
When Black Sabbath formed in 1968, who would have guessed they would be playing a farewell tour 48 years later? In fact, after their notorious partying throughout the mid-1970s, who would have thought they’d all still be alive? But here they are, circling the world once more with a collection of Sabbath hits to satisfy their most hardcore of fans, and then some. Only original drummer Bill Ward sits on the sidelines, much to the dismay of Sabbath fans, thanks to a dispute between the famed band members. In the meantime, Ozzy Osbourne along with guitarist Tony Iomi and bassist Geezer Butler take to the stage Tommy Clufetos, Ozzy’s solo drummer. The tour, simply called The End kicked off in Omaha on January 20th.
Black Sabbath is not only responsible for countless bands in the metal genre as a true pioneer in their music field, they have also survived in many ways most bands could not. One of the few bands that maintained their success level after changing lead vocalists - Ronnie James Dio in 1979 then Ian Gillan in 1983 – Black Sabbath remained in the forefront of heavy metal and even found moderate triumph when switching to more unknown singers (Glenn Hughes, Tony Martin) before reuniting with Dio in 1992 for the Dehumanizer album. After bringing back Martin for two albums in the mid-nineties, the band found big success once again touring alternately with Osbourne and Dio. In 2013 Black Sabbath released their first album with Osbourne since 1978’s Technical Ecstasy, a release that received critical acclaim, modestly titled 13.
With dates scheduled through September, Black Sabbath’s second stop on their new – and final – tour was Chicago’s United Center. With crowd pleasing support from The Rival Sons, Sabbath started off their set by kicking into the powerful self-titled song “Black Sabbath”, a song that features the dreaded devil’s fifth. Naturally the band threw their most notorious hits into the mix like “Iron Man”, “N.I.B.” and “War Pigs”, but most impressive was their use of lesser played songs over the years like “After Forever”, “Fairies Wear Boots”, “Under the Sun” and a song they haven’t played live since 1978, “Hand of Doom”.
The set props were as basic as they should be for the metal icons – stacked amplifiers lined up behind the musicians and an overhead jumbo screen for the benefit of those with farther seats from the stage. It wasn’t until the last few songs that pyrotechnics were used, allowing fans to devote their focus entirely on the band and its music. While Iomi and Butler’s riffs were as punctual and deadly as ever, Osbourne struggled with his range often dropping out when attempting to hold a note or singing a key or two below the song as we know it. And so what. Osbourne’s performance was still inspiring. The now 67-year-old singer had command of the crowd since walking onto the stage, getting the arena to clap, cheer and shout simultaneously as had had been doing since the 1970s, but most of all he seemed to be having the time of his life – and that’s the Ozzy we all have come to know and love.
Black Sabbath played just one song of their latest release 13, “God is Dead?” though “The End of the Beginning” might have been the more desired choice off that album. Still, it was played with the flavor and power we can only except and Black Sabbath song to be played. Surprisingly, the band did not play anything off Ozzy featured albums Sabbath Bloody Sabbath or Sabotage, and not so surprisingly Never Say Die. Still, no complaints on their set list, as it was both fulfilling and played with the ass-kicking punch as only Butler and Iomi can deliver. Sabbath chose to incorporate a heavy dose of the Paranoid album, reaching into it for six of their set’s sixteen songs.
After rattling off a blistering version of “Paranoid”, the final number on the 13 Tour and finale for Sabbath’s previous Omaha date, Osbourne and company left the arena of screaming fans with an earth-shaking effort of “Children of the Grave”.
For metal lovers, seeing Black Sabbath perform is a must. For Sabbath lovers, you can’t really see them enough no matter what incarnation but especially with Ozzy himself at the helm. Fortunately, if you missed the United Center show, the band will return on September 4th at The Hollywood Amphitheatre in Tinley Park for their final goodbye to Chicago. After all, this is The End.
Set List United Center January 22nd Show
Black Sabbath
Fairies Wear Boots
After Forever
Into the Void
Snowblind
War Pigs
Behind the Wall of Sleep
N.I.B.
Hand of Doom
Rat Salad
Iron Man
God Is Dead?
Under the Sun
Dirty Women
Paranoid
Children of the Grave
Goodman Theatre’s Iceboy! arrives as a gleefully off the rails musical that blends Broadway glamour, Neanderthal chaos, and theatrical myth…
Is there anything more alluring than a summer night in Chicago? The lakefront beaches, the meandering pathways, the festivals and…
Opera Festival of Chicago continues its season with two mainstage productions - La Bohème and Adriana Lecouvreur - each featuring…
Marriott Theatre’s in‑the‑round intimacy turns A Little Night Music - which premiered on Broadway in 1973 and later became a 1977…
Giordano Dance Chicago (GDC), America's original jazz dance company, has announced its 2026-2027 "untamed passion" season. Highlights of the season include a November…
The musical Water for Elephants, presented by Broadway In Chicago and based on Sara Gruen’s 2006 novel, is the rare touring…
Overshadowed Theatrical Productions announced their 2026-2027 season entitled “Ordinary People, Extraordinary Moments,” which includes five main stage productions and special…
Kokandy Productions is pleased to announce full casting for its revival of Stephen Sondheim's stunning masterpiece Sunday in the Park with George, playing August 13 –…
Goodman's Centennial 25/26 Season concludes on a high note, with programming for all ages, interests and neighborhoods. The theater announces…
Anton Chekhov, a Russian playwright who was also a doctor, can claim a level of regard few writers achieve and…
Couch Penny Ensemble, in association with Theatre Arcana, presents the ambitious and experimental An Oak Tree, a raw, unconventional approach…
An extraordinary eight-person ensemble fuels the sweeping storytelling of A People - a production presented collaboratively by Arts Judaica and…
Lookingglass Theatre Company continues its tradition of staging visually inventive and thought-provoking world premieres with its latest production, Untitled Vampire…
What would you do if you found out your heritage wasn’t what you thought it was? In Tom Stoppard’s case,…
One of the things I have always thought that concerts and other live events had over theatre is the energy…
Following its recent winter production of Sister Act, Drury Lane Theatre returns to the convent with Nunsense, a light-hearted musical…
The League of Chicago Theatres announces the return of the "Thank You 5" summer promotion, running from June 18-July 3, 2026. "Thank You 5"…
You know him from “The Neighborhood,” “The Last O.G.,” “The Proud Family” and much more. Don’t miss your chance to…
Northlight Theatre's Board of Directors proudly presents Northlight Theatre's Grand Opening Gala, "Celebrating our Past, Building our Future," marking the culmination of the company's 50th Anniversary…
A Red Orchid Theatre is thrilled to announce a remount of its critically-acclaimed, father-daughter drama Birds of North America, returning for a limited…
Following an acclaimed extended run at Raven Theatre, Dave Malloy's "unique, ravishing and resplendent" (Chicago Theatre Review) a cappella musical Octet transfers to…
“Southern Rapture” quickly elicits loud guffaws from the audience, a heartening circumstancve, as it means playwright Eric Coble’s script is…
Marriott Theatre, Chicagoland's longest-running musical theatre, presents A Little Night Music, a Tony Award-winning musical from Stephen Sondheim and Hugh Wheeler that explores…
Mia Chung’s Catch as Catch Can, which premiered with Page 73 in New York in 2018, arrives at Steppenwolf Theatre…
Join the fun this summer as PlayMakers Laboratory (PML) celebrates a major milestone at That's Weird, Grandma's 25th Birthday, marking a quarter century of the…
Nate Bargatze’s Big Dumb Eyes tour made its stop at the Allstate Arena in Rosemont with the steady, understated presence…
BrightSide Theatre’s The Producers storms into Meiley Swallow Hall with the kind of swagger only Mel Brooks can inspire: brash,…
Those familiar with the Factory Theater space might feel themselves do a double take upon entering the theater for Two…
Tim Rhoze, Fleetwood-Jourdain's Producing Artistic Director, today announced the cast and production team for the company's upcoming production of IN THE…
Elmhurst Art Museum’s two new exhibitions feature a pair of artists with Midwestern roots whose outlooks and perceptions of the…
Goodman’s Iceboy! Is a Full‑Tilt Blast of Comic Mayhem
Opera Festival of Chicago Delivers an Assured, Full‑Hearted La Bohème
A Quietly Ravishing Night: Marriott’s A Little Night Music
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.