Displaying items by tag: Andy Luther

The start of the civil rights movement was not Rosa Parks refusal to leave her seat on a bus. The civil rights movement started when the photo of 14-year-old Emmett Till, laying in his coffin beaten beyond recognition was graphically published on the cover of Jet Magazine for the world to bear witness. He was the victim of a heinous attack by brothers Roy Bryant and J.W. Milam.

“Trial in the Delta” is a reenactment of the trial held at the Tallahatchie County courthouse in Sumner, Mississippi on September 23, 1955. This reenactment took 2 hours thanks to the laborious job of paring down 5 days of actual court transcripts into a cohesive 2-hour production. The adaptation by G. Riley Mills and Willie Round was sharp and concise making the arguments of both sides extremely clear.

It had to be difficult directing a production where everyone knows the outcome and keep it fresh and new, yet this is exactly what the directing team of Dana N. Anderson and Anthony Moseley accomplished. They made the audience spectators to this miscarriage of justice. They never took the easy road of playing on emotions. They went for words that were spoken they went for intent. They were aided by a spectacular cast.

Although their backs were to the audience most of the time, the body language of JW Milam (Matt Miles) and Roy Bryant (Tyler Burke) spoke volumes. There were times I couldn’t take my eyes off them. Prosecutor Gerald Chatham (Andy Luther) pushed and pleaded knowing it was all in vain while Defense Atty. JJ Breland (Steve Silver) played verbal gymnastics with the witnesses knowing he had the upper hand. All the witnesses that took the stand had different perspectives. I felt the fear of Moses Wright (Darren Jones) as he pointed. Undertaker Chester Miller (Lyle Miller) was dignified as his profession required. The testimony that gripped me was Carolyn Bryant (Maddy Brown).  It was alarming. The work that Carolyn Bryant put into that story and the way Maddie Brown brought that story to life made me pinch myself. I realized this is a tactic that’s been around forever, and it still works. The way Bryant/Brown weaponized her tears broke my heart. It was evident this trial was over, and these men would be free. Mamie Bradley (Kayla Franklin) remained stoic thru all the proceeding even when was her turn to take the stand. Her last speech is powerful.

Looking at the program for this production, I noticed there are major people in the theatre community associated with this production and it shows. DuSable Museum, while not my favorite place to see a play, made this production work. The set is a maple wood courtroom. To the left of the witness box are 12 empty seats. The Jury…..12 White men.  Whenever the jury came or left the courtroom, we see a projection of 12 white men entering of leaving and we hear their footsteps. There are maple bannisters separating the Attorneys from the spectators.

Witnesses are seated throughout the audience and as they are called walk up to the witness stand and are sworn in.

This production is an example of how systemic racism works and as such would not be shown in Florida. Governor Ron DeSantis has signed into law the Stop-Woke (Wrongs to Our Kids and Employees) Act, which prohibits educational institutions and businesses from teaching students and employees anything that would cause anyone to feel guilt, anguish or any form of psychological distress due to their race, color, sex or national origin. I’m sure this production was not created to cause any undo harm or guilt. This is not only African American history, but also American History.

When: Through February 19th - 7 p.m. Thursday-Saturday, 3 p.m. Sunday

Where: DuSable Black History Museum and Education Center, 740 E. 56th Pl.

Tickets: $30-$55

Info: Collaboraction.org