another tribute to Lonergan’s script, and why this play resurfaces so frequently, and remains fresh and meaningful. The two-act run time is over two hours plus intermission. But it grips our interest throughout, and never really falters. Chesky’s Warren is onstage nearly throughout, and he delivers a remarkable performance, but Kennedy and Ciolino are every bit his equals. The energy required of Kennedy in the role of the manic, drug-altered Dennis, may be a formula for stage burn-out, but he carried it off admirably on opening night.
“This Is Our Youth” comes highly recommended, and runs through September 28 at the Greenhouse Theatre Center on Lincoln Avenue in Chicago.
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