Displaying items by tag: Kate Whoriskey

Goodman Theatre welcomes back audiences with Lynn Nottage’s Broadway hit, “Clyde’s”. Collaboration between Goodman and playwright Lynn Nottage goes way back, including the 2019 production of her second Pulitzer Prize winner “Sweat”. This food-filled dramady is directed by Kate Whoriskey who has directed several of Nottage’s plays around the country.

Lynn Nottage was one of the busiest playwrights in New York this year, with three of her shows running on New York stages at the same time! Nottage is the first woman to have won the Pulitzer Prize twice in her career. Both of her Pulitzer winning plays have been produced at Goodman. The first play, “Ruined”, was part of Goodman’s New Stages festival in 2007. It was revived in the Owen space the following season and was awarded the Pulitzer in 2009. Since then, Goodman has produced “By the Way, Meet Vera Stark” and “Sweat” by Nottage.

“Clyde’s” was hit on Broadway in 2021, closing in early 2022. The single act play tells the story of a group of recently released ex-convicts working at Clyde’s, a grease spoon diner. The truck-stop sandwich stand is their only hope for employment, but Clyde the owner (a former convict herself) is unreasonably wicked.

“Clyde’s” is lighter fare than Nottage’s previous Goodman engagement, “Sweat”, but it doesn’t shy away from life’s grittiness. Nottage has an appreciation for the working class of America and often uses unglamorous settings to explore some of society’s deepest fractures. Main characters Letitia (Nedra Snipes) and Rafael (Reza Salazar) spend their working hours jumping as high as Clyde commands, but in between the verbal and physical assaults, they daydream about the perfect sandwich. The perfect sandwich being both literal and a metaphor for life without the unsavory baggage of former incarceration. They’re inspired by ethereal head chef Montrellous (Kevin Kenerly) who brings a sense of peace to the cook line. Kitchen dynamics change when quiet newcomer Jason (Garrett Young) joins the team.

An intimate cast led by understudy Danielle Davis as Clyde brings this seemingly simple story to life. Simple doesn’t mean shallow. There’s a lot of meat on this play. In one act Nottage does something few can do in a full length: she makes us care about everyday people society wishes to ignore. “Clyde’s” makes a statement on prison reform, class warfare, race, gender, and workplace relationships.

Danielle Davis is nearly cartoonishly evil, but she walks away with most of the scenes and laughs. We’ve all worked for someone we perceive as the devil, but Clyde might actually be Satan herself. The emotional weight of the play falls on Letitia’s shoulders and Nedra Snipes carries it well. Her budding romance with Rafael exposes how lonely it can be as a formerly incarcerated citizen. Even though these characters don’t always get along with Clyde, in the kitchen they treat each other with respect, which is more than the world treats them with.

So quickly after the pandemic did we forget about the “heroes” in service industry roles. “Clyde’s” reminds us to approach each other with respect despite background, job title or income. Nottage elevates the everyday lives of those working the hardest, and at the lowest rungs. The play also evokes a sense of gratitude for employment some would find off-putting. By having her characters dream of making the perfect sandwich, she’s encouraging all of us to keep dreaming of better life while appreciating the good right in front of us.

Through October 9 at Goodman Theatre, 170 N Dearborn Street. www.goodmantheatre.org