In Concert Archive

Displaying items by tag: Hard to Say I’m Sorry

Monday, 24 August 2015 17:51

Sweet Home Chicago

Chances are everybody knows a Chicago song whether they are aware of it or not. It’s nearly impossible to not had at least one of their melodies buzzing through your head at one time or another. When seeing them perform live it is almost amazing to hear how many hits they have manufactured during their heyday from the 1970s through the mid-1980s. After all, the band has received multiple music awards including a Grammy, they have been elected as Founding Artists to the John F. Kennedy Center for the Performing Arts, a star in their honor sits on the Hollywood Walk of Fame and they even have a street in Chicago named after them. Let’s also not forget that their record sales have topped the 100,00,000 mark. Not too shabby. Fortified with a vibrant horn trio, catchy choruses, spot on vocal harmonies and precise musicianship, Chicago is still putting on a highly entertaining shows decades after they released their first album in 1969, Chicago Transit Authority.

Returning once again to the city of the band’s origin, Chicago took the stage at Ravinia Saturday night for one of two nearly sold out performances. With a similar look to the past twenty or so years as far as band members go, Chicago ripped into one classic after another. Co-founders, Robert Lamm (keyboard/vocals), Lee Loughnane (trumpet/vocals) and James Pankow (trombone/vocals) led the march along with Jason Scheff who had joined the band in 1985 as Peter Cetera’s replacement.

The two-hour-plus set consisted of twenty-six songs and was split into two sets - a fifteen minute intermission in the middle. The first set was power-packed and included the hits “If You Leave Me Now”, Will You Still Love Me?”, “Look Away” and “Another Rainy Day in New York City”. As enjoyable as the first set was, the second was even better as one hit was churned out after another such as “Does Anybody Really Know What Time It Is?”, “Hard Habit to Break”, “You’re the Inspiration”, and “Hard to Say I’m Sorry/Get Away” to which to crowd got up from their seats at its energetic end and stood for the remainder of the show.  

Ending on a high note, Chicago finished off the set with “Saturday in the Park” just before the upbeat, feel-good “Feelin’ Stronger Every Day”.    

James Pankow practically put on a show by himself. Continuously strutting, dancing and interacting nonstop with the crowd, the spirited trombone player was key in keeping the energy level high. Pankow successfully proved that trombone players can be as cool – or at least animatedly squirmy - as any other musician. No doubt, the man was fun to watch. Chicago also put on one hell of a drum solo where Tris Imboden and percussionist Walfredo Reyes Jr. fiercely battled each other much to the delight of the audience. And for those wondering, yes, Robert Lamm’s voice was as rich as ever. In all, the components were fully in place for a well-round, and very fun, musical experience.

The band left the crowd with a one-two punch encore of “Free” followed by what is probably their most famous song of all, “25 or 6 to 4”. It would be very difficult to imagine a single person leaving disappointed after such a remarkable performance. As someone who had seen Chicago in 1982, the show was a great blast of the past, while to newer fans or first timers a glimpse into a great era of music that they may have never experienced first-hand.   

A Ravinia favorite for some time, one can only hope for Chicago’s 2016 return.

 

  

Published in In Concert

 

 

         17 Years and counting!

Register

     

Latest Articles

Guests Online

We have 390 guests and no members online

Buzz Chicago on Facebook Buzz Chicago on Twitter 

Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it.

*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.