Displaying items by tag: Harris Theatre for Music and Dance

Today, Hubbard Street Dance Chicago (HSDC) unveiled the full program for the second performance series of its 2024/2025 season, Season 47: Winter Series. Featuring four captivating pieces, including a World Premiere by acclaimed choreographer James Gregg, the Series builds on the success of HSDC's critically acclaimed, sold-out Fall program at the Steppenwolf Theatre in November. The Winter Series will take place from Thursday, February 13, to Sunday, February 16, at the Harris Theater for Music and Dance (205 E. Randolph).

The program features a World Premiere by the innovative and genre-defying choreographer James Gregg and IMPASSE, Johan Inger's fantastical adventure praised by See Chicago Dance as "immensely entertaining." Also on the program is Into Being, a mesmerizing work by HSDC alums Alice Klock and Florian Lochner, who together are known as FLOCK. Adding to the excitement, Ohad Naharin's Black Milk, an impressive and physically demanding quintet, returns to the HSDC stage for the first time in over 20 years. Together, these extraordinary works weave a captivating tapestry of artistry and innovation, promising to make Season 47: Winter Series an unforgettable celebration of contemporary dance at its finest.

"At Hubbard Street, we are constantly pushing the boundaries of what contemporary dance can express," said Linda-Denise Fisher-Harrell, Artistic Director of HSDC. "This Winter Series, featuring a world premiere from James Gregg alongside the return of beloved works by Johan Inger, FLOCK, and Ohad Naharin, embodies the innovation, boldness and artistry our company is known for."

Tickets are now available by calling the Hubbard Street Box Office at 312-850-9744 ext. 5, or by visiting hubbardstreetdance.com and range from $20 to $110 plus a $9 per ticket handling fee. Midseason Subscription are also available for those interested in unlocking a great suite of benefits for Winter and Spring Series and beyond and start at $56 plus a one-time $12 handling fee. Visit www.hubbardstreetdance.com to learn more.

The Season 47: Winter Series schedule is as follows:

WINTER SERIES
Thursday, February 13 – Sunday, February 16, 2025
At the Harris Theatre for Music & Dance

Thursday, February 13 at 7:30pm
Friday, February 14 at 7:30pm
Saturday, February 15 at 7:30pm
Sunday, February 16 at 3pm

Featuring:
IMPASSE by Johan Inger
A World Premiere by James Gregg
Into Being by FLOCK
Black Milk by Ohad Naharin

Choreographer bios can be found HERE.

Hubbard Street is grateful to our Season 47 Partners Athletico Physical Therapy and the Illinois Arts Council for their continued support.

About Hubbard Street Dance Chicago
Hubbard Street Dance Chicago's mission is to awaken the human spirit through contemporary dance, envisioning a dance landscape that is relevant and accessible to all.

For 47 years, Hubbard Street has been one of the most original forces in contemporary dance – bringing top choreographers and works to Chicago and beyond. Hubbard Street's ever-evolving repertory, created by today's leading choreographic voices, makes them a company that dancers aspire to join and performance venues all over the world are eager to host. To date, the main company has performed globally in 19 countries and 44 U.S. states.

At home in Chicago, Hubbard Street performs 20 times a year and delivers renowned education programs in 50 classrooms across 17 Chicagoland schools. HSDC Education utilizes the choreographic process to teach essential problem-solving skills, creativity, and collaboration - expanding our reach beyond traditional concert dance audiences, ensuring that everyone has access to world-class dance and instruction.

Hubbard Street Dance Chicago grew out of the Lou Conte Dance Studio in 1977, and Conte served as Artistic Director for 23 years. Linda-Denise Fisher-Harrell began her tenure at the company in March 2021. In January 2022, HSDC moved to their new home in Water Tower Place on Michigan Avenue and acclaimed choreographer Aszure Barton was named Resident Artist in January 2023. Visit hubbardstreetdance.com for more information.

Ex Machina, Côté Danse, Dvoretsky Productions and presenting partner Show One Productions today announced the U.S. premiere of The Tragedy of Hamlet: Prince of Denmark, a captivating fusion of theater and dance by internationally acclaimed artists: the legendary director Robert Lepage (Metropolitan Opera, Stratford Festival, Cirque du Soleil) and the renowned dancer/choreographer Guillaume Côté, best known for his long tenure as a Principal Dancer with The National Ballet of Canada. Following the sold-out world premiere in Toronto last spring and a presentation at Le Festivalul Internațional Shakespeare in Craiova, this re-imagining of Shakespeare's timeless and haunting tragedy Hamlet will debut at the Harris Theater for Music and Dance (205 E. Randolph St.) for three performances, Saturday, November 23-Sunday, November 24.

This wordless rendition of the emblematic tale of a man engulfed by doubt and possibly slipping into madness following the tragic death of his father offers a fresh perspective on the enduring masterpiece. The 100-minute-long performance delves into the core narratives of Shakespeare's intricate exploration of the human condition, seamlessly blending classical and contemporary choreography. Featuring a company of carefully selected dancers, Côté himself stars as the tormented Dane.

Côté and Lepage's creation pulls the audience deep into a world of deception, where phantoms and humans mingle on a minimalist set on which light, shadow and transparency play an integral role. This metaphorical reinterpretation of the Shakespearian drama draws a fine line, connecting movements of the body with what may or may not be lurking within the corners of the mind.

"Robert has staged numerous award-winning productions of Hamlet globally and has even played the role himself. His deep and nuanced understanding of the play became a topic of discussion as we worked on another multi-disciplinary experience in 2018, Frame by Frame produced by The National Ballet of Canada" Côté recalls. "Hamlet remains a deep exploration of the human experience, and by gaining a deeper understanding of this character, we can appreciate the importance of taking action to address the problems of humanity. Shakespeare's canon of works exemplifies the power of art, and there is no better time than now to unite through shared experiences."

"Hamlet, both the play and the character, have left an indelible mark on my career," adds Lepage. "When Guillaume expressed an interest in revisiting the character, the proposition of working with him to find a nonverbal expression of the inner contradictions and the paradoxes of Hamlet was, for me, an immensely inspiring idea."

Hailed as "the can't-miss dance event of the year," by the Toronto Guardian, Lepage and Côté's The Tragedy of Hamlet: Prince of Denmark made its World Premiere on April 3, 2024, at Toronto's Elgin Theater. Described as a "tantalizing glimpse into the creative masterminds of Lepage and Côté as a single creative unit," by Intermission Magazine, the performance was lauded as one of the dance world's most innovative productions of 2024.  

In The Tragedy of Hamlet: Prince of Denmark, Côté and Lepage adopt a theatrical approach to the narrative, focusing on the dynamic movements of the nine-dancer ensemble. Lepage infuses the production with his renowned visual signature, crafting a powerfully symbolic world using expressive lighting design, movable set pieces, and a striking original score by award-winning composer John Gzowski.

"This piece is really based on bodies, on movement, on how to use the space," says Lepage. "I think people will recognize my signature...any technology we employ is very supportive of the strong ideas underpinning the production."

The Tragedy of Hamlet: Prince of Denmark is produced by Lepage's Ex Machina and Côté's Côté Danse, in partnership with veteran producer Svetlana Dvoretsky's Dvoretsky Productions, and is presented by Show One Productions, which celebrates 20 years as a leading global arts producer and presenter in 2024. Dvoretsky recently produced a new work with Côté, an acclaimed multimedia dance production TOUCH and with Lepage, she presented his immersive VR project The Library At Night in Toronto.

"I am honored to produce this momentous collaboration of these two extraordinary artists come to fruition in this stunning and innovative new work," commented Dvoretsky. "Guillaume Côté and Robert Lepage are unique talents on a global stage, and their visual worlds blend beautifully. A project like this is a dream come true for a producer, and it is a thrill to be part of their ongoing collaboration."

The brooding and provocative design elements of The Tragedy of Hamlet: Prince of Denmark are brought to life by a carefully selected team of distinguished designers. Leading the charge is Steve Blanchet, Creative Director at Ex Machina, who has over twenty-five years of experience in the arts and cultural sector. Blanchet's notable works include Shakespeare's Coriolanus at the Stratford Festival and Mozart's The Magic Flute at the Quebec Opera Festival. Lighting Designer Simon Rossiter, known for his specialization in dance, has collaborated on over three hundred designs with prestigious companies such as The National Ballet of Canada and Toronto Dance Theatre, earning multiple Dora Mavor Moore awards. Costume Designer Michael Gianfrancesco has an extensive portfolio spanning theater, opera and dance, with his designs showcased at the Stratford Festival, The National Ballet of Canada and the Rossini Festival in Italy. Together, this talented trio ensures a visually stunning and immersive experience for the audience.

Tickets for Côté and Lepage's The Tragedy of Hamlet: Prince of Denmark will go on sale Friday, July 12 at 10 a.m. CST, with tickets beginning at $59. Tickets will be available at www.harristheaterchicago.com or by calling the Harris Theater box office at 312.334.7777. The U.S. Premiere will run at the Harris Theater for Music and Dance in Chicago from November 23- 24, with a limited number of available performances. For more information, visit www.harristheaterchicago.com.

The performance schedule is as follows:

The Tragedy of Hamlet: Prince of Denmark
Saturday, November 23 – Sunday, November 24, 2024
At Harris Theater for Music and Dance

Saturday, November 23 at 7:30 p.m.
Sunday, November 24 at 1 p.m.
Sunday, November 24 at 6:30 p.m.

About the Artists:

Robert Lepage is internationally considered one of the most versatile and esteemed theatre artists worldwide. His original approach to theatre has won him international acclaim, particularly for his use of new technologies. He is the recipient of the Governor General's Performing Arts Award for Lifetime Artistic Achievement and was made a Companion of the Order of Canada. He is the founder and artistic director of Ex Machina and has directed numerous plays, operas and films including work for Cirque du Soleil and the Metropolitan Opera.

Choreographer and dancer Guillaume Côté is one of Canada's most celebrated dance artists. He has been the leading male figure of The National Ballet of Canada as a Principal Dancer since 2004 and has choreographed many works for the company including Frame by Frame, Being and Nothingness and Le Petit Prince. He has also been invited to perform at the most prestigious companies in the world like The Royal Ballet in London, Teatro alla Scala in Milan and the New York City Ballet. Côté is also Artistic Director of the Festival des Arts de Saint-Sauveur.

Composer, sound designer, musician and instrument maker John Gzowski worked on over 250 theater, dance and film productions for which he has composed, created sound designs, performed live foley and live music and acted as musical director. He has played banjo for opera in Banff, studied Carnatic classical music in India and played oud and guitar in jazz and folk festivals across Canada and Europe. His theater work has won him 6 Dora's, from 18 nominations for companies like Ex Machina, Stratford, Shaw Festival, Luminato, National Arts Centre, the Mirvishes, MTC, the Arts Club, Canstage, Soulpepper, Dancemakers, Red Sky, Tarragon, Factory Theatre and YPT. Gzowski has played on numerous CD's, with releases with Patricia O'Callaghan, Tasa, and Autorickshaw as well as a Juno nomination with Maza Meze. He has run Canada's first microtonal group, touring Canada playing the works of Harry Partch, composed and performed with several new music groups and worked as co-artistic director of the Music Gallery.

About Ex Machina

Led by artistic director Robert Lepage, Ex Machina creates, produces, and disseminates multidisciplinary artistic works, most often theatrical.

The company brings together creators from several fields of activity and offers a broad range of artistic production: original plays written and performed solo or collectively, plays based on existing texts, productions in which various disciplines (dance, music, museology) mingle with theater, operas and multimedia productions featuring a predominantly technological dimension. Ex Machina mainly develops its shows in the city of Quebec, then presents them abundantly in Quebec, Canada and elsewhere in the Americas, Europe, Asia, and Oceania.

Beyond their diversity, the company's projects have some features in common. Anecdotes lead to the exploration of ideas such as the revelation of identity through exposure to the other. Cultural intersections, the nature of the creative act, interrupted communication and states of dependence are recurring themes.

Several dramatic situations oppose the quotidian to the extraordinary, the naturalism to the metaphor, and somehow diffident characters to historical figures. The multilingualism, the massive use of images, the reversal of perspective, the variations in scale, the use of narrative codes borrowed from the cinema and the use of technological tools aim to spark meaning and emotion, reflecting a desire to poeticize theatrical expression.

About twenty permanent employees and a large number of artists, artisans, designers, authors, performers, and freelance technicians work each year to create Ex Machina's shows. They are seen year after year by hundreds of thousands of spectators.

About Côté Danse

Côté Danse burst onto the Canadian dance scene in 2019, thanks to the collaboration between Choreographer Guillaume Côté and Producer Etienne Lavigne. Since then, they have been actively presenting a range of original works, films, and immersive dance experiences.

Under the artistic direction of Guillaume Côté, Côté Danse establishes a unique vision, combining classical dance knowledge with captivating geometries and intense human connections. Their style is characterized by contemporary lines, sleek contours, and refined athleticism, creating a distinct and dynamic aesthetic.

Through collaborations with a diverse group of designers, artists, and partners such as Robert Lepage, Mirari Studios, and Son Lux, Côté Danse has successfully produced four full-length productions. These creations have garnered significant attention, with over 125 performances, over four years, in more than 20 cities.

A tragic Shakespearian tale of Romeo and Juliet set to the music of a Russian composer Sergei Prokofiev is brought to Chicago Harris theatre by The National Ballet Theatre of Odessa (Ukraine).

 A ballet in two acts, it starts out rather slow. Dancers are mostly standing around, and a sense of a theatre, rather than ballet, is conveyed. This low energy feel is not helped by the dull uniform-like color palette of the costumes and unexciting set decorations [of predominantly burgundy]. Luckily, the first scene features multiple quarrels between the servants, which escalate to a brawl, bringing some much-needed energy to the stage. We get our first look at lovely Juliet, who is most certainly the star of the show. 

Choreographed by Michael Lavrovsky, overall, Odessa’s Romeo and Juliet has a very traditional feel, full of reliable dance moves but not too many thrills for the Chicago Harris Theatre’s spoiled audience. Regardless, it does have some nice parts, all of them seemingly saved for the Second Act.

Alas, Act Two has a lot more sparkle. Events are set in motion, the pace is picked up and, to our delight, we get another major infusion of Romeo’s friend, red-headed Mercutio (danced by Nikolay Vorivodin), who is unquestionably the liveliest dancer of the troupe and, frankly, one of its most memorable. His spirited energy lights up every scene he’s in, and that’s a really good thing for this sleepy production. In his last performance he dances out a sword fight, churning out acrobatic- inspired moves, while remaining playfully graceful. Farewell, Mercutio, we’ll miss you.  

Odessa’s National Ballet Theatre features some very fine performers in Romeo and Juliet. Olga Vorobiova, who dances the part of Juliet, is absolutely outstanding. A world class ballerina, she is gracefully fluid and highly expressive. Her partner Stanislav Skrynnik (Romeo) is a very capable dancer, perfectly executing his role in the ballet as a support for Vorobiova during the couple’s love scenes. One of the most impressive scenes in the ballet is Romeo and Juliet last embrace; it’s absolutely gorgeous. Ahh, Romeo and Juliet, fused together in an expression of love and devotion; it brings tears to one’s eyes.

Giordano dance Chicago has opened its 2017 season with its Spring Series at the Harris Theater for Music and Dance. Divided into six distinct pieces, the show is a high energy celebration of jazz dance; it’s well polished, exciting and expressive. Not a word is spoken, but each piece tells a story so vividly that one might wonder why we would need the spoken language after all.  Opening with ‘’Grusin Suite’’, featuring former Giordano Dance Chicago dancer and River North Dance Chicago Artistic Director Frank Chaves, it’s a 1993 re-staging set to the soundtrack for the film “The Firm”. Fluidity of the dance is complemented by the flowing fabrics of the uniform - like costumes of the dancers (costume design by Branimira Ivanova). The costumes are kept very simple throughout the show, and so nothing detracts from the dancers often moving in unison, always with intention and precision, and there’s always a story being unwrapped. After Grusin Suite comes dark Divided Against - A place painted is decidedly hostile with male dancers wearing robes and acting subservient to the female dancers, who are erect and unemotional. Choreographed by Peter Chu, music by Djeff Houle. Next comes blissfully tribal A Ritual Dynamic. Deeply satisfying both visually and auditorily, it’s Avatar-like in its feel. Choreographed by Jon Lwhrer, music by White Derbakeh and DJ Disse. 

After intermission we’re treated to Sneaky Pete, choreographed by Brock Clawson, music by Kerry Muzzey, Abel Korzeniowski, and Adam Crystal. A lot going on here: mating game between two dancers with the girl pursing the boy, while the rest of the troupe is “living their normal life”, a.k.a., dancing beautifully, of course. It ends with the boy upsetting the girl and suffering the consequences by getting ostracized by the rest of the troupe (the “society”?). Or, at least, that was my interpretation. I invite the reader to make their own impression. Next piece is a gorgeous The Man That Got Away, a 1990 classic. The girl wants a man, but he’s is indifferent. She tries many things: affection, seduction, reason, arguing, but nothing will melt his heart.  Set to Harold Arlen and Ira Gershwin music performed by Judy Garland, it’s choreographed by Sherry Zunker. Featuring dancer Ashley Downs. Fun Fact: Sherry Zunker has gifted The Man That Got Away to Giordano Dance Chicago in honor of legendary Gus Giordano. It’s sexy and compelling; an absolute delight!

Last, but not least, is a world premiere of a dance called Lost in this World. Choreographed by Liz Imperio, who is hailed as choreographer to the stars. Her credits include the staging and choreography for Jennifer Lopez’s world tour “Dance Again” and directing/choreographing of three of Gloria Estefan’s world concert tours and two world tours for Madonna. Set to music by Ed Sheeran/Steve Mac/Johnny McDaid, and Raury Tullis, Lost in this World is very youthful.  Beautifully danced by the lead woman Maeghan McHale and lead men Devin Buchanan and Adam Houston.

The Giordano Dance Chicago Spring Series is performed at the Harris Theater for Music and Dance. For more information on Giordano Dance Chicago visit http://giordanodance.org/.