Displaying items by tag: Marriott theatre

The only "rotten" thing about this super funny and colorful production is the title, a line taken from a Shakespeare play. ‘Something Rotten’ is the latest comedy-musical at Marriott Theatre and is full of laughs.

I went to the show not knowing anything about its brief Broadway debut in 2015 and was completely surprised and delighted right out of the gate by the spectacular opening number “Welcome to the Renaissance!" The song is a full-cast extravaganza that makes fun of the conditions people were dealing with in the 1590's (like the black plague), yet also makes the audience realize that at that time the many inventions being brought into humankind awareness seemed really new and miraculous to people of the middle ages.  

Director Scott Weinstein does a fantastic job throughout and has perfectly cast the show with seasoned character actors and actresses who bring it to life with great energy and wit. 

The plot is about two brothers/writers Nick Bottom (KJ Hippensteel) and his brother, Nigel (always another great comedic turn by Alex Goodrich) who, like everyone else at the time, worship The Bard -Shakespeare, played really well  by Adam Jacobs (dressed in sexy  black leather rock star attire to woo the ladies). The brothers ask a soothsayer to give them the plot of a future hit play by Shakespeare. The plot of ‘Something Rotten’ jumps around quite a bit but is superbly funny anyway. 

There are many funny and incisive throwbacks from the past to the present like when Ross Lehman who plays both the soothsayer and a Shylock 0tells the brothers he believes that Shakespeare has made him a character in a play he believes will be titled “Shylock, The Really Nice Jew." Unfortunately, for the brothers, the play the soothsayer predicts that Shakespeare biggest hit will be called ‘Omelet’ not ‘Hamlet’ and the comedy just rolls right on from there. 

Nick Bottom's helpful, hardworking wife, Bea, is a great role for Cassie Slater and she knocks her numbers out of the park every time.  I also really enjoyed Rebecca Hurd as Portia. Portia is the daughter of the only creepy Priest who wants the actors and playwrights of the time to be taken down for crating impure thoughts through theater, which leads people to dancing, which leads to sin, etc.  

Hurd has a wonderful show-stopping number with ‘Bottom’ in which the two lovers discover that they are both really turned on by words! ‘Bottom’ serenades her ears with loving words set to iambic pentameter, and the couple have a hilarious yet heartfelt climactic release together onstage as they find their "word loving" soulmates in each other.  Another showstopper is the full cast blow out of the song "A Musical," which tips it hat to every great musical from ‘Cats’ to ‘Chicago’ to ‘Pippin’ and is jammed packed with spectacular costumes and clever choreography. 

All I can say is I went to the show hoping for the best from a musical I have never seen before and I got it!

I highly recommend this entertaining, delightfully funny musical with eye-popping costumes and really great laughs throughout to audience members of all ages. The director, crew and cast members including a superbly talented dance/singer ensemble of ‘Something Rotten’ have taken this show and revved it up into a fun packed "must see” production from the ever-solid lineup at the intimate Marriott Lincolnshire Theatre.

Through October 20th at Marriott Theatre.

‘Darling Grenadine’ is a completely original musical with music, lyrics and book all written by the extremely gifted Daniel Zaitchick. I'm often talking about how many musicals are derived from other sources and about how I long for a wholly original play to come out that can stand up to some of the great musicals of the past - and this production really delivers. Marriott Theatre’s stage in the round is the perfect setting for this unique and inspiring new production.

The lead character, Harry, is a songwriter who made a lot of money on one of his commercial jingles. But he often downplays his successful TV ad melody, contributing it to luck and four simple notes. The talented musician now struggles with high functioning alcoholism while trying to come up with his first real play. Harry is played by the amazing Heath Saunders who recently wowed Chicago audiences as Jesus in ‘Jesus Christ Superstar’ at The Lyric.

This part could have been written for Saunders and he deftly pulls the audience into his blossoming love affair with an up and coming Broadway actress, Louise, with all of the smooth Jazz romancing of a young Gregory Hines. Harry has secretly seen Louise appearing in her own show, the aptly titled ‘Paradise,’ more times than he can remember and at first comes off as a little bit obsessive compulsive but is rewarded when Louise played by the lovely and vocally expressive Katherine Thomas returns his affections and they fall deeply in love. 

The opening song “Swell" is really fantastic, a standard classic in the making,  as Harry tells his friends and all the world that he has finally met someone "Swell"  - someone SO swell, they go together like "peanut butter and jelly, like Tanqueray and tonic..".  Harry gently sways and dances around the stage like a lover in love with a grace and pure joy that is infectious to all around him.  

                                                                                                                                                   Heath Saunders and Katherine Thomas in 'Darling Grenadine'. Photo by Liz Lauren.

But alas, like many great artists who make enough money to live on before having their major breakthrough success, Harry has "too much time on his hands" and alcohol addiction causes him to run his relationship with Louise into the ground by being overly controlling even as he is trying earnestly to help her succeed in her own career which is also on the rise without his assistance.  

Nick Cosgrove (who has played the Frankie Valli role in ‘Jersey Boys’ on Broadway) plays his best friend and kind of adopted brother, Paul. Cosgrove is wonderful in this role as the show's anchor in relation to Harry's freewheeling, almost manic, enthusiasm for musical theater and his love for Louise but eventually their relationship becomes his inspiration for the show he has always been destined to write. 

Two dogs appear in the show, one being a marionette handled with full emotional expression by Phillip Huber with a voice created ingeniously by a trumpet played by musician Mike Nappi. Dog lovers be prepared, these two canines, one live and one animated are not played for comic relief but for reality and are a very crucial part of the story - some of the darker scenes in the play will move you to tears. 

I loved the sets and how many of my favorite New York scenes are romantically recreated including the skyline, city streets, the swank Jazzy Standards Bar. 

This show is already set for a New York production and I'm so glad. I agree with other audience members who felt that the fact that only two ensemble members were juggling so many supporting roles just by changing costumes got a bit confusing’ but that's my only note. 
I thoroughly enjoyed this show from beginning to end and although I wasn't at all expecting or prepared for the emotional roller coaster it took me on, felt that it tackled how addiction to alcohol or drugs can fan the flames of an important love affair and then extinguish those flames if not conquered successfully with help of your friends and especially your furry, canine friend's love and unconditional support. 

‘Darling Grenadine’ is being performed at Marriott Theatre in Lincolnshire through August 18th. For more information on this heartfelt production, visit www.marriottheatre.com.

I had a blast enjoying this production of ‘Footloose the Musical’ based on the 1984 movie starring Kevin Bacon and so did the opening night audience who roared their approval and stopped the show after the rousing rendition by Ariel played with real sass and excitement  by Lucy Godinez of "Holding out for a Hero." I had a blast enjoying this production of ‘Footloose the Musical’ based on the 1984 movie starring Kevin Bacon and so did the opening night audience who roared their approval and stopped the show after the rousing rendition by Ariel played with real sass and excitement  by Lucy Godinez of "Holding out for a Hero." 

Where have all the good men gone

And where are all the gods?

Where's the streetwise Hercules to fight the rising odds?

Isn't there a white knight upon a fiery steed?

Late at night I toss and I turn

And I dream of what I need

I need a hero 

I'm holding out for a hero 'til the end of the night

He's gotta be strong

And he's gotta be fastAnd he's gotta be fresh from the fight

I need a hero

I'm holding out for a hero 'til the morning light

He's gotta be sure

And it's gotta be soon

And he's gotta be larger than life!

Larger than life

Somewhere after midnight

In my wildest fantasy

Somewhere just beyond my reach

There's someone reaching back for me

Racing on the thunder and rising with the hea

tIt's gonna take a superman to sweep me off my feet

This production of Footloose the Musical directed with fantastic energy and humorous insight by Gary Griffin is the PERFECT show to see right now for young and old alike because it is all about real love and communication and doing the right thing in your own hometown even if there is opposition on all sides. 

The surface storyline is about a small town whose church leaders have banned dancing following a fatal car crash following a school dance.

  
Of course, the show is about dancing and there is AMAZING dancing choreographed with great sexiness and joy by William Carlos Angulo throughout this show. 

Aidan Wharton plays Ren, the kid who comes from Chicago and creates a stir throughout the town when he lobbies for the right to dance. With wonderful unabashed enthusiasm and a skilled dancer, Wharton is an even better dancer than he is a singer and that's okay because this show needs Ren to be a super-natural standout on the dance floor. 

This show is all about teenagers falling in love and dancing and being footloose and fancy free for the first time in a long time. In small towns when this play took place people were often wed to their first loves, so relationships between teens were highly monitored. 

When Ren arrives in the small town from bustling Chicago the local kids warn him that "eyes are everywhere” and that every move they make is dissected day and night. There is no place to escape this scrutiny and even explore their own feelings for each other - like a dance party.

This somber and slightly scary dance number really reflects how many teens today feel about growing up in the internet age. They are feeling the constant pressure " to post...or not to post" and either way people are watching them and if they post the wrong thing or don't post anything at all. People are still judging them 24/7 often finding their lives and actions lacking. 

Ren tells everyone he sees that he is restless and can't stop moving, so he dances around all the time - which makes him seem weird or suspect in itself to those observing him for the first time in this reserved town. 

At one point the adorable country nerd and bumpkin Willard Hewitt played (delightfully by character actor Ben Barker) says to Ren in distress about his new hope for a girlfriend - "She scares me! She is the fastest talking woman I've ever met!" Ren says honestly to reassure the awkward Willard, "She talks fast ‘cause she LIKES you! She's just horny for ya!" Ben is insecure because he can’t dance, but later there is a fantastic bit of physical comedy by Ben Barker as he learns that he really CAN dance with his new girlfriend, all he needs is rhythm, sway and a little loving encouragement from Ren and the other kids.

 
Ariel, the town pastor’s daughter, is involved with the town bad boy Chuck Cranston (Ryan McBride) who is slightly mean to her and pushes her around when she doesn't want to follow him.  Chuck claims he is the "best time to be had in this tiny town” and demands that Ariel follow him into his truck whenever new teen Ren is in sight. The chemistry between Ren and Ariel is obvious from the first time they see each other. 

Ryan McBride is a dead ringer for the actor Andy Samberg and has a similarly wry sense of comic timing. McBride is also a solid singer/dancer and stands out well in this production. 

Lucy Godinez is a great singer and actress with real fire in her eyes. Godinez plays Ariel as a strong, independent woman who has a secure sense of her own blossoming sexuality even though her father is the highly judgmental and protective Reverend Moore. 

Johanna McKenzie Miller as Ariel's mother, Vi Moore, is stunningly intelligent in her role as always and emits an essence of spiritual peacefulness that lends the whole play an anchor of calm, and quiet belief in her daughter and in others to do the right thing for ALL in the end. 

To me it is obvious that Ren's character is very much a Christ figure of hope and change in this show. Ren appears without warning in the small town where dancing has been banned by the elders for several years, yet he is so FULL of life and joy that he can't STOP dancing! 

At the crucial moment of judgement by the town as to whether they will allow dancing again, several quotes about the very positive nature of dancing itself are read to the council members from the Bible by Ren in Christ-like fashion: 

Psalm 149:3 Let them praise his name with dancing, making melody to him with tambourine and lyre!

Ecclesiastes 3:4 A time to weep, and a time to laugh; a time to mourn, and a time to dance

Psalm 30:11 You have turned for me my mourning into dancing; you have loosed my sackcloth and clothed me with gladness

Jeremiah 31:13 Then shall the young women rejoice in the dance, and the young men and the old shall be merry. I will turn their mourning into joy; I will comfort them and give them gladness for sorrow.

The whole show reminded me how important dancing really is in relation to feeling a sense of love and joy in your daily life. Director Gary Griffin mentions in the press kit that he chose this show in part due to the current oppressive and depressing political climate especially for young people, which is mirrored in 'Footloose.' 

Dancing is a thing I rarely take the time to do anymore publicly or privately and being reminded in such a colorful and glorious way by this production that dancing is actually "prescribed" as a healthy form of activity by God makes me want to dance around the best I can! 

Highly recommended for all ages. I suggest you see this show and get your Spring on! 

‘Footloose the Musical’ is being performed at Marriott Theatre through June 2nd. For more show info click here.

The skies full of snow,
The weekend seemed dire.
Oh, where would we go?
To Lincolnshire!

On the Marriott stage
To see Seussical,
Straight from the page
To a musical!

All your favorites are there,
Horton and a Who or two,
Gertrude and Mayzie,
We even go to Kalamazoo!

Oh, the thinks you can think
When you think about Seuss.
And the sings you can sing
When you let writers loose.

The play follows Horton
You know him, you must —
The kindly old elephant
With a speck of dust.

With Evan Martin as Horton
And Pat McDermott, moreover,
As the Who on the speck
And the speck on a clover.

But soon there is trouble:
A sour kangaroo
Played by Nicole Kyoung-Mi Lambert
Mocks Horton and his Who!

For the speck is a planet
Filled up with these Whos
Who’ve befriended our Horton
Who soon has the blues.

But Gertrude McFuzz
All bouncy and blonde
Played by Kelly Felthous
Of Horton is fond.

But Gertrude’s not all
No, no, no! No way, Jose!
She’s not the only
Star of this play.

There are Bird Girls galore
By gosh and by golly
Played by Michelle Lauto,
Mallory Madke, and Samantha Pauly

And the Wickersham monkeys
Onstage jump and sing,
Played by Alejandro Fonseca
Brandon Springman, and Ron King.

Horton hatches an egg,
Jojo yearns to be heard,
There’s even red fish and blue fish
Amongst all the birds.

Oh, I almost forgot —
Have you any guesses?
The Seussian favorite
Played by Jon Butler-Duplessis.

A feline who’s tall,
Nearly tall as his hat,
Hosted all the hilarity —
The Cat in the Hat!

On the faces of children
When the play was all done
Were smiles and giggles
Both sure signs of fun.

This musical’s a hit
But it won’t last too long —
Until March 31st
You can hear Seuss’ songs.

So if you’ve got wee ones
Who love Dr. Seuss,
Don’t miss this play,
You’ve got no excuse!

Through March 31st at Marriott Theatre - www.MarriottTheatre.com

Just imagine if you could be a fly on the wall during that infamous night when four legendary stars of rock and roll - Elvis Presley, Carl Perkins, Johnny Cash and Jerry Lee Lewis got together for one epic night at Sun Studios. That historic meeting had the young stars playing a variety of songs together while they shared their private sorrows and triumphs. Put it all together and you have the long-lasting recipe for success of the hit show "Million Dollar Quartet". Marriott Theatre is currently hosting the hit musical that actually plays more like a concert at times. 

Director James Moye uses the lovely theater’s in the round setting to create a new fresh and energetic staging of this show that will perk you up and make you feel the "sun" that must have been radiating out of the historic Sun Studios on December 4th, 1956 when these four young stars really did gather there to play on the same day. 

'"Million Dollar Quartet” is really an ensemble piece where all four lead characters also get a chance to shine individually during the course of the show. 

I have seen the show several times and even though these actors are playing monolithic stars and their memorable hit songs - each cast is totally unique. 

In this production Johnny cash played by Christopher J. Essex shines out as the best voice for Johnny Cash. Essex's deep rolling singing tones and gentle giant presentation are spot on and form an anchor for the entire cast to stay true to the singer they are portraying. Rustin Cole Sailors plays a nice, sensitive youthful Elvis and Shaun Whitley busts out with an excellent, rocking portrayal of Carl Perkins - blazing guitar playing and all. Marriott regular Laura Savage also impresses as Elvis’ girlfriend Dyanne, especially in her saucy rendition of “Fever”. Bassist Zach Lentino who play’s Carl’s brother Jay and Kieran McCabe who mans the drums are also a ton of fun to watch. 

But the real standout in this production comes from Nat Zegree as Jerry Lee Lewis. Zegree whose program biography states that he has played the role 350 times, is an animal in the role, prowling the stage and riding the piano like a tiger on speed. Zegree never loses sight of the brilliance of Jerry Lee Lewis piano chops and his ahead of his time, sexually charged rock and roll energy.  Zegree is a dancer, you can see that every step he takes, even while doing a headstand while continuing to batter the keys with ferocity and accuracy.

I've seen other actors play this role, but Zegree's interpretation and performance and piano playing is best I have seen. I imagine it must be difficult for an actor so multi-m talented to show off ALL of his talents in any other role. 

The show isn’t all rosy with four musical legends playing an impromptu one-night engagement. The story also delves into what an impact studio owner Sam Phillips (David Folsom) had on each of them – and how Presley, Cash, and Perkins outgrew the local music studio opting to go with big record labels like Columbia. Worry not, Phillips will be the first one to tell you he made out quite nicely.

A hearty soundtrack of favorite rock and roll classics light up the stage during the 100-minute play – toe-tapping hits such as “Blue Suede Shoes,” “Walk the Line,” “Sixteen Tons,” “Who Do You Love?,” “Great Balls of Fire,” “Folsom Prison Blues” and “Whole Lotta Shakin’ Goin’ On.”

I thoroughly enjoyed the entire cast and every number in this exciting, inspiring show which was perfectly timed for the "dead of Winter" here in Chicago to warm up sleepy audiences. Zegree's showstopping, prodigy-like talents and explosive energy is a performance I will remember for a long time and makes this already great production one of the "must see" shows of the season. 

Highly recommended.

“Million Dollar Quartet” is being performed at Marriott Theatre through March 16th. For more show information visit www.marriotttheatre.com.

Marriott Theatre brings yet another high-energy, song and dance production to its audience, this time mounting the regional premiere of ‘Holiday Inn’, a sentimental musical based on the 1942 film of the same name featuring the music of Irving Berlin and starring such great as Fred Astaire, Bing Crosby and Marjorie Reynolds. Directed and choreographed by Tony Award nominee Denis Jones and musically directed by Jeff Award winning Ryan T. Nelson, ‘Holiday Inn’ might just be one of Marriott’s greatest triumphs over the past few years.

“I am completely elated to revisit my work from the Broadway production of ‘Holiday Inn’ at the Marriott Theatre,” says Jones. It’s an honor to celebrate some of the greatest works of Irving Berlin and join forces with some of the most talented actors in theatre. With mesmerizing costumes and equally enthralling performances, audiences will leave with a few holiday surprises and a whole lot of holiday spirit.”

And though classics such as “White Christmas”, “Easter Parade”, “Blue Skies”, “Heat Wave”, “Be Careful, It’s my Heart” and “Shaking the Blues Away” are performed to perfection, it is the dance numbers in this production that truly steal the audience’s breath.

Jim Hardy (Michael Mahler) and Ted Hanvover (Will Burton) are best friends. The two entertainers have found a tremendous amount of success in New York as a song and dance trio that also stars Lila Dixon (Kimberly Immanuel). Lila and Jim are also quite the item and Jim wants nothing more to marry her. But the New York scene has run its course with Jim, so he also wants to hang up his tap shoes and take to the country. He proposes to his Lila, who accepts, and then shows her the deed to a farmhouse in Connecticut that he has just purchased in the hopes she would also want to give up show biz for a quiet life in the country. So, maybe he should have discussed such a major decision with Lila prior to making such a large purchase. When the three are offered a six-month touring engagement, Lila breaks Jim’s heart and hits the road with Ted. So it’s off to the country, alone, for Jim.

Dejected, Jim soon arrives at his newly purchased farmhouse ranch only to find Louise (Marya Grandy), a self-proclaimed “fixit man”, kind of comes with the house. In exchange for room and board, Louise will tend to the farmhouse but her title of “fixit man” extends much beyond the home itself. It isn’t long before the daughter of the previous owners, Linda Mason (Johanna McKenzie Miller), stops by to pick up some of the things that were left behind when the farmhouse was foreclosed upon. It isn’t long before a friendship develops and perhaps a spark ignites between them. It also isn’t long before Jim realizes farming might not be for him and longs for the stage again. And, as it turns out, Linda just so happens to have some performing experience of her own. But why go back to New York when you can bring New York to you? Just after Jim gets a surprise visit from a large group of performing friends, he comes up with the idea of turning the farmhouse into an entertainment getaway. After all, he’s got the floor space and plenty of rooms for guests. When his performer friends cannot commit to regular shows because of their own hectic schedules, it is decided shows will only be staged over the holidays – thus, ‘Holiday Inn’.

As chemistry builds between Jim and Linda, a drunken Ted reappears during opening night who briefly dances with Linda and soon has his sights on her as his new dance partner since Lila has left him for a Texas millionaire. Jim quickly finds himself in a similar situation, so we can only hope things will turn out differently for the all-around nice guy who may have found love once again.

‘Holiday Inn’ is filled with big, spirited dance numbers that are pure visual delights and the highlights are many. Will Burton’s recreation of Astaire’s “Let’s Say it with Firecrackers” is certainly one of them as he brilliantly taps his way around the stage with a bang – several bangs in fact. Johanna McKenzie Miller also leaves a strong impression, beautifully showcasing her amazing voice in such songs as “Nothing More to Say” and “White Christmas”. And throughout the talented dancing and singing offered in this production, Marya Grandy balances out the show with her incredibly funny performance as Louise, adding plenty of laugh out loud moments. A world-class ensemble that includes the familiar faces of Joe Capstick, Adam LaSalle, Laura Savage and Alejandro Fonseca pushes this musical into overdrive, while Lorenzo Rush Jr. as agent Danny Reed is a pleasure to watch in every scene he graces and child actor Patrick Scott McDermott also adds several moments of well-delivered humor.

Marriott Theatre presents a gem of a holiday treat that can be enjoyed by everyone. ‘Holiday Inn’ runs through January 6th and is highly recommended. For tickets and/or more show information visit www.MarriottTheatre.com.

The anti-fairytale is something everyone can get behind. Though there have many of these attempts over the years, Shrek is still the stand out, the one that broke the mold, the OG. Now everyone's favorite ogre is back in an  hilarious stage spectacle, based on the Oscar-winning, smash-hit film.

An unlikely hero, Shrek, is determined to reclaim his precious swamp from exiled fairytale misfits with the help of his wisecracking sidekick, Donkey. Together, they find themselves on a life-changing journey to rescue a princess who is locked away in an isolated castle guarded by a fire-breathing, lovesick dragon. Throw in a short-tempered bad guy, a royal wedding, and an evil curse and you've got the kind of mess only true love's kiss can fix!

The musical closely followed the movie, at times nearly line for line, even capturing the original line’s cadence and inflection. But the repetitive was broken up by clever musical numbers such as What’s Up Duloc?’,  ‘I Think I Got You Beat,’ and ‘Freak Flag,’ that enabled the show to stand out on its own. The musical adapted the magic of the play well with a life-sized version of the gingerbread man, a fire breathing dragon, and the stand out of the day, riding a motor-powered horse, Lord Farquaad played perfectly by Steven Strafford. As the actors, stagehands, and technical crews moved throughout the theater and on stage, the audience was transported to Duloq seamlessly.

The green anti-hero first premiered in 2001 and seventeen years later it still holds up in a form that young audiences can embrace and enjoy.

SHREK THE MUSICAL runs on most Wednesdays through Sundays at 10 a.m. with certain performances at 12:30 p.m. Visit MarriottTheatre.com or call 847.634.0200 for exact schedule, as show times and dates may vary. Single ticket prices are $18.23 per person. Groups of 20 or more receive a discount by calling 847.634.5909. Free parking is available at all shows. To reserve tickets, call the Marriott Theatre Box Office at 847.634.0200 or visit www.MarriottTheatre.com.

I was so excited to see this production of " Sweet Charity" partly because I remember Shirley MacLaine’s spectacular dancing in the film version of this very funny Neil Simon hit play. 

The main character Charity Hope Valentine, played with pizzazz by Anne Horak, is a dance hall girl who falls for all the wrong guys. Charity literally falls, as she is actually shoved into the water by one of her money grubbing "boyfriends" as he steals her purse before exiting her life. Anne Horak has all the charm and naivete of the original character and gives the play that breath of fresh air quality that keeps the audience from thinking that Charity is purely a victim of circumstance who is not smart enough to save herself from the predators that she and the other pay to dance women must fight off while dancing. 

Many of the girls are tempted into prostitution though the dance hall to make enough money to survive in the city, but Charity staunchly refuses to give in and keeps looking for her "husband and life in suburbia" by taking a self-improvement class at the YMCA. There she meets a funny, neurotic and at first kindly seeming fellow, played with scene stealing physical comedy by Alex Goodrich. 

Charity also meets and is befriended and told how special she is (but not molested) by an Italian movie star (Adam Jacobs) where she gets to deliver that trademark song from his hotel suite "If My Friends Could see me Now!" 

What is super interesting and modern about Neil Simon's script is that in the end, even the "nice guy" admits to Charity that if given the chance he will turn on her emotionally and ruin her life with his critical and jealous nature regarding her physical beauty and job as a dance hall girl - which could be compared with being a stripper in today's terms. 

But Charity, who has searched for love high and low, does not wallow in a depression nor does she attempt to kill herself. Rather, she picks herself up and begins again to live with Hope, which is after all, her middle name!

Bob Fosse's amazing choreography is spectacularly preserved and brought to life by choreographer and director Alex Sanchez and a highly GIFTED ensemble of dancers in all of the numbers especially 'Big Spender" and the jaw dropping "Rich Man’s Frug". The dancers; Terry Hamilton, Joe Bigelow, Elyse Collier, Lexis Danca, Alex Dorf, Alejandro Fonseca, Eben K. Logan, Hanah Rose Nardone, Adam Rogers, Laura Savage, Alex Smith, Kyra Sorce and Jessica Wolfrum - ALL deserve a mention by name. This dance ensemble moving in the demanding, super sexy, exquisitely detailed Fosse style arrogance while holding their long cigarette holders with their upturned noses in the air nearly brought the house down.

The entire cast's costumes were superbly designed with great eye-popping color and rich textures by Mieka van der Ploeg that really captured the mid-late 1960s as it transformed to a fashion with bright, swirling colors from the drainpipe jeans and capri pants that were so popular earlier in the decade.

I highly recommend this funny, engaging and uplifting production which is full of great comedy, song and dance and still memorable classic Broadway hits such as “Hey, Big Spender” delivered with real class throughout. 

“Sweet Charity” is being performed at Marriott Theatre through October 28th. Visit http://www.marriotttheatre.com for more show information and times.

The theater was clad in every hue of pink your eyes have ever seen: baby pink, fuschia, blush, rose, peach, flamingo, ballet slipper, I didn't know that was an official color until an audience member corrected me (I googled it, she's right). My husband and I did not get the memo and dressed our family in yellows and blues of summer. We should have known better. This was Pinkalicious after all, the dress code was not subtly implied. Luckily my daughter sported her pink unicorn shirt and her enthusiastic bouncing in her seat more than made up for the faux pas. After some technical difficulties and an announcement from the director the pinktastic, pinkeriffic, pinktacular show began.

Adapted form the beloved series of children's book by Victoria and Elizabeth Kann, Pinkalicious tells the story of Pinkalicious Pinkerton, a young girl with a penchant for pink cupcakes. Her parents warn her about the dangers of eating too many sweets, but her hunger can't be stopped. One morning she wakes up with pink hair, pink skin and pink clothes - yes, she's come down with pinkititis! It's up to her family to teach her moderation, and get her back to her normal color.

This play was surprisingly enjoyable. The Marriott theater's talented ensemble provided the perfect blend of professional acting combined with the laissez faire air of live children's theater. In short, they don't take themselves too seriously. While the beginning of the play post tech issues was a bit over the top, the lead too fake and utilizing a sickly too high-pitched fake kid's voice, the cast eventually settled into their roles, interacted more with the audience, and performed the second half with an ease and lightness that wasn't forced. The play also incorporated heavier themes like how boys can like pink too, and wove a unique story into the story with catchy numbers like “I got the pink blues,” and “Buzz Off.” At times it was the parents laughing more than the children, which only  the best children's shows can pull off. Overall, the overtly cute gave way to an adorable and simple story filled with good lessons and some one-liners we can repeat to our kids to continually reinforce good habits. That's right, you get what you get and you don't get upset kiddo!

This family friendly musical, which teaches the value of family and healthy living, is an enormous hit. It took off on Off-Broadway and their tour is quickly becoming a local theatre favorite. Every playdate and park trip has someone raving about it as much, if not more, than Hamilton. So get your seats today and  just remember dressing up in pink is highly encouraged! The tour plays Marriott Theatre in Lincolnshire, IL, until August 19, 2018. Tickets can be purchased at http://www.marriotttheatre.com/show/pinkalicious.

When we think of traditional whodunits, we think of a carefully plotted murder, a list of suspects, and an inquisitive detective who gradually pieces new clues together until the crime is solved. Marriott Theatre’s “Murder for Two” is just that, albeit a musical-comedy that stars just two actors taking on 13 roles. How is that done exactly? With a lot of precision, spot on timing and with a special actor named Jason Grimm who bravely takes on the roles the twelve party goers (all suspects) as well as the victim.

When a surprise birthday party goes bad and Great American Novelist Arthur Whitney is murdered, small town cop Marcus Moscowicz decides to use his sleuthing skills to find the killer since the nearest detective is an hour away. Everyone in attendance of Whitney’s birthday party are suspects including Arthur’s wife, Dahlia, who relishes in the thought of being a “murderess”, prima ballerina, Barrette Lewis, renowned psychiatrist, Dr. Griff, Whitney’s niece, Stef, who is studying criminology in college, an elderly couple that bickers every chance they get and a handful of other interesting characters. Moscowicz wants badly to make detective and the clock is ticking, giving him less than an hour to solve the crime before he must turn the case over.

Noel Carey stars as Marcus and does a bang-up job as the eager detective-wannabe, perfectly complimenting Grimm as he goes from suspect to suspect – and back again. Both Carey and Grimm take turns playing the piano whether it be for a musical number or just ambience music.

Directed by Jeff Award Winner Scott Weinstein, “Murder for Two” is a fast-moving, suspenseful ride that offers big laughs in rapid-fire succession.

“This production provides a fantastic evening of murder mystery, zany comedy, and true virtuoso performances. There are only two performers that take on 13 roles throughout the entire 90 minutes, “says Weinstein. “They not only remain on the stage for the entire show, but one or both of them are also playing the piano throughout. Whether you are a fan of comedy, mystery, or anything in between, this production will have you begging for more.”

Weinstein couldn’t be more correct. Grimm’s ability to go from personality to personality without pause is nothing less than astonishing. The script is rich with humor and holds the perfect amount of suspense. The set's impressive revolving stage keeps all the action moving - literally.

“It is 90 minutes of nothing but silly,” Grimm says. “One character accidentally incriminates himself. One character, for attention, loves the idea that she is a suspect and basks in it.”

Joe Kinosian and Kellen Blair are the writers behind this exciting comedy and Carey and Grimm couldn’t be better cast (Carey has starred as Marcus in the musical’s national tour).

Highly recommended.

“Murder for Two is being performed at Marriott Theatre in Lincolnshire through August 26th. For tickets and/or more information visit www.MarriottTheatre.com.