Displaying items by tag: Charles Perrault

It’s December, which means Chicago’s theaters are in full-on holiday mode. Traditional theater takes a break at some of our major houses as festive productions of holiday classics trod the local boards. Those who do not celebrate Christmas aren’t to be left out. For family fun entertainment, Lyric Opera offers up an all-new production of Massenet’s classic French opera “Cendrillon” which is of course Cinderella in French.

Last produced in Chicago over 100 years ago, this vivid production directed by Laurent Pelly makes its Lyric Opera premiere. Massenet was largely overlooked in his own lifetime, ‘Cendrillon’ premiered in 1899, but did not make much splash outside of France. Massenet was always popular with French audiences but by the early 1930s, had been largely forgotten. It wasn’t until the last half of the 19th century that Massenet’s work enjoyed the renaissance it deserved. Much of his enduring popularity is because of his charming version of Cinderella. It has a very French sense of humor that holds up as well as beautiful music in easy-to-understand French no less.

Laurent’s vision is perfectly story book for this fairy tale. The staging is relatively modest in scale, but the over the top in execution. Acting as wall paper, the original words of Charles Perrault (who is credited as the originator of the Cinderella story as we know it) are projected onto the set pieces. Almost to say, the words are as important as the music. A lovely image countered by the flamboyant red costumes designed by Laurent Pelly himself.

While it’s the composer’s intention for the role of Prince Charming to be sung by a female soprano, there’s something a little distracting about Alice Coote’s performance. It’s nearly impossible to forget she’s a woman and that is somewhat confusing in a 1600s-era romance. The rest of the show lacks any LGBT of queer context making the choice all the more confusing. That said, Siobhan Stagg makes her American debut as Cendrillon. She’s as lovely as her voice and conveys the character’s sense of integrity throughout. An incredible voice that picks up the slack of an otherwise bland cast.

When considering the bevy of holiday and family friendly shows Chicago has to offer this time of year, “Cendrillon” might not be your best bet. This is a lovely version of the classic fairy tale, but it’s hard to imagine this would be engaging to children who might be more enthusiastic about ‘The Nutcracker’ or anything at the Broadway in Chicago theaters. That is not to say this isn’t a good opera, but it tends to fall into a trap of being boring to kids and not exciting enough for adults. If you’ve been dying to see Massenet’s version of Cinderella in Chicago, by all means don’t skip as it could be another 100 years before we see it again. Otherwise, you may be more enthralled by “Il Trovatore” running concurrently at the Lyric.

Through January 20th at Lyric Opera. 20 N Wacker Drive. 312-827-5600