Displaying items by tag: Buddy Guy

Roomful of Blues is celebrating fifty years this year. That’s a long time playing together. Not all the members go back that far, but the history of the band does.

Opening for Roomful of Blues at City Winery Chicago was Corey Dennison and his band. I think fans of Freddie King would dig this cat. I don’t see Dennison as a King imitator, but I did see some similarities in his appearance and the guitar he played. Dennison has a four-piece band - two guitars, bass and drums. The band pulls off some fun choreographed stage moves and display a ton of energy. Corey even did the Buddy Guy trick of walking through the crowd while playing. The difference being that Dennison started singing without a microphone in the middle of the club. Still, you could hear his strong voice without a problem. Sometimes Blues singing is almost like a holler, just shouting more or less. You can really feel it.

Dennison proved to be a decent Chicago Blues guitar player. He plays without a pick like a lot of the older players, using a lot of thumb. It seems primitive but it’s a great sound.

Roomful of Blues is a bigger band - three horns, keys, guitar, bass, drums and vocals and the crowd was responsive. Together, they present a powerful sound. The horns give more melodic information to chew on. Everything about the band was musically excellent. Well-seasoned players are such a treat to watch. The energy of the band was good but did not match Dennison and crew.

I have heard a lot of Blues music in Chicago. Having said that, I am dying to hear something new. I know a lot is tradition. The twelve-bar form does have limitations. I don’t really hear songs anymore. It’s all the same song. You can speed it up, slow it down…change keys…it’s still the same song. The Blues bands of yesterday had more going on. The missing ingredient is the dancing.

Once upon a time, bands were there so people could dance. Even Classical Music was based on the dances of the day. Dancing has been replaced by sitting. Blues bands of yesteryear would never have held a gig doing whole sets of twelve bar. Tough to dance to a shuffle beat.

Roomful of Blues started towards the end of the sixties Blues movement. Then it stopped moving. The Psychedlic era killed it and I don’t see it being much more than a novelty now. Stevie Ray Vaughan brought it back thirty years ago and that was really Rock disguised as Blues. In no way am I saying that I am down on The Blues. It is still a valid form of music but it needs to grow. This genre of music spawned Rock and Jazz and a lot of other styles. And I think there is more that can come from it in the future. But that will not come from repeating the past.

Buddy Guy is real. In a music business where people often portray an image onstage - a persona - Buddy Guy is real. When you go see him play, that’s what you get and nobody walks away not knowing a little something about the man.

Before Guy’s set at Ravinia Festival, we were treated to the music of Booker T. Jones. Some of you might say, “who’s he?” Booker T. and The MG’s were the house band at Stax Records. They were on many songs that you remember, but they were not the faces on the record. Most people do recognize their hit “Green Onions”, but if you asked who it was…

His was a nice short, but effective, set. I had hopes of Buddy coming out and playing a song with Jones but that might have actually taken the focus away from Booker’s music in a way. It was really nice to hear the Hammond Organ being played by the actual person you heard play those melodies. Booker even played guitar and sang…but…that organ, that sound… It’s almost become a lost instrument today. I say almost because you do still see them but we could be witnessing the tail end of the instrument’s impact. I’d love to see bands today bring back the organ.

On the other hand, Buddy Guy was born to play the guitar - to quote his own song. I think that is true. However, he does not play the way your guitar teacher will tell you to play. What does that mean? It means he just plays the guitar. He doesn’t study it. He doesn’t analyze it. He plays the guitar. Guy’s playing has been a huge influence on Rock’s elite but many just don’t get it unless they see the man play live. You cannot capture Buddy Guy on a recording. It’s just not the same. His performances should not be repeated. They should not be recorded. They should be experienced. You need to be there when he walks out into the crowd, and this could not have been truer than at Ravinia the other night.

I don’t want to go off on a tangent here, but go see more live music. Before music turns into a complete corporate clown show, go see more live music. Live music has so many benefits. Musicians pay their bills nowadays largely in part by playing live. Free downloads killed CD sales. We need to support these artists. Maybe the decay of integrity can be slowed down or even repaired if we did this. Go see more live music.

Artists too are to blame. They need to be real. That’s why the music of some people lasts forever. Formulas are for scientists, not musicians. Just be yourself and make some music. Be like Buddy Guy. I do not mean imitation. Just be real.

Guy’s set was amazing. You will never see the same show twice. He starts one song and may finish it or he may jump to anther song. The band needs to be on their toes. I am sure they rehearse most of that but I am sure a huge part of rehearsal is learning how to follow Buddy’s lead. The Blues as a musical form has always involved a lot of improvisation. You actually get to hear music at its point of creation. You can’t rehearse that part of the process, the creation. To witness this is a gift to you from the artist. This leads me back to the reasons to go see live music. It’s like gift exchange. They give you the music. You go see them so they can pay their bills. It’s good for the economy. Go see more live music.

Expectations for what you might see in a concert are not always what turn out to be the reality of the situation. On my way to Ravinia Festival in Highland Park, I knew I was going to see two legendary guitar players in their respective fields. Let’s just say any preconceived notions I may have had regarding a strong showing by Buddy Guy and Jeff Beck were dismissed several times throughout this fine Sunday evening.

First, I assumed Buddy Guy would be opening for Jeff Beck. However, Beck took the stage first, opening with a track from his latest release Loud Hail. The song starts, vocals are heard, but no one on stage is singing. Then a woman dressed in what could be described as some kind of military uniform singing through a megaphone appears as she strolls down the aisle. She eventually gets on stage and joins the band. Now, this really wasn’t that strange for a Jeff Beck show. He has been dabbling in different genres most of his career.

Beck alternated between new album cuts and some of his classics like Freeway Jam. Somewhere around the fifth or sixth song a different vocalist appears and to the crowd’s approval, it was veteran Jimmy Hall who has worked with Jeff many times. Their performance of “Morning Dew” was highly inspiring and raised some goose bumps on Beck’s avid fans in attendance. “Morning Dew” was written during the turbulent 1960’s with a post apocalyptic theme. There seemed to be a bit of a theme during the show. I have always considered Jeff Beck to be a man of peace, and he conveyed this subtle message in his selections.

As for Beck’s guitar playing? Well, a musician in his league never disappoints in that department. Some people have claimed JB to be the best guitar player out there. Even though that I find that an impossible title to hold, he is certainly high on the list. Now here is a guy known for flashy guitar playing yet he doesn’t waste a note. We have had so many technically gifted guitar players come and go through the years, so what makes a guy like him so appealing? One word, melody. If someone claimed Jeff was the most melodic guitar player, I just might have to agree. Some say brilliant instrumentalists are often frustrated singers and when Beck plays, it is akin to a human voice. He doesn’t even use a pick anymore. This man’s music is what happens when you give someone an amazing ear uniquely interpreting each melody on a Stratocaster. Beck’s encore was his take on The Beatles’ “A Day In The Life” to which he played the vocal lines on the guitar just like a singer. His voice is the guitar.

After Beck’s stirring set, I was sitting there thinking, “How is Buddy Guy gonna top that?” Buddy is Buddy, that’s what he is. He has been quoted as saying that’s all he can do is be himself. That’s just fine in my book. A true artist’s personality comes out in their art, no matter what the area. Guy is often manic but just so down to earth that you end up falling in love with the man before the show is over. He celebrated his 80^th birthday just the day before. That’s correct, 80 years old! But Guy didn’t show his age and displayed the energy of a much younger man.

Guy’s attitude on stage is incredible. I have never met Buddy myself but have heard that off the stage he is a pretty shy guy. He’s just one of those artists whose true self only comes out when performing. Look out and be prepared as Guy’s shows are basically unscripted for the most part. He admitted he had no set list though his band was obviously prepared for what he was doing. His performance is almost like Buddy thinking out loud. He jumps from one thing to another.   

I consider Buddy to be one of the last real showmen of the Blues. His roots go back to Muddy Waters. Those old Blues cats always know how to entertain. Buddy used to do a trick back in the old club days where he would use a super long guitar cord and go out into the audience while playing. Now a wireless system makes things so much easier. Guy walked off the stage and kept going though a good portion of the pavilion at Ravinia, twice passing my way.

Guy was joined by Beck on one song and another featured two of his kids, one on vocals the other on guitar. The last portion of his show was Buddy teasing the audience playing just bits of a bunch of old Blues songs that weighed heavily as his musical influences. A true entertainer leaves the audience satisfied but wanting more. This was definitely the case.

Did Buddy Guy top Jeff Beck? Well, maybe not by his guitar playing alone. The performance actually made you forget the opening act while he was on stage. Like the title of his opening number, Buddy was “Born to Play the Guitar”. Jeff Beck was too, but Buddy was also born to entertain. At 80-years-old, won’t be performing forever, my advice being to see him while you still can. He is really one of the only living links to the old Blues cats left. After him, it’s mostly the English Blues players like Clapton. And who is Eric Clapton’s favorite guitar player? Buddy Guy. On July 31, 2016, Buddy Guy was mine was too.

Nation’s most diverse music festival presents more than 140 events from June 2 through September 11, featuring the 80th-anniversary summer residency of the Chicago Symphony Orchestra

Longtime, former music director James Levine returns for the first time in over two decades to conduct Mahler’s Second Symphony, as he did at his Ravinia debut 45 years ago

Eight conductors make their Ravinia debuts, and four of those make their CSO debuts, including Kirill Karabits, Gustavo Gimeno, George Hanson, and Ben Gernon

Legends Paul Simon, Diana Ross, and Frankie Valli & the Four Seasons among 74 Ravinia debuts; Bob Dylan returns for the first time since 1964

Ten premieres include the first violin concerto by Wynton Marsalis, co-commissioned by Ravinia, and Tan Dun’s Water Passion

Stravinsky’s The Firebird named “One Score, One Chicago” selection as Ravinia co-commissions dramatic new staging from the puppeteers behind Broadway’s War Horse

Orchestras perform scores live as Ravinia shows the complete films Titanic, The Planets: An HD Odyssey, The Wizard of Oz, and Bugs Bunny at the Symphony II

A series of vocal programs, including Rachmaninoff’s “Vespers,” celebrates the centennial of master choral director Robert Shaw

Tributes to David Bowie, Oscar Brown Jr., Nat “King” Cole, Jerry Garcia, and Stephen Sondheim are featured

Fourteen chamber programs explore “complete” works by Haydn, Bach, and Bartók and launch a three-year cycle of Beethoven’s piano sonatas by Jonathan Biss

Ravinia welcomes guests at its grand entrance with a new aquatic sculpture by the designers of the Bellagio’s dancing fountains and a wave of water-themed concerts

Classical artists include Jean-Yves Thibaudet; Matthias Goerne; Gil Shaham; Joshua Bell and Chris Botti; Silk Road Ensemble with Yo-Yo Ma; Itzhak Perlman; Alisa Weilerstein; Lynn Harrell; Daniil Trifonov; Jeffrey Kahane; Zukerman Trio; Danielle de Niese; Midori; Milwaukee Symphony Orchestra; the Juilliard, Emerson, and Takács String Quartets; and RSMI alumni in the Chiara, Avalon, and Ariel String Quartets

Non-classical artists include Seal; Train and Andy Grammer; Bonnie Raitt; Hollywood Vampires with Alice Cooper, Joe Perry, and Johnny Depp; Billy Bob Thornton & The Boxmasters and Marty Stuart; Don Henley; Bryan Ferry; Barenaked Ladies; Seth MacFarlane; Duran Duran; Buddy Guy and Jeff Beck; Tony Bennett; Patti LaBelle; Phillip Phillips and Matt Nathanson; and Chris Cornell

HIGHLAND PARK, Ill.—Ravinia President and CEO Welz Kauffman today announced the 2016 summer season comprising more than 140 events, featuring the 80th-anniversary summer residency of the Chicago Symphony Orchestra. In this special anniversary year, maestro James Levine will return for the first time in more than two decades to lead the CSO in Mahler’s Second Symphony—the piece he conducted as a last-minute replacement when he made his Ravinia debut in 1971. Eight conductors will make their Ravinia debuts—four of whom concurrently are making their CSO debuts—during the 17-concert residency. The 15-week season, which is nearly 65 percent classical, features 74 artist debuts—including legends Paul Simon and Diana Ross—and 50 classical works never before performed at the festival. New works include the Ravinia co-commissions of a reimagined staging of Stravinsky’s The Firebird, created by the company behind War Horse on Broadway and the West End, and the first violin concerto fromWynton Marsalis, performed by Nicola Benedetti, for whom it was written. Four films, including Titanic and The Wizard of Oz, will receive live orchestral accompaniment. Several concerts pay tribute to musical giants, from Robert Shaw to David Bowie. Fourteen concerts offer “complete” works, including the launch of a three-year Beethoven project by pianist Jonathan Biss. Tickets go on sale March 9 to donors to the not-for-profit festival and April 26 to the general public.

“Nothing compares to the enviable relationship between Ravinia and the Chicago Symphony Orchestra, so it’s a real pleasure to announce the 80th-anniversary summer residency, featuring something for just about every taste in orchestral music,” said Kauffman, who programs the festival, also noting that typically festivals and orchestras are a single entity, such as Tanglewood and the Boston Symphony. “Ravinia, with its welcoming outdoor environment, low prices, and inviting summer programming is well poised to help build the audience for this important art form. If venue loyalty can get just 5 percent of the audience that comes to see Train or Paul Simon to return for a CSO concert, that would be a sea change. We’re especially excited to respond to audience demand by introducing six conductors standing before the CSO at Ravinia this summer, four of whom are also making their CSO debuts.”

For the second year in a row, Allstate has signed on to be Ravinia’s Lead Classical Sponsor. “We are pleased to once again partner with Ravinia on their efforts to bring classical music to the Chicago area,” said Don Civgin, President of Emerging Business at Allstate and a Ravinia Trustee. “We applaud Ravinia’s commitment to education, public outreach, and making world-class performances accessible to all. Allstate and Ravinia recognize the importance of serving the community—together we are a force for good.”

$25/$10/FREE

Ravinia’s popular pricing returns this summer, with most Pavilion seats for all CSO concerts selling for just $25 apiece. Most lawn tickets will be priced at $10 each, and lawn admission for all classical concerts—CSO, special events, recitals and chamber music—is free for children and students through college. A 10-punch lawn pass will also be sold, granting lawn admission for as little as $7 per concert. On film nights, the $25 price for a reserved seat in the Pavilion is the same for a lawn ticket, so patrons can choose the experience they prefer—a seat under the roof with a view of the orchestra or a picnic on the lawn before the giant movie screen—without cost being an issue. The $10 BGH Classics series offers up-close-and-personal musical experiences in Ravinia’s most intimate concert space, the 450-seat Bennett Gordon Hall, for only $10 for a reserved seat, less than the cost of a movie ticket.

JAMES LEVINE RETURNS / GALA

James Levine will celebrate the 45th anniversary of his Ravinia debut by returning to the festival for the first time since completing his music directorship in 1993. On July 23, Levine will conduct the Chicago Symphony Orchestra and Chorus in Mahler’s Second Symphony. This was the first piece he conducted at Ravinia on June 24, 1971, when he was brought in as a last-minute replacement for the Ravinia Women’s Board Gala. Levine’s return headlines the 50th gala, the only performance fundraiser to support the festival and its REACH*TEACH*PLAY education programs.

“Little did I know when I first came to Ravinia how important my time there would turn out to be, and the significant development it would stimulate in my artistic growth,” Levine said. “With the Chicago Symphony Orchestra, I felt as though we were an ideal match, each provoking the other to strive for the best.”

RAVINIA DEBUTS

Legendary artists Frankie Valli & the Four Seasons (June 12), Paul Simon (June 18), and Diana Ross (July 27) make their Ravinia debuts this summer. Bob Dylan (June 24) returns for the first time since 1964, when he was billed as “Robert Dylan,” with Chicago’s own Mavis Staples.

“There remain a handful of artists whose style and careers seem so custom-built for Ravinia’s environment that some people are amazed to discover they are making their festival debuts. This was certainly the case when I first booked Crosby, Stills & Nash in 2010, and I predict it will be that way this summer for legends like Paul Simon and Frankie Valli,” Kauffman said. “You can just picture them on our stage. They belong here.”

Also among the nonclassical artists making their Ravinia debuts this summer are Duran Duran and CHIC featuring Nile Rodgers (July 8/9); as seen on the recent Grammy Awards, the Hollywood Vampires, comprising Alice Cooper,Joe Perry, and Johnny Depp (July 17); Billy Bob Thornton & The Boxmasters and Marty Stuart (Sept. 2);Barenaked Ladies and OMD (Orchestral Manoeuvres in the Dark) with Howard Jones in his second visit (June 9);The Commodores (June 23); Shawn Mullins (July 1); Neil Finn of Crowded House with Guster, similarly making its second appearance (July 7); Chris Cornell of Soundgarden, Audioslave, and Temple of the Dog (July 3); guitarist Jeff Beck on a double bill with festival favorite Buddy Guy (July 31); Bryan Ferry (Aug. 6); Mariachi Flor de Toloache(Sept. 5); and Katharine McPhee, star of TV’s Smash and Scorpion, opening for the return of Family Guy’s Seth MacFarlane with the Ravinia Festival Orchestra (June 22).

Ravinia is proud to welcome the following classical artists making their debuts at the festival. Ensembles: Ariel Quartet (Aug. 30), Avalon String Quartet (Aug. 31), Chiara String Quartet (Sept. 7/8), Milwaukee Symphony Orchestra (Sept. 11); Conductors: Mei-Ann Chen (June 16), Cristian Măcelaru (July 12/13), Vasily Petrenko(July 20), Ben Gernon (July 26), Gustavo Gimeno (Aug. 2), Kirill Karabits (Aug. 5), George Hanson (Aug. 12), and George Daugherty (Sept. 11); Vocalists: Klea Blackhurst (Aug. 17) and Ryan VanDenBoom (Aug. 17);Sopranos: Delaram Kamareh (June 10), Ying Fang (July 23), and Danielle de Niese (Aug. 4); Mezzo-soprano:Karen Cargill (July 23); Bass-baritone: Stephen Bryant (June 10); Violinists: Shalini Vijayan (June 10) andAlejandro Loguercio (Aug. 19); Cellists: Cecilia Tsan (June 10), Christoph Richter (July 6), Adolfo Gutiérrez Arenas (Aug. 16), and the Juilliard String Quartet’s incoming member, Astrid Schween (June 27); Double bassist:Roberto Koch (Aug. 19); Pianists: Shani Diluka (June 10), Julia Hsu (July 22), George Li (July 24), Paul Lewis(Aug. 5), Christopher Park (Aug. 16), Michael Abramovich (Aug. 19), Lucas Debargue (Aug. 25), Lindsay Garritson (Aug. 30), Ran Dank (Sept. 1), Joseph Moog (Sept. 3), Dmitri Levkovich (Sept. 4), and Simon Savoy(Sept. 6); Guitarists: Reentko Dirks (Aug. 19) and Jason Vieaux (Sept. 2); Harpist: Yolanda Kondonassis (Sept. 2);Accordionist: Ksenija Sidorova (Aug. 19); Percussionists: Theresa Dimond (June 10), John Wakefield (June 10), and Itamar Doari(Aug. 19); Sound engineer: Yuanlin Chen (June 10); and Actor: Jack Gilpin (Aug. 30).

NONCLASSICAL CONCERTS

The final live national broadcast from Ravinia of A Prairie Home Companion with host Garrison Keillor is set for June 11, featuring special guests pianist Jeremy Denk, a former fellow and faculty member of Ravinia’s Steans Music Institute, and Chris Thile, the new host of the internationally beloved program who has previously appeared at Ravinia variously as a member of Nickel Creek and The Punch Brothers, as well as with Yo-Yo Ma in The Goat Rodeo Sessions.

Ravinia looks forward to welcoming back Train and Andy Grammer (Aug. 26/27); Seal (Aug. 28); Bonnie Raitt(Sept. 3); Los Tigres del Norte (Sept. 5); Tony Bennett (Aug. 15); Patti LaBelle (June 23); O.A.R. (Sept. 4); Don Henley (Aug. 14/15);Indigo Girls (July 1); Steve Miller Band (July 2); Chick Corea, with his trio and the Lincoln Center Jazz Orchestra, and Lisa Fischer (July 4); Phillip Phillips and Matt Nathanson (July 10); Ladysmith Black Mambazo and Sweet Honey in the Rock (July 11); Lyle Lovett & his Large Band and Emmylou Harris (July 18); and War and Los Lonely Boys (Aug. 11).

PREMIERES

Ravinia will present 50 classical and orchestral works never before performed at the festival, including 10 regional or world premieres. 

· Tan Dun’s Water Passion(June 10):Ravinia presents the Chicago premiere of Tan Dun’s Water Passion after Saint Matthew, featuring the Los Angeles Master Chorale conducted by Grant Gershon. It’s one of four Passions (based on each of the Gospels) commissioned for the 250th anniversary of Bach’s death, a set that also included Golijov’s Passion According to Saint Mark, which received its Chicago premiere to great acclaim at Ravinia in 2002. East meets West in this quasi-theatrical telling (that the LA Times called “unexpectedly alien and visceral”) of the powerful Passion narrative, building on Bach’s majestic chorale tradition with Tan’s layering of a variety of vocal styles from his own heritage, ranging from Mongolian overtone singing to what he calls the “calligraphic” writing of Peking opera. Tan also draws upon the vast instrumental wealth of the Silk Road, ingeniously using the familiar violin and cello to evoke the sounds of the East. Water has long played an important role in traditional Chinese festivals, and Tan was drawn to its symbolism of renewal and rebirth, focusing on those joyous, cyclical aspects inherent to the Passion. Soloists include soprano Delaram Kamareh, bass-baritone Stephen Bryant, violinist Shalini Vijayan, cellist Cecilia Tsan, and percussionists David Cossin,Teresa Dimond, and John Wakefield.

· Richard Wernick’s Quartet No. 9 (June 27): Hailed as the “quintessential American string quartet,” the legendary Juilliard String Quartet celebrates its 70th season with an evening of introductions, including the Chicago premiere of Richard Wernick’s String Quartet No. 9 and a performance of Schubert’s String Quintet with new-member cellist Astrid Schween, who will succeed Joel Krosnick in the fall of 2016.

· Wynton Marsalis’s first violin concerto (July 12): The 2016 CSO residency opens with the American premiere of the first violin concerto by jazz legend Wynton Marsalis, co-commissioned by Ravinia Festival for violinistNicola Benedetti, who will mark her third Ravinia appearance. “Working with Wynton Marsalis on his violin concerto has been life-changing,” said Benedetti.“I am so excited to play the piece again at Ravinia with the Chicago Symphony Orchestra.” Cristian Măcelaru, winner of the 2014 Sir Georg Solti Conducting Award and conductor-in-residence at the Philadelphia Orchestra, makes his Ravinia debut on the podium. He made his CSO debut in 2013 as a replacement for the then ailing Pierre Boulez and has been a frequent guest conductor since then, even leading the orchestra’s outdoor performances at the Morton Arboretum.

· The Planets: An HD Odyssey (July 13): An out-of-this-world program of space-themed music features the Midwest premiere of a new film with jaw-dropping new images from NASA’s most recent missions, set to Holst’s The Planets. Măcelaru returns to conduct. The film will be shown on high-definition video screens in the Pavilion and on the lawn.

· Stravinsky’s The Firebird / One Score, One Chicago (July 26): Ravinia presents the Chicago premiere of Stravinsky’s The Firebird in a production created by Janni Younge of Handspring Puppet Company, widely praised for its London and Broadway spectacular War Horse. Ravinia co-commissioned this new interpretation ofThe Firebird and has made the piece its 2016 One Score, One Chicago selection. Ben Gernon makes his CSO and Ravinia debuts conducting the program, which also includes Debussy’s La mer and Britten’s Four Sea Interludes from Peter Grimes.

· James Cameron’s Titanic with live orchestra (July 29/30): The large screens return on July 29 and 30 for one of the most successful films in history, James Cameron’s towering Titanic. The international sensation tied Ben-Hur for winning the most Oscars ever (11), including awards for Best Song (“My Heart Will Go On”) and Best Original Score for composer James Horner, who died tragically last summer. Titanic remains the number-one selling orchestral soundtrack of all time. For this Midwest-premiere presentation, the music has been digitally removed from the film so the CSO, conducted by Ludwig Wicki, can perform the score live as the film is shown. A chorus and soprano, who’ll sing the Irish-tinged vocalizations throughout the film as well as the celebrated theme song made famous by Celine Dion, will join the orchestra onstage.

· David Ludwig songs (Aug. 15): Ravinia presents the world premiere of its third commission from David Ludwig for participants of Ravinia’s Steans Music Institute Program for Singers.

· Wally Gunn’s The Ascendant (Aug. 21): The Grammy Award–winning a cappella octet Roomful of Teethexplores the depth of its vocal range with the Chicago premiere of New York–based composer Wally Gunn’s The Ascendant. Named after a collection of poetry and setting the corresponding text by contemporary Australian poet Maria Zajkowski, the group of songs coupling Roomful of Teeth’s haunting vocals and percussion with Zajkowski’s word painting creates a sudden sense of free-fall for the audience.

· An Unlikely Muse (Aug. 30): Following a July world premiere at Chamber Music Northwest, the stirring music theater work An Unlikely Muse: Richard Mühlfeld, the Last Inspiration of Johannes Brahms will premiere to Chicago audiences in the Martin Theatre this August. Stirred out of retirement by the talent of 19th-century German clarinetist Richard Mühlfeld, composer Johannes Brahms created four clarinet-centric chamber works, whose genesis will be brought to life by actor Jack Gilpin, performing as Mühlfeld, pianist André Watts, clarinetist David Shifrin, and the Ariel Quartet.

FILM WITH ORCHESTRA

Building on the success of screening great films with their scores digitally removed so that orchestras can play them live, Ravinia will present five film nights in 2016, with video screens in the Pavilion and on the lawn. 

· The Planets: An HD Odyssey (July 13): Winner of the 2014 Solti Conducting Award, Cristian Măcelaru will lead the Chicago Symphony Orchestra in a presentation of Holst’s The Planets accompanied by a new film of startling and vivid images of the solar system collected over NASA’s many space explorations. The program also features Strauss’s Also sprach Zarathustra—known in pop culture as the theme from Stanley Kubrick’s 2001: A Space Odyssey. “Discovering the mysteries of our universe continues to be one of our greatest achievements. Gustav Holst, in his Planets, brings to life perfect descriptions of these wonderful worlds and depicts their astrological characters,” says Măcelaru.

· Titanic (July 29/30): Ravinia embarks on a first-class film experience by presenting the Midwest premiere of one of the most successful movies in history, James Cameron’s Titanic, with Ludwig Wicki conducting and the CSO performing its score. The international sensation tied Ben-Hur for winning the most Oscars ever (11), including awards for Best Song (“My Heart Will Go On”) and Best Score for the late composer James Horner. Titanicremains the one of the top grossing films of all time, and its soundtrack is still the number-one selling orchestral soundtrack of all time. The Chicago Children’s Choir, directed byJosephine Lee, and vocalist Clara Sanabraswill sing the Irish-tinged vocalizations throughout the film as well as the celebrated theme song made famous by Celine Dion.

· The Wizard of Oz (Sept. 10): Ravinia presents of one of the most beloved films of all time, The Wizard of Oz, with Emil de Cou leading the Chicago Philharmonic in its unmistakable music. This marvel of the late 1930s has been stunningly remastered frame by frame and is accompanied by entirely new transcriptions of Harold Arlen’s brilliant lost score. Hearing Judy Garland’s original 1939 studio recordings, backed by lush, live orchestration, will transport children and adults alike. With this version of The Wizard of Oz on the big screen, moviegoers will be treated to the Oscar-winning film as it has never been seen before.

· Warner Bros. Presents Bugs Bunny At The Symphony II (Sept. 11): Perhaps the most fondly remembered integration of pop culture and classical music from the likes of Mendelssohn, Rossini and Wagner (whose “Ride of the Valkyries” takes on new life as “Kill the Wabbit”) projected on the big screen while their extraordinary original scores are played live by the Milwaukee Symphony Orchestra, in its Ravinia debut. Conducted and created by George Daugherty, this collection of classic (directed by the masters Chuck Jones and Friz Freleng) and recent shorts starring the world’s most beloved Looney Tunes characters—Bugs Bunny, Daffy Duck, Tweety, Sylvester, and more—has delighted concertgoers around the world, and spotlights such classics as “What’s Opera, Doc?”and “The Rabbit of Seville” alongside Warner Bros. theatrical shorts “Rabid Rider” and “Coyote Falls.”

ROBERT SHAW CENTENNIAL

In recognition of what would be the 100th birthday of conductor Robert Shaw (1916–99), who not only shifted but set new paradigms in choral music, Ravinia is celebrating that lasting legacy with several concerts that showcase the wide variety of works, ensembles, and other leaders that grew out of his influence.

“Too frequently musical genius is forgotten too soon, and it would be an injustice indeed if the dean of choral music went unsung,” said Kauffman. “So we honor Robert Shaw this summer with the vocal vigor he deserves in his anniversary year the same way Ravinia will honor Bernstein at his centennial in 2018 with his protégée Marin Alsop as guest curator.”

· Los Angeles Master Chorale (June 10): Founded by Shaw’s friend and classmate Roger Wagner, the Los Angeles Master Chorale already scored raves with the splashy premiere of The Gospel According to the Other Mary at Ravinia, and now returns for the Chicago premiere of Tan Dun’s dramatic Water Passion, conducted byGrant Gershon. The piece relies on many vocal styles from Mongolian overtone singing to the “calligraphic” music of Peking opera.

· Man of Many Voices—Documentary film (June 15): A new documentary about Shaw that traces the journey of a small-town California boy who planned to be a minister like his father, but instead became the greatest conductor of choral music the world has ever known, will be shown in the Martin Theatre.

· The Singers (June 15): The Singers, which emerged from the Dale Warland Singers—Warland being another revered choral colleague—return to Ravinia to perform one of the most captivating choral works of all time, Rachmaninoff’s “Vespers,” conducted by Matthew Culloton, A special dinner package will be available combining admission to the documentary (listed above) and this concert.

· Ladysmith Black Mambazo / Sweet Honey in the Rock (July 11): The South African and African-American (respectively) choral groups share the bill on a concert that evokes not only Shaw’s worldwide embrace of music but the spirit of his civil rights work in the then largely segregated city of Atlanta, where he devised multiple collaborations between the Atlanta Symphony and Spelman and Morehouse Colleges and frequently performed in black churches.

· Chanticleer (July 19): Any group whose name derives from the French words for “sing” and “clear” must owe a debt to Shaw. “He had an exquisite sense of what togetherness in music can be: that’s what Shaw was all about,” says Chanticleer director William Fred Scott. Ravinia audiences will see that togetherness in action when the group dedicates itself to an evening of songs about the moon.

· Chicago Symphony Chorus (July 23): Shaw’s passion for the voice reverberated through Ravinia’s concert halls with the arrival of James Levine, who was an assistant conductor at the Cleveland Orchestra during Shaw’s final three years there as an associate conductor, between 1964 and ’67. As Levine returns this summer, so too will that vocal prowess with the gala performance of Mahler’s “Resurrection” Symphony, featuring the impeccableChicago Symphony Chorus and guest soloists soprano Ying Fang and mezzo-soprano Karen Cargill. “Shaw transformed our thinking about choral music,” said Duain Wolfe, director of the Chicago Symphony Chorus. “He elevated the performing standards of choruses by inspiring attention to detail.”

· Chicago Children’s Choir (July 29/30): One of the music world’s most sought-after teachers and mentors, Shaw was an admirer of children’s choirs, as demonstrated by his arrangements that have inspired generations of singers. Josephine Lee directs the Chicago Children’s Choir in tandem with the CSO’s performance of the Oscar-winning score to Titanic.

· Shaw’s Favorite Composer (Aug. 9/10): Welz Kauffman, who worked closely with Shaw at the Atlanta Symphony Orchestra, shares a favorite composer with the great choral director: Brahms. Kauffman programmed Shaw’s two favorite symphonic pieces, the composer’s Second and Fourth Symphonies, to be performed by the CSO under the baton of David Zinman on successive nights. Brahms’s Liebeslieder Waltzes will be performed by singers and pianists from Ravinia’s Steans Music Institute on Aug. 10.

· Master Class for Singers (Aug. 13): Two of Shaw’s fondest acolytes, soprano Sylvia McNair and mezzo-soprano Marietta Simpson, will lead a master class for RSMI fellows that is free and open to the public. The class will focus on vocal works for which Shaw was famous, many of which these spirited singers performed with him.

· Roomful of Teeth (Aug. 21): Founded in 2009, a full decade after Shaw’s death, the Grammy-winning octetRoomful of Teeth, devoted to finding adventurous new expressions of the human voice, is a group that Shaw would have loved: “I wanted this tribute to Shaw to feature a newer group that demonstrates how his influence reaches into the future,” Kauffman said. It will present the Chicago premiere of Wally Gunn’s The Ascendant on a program that includes works by Ted Hearne, Michael Harrison, and its own Pulitzer Prize–winning member, Caroline Shaw (no relation).

· A Robert Shaw Christmas (December): Shaw left a legacy of beloved Christmas recordings, so Sylvia McNair and the Chicago Children’s Choir, directed by Josephine Lee, will return in the holiday season to perform renditions of his classics as part of Ravinia’s year-round $10 BGH Classics series.

TRIBUTE CONCERTS

Several Ravinia events will celebrate the lives and art of music’s brightest lights. 

· The Gershwin Experience (June 11): Pianist Richard Glazier, whose music journey “From Broadway to Hollywood” was one of last year’s fast-selling concerts, returns with his musical storytelling style to essay the works of George Gershwin.

· Tribute to Jazz Greats (June 19): Creating the perfect Father’s Day outing, jazz giants Ramsey Lewis and John Pizzarelli salute the late, great jazz pianist and velvet-voiced singer Nat “King” Cole. On the same program, renowned pianist Monty Alexander makes his Ravinia debut with a tribute to one of the festival’s all-time favorites, Tony Bennett (who returns to Ravinia on Aug. 13). This concert also celebrates the next generation of jazz talent by welcoming the Grammy-nominated 12-year-old piano wunderkind Joey Alexander for his first performance on the Pavilion stage after making his Ravinia debut in Bennett Gordon Hall last summer.

· Jerry Garcia Symphonic Celebration (June 26): Singer-songwriter and guitarist of the Allman Brothers BandWarren Haynes evokes the style and sound of the late Grateful Dead frontman Jerry Garcia with a symphonic dimension provided by the Ravinia Festival Orchestra.

· Over the Moon (July 19): Billed as “an orchestra of voices,” the Grammy-winning male chorus Chanticleerperforms an evening of classic songs and new works in praise and awe of the Moon—everything from the Sinatra standard “Fly Me to the Moon” and Henry Mancini’s timeless “Moon River” to Nico Muhly’s Pierrot Lunaire, written just for them.

· You’re the Top: Cole Porter’s 125th Birthday Celebration (Aug. 17): Pianist Kevin Cole, fresh off his heartfelt tribute to Marvin Hamlisch at Ravinia last summer, returns with the Chicago Symphony Orchestra as host and pianist to honor one of the wittiest songwriters of all time. The program also features singers Klea Blackhurst,Sylvia McNair, and Ryan VanDenBoom with David Alan Miller conducting.

· A Love Letter to Stephen Sondheim(Aug. 18): The singer who gave Stephen Sondheim his biggest chart-topping hit with “Send in the Clowns,” Judy Collins devotes an entire evening to the works of her favorite composer with the Passenger String Quartet.

· Something About Oscar (Aug. 29):Singer/dancer/actor Morris Gearring celebrates his friend and mentor, Chicago jazz great Oscar Brown Jr., in this one-man show on the $10 BGH Classics series.

· Bowie—The Rise and Fall of Ziggy Stardust (Sept. 9): Classic Albums Live, known for its pitch-perfect, note-by-note re-creations of rock’s all-time most important records, will give a faithful performance of David Bowie’s fifth studio album, which tells the story of the fictitious rock star Ziggy Stardust. The group will end the show with a sample of other Bowie hits.

COMPLETE CHAMBER “SAMPLER”

Music lovers will get the “complete” picture of key areas of several composers’ output over several evenings. 

· Haydn’s Complete Op. 76 String Quartets (July 5): The Emerson String Quartet performs the complete Haydn Op. 76 string quartets—including the “Sunrise,” “Fifths,” and “Emperor”—on one program.

· Beethoven’s Complete Piano Sonatas (Aug. 18/20/22): The festival launches a three-year exploration of Beethoven’s piano sonatas with pianist Jonathan Biss. It begins Aug. 18 with five of the sonatas, including the “Waldstein”; followed by four more on Aug. 20, including the “Tempest” and “Appassionata”; and wraps up the first year on Aug. 22 with five more, including the “Moonlight.” An internationally recognized Beethoven authority, Biss was commissioned to write a book about performing the great composer’s sonatas, Beethoven’s Shadow, and he is committed to recording all of the sonatas for the Onyx label (the first four volumes have already been released). His exceptional online Coursera course, Exploring Beethoven’s Piano Sonatas, which reached 55,000 experts and novices in its first go-around, was relaunched in January.

· Beethoven’s Complete Cello Sonatas (Aug. 16): Celebrated Spanish cellist Adolfo Gutiérrez Arenas makes his first appearance at Ravinia with Bernstein Award–winning pianist Christopher Park to present Beethoven’s complete sonatas for cello and piano.

· Bach’s Complete Sonatas and Partitas (Aug. 17): Over two separate concert performances just hours apart, at 5:30 and 8:30 p.m. on Aug. 17, the director of the RSMI Piano and Strings program, Miriam Fried, celebrates her 70th birthday by scaling the Everest of the solo violin repertoire.

· Beethoven’s Complete String Quartets (Aug. 26–28): The Pacifica Quartet, in residence at the University of Chicago since 1999, performs all 16 of Beethoven’s string quartets in five concerts over three days: 6 p.m. on Aug. 26, 1 and 6 p.m. on Aug. 27, and 1 and 6 p.m. on Aug. 28.

· Bartók’s Complete String Quartets (Sept. 7–8): In a performance dubbed “Bartók by Heart” because they use no sheet music, the Chiara String Quartet performs the composer’s complete string quartets over two evenings.

AQUATIC SCULPTURE / WATER MUSIC

To christen Ravinia’s brand-new aquatic sculpture—Chorus, designed by WET, the artists behind the Bellagio’s dancing fountains—a water theme flows through the season. The sculpture will greet guests at the grand entrance and underpass. The sculpture will be unveiled in a free community event on May 28. Ravinia thanks Life Trustee Dolores Kohl Kaplan for supporting the creation of the Morris and Dolores Kohl Kaplan Fountain.

· Water Passion (June 10): Tan Dun’s take on “the greatest story ever told,” crafted for the 250th anniversary of Bach’s death, employs bowls filled with water to great musical and theatrical effect.

· Shani Diluka(June 10): Pianist Shani Diluka gives a recital of water-inspired works by Chopin (“Raindrop” Prelude and Barcarolle), Debussy (Jardins sous la pluie), Liszt (Les jeux d’eaux a la Villa d’Este), and Schubert (Auf dem Wasser zu singen), on the $10 BGH Classics series.

· Handel’s Water Music Suite (June 16): The Chicago Sinfonietta, conducted by Mei-Ann Chen, returns to Ravinia for a program that includes a suite from Handel’s Water Music, which has become a cultural landmark, sampled in everything from Ren & Stimpy to The Dead Poet’s Society. It was famously used as the music to Walt Disney World’s Electrical Water Pageant, making it doubly appropriate for celebrating the festival’s new aquatic sculpture, as the original water feature at Ravinia when it opened in 1904 was an electric fountain and refectory. This will be the Sinfonietta’s first Ravinia appearance since its triumphant performances of the South African works Princess Magogo and uShaka.

· Fountains of Rome(July 12): Cristian Măcelaru leads the CSO in Respighi’s Fountains of Rome and Pines of Rome on a program that also includes the first violin concerto from Wynton Marsalis.

· The Planets(July 13): Bowie musically questioned if there was “Life on Mars,” and NASA scientists’ recent discovery of water on the “red planet” suggests that there just might be, so the CSO dives into Holst’s The Planets—An HD Odyssey, complete with a startling new film boasting images from the latest space discoveries.

· Fire and Water (July 26): Perhaps the definitive water-themed piece of orchestral music, Debussy’s La mer is paired with Britten’s Four Sea Interludes from Peter Grimes on a program that features Ravinia’s co-commissioned new staging of Stravinsky’s The Firebird, created by Janni Younge. Ben Gernon conducts.

· Titanic (July 29/30): Rolling like an Irish brogue and smelling like the sea, the late James Horner’s minor chords helped make Titanic a major motion picture. The CSO plays the Oscar-winning score live while James Cameron’s epic movie is screened.

· Anything Goes (Aug. 17): Pianist Kevin Colehosts You’re the Top, Cole Porter’s 125th Birthday Celebrationincluding memorable tunes from his hit-filled musical Anything Goes, set aboard a sailing ship, performed by the CSO.

CHAMBER MUSIC AND RECITALS

Although celebrated for providing one of the finest outdoor music experiences, Ravinia also presents one of the world’s most expansive chamber music series, presenting more than 50 indoor concerts and recitals in its two halls, the exquisite 850-seat Martin Theatre and the state-of-the-art 450-seat Bennett Gordon Hall, home to the $10 BGH Classics series. Martin Theatre concerts are broadcast to the lawn; Bennett Gordon Hall concerts are not. Highlights include:

· Juilliard Introduces New Cellist (June 27): The Juilliard String Quartet introduces its newest member, cellistAstrid Schween, with a performance of Schubert’s String Quintet on a program that also features Mozart’s String Quartet in C Major, K. 465, and Richard Wernick’s String Quartet No. 9. The concert marks the final Ravinia appearance with the ensemble of cellist Joel Krosnick, who is stepping down after 42 years with the group.

· Menahem Pressler (July 12): Gramophone and American Classical Music Hall of Fame pianist Menahem Pressler, a longtime faculty member of RSMI, gives his first solo concert at Ravinia since 2003.

· Four-hands Piano (July 22): Pianists Julia Hsu and Peter Serkin perform selections from Brahms’s Hungarian Dances, Schumann’s Six Studies in Canonic Form, selections from Bizet’s Jeux d’enfants, Schubert’s Allegro in A Minor and Grand Rondo in A Major, and Mozart’s Sonata in B-flat Major, K. 358.

· Zukerman Trio (July 28): The legendary violinist Pinchas Zukerman and his ensemble perform selections from Glière’s Duos for Violin and Cello, Shostakovich’s Piano Trio No. 2 in E Minor, and Schubert’s Piano Trio No. 1 in B-flat Major.

· Danielle de Niese debut (Aug. 4): The luminous star of the Lyric Opera’s Bel Canto, Danielle de Niese makes her Ravinia debut accompanied by the director of the RSMI Program for Singers, Kevin Murphy.

· Gypsy Carmen (Aug. 19): Accordionist Ksenija Sidorova infuses a bright and wild gypsy spirit into her take on Bizet’s Carmen with pianist Michael Abramovich, percussionist Itamar Doari, guitarist Reentko Dirks, violinist Alejandro Loguercio, and bassist Roberto Koch.

· All-Russian Evening with Zuill Bailey (Aug. 23): Cellist Zuill Bailey performs Stravinsky’s Suite italienne,Prokofiev’s Cello Sonata in C Major, and Rachmaninoff’sCello Sonata in G Minor.

· Double-duty Debargue (Aug. 25): Pianist Lucas Debargue proves he’s a major talent as both a jazz and classical pianist over two concerts. He re-creates his Moscow Critics Award–winning program of Medtner’s Piano Sonata No. 1 and Ravel’s Gaspard de la nuit at 6 p.m., then returns at 8 p.m. to showcase his jazz skills (separate admissions). The 24-year-old Debargue, caused a stir at the Tchaikovsky Competition when he came in fourth place, prompting a judge (who asked to go unnamed) that “Not giving Lucas Debargue at least a Bronze was an outrage and further evidence that these competitions are more political than artistic in nature.”

· Songs of Struggle and Redemption (Aug. 30): Bass-baritone Dashon Burton of Roomful of Teeth sings spirituals and songs of freedom with pianist Lindsay Garritson.

· Fantasy for Harp and Guitar (Sept. 2): In their Ravinia debuts, harpist Yolanda Kondonassis and guitaristJason Vieaux present an evening of solos and duets that demonstrate the beauty of their respective string instruments with such works as Montsalvatge’s Fantasy for Harp and Guitar, Máximo Diego Pujol’s Suite mágica, Salzedo’s Chanson dans la nuit, and Hovhaness’s Sonata for Harp and Guitar.

RAVINIA’S STEANS MUSIC INSTITUTE

The best young musicians from around the world compete for about 60 coveted fellowships each year to Ravinia’s highly immersive and highly regarded summer conservatory to work individually and in ensembles with the superb faculty.

“It’s essential that Ravinia’s relationships with the artists it shapes at RSMI do not end when they’ve finished their studies. What use is it to send these young talents out into the world to perform without giving them a place to perform?” Kauffman said. “I’ve become deliberately dedicated to featuring RSMI alumni and our talented faculty on our stages, and this year 20 of our alumni, including those in the Ariel, Avalon, and Chiara String Quartets return to us. I urge you to join in their journeys.”

In addition to these alumni performances, including the Aug. 16 concert by the Silk Road Ensemble with Yo-Yo Ma, which boasts two alumni (violist Nicholas Cords and violinist Colin Jacobsen), 10 current faculty members will also perform as will this year’s fellows.

· Faculty concerts: Key to the success of RSMI is that is faculty members each have successful performance careers of their own. Violinist Miriam Fried, director of the RSMI Piano and Strings program, will perform the Bach’s complete solo sonatas and partitas over two programs (5:30 and 8:30 p.m., Aug. 17); Kevin Murphy, director of RSMI’s Program for Singers accompanies the Ravinia recital debuts of Metropolitan and Lyric Opera stars Matthew Polenzani (Aug. 1) and Danielle de Niese (Aug. 4); acclaimed pianist Menahem Pressler gives his first solo recital at Ravinia in 13 years; and Fried and Pressler are joined by fellow Piano and Strings faculty members violinist Midori, violists Atar Arad and Paul Biss, and cellist Christopher Richter for a recital that includes Mozart’s Piano Trio No. 6 in G Major and Brahms’s String Quartet No. 2 in G Major (July 6).

· $10 BGH Classics: This summer’s RSMI fellows will perform a “Jazz Grandstand” with fierce young performers playing original compositions as soloists and in ensembles (June 17), three different piano and string concerts celebrating Beethoven (July 11, 18 and 29), and vocal programs marking the 400th anniversary of Shakespeare’s death with songs inspired by his writings and works by his contemporaries (Aug. 8), featuring Brahms’s Liebeslieder Waltzes (Aug. 10), and presenting the world premiere of songs by David Ludwigcommissioned for RSMI (Aug. 15).

· Free Master Classes: Violinist Donald Weilerstein (June 30); violist Atar Arad (July 8); pianist Leon Fleisher(July 15); tenor Matthew Polenzani (Aug. 2); soprano Danielle de Niese (Aug. 6); singers Sylvia McNair andMarietta Simpson (Aug. 11)

· Free RSMI Concerts: The world’s top young professional piano and string players collaborate on a series of free 2 p.m. matinee concerts on July 2, 7, 9, 10, 14, 16, 17, 22, and 23; and the RSMI vocalists present a free 2 p.m. matinee concert of intimate song repertoire on July 31.

· RSMI in Chicago: The 2016 RSMI fellows will perform on the Dame Myra Hess Concert series at the Chicago Cultural Center at 12:15 p.m. on July 13 and 20; and on the Rush Hour Concerts series at St. James Cathedral, at 5:15 p.m. July 19. All three concerts will be broadcast live on WFMT. 

MISSION STATEMENT

Ravinia is an internationally renowned, not-for-profit music festival that presents outstanding performances by the world’s greatest artists. Ravinia’s principal objectives are:

· to present performances of a full range of classical music in its open-air Pavilion and enclosed recital halls, by the world’s greatest composers and musicians, along with a variety of other kinds of light classical, jazz and popular music;

· to maintain a beautiful park that is welcoming to all and attractive to families in which the music experience is enhanced by a beautiful environment and excellent dining opportunities;

· to enable gifted young performers to study under great teachers and perform in concert settings; and

· to develop broader and more diverse audiences for classical music through education and outreach programs and by maintaining affordable ticket prices.

2016 SPONSORS

Ravinia is a not-for-profit that earns about half its annual operating revenue to achieve its mission through ticket sales. The rest comes from support of private donors, foundations and corporate sponsors. Everyone involved at Ravinia would like to thank the following major sponsors for their support:

· Lead Classical Sponsor: Allstate Insurance Company

· Featured Sponsors: BMO Harris Bank; Discover, Official Card; Exelon; Hyundai, Official Vehicle Sponsor; Midtown Athletic Club, Official Club; Terlato Wines, Official Wine Sponsor; United Airlines, Official Airline

· Season Sponsors: Beam Suntory; Ernst & Young LLP; Fortune Brands; Illinois Tool Works; Jenner & Block LLP; Katten Muchin Rosenman LLP; Kirkland & Ellis; PNC Bank; RBC Wealth Management; Steinway Piano Gallery of Northbrook, Official Piano Sponsor; Wintrust

· Program Sponsors: Baizer Kolar P.C.; Baxter International, Inc.; Blue Cross Blue Shield of Illinois; Consilio; Deloitte LLP; Grant Thornton LLP; Greenberg Traurig, LLP; KPMG LLP; Latham and Watkins LLP; Mesirow Financial; Mayer Brown LLP; Perkins Coie; The PrivateBank; RSM US LLP; Stella Artois and Goose Island Beer Company, Official Craft and Import Beer Sponsor; Walgreens

· Individual supporters: In Memory of Keene H. Addington II; Megan P. and John L. Anderson; Charles and Margery Barancik Foundation; Harriet Bernbaum; Elizabeth F. Cheney Foundation; The Crossroads Consortium; In Honor of Sandra K. Crown; The Dancing Skies Foundation; The Firebird Consortium; The Deane A. and John D. Gilliam Foundation; Welz Kauffman and Jon Teeuwissen; Lori Ann Komisar and Morris Silverman; Jo and Newt Minow; Holly and John Madigan; Roslyn and James Marks; Sharon and Eden Martin;  Negaunee Foundation; The Planets Consortium; Pinkert Industrial Group; Sue and Tom Pick; Diana and Bruce Rauner; Ravinia Associates Board; Ravinia Women’s Board; The Smart Family Foundation, Inc.; In Memory of Howard A. Stotler; Audrey L. Weaver, in loving memory of Michael D. Vogan; Lynne and David Weinberg; Joan Wing and Family, in Memory of Jack Wing; Nancy Zadek

GENERAL INFORMATON

· Location: Ravinia is located at Lake Cook and Green Bay Roads in Highland Park, about 20 minutes north of Chicago. The Metra Union Pacific North line stops right at Ravinia’s main entrance. On-site parking is limited, so Ravinia runs a free, handicap-accessible bus service to and from remote lots, mostly along the railroad line. Parking on residential streets is prohibited by City ordinance, and violators will be ticketed by local police.

· Drop-offs: Personal cars, driver services (such as Uber), and taxis may not drop guests off on residential streets. The general drop-off points are the Braeside Metra Station and the main (west) gate. Local police will ticket violators.

· Secondary Market: Ticket buyers should be certain to obtain tickets through Ravinia.org. Ravinia is not affiliated with any secondary-market ticket sellers and cannot be held responsible for fraudulent tickets. Tickets for some shows will sell out to donors prior to public sales. The best way to obtain tickets to the summer’s hottest shows is to become a financial supporter of the not-for-profit festival.

· No Smoking: Smoking of any type, including “vaping” and use of electronic cigarettes, is prohibited on Ravinia’s grounds and on Highland Park streets. There are designated smoking areas in Ravinia parking lots.

· Security: Guns, explosives, and other weapons are strictly prohibited at Ravinia. Guests will be subject to bag search and a “wanding” of their person upon entrance and re-entrance both to the park and to the Pavilion. Those refusing cooperation will not be allowed to enter.

· Weather: Ravinia concerts go on rain or shine. Should a concert be canceled due to severe weather in the area, Ravinia will make every effort to contact ticket buyers. Guests can monitor local Highland Park weather through the National Weather Service (ZIP code is 60035).

· Box Office: Tickets for these events and the rest of the summer 2016 lineup may be requested by Ravinia donors at the Affiliate level and above beginning March 9, and the Friend level on March 16. Bravo- and Encore-level donors can begin requesting lawn tickets on April 18. General public ticket sales begin at 5 a.m. on April 26, at Ravinia.org. The Ravinia Box Office phone lines will open for orders on May 10 at 847-266-5100. For more information, please visit Ravinia.org.

· ALL ARTISTS AND PROGRAMS ARE SUBJECT TO CHANGE