Dance

Displaying items by tag: Apollo Theater

Rhythm is an essential part of life. We wouldn’t exist without it. It all starts with your heart beat. That is the origin of rhythm really. And Djembe! The Show at Apollo Theater is all about the rhythm – and it’s informative. I really enjoyed learning how the djembe was used throughout musical history.

Djembe! was almost like a workshop at times. Drums are located at each audience member’s seat. The show was emceed by Ben Hope. Hope, along with the rest of the ensemble, taught the audience about the rich history djembe drumming. I didn’t realize this was actually a touring road show until yesterday. I can just imagine packing all those drums away after every show! Hopefully, Djembe! sticks around for a while because it is truly worthy of a long run.

The band in this show was fantastic. Fode Lavia Camara was the Djembe Fola, or “master”. He led the drumming for the most part although all were involved. The band was rounded out with bass guitar, keys and drums. All were musicians are very talented players.

Rashada Dawan handled most of the lead vocals. She wore a variety of costumes to illustrate the influence of djembe rhythms through musical history. Her voice was amazing. She also helped emcee the show.

When it all is said and done, we learn that a lot of the rhythm we take for granted in music is African in origin. It is interesting to see the influence of these rhythms on everything from Pop to Classical Music. This was all about the Djembe, but it translates to other instruments and even voices, and a show like this is great mind food for musicians. Us musicians need to constantly feed our minds with information. But it is the entertainment value in Djembe! that makes it fun!

This is a show one could see again and again. In fact, I am tempted to take a friend there who I know would really like it. You would too. Nothing makes you feel better than beating a drum. Bring a friend. Make a friend. It’s a celebration of life. This would be a great show to take your kids along. It’s a lot of fun.

Djembe! The Show is currently being performed at Apollo Theater.

For more information on this unique experience, visit www.djembetheshow.com.

Published in Theatre in Review

After a successful summer preview run, "Thrones: The Musical Parody" has returned to Apollo Theater for Fall performances. Though the production might not have the staying power as did "Million Dollar Quartet", a show originally scheduled for a two-week run that was renewed for several years, "Thrones" is a solid production that, despite its niche market, should get comfy in its Apollo home for a decent stay.

 

Parodying Game of Thrones, one of the biggest television series over the past decade "Thrones" hold little back, cleverly mocking its main characters delivering a crude, but witty, humor GoT fans are sure to enjoy. From the show's opening number "Thrones!", a song that punches the audience with spoilers and refers to "The Wire" as a show one doesn't realize they like until after two and a half seasons, we get a good taste of the campy ride we are about to take. The show's very funny cast includes Caitlyn Cerza, Nick Druzbanski, Madeline Lauzon, Beau Nolan, Victoria Olivier and Christopher Ratliff. 

 

The story revolves around a group of friends who excitedly await the GoT season premiere. However, after some lackluster enthusiasm is displayed, it's soon revealed that Brad (Druzbanski) has never seen the show. Of course, this is just mind blowing for the rest of the gang who quickly agree to act out the show to catch Brad up to speed. And this is where it starts to get crazy. In fact, the show takes a hilarious turn the moment Tom (Ratliff) throws on the John Snow wig and makeshift cape just before diving into his ode to The Wall watchers "For the Watch". And how can you have a wall number without taking a poke a Donald Trump, which they certainly do. Taking shots at practically every character on the show from Tyrian to Sansa to King Joffrey to Xerxes (there's actually a song on who we need to know), the group goes from one scenario to the next. Naturally, Brad's interest in the show grows as the friends get deeper and deeper into the characters. 

 

Act One ends on a high note with possibly the funniest number in the show, "Stabbin'", a gruesomely humorous massacre free-for-all that really needs to be seen to be appreciated in full. But worry not, after a big ending into intermission, we are not let down, as Act Two holds a strong pace by providing solid laughs throughout, steering us to a strong finish. Each actor richly contributes in this talented cast holding the ability to get big laughs at any given moment as well as providing respectable vocal ability. The cast brilliantly overplays their characters expressions and are able to successfully spoof their many characteristics such as Tyrian's poor accent, John Snow's seemingly empty thoughts or _________  not so subtle crush on Denarys. 

 

Written by the team of Chris Grace, Zach Reino, Al Samuels and Dan Wessels, the show gets a nice boost from director Hannah Todd, who is able to work the funny within the funny and finely translate it for stage. While GoT fans will certainly enjoy this show, easily picking up on its jokes - both subtle and bold, it remains to see how theater goers not familiar with the show will react. The GoT fan base in Chicago might be enough in itself to support this show for a long run, possibly even creating new GoT fans along the way. 

 

"Thrones: The Musical Parody", performed at Apollo Theater through November 15th, has plenty to make it a thoroughly entertaining event - laughs, sex, an engaging storyline,catchy songs and excellent acting performances. 

 

Take your Game of Thrones experience to the next level with "Thrones: The Musical Parody". 

Published in Theatre in Review

 

 

         17 Years and counting!

Register

     

Latest Articles

  • 25 Years of Rudolph the Red-Hosed Reindeer: A Warm and Sparkling Celebration of Individuality!
    Written by
    I fondly recall watching the 1964 children’s television special Rudolph the Red-Nosed Reindeer each year with great wonder! Its message of hope—that you can be yourself and different from the herd—left a lasting impression. The idea that, through perseverance, you…
  • Trap Door Theatre Presents: The Mannequins Ball, Opening January 23rd
    Trap Door Theatre is thrilled to continue its 31st season with a production of the renowned play, The Mannequins' Ball. Written by Bruno Jasieński, The Mannequins' Ball will be directed by Resident Choreographer Miguel Long, and Managing Director Nicole Wiesner. The Mannequins' Ball will play January 23 – March 1,…
  • Three-time Jeff Award winner Ron OJ Parson to direct Hymn
    Chicago Shakespeare Theater (CST) announces renowned Chicago director Ron OJ Parson will helm the North American premiere of Lolita Chakrabarti's Hymn, making his CST directorial debut. Chakrabarti has re-imagined her play in the South Side of Chicago, following an acclaimed premiere at London's Almeida Theatre. The…
  • CLUE On Sale Now
    Broadway In Chicago is delighted to announce that individual tickets for CLUE, the hilarious murder mystery comedy inspired by the Hasbro board game and adapted from the fan-favorite film, will go on sale today, Wednesday, December 18. The show will play at the CIBC…

Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it.

*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.