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Friday, 15 May 2026 13:34

A New Home, A Necessary Warning: Timeline’s Enemy Lands Hard

Morten Kiil (David Parkes, left) lectures his son-in-law Dr. Thomas Stockmann (Will Allan, right).

Timeline Theatre unveils their chic, new Uptown home with its inaugural production–Henrik Ibsen’s ever-relevant “An Enemy of the People”. A streamlined text by acclaimed playwright Amy Herzog cuts right to the bone in this fast-paced version straight from Broadway.

It shouldn’t come as a surprise that Timeline chose to open their new space with Ibsen’s classic play about a town that prioritizes economics over public health. History continues to repeat itself. Whispers of AI data centers seemed to be on everyone’s lips during the intermission as the modern day parallel is impossible to ignore. Timeline, who is known for their dramaturgical installations by Maren Robinson, doesn't shy away from the ugly reality that our Great Lakes are under attack from the tech billionaire class who aim to guzzle ungodly amounts of our fresh water. 

The play begins on a chipper note, an economically downtrodden town brims with excitement for their new spa and resort that is sure to boost local prospects. That is until plucky Dr. Thomas Stockmann (Will Allan) makes a chilling discovery about the contaminated water source. At first his friends at the local newspaper are behind his decision to inform the townspeople, but as his brother Peter, the mayor (Behzad Dabu), becomes involved support begins to waver. Soon his adult daughter Petra (Campbell Krausen) is his only ally. 

Petra Stockmann (Campbell Krausen, background from left), Hovstad (Grayson Kennedy), and Captain Horster (Charles Andrew Gardner) watch attentively as Dr. Thomas Stockmann (Will Allan, foreground) reviews shocking scientific revelations.

Herzog’s version is more akin to a chamber play than Ibsen’s, perhaps less grand in scale but certainly easier to digest. She also inserts some modern political flourishes that give more depth to the female protagonist Petra. With a slimmer cast and script, individual performances stand out and the intensity is more sustained. And by the second act, the audience becomes part of the cast in a way. This device works especially well because of the brilliant performances of this intimate cast.

“An Enemy of the People” becomes just as frustrating as Miller’s “The Crucible”. That infectious sense of outrage comes down to Will Allan’s devastatingly honest portrayal of a man who loses everything for the pursuit of truth. Allan has a gift for physicality, often interjecting some levity wherever possible. Audience participation becomes hard to contain as he’s continuously silenced by the newspaper staff and his greedy brother. Behzad Dabu opts for a more pragmatic interpretation of the mayor than straight up villain. In fact, there are moments where despite the poisonous water, you might find yourself agreeing with him, therein lies the danger. The emotional anchor of the show is Campbell’s Krausen’s Petra. Much like Allan’s performance, the shift from light to dark is heartbreaking.

Timeline’s glow up from Wellington to North Broadway is something to marvel at. Uptown has gained a Steppenwolf-level theater. Legendary Chicago director Ron OJ Parson brings a certain sophistication well deserving of this sleek 250-seat theater. Everything is just right here. John Culbert’s stylish set and stage magic really fills this gorgeous new performance space. Uptown really is quite lucky to have this wonderful new theater in its backyard. 


Through June 14 at Timeline Theatre. 5035 N Broadway. 773-281-8463 x1

Published in Theatre in Review
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Friday, 15 May 2026 12:34

Chicago Shakespeare Theater announces 40th Anniversary Season

Chicago Shakespeare Theater announces 40th Anniversary Season

Chicago Shakespeare Theater (CST) Artistic Director Edward Hall and Executive Director Kimberly Motes announce today the company's 40th Anniversary Season. America's leading Shakespeare Theater curates a season rooted in Shakespeare and Chicago with a complement of world-class contemporary work—emblematic of the Theater's global, yet unmistakably Chicago perspective. Celebrating four decades of vivid and entertaining performances that captivate minds, spark conversation, and invite new perspectives, CST now embarks on the Theater's next thrilling chapter.

The 2026/27 Season begins with Play On!, a joyful musical inspired by Shakespeare's Twelfth Night set to the songs of Duke Ellington, directed by Sheldon Epps. Next is an unforgettable theatrical event: The Winter's Tale and A Midsummer Night's Dream, both staged by Artistic Director Edward Hall and performed in repertory by a single company of 14 actors, a first-ever in CST's history. The winter will feature Romeo y Julieta, a bilingual English and Spanish adaptation of Romeo and Juliet directed by Henry Godinez; and the return of the Tony Award-winning smash hit Illinoise, based on the Sufjan Stevens album and directed and choreographed by Justin Peck, after a sold-out world premiere at CST in 2024. The season ends with the hilarious whodunnit Reunion in Bartersville directed by Jerry Dixon; and the world premiere of Heartbreakers, a high-voltage reimagining of Shakespeare's Romeo and Juliet told through the electrifying rock catalog of Grammy-winners Pat Benatar and Neil Giraldo and with book and direction by Bradley Bredeweg. CST continues to deepen its commitment to the next generation of theatergoers through award-winning education programs, annually serving more students and teachers than any theater in the city.

"It is only fitting that this celebratory milestone season brings together the best of Shakespeare and the best of contemporary work," said Edward Hall, Artistic Director. "We've long believed that plays of the past can illuminate our present—and that the voices of today shine a light on how much we share with one another: past, present, and future. It is my joy to embrace our audiences with distinctly Chicago-style Shakespeare. This upcoming season is a tribute to the artistry, excellence, and ambition that has come to define Chicago Shakespeare Theater."

"From the moment that the first words 'O for a Muse of Fire...' were spoken on the roof of the Red Lion Pub in Barbara Gaines' debut production of Henry V, a destiny for Chicago Shakespeare Theater was born," shared Kimberly Motes, Executive Director. "Now forty years later, CST has grown beyond what anyone might have imagined—and the sky is the limit as we dream ahead to the Theater's next 40 years and beyond."

The 2026/2027 Season

Launching the season in The Yard is Play On! (September 11–October 18, 2026 | The Yard), a joyful musical retelling of Shakespeare's beloved comedy Twelfth Night set to the timeless jazz tunes of quintessential American composer Duke Ellington. Original creator Sheldon Epps returns to the three-time Tony-nominated musical with book by Cheryl L. West for the first time in 20 years to stage Shakespeare's story for a new generation. Aspiring songwriter Vy takes the A-Train to Harlem in the swinging 1930s with big dreams of a career in showbiz, only to find that it's a man's world. She disguises herself to reach the inner circle of renowned band leader, the Duke—but plans backfire when she catches the eye of Lady Liv, the star singer of the Cotton Club, and mistaken identities make way for romance. Music is indeed the food of love with big band pizzazz and Ellington's hit songs "It Don't Mean a Thing," "Don't Get Around Much Anymore," "I'm Beginning to the See the Light," and much more. Play On! is presented in association with MMaxwellMedia, WMK Productions, Alyssa Melani, and The Classical Theatre of Harlem.

"Over the last couple of years, Cheryl and I took a deep dive back into the book of the show," revealed director Sheldon Epps. "Our credo in all of this has been to enhance and heighten the celebration of Black Excellence, Black Brilliance, and Black JOY. The Excellence being the celebration of the artists who inspired these characters and the actual cast onstage; the Brilliance is that of Mr. Shakespeare and the Duke of Ellington; and the Joy is consistently the experience of the audience that we hope to achieve with each performance. In simple but very effective ways, we have and will continue to focus on the fact that the show is all about the search for LOVE, and removing the masks that we often wear that keep that hoped-for goal from entering our lives fully."

CST's 40th Anniversary Season continues with an unforgettable theatrical event in the Jentes Family Courtyard Theater: for the first time in CST's history, two plays will be performed in repertory by one masterfully talented Chicago Shakespeare Company of actors. Under the creative leadership of CST Artistic Director Edward Hall and taking its inspiration from Shakespeare's own company and CST's roots as the Shakespeare Repertory, a company of 14 actors perform both The Winter's Tale and A Midsummer Night's Dream, two of Shakespeare's most beguiling fairy tales. This double header of productions makes for a thrilling theatrical experience, with two beautiful plays exploring the formidable power of love, laughter, and forgiveness. Audiences will have the unique opportunity to experience both repertory productions in one day on November 21 & 24 and December 5 & 12.

"Bringing these two plays together with one group of actors is a genuinely exciting prospect," said Artistic Director Edward Hall. "Audiences will have the rare opportunity of seeing performers switch into completely different roles from one play to another celebrating Chicago's huge well of creative talent. This Chicago Shakespeare Company will have it all: laughter, drama, magic, forgiveness, and love. An unforgettable journey through magic forests and wild seacoasts, with fairies, oracles, bears, kings, and queens. Everything that a good adventure can bring you and all from the safety of your seat!"

The repertory series begins with Shakespeare's The Winter's Tale (October 13–December 12, 2026 | The Jentes Family Courtyard Theater). Once upon a time in a land called Sicilia, King Leontes is infected by an uncontrollable jealousy over his pregnant wife Hermione. Shakespeare's timeless romance takes us on a fairy tale adventure from the drama of Sicilia to the color and music of Bohemia. Shipwrecks, bears, and magic oracles dance across the stage in this story of betrayal, forgiveness, reunion, and reconciliation. Hope and forgiveness sit at the heart of Shakespeare's most magical of fairy stories with an unforgettable ending driven by the power of redemption.

A Midsummer Night's Dream (November 11, 2026–January 3, 2027 | The Jentes Family Courtyard Theater) sparkles with the festive spirit of the holiday season. Shakespeare's magical romantic comedy is a delectable treat for the entire family. A snowy Athens gives way to the warm and colorful dream of a midsummer forest as Shakespeare's best-loved characters are consumed by the absurd chaos of love and the joy of friendship. Young love collides with a fairy feud and an enthusiastic group of amateur theatricals in the most warm-hearted play in the English language. An enchanting story of love, marriage, and magic, this holiday Dream will fill you with happiness and hope.

Next in the Courtyard, Henry Godinez directs Romeo y Julieta (January 26–March 14, 2027 | The Jentes Family Courtyard Theater). Shakespeare's classic tale of star-crossed young lovers from feuding families is transported to Miami in the early 1960s, as an influx of Cuban exiles find their dreams of returning to their homeland at odds with the reality of their new home. As conflict escalates between the Montescos and the Capuletas, the young couple defy the enmity between their families and the prejudices of their community—only to discover that love is the true universal language. This dynamic 90-minute bilingual adaptation from Karen Zacarías and Godinez is performed in both English and Spanish with projected translation. A Havana native, Godinez is a co-founder of Teatro Vista and the Sabl Resident Director at Goodman Theatre, where he most recently directed Inherit the Wind, Fannie, and American Mariachi. He returns to Chicago Shakespeare, where he first appeared thirty-seven years ago in Barbara Gaines' Cymbeline in 1989, and went on to perform in ten productions as well as to direct 2022's highly acclaimed Measure for Measure. 

Director Henry Godinez shared, "My favorite old t-shirt, which I've proudly worn to tatters, is from NYC's Shakespeare in the Park with the words 'SHAKESPEARE PARA TODOS' emblazoned on the front. I'm sure at some point I wore that shirt to Chicago Shakespeare Theater 18 years ago when Karen Zacarías and I were first developing this bilingual adaptation of Romeo and Juliet. Now, at a time when the Latiné community of Chicago has been horribly villainized and persecuted, made to feel like this country was not our home, the opportunity to present this Romeo y Julieta at one of the great cultural institutions in the heart of our city is a tremendous source of pride and validation. It shows the universality of the greatest writer—and perhaps the greatest story ever written—in the English language. It proves, like my tattered t-shirt says, that 'SHAKESPEARE IS FOR EVERYONE!'"

The Tony Award-winning phenomenon Illinoise (February 9–March 14, 2027 | The Yard) returns to where it all began. Based on Sufjan Stevens' landmark album Illinois, this "mysterious, deeply moving and unforgettable dance-musical" (The New York Times) is directed and choreographed by Tony winner Justin Peck (New York City Ballet, Steven Spielberg's West Side Story). Peck partners with Pulitzer Prize-winning playwright Jackie Sibblies Drury to tell a hauntingly beautiful original story through live music, dance, and theater. After a sold-out world-premiere at Chicago Shakespeare in 2024, Illinoise took Broadway by storm. Now, it returns to its spiritual home at CST.

Director Justin Peck shared, "It is incredibly meaningful to bring Illinoise back as part of CST's 40th Anniversary Season. This show has always been about memory, senses, and the quiet poetry of human connection—ideas that feel deeply aligned with a theater reflecting on its own legacy. At the same time, returning to CST with Illinoise feels less like a revisit and more like a continuation shaped by the artists, audiences, and spirit that make Chicago such a vital creative home. The icing-on-the-cake will be hearing Sufjan Stevens' hit song 'Chicago' ring out within the very city that inspired it."

Next in The Yard is the hilarious whodunnit Reunion in Bartersville (April 11–May 9, 2027 | The Yard). The surviving members of the Bartersville High class of 1933 gather in their small Texas hometown to celebrate their 50th reunion. Over punch bowls and sandwich platters, a decades-old murder case is thrown wide open when the septuagenarians are confronted by a ghost from their past and they must all face their own scandalous secrets. This irreverent comedy will have audiences dying of laughter. Written by award-winning playwright Celeste Bedford Walker, this quick-witted comedy first premiered at the Billie Holiday Theatre in Brooklyn in 1987. Now, it finds new life in Chicago, celebrating its 40th anniversary alongside CST, directed by Jerry Dixon. Reunion in Bartersville is presented in association with LaChanze Productions, led by Tony Award winner LaChanze who returns to CST after co-producing the acclaimed Jaja's African Hair Braiding in 2025.

"Reunion in Bartersville is the reason I'm a producer today," said LaChanze. "This play is full of truth and humor that keeps you guessing in the traditional style of a murder mystery. My mission is to produce stories that will expand our theatrical appetite, and this play as the inaugural production at LaChanze Productions is setting the bar."

Rounding out the season is a new musical powered by the music of four-time Grammy Award winners and Rock and Roll Hall of Fame inductees Pat Benatar and Neil Giraldo. Heartbreakers (May 4–June 6, 2027 | Carl and Marilynn Thoma Upstairs Studio) drops Romeo and Juliet into a sweaty, neon-lit underground—reimagining the iconic love story as a high-voltage collision of love, rivalry, and identity that feels dangerous, immediate, and alive. Featuring an electrifying catalog of rock anthems including "Love Is a Battlefield," "We Belong," "Shadows of the Night," "Promises in the Dark," "Heartbreaker," "Invincible," and "We Live for Love," alongside new original songs written for the production by Benatar and Giraldo, the show fuses Shakespeare's timeless romance with a pulse-driving theatrical experience where desire takes over, loyalties fracture, and love is a contact sport. The Carl and Marilynn Thoma Upstairs Studio transforms into an immersive in-the-round space that is part dance floor, part theatrical playground. Married collaborators for over four decades, Benatar and Giraldo have defined a generation of music with multiple multi-platinum albums, 19 Top 40 hits, and more than 40 million records sold worldwide. Bradley Bredeweg, best known for creating the critically acclaimed Television Academy Award-winning drama The Fosters, writes the book and directs. Heartbreakers is presented in association with Madison Wells Live.

Pat Benatar and Neil Giraldo shared, "It is an immense honor to share this new musical with audiences as part of CST's milestone 40th Anniversary Season. We were inspired by the epic stakes of Shakespeare's story. It truly has the heart and soul of rock music at its core. As artists, it is incredibly rewarding to discover new voice and meaning in this music that means so much to us and to create something completely new. We can't wait for Chicago audiences to rock out and join us on this wild ride."

CST Education and Lifelong Learning

Engaging audiences of all ages with the highest caliber of programming is central to the Theater's mission. CST is proud to serve more students and teachers than any theater in Chicago. In the 2026/27 Season, CST will welcome more than 15,000 young people to 29 dedicated student matinee performances with subsidized ticket prices, post-show discussions with artists, and supplemental curriculum materials for teachers to incorporate in the classroom. Student matinees are scheduled for Play On! and A Midsummer Night's Dream with an extended run of student performances planned for the 90-minute Romeo y Julieta. The 40th Anniversary Season will also see the return of the celebrated Chicago Shakespeare SLAM program for high school students.

Initiatives for lifelong learners include adult programs like the four-part "Demystifying Shakespeare" course with CST Artistic Director Edward Hall in partnership with the Newberry Library, Backstage Tours, Post-Show Discussions, and PreAmble talks with scholars. The $30 Under 30 program makes CST productions accessible with discounted tickets to students and young adults.

Chicago Shakespeare Theater's 40th Anniversary Season subscriptions are on sale now starting as low as $317 for a 7-play package. Subscribers save up to 25% on the season and receive other benefits including discounts on individual tickets, free exchanges, invitations to behind-the-scenes events, and more. Single tickets will go on sale later this summer. For more information and to purchase subscriptions, visit www.chicagoshakes.com/subscribe or call the CST Box Office at 312.595.5600.

ABOUT CHICAGO SHAKESPEARE THEATER

Chicago Shakespeare Theater (CST) is a leading international theater company and the nation's largest year-round theater dedicated to the works of Shakespeare. Under the visionary leadership of Artistic Director Edward Hall and Executive Director Kimberly Motes, the Regional Tony Award recipient is committed to creating vivid, entertaining theatrical experiences that invigorate and engage people of all ages and identities by illuminating the complexity, ambiguity, and wonder of our world. Each year, nearly a quarter of a million people experience CST's artistry through hundreds of performances and events each year.

CST exemplifies theatrical excellence. Shakespeare is at the heart of the artistic work, illuminating the 400-year-old playwright as a modern writer for our modern world. CST also produces compelling, contemporary stories from fresh artistic voices of today. CST brings the world to Chicago and sends Chicago out into the world as Chicago's foremost presenter of international theater, and consistent producer of North American and world premieres. Productions originating from Chicago Shakespeare have gone on to Broadway, national and international tours, garnering three Tony Awards, three Olivier Awards, and two Grammy nominations.

The Theater fosters a lifelong relationship with the arts by providing transformational experiences for multigenerational audiences. Serving more students and teachers than any theater in the city, CST annually welcomes more than 20,000 high school and middle schoolers to attend 50+ daytime matinee performances and participate in after-school programs like Chicago Shakespeare SLAM. Professional development opportunities for teachers include the year-long Bard Core intensive for Chicago Public Schools educators. CST's initiatives support the development of young people's crucial skills, including social-emotional competencies, critical literacy, and meaningful collaboration. Learners of all ages deepen their engagement through PreAmble talks and post-show discussions. The $30 under 30 discounted ticket program for young adults and students reduces barriers to participation for thousands of first-time attendees.

CST activates its campus with three best-in-class venues: The Yard, a robust 700-seat space with flexible configurations and expansive proscenium; the Jentes Family Courtyard Theater, an intimate 500-seat thrust theater where the audience surrounds the stage on three sides; and the Carl and Marilynn Thoma Upstairs Studio, a 200-seat black box theater. Situated along the picturesque shore of Lake Michigan, CST is the cultural anchor of the iconic Navy Pier, one of the top Midwest tourism destinations attracting 9 million visitors annually.

Fueled by the vitality of the city of Chicago, CST contributes significantly to the vibrancy and economic impact of the arts and culture ecosystem. CST's reach extends beyond the theater's walls with free programs like Shakes in the City, which brings performances and workshops to parks, festivals, and shared community spaces across Chicago's 77 neighborhoods.

For four decades, CST has distinguished itself with a spirit of innovation, dynamism, and ambitious vision. Shared humanity and unforgettable stories—now THIS is Chicago Shakespeare. chicagoshakes.com

Chicago Shakespeare Theater's 40th Anniversary Season

MUSIC IS THE FOOD OF LOVE IN MAJOR MUSICAL REVIVAL

PLAY ON!

Inspired by Shakespeare's Twelfth Night
Conceived by Sheldon Epps
Book by Cheryl L. West
Music by Duke Ellington
Directed by Sheldon Epps

The Yard
September 11–October 18, 2026

Presented in association with MMaxwellMedia, WMK Productions, Alyssa Melani, and The Classical Theatre of Harlem

EPIC FAIRY TALE ADVENTURE WITH A MESSAGE OF HOPE

THE WINTER'S TALE

By William Shakespeare
Directed by Edward Hall

The Jentes Family Courtyard Theater
October 13–December 12, 2026

SPARKLING WITH THE FESTIVE SPIRIT OF THE HOLIDAY SEASON

A MIDSUMMER NIGHT'S DREAM

By William Shakespeare
Directed by Edward Hall

The Jentes Family Courtyard Theater
November 11, 2026–January 3, 2027

SHAKESPEARE'S PASSIONATE ROMANCE TRANSPORTED TO 1960S MIAMI

ROMEO Y JULIETA

By William Shakespeare
Adapted by Karen Zacarías and Henry Godinez
Directed by Henry Godinez

The Jentes Family Courtyard Theater
January 26–March 14, 2027

TONY WINNING PHENOMENON RETURNS TO SPIRITUAL HOME AT CST

ILLINOISE

Music and Lyrics by Sufjan Stevens 
Based on the album Illinois
Story by Justin Peck and Jackie Sibblies Drury
Directed and Choreographed by Justin Peck

The Yard
February 9–March 14, 2027

A HILARIOUS WHODUNNIT MAKES CHICAGO PREMIERE

REUNION IN BARTERSVILLE

By Celeste Bedford Walker
Directed by Jerry Dixon

The Yard
April 11–May 9, 2027

Presented in association with LaChanze Productions

ELECTRIFYING NEW ROCK MUSICAL FROM LEGENDS 
PAT BENATAR AND NEIL GIRALDO

HEARTBREAKERS

Inspired by Shakespeare's Romeo and Juliet
Reimagined through the Music of Pat Benatar and Neil Giraldo
Book by Bradley Bredeweg
Directed by Bradley Bredeweg

Carl and Marilynn Thoma Upstairs Studio
May 4–June 6, 2027

Presented in association with Madison Wells Live
Published in Theatre Buzz
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Tuesday, 12 May 2026 16:41

OAK PARK FESTIVAL THEATRE ANNOUNCES 51ST SEASON "HAMLET" AND "THE IMPORTANCE OF BEING EARNEST"

OAK PARK FESTIVAL THEATRE ANNOUNCES 51ST SEASON "HAMLET" AND "THE IMPORTANCE OF BEING EARNEST"

The Oak Park Festival Theatre, Oak Park's premiere Equity theatre and the oldest professional classical theatre in the Midwest, today announced the casts and production teams for its Summer 2026 productions of William Shakespeare's HAMLET and Oscar Wilde's THE IMPORTANCE OF BEING EARNEST. Presented in repertory for the first time in company history, the productions run concurrently June 30 – August 15, 2026, at Austin Gardens in downtown Oak Park. 

Though radically different in tone, HAMLET and THE IMPORTANCE OF BEING EARNEST speak to one another in striking and unexpected ways. Together, the productions explore the tension between performance and truth, asking what happens when individuals are forced to navigate the expectations imposed on them by family, society, and power. 

Staged in repertory for the first time in company history, the season invites audiences to experience two master playwrights in conversation across centuries while watching Oak Park Festival Theatre actors tackle radically different worlds of comedy and tragedy throughout the summer. 

Directed by Oak Park Festival Theatre Producing Artistic Director Peter Andersen, HAMLET runs July 1 – August 15, 2026. Called home by his father's sudden death and his mother's swift remarriage, Prince Hamlet finds the court of Denmark transformed–and deeply unsettled. When a ghost appears with a terrible accusation, Hamlet is pulled into a relentless search for truth, testing the limits of loyalty, love, and revenge. 

The cast of HAMLET features Brew Bos (Hamlet), Brenna Distassio (Laertes), Olive Gallagher (Ophelia), Pedro Jimenez (Rosencrantz), Gabriel Armstrong (Guildenstern), Patrice Egleston (Polonius), Jodi Gage (Gertrude), Josh Carpenter** (Claudius), Lucas Prizant (Horatio), and Charls Sedgwick Hall** (Ghost/Player/Gravedigger). 

Directed by Kathryn Walsh in her Oak Park Festival Theatre debut, THE IMPORTANCE OF BEING EARNEST runs June 30 – August 14, 2026. Jack Worthing leads a double life–one in the country, one in the city–while his friend Algernon Moncrieff has troubles of his own. When both men assume the name "Ernest" to win the affections of two very particular women, a web of mistaken identities, secret engagements, and delightful deceptions begins to unravel. 

The cast of THE IMPORTANCE OF BEING EARNEST features August Foreman (Algernon), Chad Bay (Jack), Sonia Goldberg (Gwendolyn), Aurora Pennepacker** (Cecily), Drew Bos (Merriman/Lane), Barbara Zahora** (Lady Bracknell), Gabriel Armstrong (Chausible), and Jodi Gage (Miss Prism). 

The productions share a repertory creative team including Patrick Starner (Production Manager), Andy Cahoon (Technical Director), Devin Cameron (Lighting Director), Evan Frank (Scenic Designer), Duncan Hon (Master Electrician), Sophia De La Torre (Board Mixer), and Jack Short (Box Office Manager). 

Oak Park Festival Theatre's paid Apprenticeship Program, now in its 16th year, provides an educational, inspirational, and career-broadening experience for post-high school and undergraduate students in theatre arts. This season's apprentices are Archer Bart, Karla Valdez, Emily York, Avery Dulak, Anya Moeske, Jo Selmeczy, Jamille Calixte, Evan Ozer, and Ella Boyden. 

Season Pass packages ($70), which include admission to both productions at a discounted rate, are available now at www.oakparkfestival.com. 

HAMLET

Written By: William Shakespeare

Directed By: Peter G. Andersen

Cast: Brew Bos (Hamlet), Brenna Distassio (Laertes), Olive Gallagher (Ophelia), Pedro Jimenez (Rosencrantz), Gabriel Armstrong (Guildenstern), Patrice Egleston (Polonius), Jodi Gage (Gertrude), Josh Carpenter** (Claudius), Lucas Prizant (Horatio), and Charls Sedgwick Hall** (Ghost/Player/Gravedigger)

Understudy Cast: Lucas Prizant (Hamlet), Avery Dulak (Laertes), Anya Moeske (Ophelia), Ben Crane (Rosencrantz/Guildenstern), Julia Rowley (Polonium/Gertrude), August Foreman (Claudius/Ghost/Player/Gravedigger), Jamille Calixte (Horatio).

Production Team: Patrick Starner (Production Manager), Andy Cahoon (Technical Director), Tessa Huber  (Stage Manager), Chrissy Roy (Assistant Stage Manager), Devin Cameron (Lighting Director), Evan Frank (Scenic Designer), Taylor Pfenning (Costume Designer) Duncan Hon (Master Electrician), Trent Jones (Scenic Painter), Sophia De La Torre (Board Mixer), and Jack Short (Box Office Manager).

** Denotes Membership in Actors' Equity Association

Dates: July 1 – August 15, 2026 (previews July 1, July 3)

Press Opening: Sunday, July 5, 2026

Schedule: Tuesdays, Wednesdays, Thursdays, Fridays, and Saturdays at 8 p.m. and Sundays at 7 p.m. Select dates only. See website for complete schedule.

Location: Austin Gardens, 167 Forest Ave, Oak Park, IL 60302

Tickets: General Admission ($40); seniors ($30); students ($15); previews ($20); children under 12 ($5). Group discounts available for groups of 10 or more. Additional booking fees apply. 

Box Office: www.oakparkfestival.com 

THE IMPORTANCE OF BEING EARNEST

Written By: Oscar Wilde

Directed By: Kathryn Walsh

Cast: August Foreman (Algernon), Chad Bay (Jack), Sonia Goldberg (Gwendolyn), Aurora Pennepacker** (Cecily), Drew Bos (Merriman/Lane), Barbara Zahora** (Lady Bracknell), Gabriel Armstrong (Chausible), and Jodi Gage (Miss Prism). 

Understudy Cast: Gabriel Armstrong (Algernon), Pedro Jimenez (Jack), Olive Gallagher (Gwendolyn/Cecily), Evan Ozer (Merriman/Lane/Chasible), Belinda Bremner (Lady Bracknell), Julia Rowley (Miss Prism).

Production Team: Patrick Starner (Production Manager), Andy Cahoon (Technical Director), Chrissy Roy (Stage Manager), Tessa Huber (Assistant Stage Manager), Devin Cameron (Lighting Director), Evan Frank (Scenic Designer), Phoebe Boynton (Costume Designer) Duncan Hon (Master Electrician), Sophia De La Torre (Board Mixer), and Jack Short (Box Office Manager).

** Denotes Membership in Actors' Equity Association

Dates: June 30 – August 14, 2026 (previews June 30, July 2, July 4)

Press Opening:  Tuesday, July 7, 2026

Schedule: Tuesdays, Wednesdays, Thursdays, Fridays, and Saturdays at 8 p.m. and Sundays at 7 p.m. Select dates only. See website for complete schedule.

Location: Austin Gardens, 167 Forest Ave, Oak Park, IL 60302

Tickets: General Admission ($40); seniors ($30); students ($15); previews ($20); children under 12 ($5). Group discounts available for groups of 10 or more. Additional booking fees apply. 

Box Office: www.oakparkfestival.com 

Published in Upcoming Theatre
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Tuesday, 12 May 2026 16:35

METROPOLIS PERFORMING ARTS CENTRE ANNOUNCES ITS UPCOMING 2026-27 SEASON INCLUDING RIDE THE CYCLONE, THE CHRISTMAS SCHOONER, DISNEY'S THE LITTLE MERMAID, THE MATCH GAME AND RODGERS AND HAMMERSTEIN'S OKLAHOMA!

METROPOLIS PERFORMING ARTS CENTRE ANNOUNCES ITS UPCOMING 2026-27 SEASON INCLUDING RIDE THE CYCLONE, THE CHRISTMAS SCHOONER, DISNEY'S THE LITTLE MERMAID, THE MATCH GAME AND RODGERS AND HAMMERSTEIN'S OKLAHOMA!

Metropolis Performing Arts Centre, located in the heart of downtown Arlington Heights at 111 W. Campbell St., is proud to announce its 2026-27 season launching with Ride the Cyclone, September 16 - October 18; followed by a Chicago-rooted holiday classic The Christmas Schooner, November 24 - January 3, 2027; an in-concert production of Disney's The Little Mermaid, January 27 - February 14, 2027; Chicago Premiere, The Match Game, March 3 - 28, 2027 and concluding with Rodgers and Hammerstein's masterpiece from music theatre's golden age, Rodgers and Hammerstein's Oklahoma!, September 16 - October 18, 2027.  Early bird discounted subscriptions are available now through June 5 at MetropolisArts.com/2627-season or by calling the box office at 847.577.2121, with single tickets available later this year. 

The 2026-27 season also includes a limited run of the beloved holiday tradition, A Christmas Carol, as part of the Metropolis Family Series Saturdays at 10 a.m. (December 5 - December 19) and a full-length production December 13 and 20 at 6:30 p.m. and December 24 at 2:00 p.m.

2026-27 Season Sponsors: The season show sponsor is Suburban Accents. The season Paint Sponsor is Marc Poulous Painting and Decorating. The season costume storage sponsor is Jennifer Burnidge, CLU, ChFC, RICP State Farm Agent.

All performances are held at the Metropolis Performing Arts Centre, 111 W. Campbell St. in Arlington Heights. The full Metropolis Performing Arts Centre's 2026-27 season includes, chronologically:

RIDE THE CYCLONE

September 16 - October 25, 2026

Book, Music, and Lyrics by Jacob Richmond and Brooke Maxwell

Directed by Lillian Castillo

A darkly comical musical about six teens bargaining for a second chance at life in this profound exploration of life, death, and knowing who you are. An added bonus to the Metropolis production features Director Lillian Castillo. Castillo is the original Constance on the World Premiere Cast Recording, and she also originated the role in the American premiere at Chicago Shakespeare Theater.

THE CHRISTMAS SCHOONER

November 24, 2026 - January 3, 2027

Book by John Reeger

Music and Lyrics by Julie Shannon

Directed by Patrick Tierney

A heartwarming Chicago-based musical that tells the dramatic true story of a Lake Michigan captain who risked his life to share the Christmas spirit.

A CHRISTMAS CAROL - LIMITED RUN

Metropolis Family Series: December 5 - December 19 at 10 a.m.

Full Length Production ONLY: December 13 and 20 at 6:30 p.m., December 24 at 2 p.m.

Adapted by Johanna McKenzie Miller

Original Music and Lyrics by Cory Goodrich

The holiday tradition returns to Metropolis for both the Metropolis Family Series and Metropolis Mainstage. 

DISNEY'S THE LITTLE MERMAID, a concert presentation

January 27 - February 14, 2027

Music by Alan Menken

Lyrics by Howard Ashman and Glenn Slater

Book by Doug Wright

Director to be announced

Originally produced by Disney Theatrical Group, this is a concert collaboration with Metropolis School of the Performing Arts and JAM Orchestra. Based on the Hans Christian Andersen story and the Disney film produced by Howard Ashman & John Musker and written and directed by John Musker and Ron Clements.

This in-concert production features professional and student actors backed by a full orchestra, allowing the music to shine.

CHICAGO PREMIERE

THE MATCH GAME

Written by Steven Strafford

March 3 - 21, 2027

Director to be announced

This new work, a hilarious and heartbreaking family dramedy, asks us to contend with truths we may be too afraid to name and to laugh at ones we can't change.

RODGERS AND HAMMERSTEIN'S OKLAHOMA!

April 28 - May 30, 2027

Music by Richard Rodgers

Book and Lyrics by Oscar Hammerstein II

Based on the play "Green Grow the Lilacs" by Lynn Riggs

Original Choreography by Agnes de Mille

Director to be announced

The classic, medium-defining musical. A high-spirited romantic comedy set against the backdrop of a tumultuous, yet hopeful, new era.

ABOUT METROPOLIS PERFORMING ARTS CENTRE
Metropolis Performing Arts Centre is a vibrant cultural hub that enriches the community through inspiring live performances, creative arts education, and impactful partnerships. It fosters artistic excellence, cultivates multi-generational connections, and offers inclusive experiences that engage and uplift all community members. Located in the heart of downtown Arlington Heights, Metropolis is not just a theatre; it is the cultural pulse of the area, surrounded by premier shopping, dining, and nightlife. Metropolis offers a dynamic year-round season of professional theatre, comedy, concerts, and cabaret performances along with engaging arts education for ages 3 to 85. Serving more than 65,000 patrons annually from across Chicagoland and beyond, Metropolis plays a pivotal role in the community. It provides arts education programs that support thousands of aspiring young artists, as well as community engagement initiatives like the Third Act Players (musical theatre for thespians over 50), Crescendo Chorus (for singers over 55), Flourish in the Footlights (for young artists with disabilities), and Clearbrook on Cue (for artists with disabilities). Metropolis is proud to partner with local organizations such as Endeavor Health, Arlington Heights Senior Center, and Clearbrook. Scholarships are available for students at the School of the Performing Arts to ensure access to the arts for all.

Ride The Cyclone is presented by special arrangement with Broadway Licensing Global, www.broadwaylicensing.com.

The Christmas Schooner is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI, www.mtishows.com.

Disney's The Little Mermaid is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI, www.mtishows.com.

Rodgers & Hammerstein's OKLAHOMA! is presented by arrangement with Concord Theatricals on behalf of The Rodgers & Hammerstein Organization,  www.concordtheatricals.com.

Metropolis Performing Arts Centre, located in the heart of downtown Arlington Heights at 111 W. Campbell St., is proud to announce its 2026-27 season launching with the return of Ride the Cyclone, September 16 - October 18; followed by a Chicago-rooted holiday classic The Christmas Schooner, November 24 - January 3, 2027; an in-concert production of Disney's The Little Mermaid, January 27 - February 14, 2027; the launch of a new work, The Match Game, March 3 - 28, 2027 and concluding with Rodgers and Hammerstein's masterpiece from music theatre's golden age, Rodgers and Hammerstein's Oklahoma!, September 16 - October 18, 2027. 

The 2026-27 subscription series includes Ride the Cyclone, The Christmas Schooner, Disney's The Little Mermaid, The Match Game and Rodgers and Hammerstein's Oklahoma!. Early bird discounted subscriptions are available now through June 5 at MetropolisArts.com/2627-season or by calling the box office at 847.577.2121, with single tickets available later this year.

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Monday, 11 May 2026 16:10

American Blues Theater announces its 2026-2027 Season

American Blues Theater announces its 2026-2027 Season

American Blues Theater, under the continued leadership of Executive Artistic Director Gwendolyn Whiteside, announces its 2026-2027 Season, including the world premieres of Black Girl from a White Suburb by Tania Richard, directed by J. Nicole Brooks, and Ken Urban's Blue Ink Award winner The Conquered, directed by Jonathan Berry. The season includes the Chicago Premiere of UHURU by Gloria Majule, directed by Mikael Burke and the 25th Anniversary of the beloved holiday favorite It's a Wonderful Life: Live in Chicago, directed by Gwendolyn Whiteside. All programming is produced at American Blues Theater's home at 5627 N. Lincoln Ave. in Chicago.

Subscriptions to the 2026-2027 Season are available through the American Blues Theater box office, www.americanbluestheater.com, (773) 654-3103.

"We are thrilled to announce Season 41, featuring an entire lineup of work developed at American Blues Theater," comments Executive Artistic Director Gwendolyn Whiteside. "This season includes two World premieres, one Chicago premiere, and the 25th Anniversary of our beloved holiday staple, It's a Wonderful Life: Live in Chicago! Each production explores themes of identity and the complex reconciliation of self-perception versus how we are viewed by others."

The 2026-2027 Season includes:

World Premiere

Black Girl from a White Suburb

By Artistic Affiliate Tania Richard

Directed by J. Nicole Brooks

September 4 – October 4, 2026

Press Opening: September 10, 2026 at 7:00pm

Tour-de-force solo show by artistic affiliate Tania Richard. Growing up in an all-white Chicago suburb, she spent her days dodging microaggressions, striving to fit in, and yearning to see herself reflected. Her transformation began when cast as The Caterpillar in "Alice in Wonderland." Blending cautionary tales, social commentary, and humor, Tania takes the leading role in a culture that often relegates Black women to supporting characters

25th Anniversary Production of

Chicago's Original Holiday Hit

It's a Wonderful Life: Live in Chicago!

Based on the film by Frank Capra

Directed by Executive Artistic Director Gwendolyn Whiteside

Music Direction by Ensemble Member Michael Mahler

November 19 - December 27, 2026

Opening night: November 22, 2026 at 2:30pm

George Bailey—the Everyman from small town Bedford Falls whose dreams of escape and adventure were stopped by family obligation and civic duty—has fallen onto desperate times. Only a miracle can save him from despair. Told as a radio play with original music and classic holiday carols, it's "the don't miss show of the season" (Chicago Tribune). The annual production will feature favorite American Blues actors.

Chicago Premiere

UHURU

By Gloria Majule

Directed by Mikael Burke

April 2 – May 9, 2027

Press Opening: April 8, 2027 at 7:00pm

An unlikely foursome ascends Mount Kilimanjaro in this sharp satire. The dramedy follows a tour guide, Tanzanian-American tourist, and two missionaries as they make their way to the "Roof of Africa." They must confront questions of identity, access, and who deserves a place on the mountain. Featuring American Blues artists Manny Buckley, Ian Paul Custer, William Anthony Sebastian Rose II,

 and J.G. Smith.

World Premiere

The Conquered

By Ken Urban

Directed by Jonathan Berry

June 11 – July 18, 2027

Press Opening: June 18, 2027 at 7:00pm

Jane is adrift. She suffers a recurring nightmare in which a young man breaks into her house. Her husband recommends that she speak to someone about her growing anxiety. Jane finds a therapist who could help, but her quest leads to a dangerous discovery. Featuring American Blues ensemble member Editha Rosario-Moore. Winner of the 2024 Blue Ink Award for playwriting.

Ken Urban notes, "It's such an honor to win for The Conquered. It's a story that has haunted me ever since I first dreamed it up after reading THE NEW YORKER article that inspired it. Writing a thriller for the stage inspired by advances in neurotechnology always felt a little dangerous. Would an audience be into this dark mysterious story? This recognition's greatest gift is that it means that Jane's story resonates with people and that's the thing every playwright is always hoping for."

Public Programming and Special Events

American Blues Theater is excited to offer audiences even more ways to engage with artists, neighbors and the larger community through its two programs The Commons and @Home Accessibility Series, July 2026-June 2027.

The Commons features readings, live concerts, open mics, game nights, town halls and more at American Blues. The @Home Accessibility Series features readings, live concerts, and town halls from the comfort of home via Zoom. Featuring the talents of the American Blues ensemble and artistic affiliates.

The Rubber Banned Book Club chooses one banned book from PEN America's list to read, discuss, and advocate for its bounce back into circulation. We concentrate on literature that made its way to stage. Join our book club to hear our award-winning artists read and stay for the discussion. We host both in-person and live-streamed gatherings for national members. Admission is free. Growth is priceless.

Arts Education programs include:

Classes for the Masses offers a variety of classes for all ages.  Learn an instrument, improve your public speaking, refresh your audition monologue and resume, or sharpen your writing skills. All our incredible instructors are Ensemble members, Artistic Affiliates, or staff members. Classes are self-paced, individual instruction for the curious beginner, the industry insider, student, or the continuing-education adult. The location (in-person, via Zoom, email, or phone call) will be decided by your needs.

The Check it Out Project in partnership with the Budlong Woods Public Library. The most popular (public domain) children's book checked-out from the Budlong Woods Public Library annually will be adapted and performed by American Blues artists. The adaptation will be presented as an audio play with Foley sound FX and live score atop our holiday set of It's a Wonderful Life: Live in Chicago!

School Matinees offer a limited number of free school matinees throughout the year for students of all ages. Students receive complimentary study guides, in-class visit from educators and select artists, and opportunity to participate in a post-performance discussion with the actors.

Ripped in Schools Our educators, using Illinois standards for civics, social studies, creative writing, and public speaking, will engage 5th-8th grade students during in-classroom instruction for an experience they won't forget. Students will choose an event ripped from today's headlines and write a short play.

Selected plays will be performed by professional actors in the annual Ripped Festival.

For the most up-to-date programming schedule or to purchase tickets, visit www.americanbluestheater.com or email This email address is being protected from spambots. You need JavaScript enabled to view it..

Additional programming will be announced throughout the season.

Currently On Stage

Hit Jukebox Musical

Always...Patsy Cline

Created by Ted Swindley

Band and Vocal Orchestrations by August Eriksmoen & Tony Migliore 

Directed by Harmony France 

Music Direction by Ensemble Member Michael Mahler 

Playing through June 7, 2026

Tickets: $34.50-$64.50, www.americanbluestheater.com, (773) 654-3103

This musical play, complete with down home country humor and big-hearted emotion, includes hits "Crazy", "I Fall to Pieces", "Sweet Dreams", "Walkin' After Midnight" and more! Starring Ensemble member and award winner Liz Chidester as Patsy Cline and featuring guest artist Molly Hernández as Louise.  

About American Blues Theater

Winner of the prestigious National Theatre Company Award from American Theatre Wing (Tony Awards). American Blues Theater is an Ensemble of artists committed to producing new and classic diverse stories that ask the question: "What does it mean to be American?"

The diverse and multi-generational artists have established the second-oldest professional Ensemble theater in Chicago. As of 2025, the theater and artists received 246 Joseph Jefferson Awards and nominations that celebrate excellence in Chicago theater and 44 Black Theatre Alliance Awards. The artists are honored with Tony Award and Pulitzer Prize nominations, Academy Awards, Golden Globe Awards, Emmy Awards and numerous other accolades.  

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Tuesday, 12 May 2026 14:47

Everybody Got a Secret: York Walker’s Covenant Haunts The Goodman

(L-R) Anji White, Ashli René Funches, Felicia Oduh, Jaeda LaVonne in Covenant at Goodman Theatre.

The Goodman Theatre’s Covenant announces York Walker as a playwright ascending rapidly into the highest tier of American theater. This is not simply an impressive new work; it is the kind of play that reminds audiences why live theater remains uniquely capable of unsettling the spirit. Walker has written something rare: a Southern Gothic thriller steeped equally in folklore, faith, desire, and dread. Under the extraordinary direction of Malkia Stampley - arguably some of the finest work of her already remarkable career - the production unfolds with hypnotic control and devastating emotional precision.

Set in 1936 Georgia, Covenant begins with Ruthie’s haunting declaration: “Everybody got a secret.” That line becomes the pulse beneath the entire production. Secrets saturate every corner of Walker’s world. Desire hides beneath scripture. Fear hides beneath righteousness. Love hides beneath suspicion. And every revelation threatens to crack the play wide open.

Walker’s writing is lyrical without becoming self-conscious, poetic without sacrificing danger. His dialogue moves like music - earthy, funny, intimate, and increasingly ominous. The play’s supernatural undertones never overpower its humanity. Instead, Walker roots every eerie moment in emotional truth. The result is a suspenseful theatrical experience that genuinely keeps the audience on edge. Spooky, suspenseful plays this good are rare. Even rarer are ones disciplined enough not to betray themselves too early. The less one knows going in, the better. This production rewards surrender.

Stampley directs with astonishing confidence. She understands that terror often lives in silence, stillness, and suggestion. The production breathes with tension. Every pause feels loaded. Every gesture seems to carry spiritual consequence. The prayer sequences become almost ritualistic choreography, while scenes of intimacy hum with equal parts longing and danger. Stampley masterfully balances the play’s realism and its creeping nightmare logic without allowing either to overpower the other.

The production’s technical elements are equally exceptional. Set designer Ryan Emens creates a sparse wooden structure dominated by a cross front and center, a deceptively simple design that transforms effortlessly, with the addition of a few pieces of furniture, into both a humble church and a family home. Costume designer Evelyn M. Danner has clearly done her homework; the costumes feel authentically rooted in the period without ever appearing overly theatrical. The lighting design by Gina Patterson becomes an entirely new character in the production. Patterson’s work shapes mood and terror with remarkable precision, particularly during a stunning sequence involving thunder, lightning, and pouring rain that sends a chill through the audience. Complementing it beautifully is Dee Etti-Williams’ sound design, which works in haunting tandem with the lighting to create an atmosphere of gathering doom.

Ashli René Funches in Covenant at Goodman Theatre. Photo by Hugo Hentoff.

The all-Chicago cast is exceptional from top to bottom.

Debo Balogun delivers magnetic work as Johnny “Honeycomb” James, a wandering blues musician whose charm conceals depths the audience is never fully certain it understands. Balogun’s performance is seductive, wounded, and quietly terrifying all at once. He understands the danger of charisma.

As Ruthie, Ashli Renè Funches gives the production its emotional anchor. Her narration draws us into the story with heartbreaking vulnerability, and her slow awakening to the darkness surrounding her becomes deeply affecting.

Jaeda Lavonne is luminous as Avery, a young woman desperate to escape the suffocating boundaries of her world. Lavonne beautifully captures Avery’s hunger for freedom while allowing fear and spiritual confusion to shadow every choice she makes.

As Violet, Felicia Oduh brings sharp intelligence, humor, and emotional volatility to the stage. Violet often functions as the play’s skeptic and truth-teller, and Oduh gives her a raw immediacy that keeps the character from becoming merely symbolic.

Then there is Anji White as Mama. White disappears entirely into the role. Her performance is extraordinary in its complexity - unyielding, terrifying, wounded, and deeply tragic. Mama could easily become a caricature of religious severity, but White reveals the grief and horror buried underneath her righteousness. Her monologues land like thunderclaps.

What makes Covenant especially impressive is how fully it trusts the audience. Walker refuses easy answers. The play constantly asks whether evil is supernatural, inherited, psychological, or self-created. Is the devil real in this world? Or do people simply need something external to blame for the violence they carry inside themselves? The play never simplifies those questions.

And then comes the ending.

Do not spoil it for yourself. Do not let anyone spoil it for you. The audience will not see it coming.

Covenant is beautifully written, beautifully acted, and beautifully told. It lingers long after the lights go down, like a whispered warning you cannot quite forget.

HIGHLY RECOMMENDED

When: Through May 31

Where: Goodman Theatre, 170 N. Dearborn St.

Runtime: 140 minutes (no intermission)

Tickets: $24-$44

Info: www.goodmantheatre.org

Box Office: 312-443-3800

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Monday, 20 April 2026 11:07

JACKALOPE THEATRE COMPANY PRESENTS THE WORLD PREMIERE OF ANDY WARHOL PRESENTS: THE COCAINE PLAY, MAY 28 - JULY 6

JACKALOPE THEATRE COMPANY PRESENTS THE WORLD PREMIERE OF ANDY WARHOL PRESENTS: THE COCAINE PLAY, MAY 28 - JULY 6

Jackalope Theatre Company is proud to present the world premiere of Andy Warhol Presents: The Cocaine Play, written and directed by Terry Guest, May 28 - July 6,at the Broadway Armory Park, 5917 N Broadway St. The total running time, including two intermissions, is two hours and 30 minutes. Preview performances are Thursday, May 28, Friday, May 29 and Saturday, May 30 at 7:30 p.m. and Sunday, May 31 at 2 p.m. The performance schedule is Mondays, Fridays and Saturdays at 7:30 p.m. and Sundays at 2 p.m. with no Friday or Saturday evening performances on July 3 and July 4. Tickets are $15 - $45 with student and Edgewater resident discounts available. Subscription and single tickets are now available at JackalopeTheatre.org or call/text the box office at 773.340.2543.

Andy Warhol Presents: The Cocaine Play is set in New York City where Andy Warhol (no, not that Andy Warhol) is stuck. He hasn’t finished a painting in years and has no new ideas. When a mysterious actress named Marilyn Monroe (no, not that Marilyn Monroe) stumbles into his life, she sends him down an epic path of madness, murder, betrayal and the desperate pursuit of fame, sex and beauty. Andy Warhol presents: The Cocaine Play is a 100% fake story about 100% real people that spans three decades and asks how far one is willing to go for the chance at superstardom. 

The cast of Andy Warhol Presents: The Cocaine Play includes William Anthony Sebastian Rose II (he/him, Andy Warhol); David Michael Dowd (he/him, Michael Brown); Alexis Ward (she/her, Marilyn Monroe) and Jasmine “Jazzy” Cheri Rush (she/her, Edie Sedgwick).  

The creative team for Andy Warhol Presents: The Cocaine Play includes Terry Guest (he/him, playwright and director); Ayanna Bria Bakari (she/her, associate director and wigs designer); Sydney Lynne Thomas (she/her, scenic designer); Madeleine Shows (costume designer); Spencer Diaz Tootle (she/her, props designer); Levi Wilkins (he/him, lighting designer); Ethan Korvne (he/him, composer and sound designer); E Tylkowski (they/them, technical director); Stephanie Mattos (she/her, fight and firearms coordinator); Kirsten Baity (they/them, intimacy coordinator); Corey Bradberry (he/him, production manager); Sam Burkett (she/they, stage manager); AJ Links, CSA (she/her, casting director); Monét Felton (they/theirs, artistic producer); Hudson Therriault (any/all, accessibility manager); Amira Danan (she/her, development director), Karina Patel (she/her, new works manager) and Kaiser Ahmed (he/him, artistic director).

ABOUT TERRY GUEST, PLAYWRIGHT/DIRECTOR

Terry Guest is a three-time Jeff Award-winning playwright, actor, director and teaching artist. Works include: At The Wake of a Dead Drag Queen, OAK, The Magnolia Ballet (Jeff Awards for Production and Performance in a short run), A Ghost in Satin (Williamstown Theater Festival), Marie Antionette and the Magical Negroes (Three Jeff Awards including New Work, Director and Ensemble), Nightbirds, The Madness of Mary Todd (Goodman Playwrights Unit commission) and Milo Imagines the World. As an actor Guest has worked at regional theaters including Goodman Theatre, Steppenwolf, Alliance Theatre, About Face Theatre and Actors Express.

ABOUT JACKALOPE THEATRE

Jackalope Theatre Company expands the definition of American Identity by engaging with communities to produce works that celebrate diverse perspectives. Jackalope is a premier home for new and exciting Off-Loop Theatre based in Chicago's Edgewater and Rogers Park neighborhoods. They are committed to cultivating new voices that contribute to an expanding American culture and mythology. Each season, Jackalope produces full-length plays, new play development programming and provides free classes in partnership with the Chicago Park District.

Jackalope Theatre Company is proud to present the world premiere of Andy Warhol Presents: The Cocaine Play, written and directed by Terry Guest, May 28 - July 6,at the Broadway Armory Park, 5917 N Broadway St. The total running time, including two intermissions, is two hours and 30 minutes. Preview performances are Thursday, May 28, Friday, May 29 and Saturday, May 30 at 7:30 p.m. and Sunday, May 31 at 2 p.m. with the press opening Tuesday, June 2 at 7:30 p.m. The performance schedule is Mondays, Fridays and Saturdays at 7:30 p.m. and Sundays at 2 p.m. with no Friday or Saturday evening performances on July 3 and July 4. Tickets are $15 - $45 with student and Edgewater resident discounts available. Subscription and single tickets are now available at JackalopeTheatre.org or call/text the box office at 773.340.2543.

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AT Cadillac Palace Theatre May 12-24.  GET TICKETS NOW!

 

         20 Years and counting!

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New Leadership on Display at Alvin Ailey Dance Theater with Alicia Graf Mack

 

 

     

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