Displaying items by tag: Sasha Lazarus

I’m actually not a dance critic. I don’t know enough about dance; I‘m not fluent in the language of dance; I have limited experience with dance. But whenever GIORDANO DANCE COMPANY performs, I put my name in, purely because I love their work!

GIORDANO DANCE COMPANY’s 62^nd Season, SOARING, is a very special one for GDC. Artistic Director Nan Giordano is celebrating her 40^th year at the helm of the company her father Gus started in 1963.  Says Giordano, “I enter my 40th year with possibility, gratitude, energy & an untouchable source of energy.”

In this celebratory season Giordano has chosen to work with choreographers with whom she has special relationships. Ray Leeper's connection with GDC began decades ago with company founder Gus Giordano, who pulled the young Ray up on stage at a dance convention. Since then, Leeper has choreographed three full company works for GDC: “Feelin’ Good Sweet” in 2014, “Soul” in 2018, and now “Red & Black”, appearing in its world premiere.

GDC company dancer Adam Houston's "unconditional" featured a love story told with tender and impeccable partner work by Sasha Lazarus and Fernando Rodriquez. The choreography, more balletic than the classic jazz vernacular of the company, laid a serene aura across the auditorium. 

GDC Dancers in Red and Black.

GDC frequently punctuates its acts with brief videos that divulge historical and personal elements of the work. I particularly appreciated this with Marinda Davis’s extraordinary “Flickers” (2019). In the video Davis courageously describes her personal health journey through darkness, celebrating her indomitable spirit and unflinching quest for light. Davis enlivens the jazz-based aesthetic with brief paroxysms of ballet beats and hectic percussive shifts. See Chicago Dance calls “Flickers,” “…practically a genre unto itself.”

Emmy Award-winning choreographer and educator Al Blackstone created "Gershwin in B" to mark the 100-year anniversary of "Rhapsody in Blue". "Gershwin In B" moves the dancers about the stage with the joyous athleticism and buoyancy that GDC is known for. Using nine of Gershwin’s songs ranging from the less familiar to the acclaimed, Gershwin in B depicts the journey of one woman from youthful innocence to fearless maturity, with a red fedora appearing incidentally but significantly throughout her odyssey. The central character, danced superbly by Erina Ueda, carries the dramatic weight of the narrative on her shoulders.  As a whole the dance exhibits GDC’s professional skill and passion, impelling the dancers to go beyond dance to move the story forward. 

The theatre was filled with familiars of the company, making the performance feel very special and personal. Marinda Davis was seated just in front of us, and we enjoyed watching dozens of people battle the crowds to laud her personally. Seated just behind us were a couple of rows of youngsters who applauded many of the dancers so enthusiastically that I had to ask, “Do you know them?”  A lovely girl of eleven or twelve replied exuberantly, eyes sparkling, “They’re our teachers!”  If devotion and fervor are any measure, we will be seeing several of those girls onstage before long!

GIORDANO DANCE CHICAGO usually appears in brief runs, just 2-3 performances. Keep a close eye, for anything they do is HIGHLY RECOMMENDED!