Displaying items by tag: Carrie Compere

When I first saw The Color Purple more than a decade ago, it was the touring company that, at the time, featured American Idol singer Fantasia Barrino. Ten years ago seems like such a simpler time – a time in which the show’s star power and striking sets were the draw, a time where the play’s message was of course crucial and necessary, as it was 30 years ago when the film was made, or a few years before that when Alice Walker published her Pulitzer-winning novel that formed the basis for the motion picture and the musical. But ten years on, the current touring production of The Color Purple is one stripped of all frills, and more needed, as it present its stripped-down and powerful message at a time when our world has changed so much, in both the voices trying to tear it down, as well as those calling for positive change.

The show is playing at Adler and Sullivan’s masterpiece, The Auditorium Theater, usually quite a place to see a show. But I’ll get my sole nitpick out of the way here, and it has to do with the size of said theater. With the stripped-down feel of this production, the Auditorium’s vastness swallowed the show’s sights and sounds at times – the bare-bones set feeling small on the huge stage, the music finding its way into far-off corners and crevices.

That being said, the benefit of the above complaint is that the show’s power – both from its story and this cast – is allowed to shine. When the audience isn’t focused on nifty set-pieces and faces once seen on the TV screen, the message and the messengers become the focus.

First, the messengers. The cast is wonderful. Adrianna Hicks leads the way as Celie, going from beaten and beaten-down to proud and powerful. As the character finds herself and her own self-worth, Hicks stands a little prouder and sings a little louder. The source of much of Celie’s woe, Mister, is played by Gavin Gregory, whose voice cuts through the Auditorium’s enormity, and who plays the reverse of Celie’s route – from dominant to defeated – every bit as well as Hicks’ onstage journey. Carla Stewart is saucy and sassy as juke-joint sensation Shug Avery. N’Jameh Camara is stunningly innocent as Celie’s long-lost sister Nettie. And J. Daughtry provides much-needed levity as Mister’s son Harpo. As Harpo’s wife Sofia, Carrie Compere steals the stage whenever she takes it, as a strong woman of color – in a time when women of any color dared not show strength – who had the audience rooting and roaring for her.

But The Color Purple’s message is what really grabbed the Auditorium’s audience – people who are today trapped in a world where injustice grows, the weakest and neediest are not only ignored but abused, and things only seem to grow darker by the day. It’s a message that change can happen, if the good speak out and act out. It’s a message that love can win. And it’s a message that this production of The Color Purple shouted out to the theater’s rafters, leaving the theatergoers on their feet.

The Color Purple is only here on a limited run through July 29th. For tickets and more show information visit www.broadwayinchicago.com.