Upcoming Theatre

Buzz Center Stage

Buzz Center Stage

Not cool enough to join “Tinder Select”? Gorilla Tango Originals has got you covered with its late-night offering that gets hot and heavy about the good, the bad, and the down-right dirty sides of dating apps: “Love Me Tinder: Swipe Right.”

“Love Me Tinder: Swipe Right,” by J. Joseph Cox and directed by Taylor Pasche, performs Wednesdays at 8:00pm in April and 9:30pm in May, April 5-May 24, 2017 at Gorilla Tango Theatre (1919 N. Milwaukee Avenue, Chicago IL 60647). Tickets are $20. Please visit www.gorillatango.com or call 773-598-4549 for tickets and more information. 

Scruff, Grindr, Tinder, OkCupid... one goal: find a connection, whether that be through a good f&*k or a sweet date.  “Love Me Tinder: Swipe Right” follows a group of well-seasoned dating app-ers educating a newbie on the finer points of app-based dating. Raunchy hook-ups? Fee-for-service sexual favors? Flirting on CB radio? Check, check, and check. Who needs “love at first sight?” Just be wary of kitten-of-the-month calendars. This series of salaciously hilarious vignettes, based on real life stories, explores the good, the bad, and the creepy in what has become dating life’s new normal. Definitely for mature audiences!

Playwright J. Joseph Cox has had work produced across the U.S. as well as in the U.K. and Canada. He is a member of the Dramatist Guild of America and has been named a Finalist for both the O’Neill National Playwrights Conference as well as the Princess Grace Playwriting Fellowship. In speaking about the origin of the show, Cox says, “All of the stories are based on real life situations gathered from friends, acquaintances, and co-workers, as well as a few gems from Reddit subgroups. Truth is stranger than fiction, especially in the world of app-based dating. We’re all creeps - embrace it.”

Director Taylor Pasche continues, “The show is bawdy, candid, and up-close-and-personal about sex. You’ll laugh at the absurdity. You’ll laugh at the relatability. You'll leave contemplating what it means to have a relationship face-to-face versus screen-to-screen.”

Gorilla Tango Theatre (GTT) exists to provide entertainment people actually want to see. GTT believes that every theatre person is a business person; it seeks to educate, foster, and provide resources to theatre practitioners so that each theatre production is treated as an entrepreneurial venture. GTT is conveniently located at the intersection of Western and Milwaukee in Chicago’s Bucktown neighborhood and is easily accessible by public transportation (just steps away from the Western Blue Line stop and the #49 Western, #73 Armitage and #56 Milwaukee buses). Street parking is also readily available. GTT offers a variety of affordable beer and wine for purchase. Consult the website for show rating information, tickets, and details.

www.gorillatango.com | 1919 N. Milwaukee Ave., Chicago, IL 60647 | 773-598-4549

 

Haven Theatre Company announces We’re Gonna Die, the final production in its fourth season, written by Young Jean Lee and directed by Josh Sobel, at the company’s home, The Janet Bookspan Theatre at the Den Theatre,,1335 Milwaukee Ave., May 4 – June 4. Previews are Thursday, May 4 – Saturday, May 6 at 8 p.m. Opening night is Sunday, May 7 at 7 p.m. The regular performance schedule is Thursdays – Saturdays at 8 p.m. and Sundays at 3 p.m. Previews are Pay-What-You-Can, and regular run tickets are $18. You may purchase tickets and get more information at www.haventheatrechicago.com.

 

A singer takes the stage, backed by her rock-band compatriots, to share Young Jean Lee’s life-affirming show about the one thing we all have in common: “we're gonna die.” Drawing from true stories of people's experiences with tragedy, despair and loneliness, this personal and rejuvenating play with live music reminds us that in our darkest, most isolated moments, we are not alone.

 

Cast for We’re Gonna Die includes: Isa Arciniegas (singers), Sarah Giovannetti (band), Jordan Harris (band), Elle Walker (band), Spencer Meeks (band) and Kamille Dawkins (singer u/s). The production team for We’re Gonna Die includes: Josh Sobel (director), Abhi Shrestha (assistant director), Julie Leghorn (stage manager), Krista Mickelson (production manager), Spencer Meeks (music director), Claire Chrzan (light designer), Izumi Inaba (costume designer), Mike Mroch (scenic designer), and Jon Martinez (choreographer).

 

ABOUT PLAYWRIGHT YOUNG JEAN LEE

 

Young Jean Lee has been called “hands down, the most adventurous downtown playwright of her generation” by The New York Times and “one of the best experimental playwrights in America” by Time Out New York. She has written and directed nine shows in New York with Young Jean Lee's Theater Company and toured her work to over thirty cities around the world. Her plays have been published by TCG (Songs of the Dragons Flying to Heaven and Other Plays, The Shipment and Lear) and by Samuel French (Three Plays by Young Jean Lee). She is currently under commission from Plan B/Paramount Pictures, Lincoln Center Theater, Playwrights Horizons and Oregon Shakespeare Festival. She is a member of New Dramatists and 13P, and has an MFA from Mac Wellman's playwriting program at Brooklyn College. She has received grants from the Foundation for Contemporary Arts, Creative Capital, NYFA, NEA, NYSCA, the Jerome Foundation, The Fox Samuels Foundation, the Greenwall Foundation, and the Rockefeller MAP Foundation. She is also the recipient of two OBIE Awards, the Festival Prize of the Zürcher Theater Spektakel, a 2010 Prize in Literature from the American Academy of Arts and Letters, a 2011 Guggenheim Fellowship, and a 2012 Doris Duke Artist Award.

 

ABOUT DIRECTOR JOSH SOBEL

 

Josh Sobel is artistic director of Haven Theatre Company, as well as a former ensemble member and literary manager with Strawdog Theatre Company. Recent directing credits include Bobbie Clearly at Steep Theatre, The Long Christmas Ride Home along with the world premieres of The Hunting of the Snark (also Chicago's "Night Out In The Parks" and the Edinburgh Festival Fringe in Scotland), Best Beloved: The Just So Stories and The Pied Piper at Strawdog Theatre, and Rosencrantz & Guildenstern are Dead at Metropolis Performing Arts Centre. Additional credits include work at Chicago Dramatists, A Red Orchid Theatre, Victory Gardens, LiveWire, Collaboraction's Sketchbook, WildClaw, The Ruckus, Tympanic Theatre, Polarity Ensemble Theatre, The Fine Print Theatre Company, the side project, The Greenhouse Theater Center, Abbie-Fest and New Leaf Theatre. From 2010 - 2013 he served as associate director of the National Theater Institute summer "Theatermakers" program at the Eugene O'Neill Theater Center. Sobel is the recipient of a Stage Directors and Choreographers (SDC) Observership on Hamlet at Writers' Theatre and is an associate member of SDC.

 

ABOUT HAVEN THEATRE COMPANY

 

Haven Theatre Company is one of Chicago's fastest rising companies. In 2015, Haven's sold-out run of Arlene Hutton's Last Train to Nibroc received a coveted four-star review from Chris Jones of the Chicago Tribune, who proclaimed the production "deserves to be the sleeper hit of the summer." Nibroc also received three Joseph Jefferson Award nominations (the company’s first Jeff-eligible production) and received the prize for Best Principal Actress in a Play. Also in 2015, Haven launched “The Director's Haven,” a unique initiative built to better support the career development and community visibility of directors at the very earliest stages of their professional journeys. Additionally, Haven has produced highly lauded productions of Idris Goodwin’s How We Got On, Deborah Bruce's The Distance (U.S. Premiere), Theresa Rebeck's Seminar (Chicago Premiere), Catherine Treischmann's Hot Georgia Sunday (Chicago Premiere), Stephen Belber's Don't Go Gentle (Chicago Premiere) and Hedwig and the Angry Inch.

 

After hosting over 10,000 wedding crashers since opening in September 2016, one of Chicago’s longest-running smash-hit shows, Tony n’ Tina’s Wedding, has announced new cast members joining the wedding party, including Concetta Rose as “Tina.”  Rose has been a member of the Tony n’ Tina’s family for the past twelve years, both in New York City as well as on the National Tour. To celebrate, Chicago’s favorite soon-to-be-married couple, Tony Nunzio and Tina Vitale, are inviting the press to their wedding a second time on Sunday, May 7. Tony n’ Tina’s Wedding played an incredible 16 years during its original run in Chicago, and during that time entertained more than one million audience members of all ages.

“It’s back, and it’s a blast!” raves the Chicago Tribune. “A guaranteed good time” according to the Chicago Reader, this production of Tony n’ Tina’s Wedding is presented by the original New York producers, in conjunction with Chicago Theater Works, and directed by Paul Stroili, a cast member in the original Chicago production.

Tony n’ Tina’s Wedding is a hilariously interactive production that is guaranteed to make guests feel like they are truly friends and family of the bride and groom. The evening starts with the wedding at Resurrection Church, 3309 North Seminary Ave., and immediately following the ceremony, guests are invited to Vinnie Black’s Coliseum (Chicago Theater Works), 1113 W. Belmont Ave, for a flashback, high-energy 80’s reception. 

The Tony n’ Tina’s Wedding cast stars a mix of new and familiar faces, including Mitchell Conti as “Anthony Angelo Nunzio Jr (Tony),” Concetta Rose as “Valentina Lynne Vitale (Tina),” Rob Johnson as “Barry Wheeler,” Jessica Rzucidlo as “Connie Macogni,” Rory Zacher as “Dominick Fabrizzi,” Robin M. Bousel as “Donna Marsala,” Serena Pomerantz as “Marina Gulino,” Andrew Mancini as “Joey Vitale,” Alisha Fabbi as “Sister Albert Maria aka Terry Vitale,” Tommy Taylor as “Tony Nunzio, Sr.,” Carrie Campana as “Madeline Monroe,” Billy Minshall as “Father Mark,” Jean Bonavita as “Michael Just,” Eustace Allen as “Sal Antonucci,” Brian Noonan as “Vinnie Black,” Micah Spayer as “Donny Dulce,” Jennifer Pompa as “Josephina Vitale,” Susan Gaspar as “Aunt Rose,” Laureen Siciliano as “Loretta Black,” Jack Gallagher as “Mikey Black,” Hillary Jiminez as “Nikki Black,” and Frank Ondorf as “Jimmy Black.  Rounding out the cast in a variety of swing roles are Jack Gallagher and Alexis Allotta.

Tickets range from $75-$79 for the two-part event, which includes the ceremony and reception, featuring an Italian-style buffet dinner and dancing to 80’s hits. Tickets for premium seating closest to the stage and dance floor are $85.  Additionally, for 2017, a new opportunity is available to sit in the VIP section with members of the family for $99 per ticket. Discounts are available for groups of 16 or more by visiting GroupTheaterTix.com or by calling 312.423.6612. Seating is limited so make your plans now.  For more information or to purchase tickets visit http://tonylovestina.com/.

 

For ticket information, visit Ravinia.org or call 847-266-5100. The complete 2017 season schedule follows. Note that artists and programs are subject to change, and opening acts for some concerts may be announced at a later date. Artists making their Ravinia debut are marked with a dagger (†). Repertoire being performed at Ravinia for the first time is marked with an asterisk (*). Lawn ticket prices that increase by $5 on the day of the concert are marked with a carat (^).

 

JUNE

 

Saturday, June 3, 11:00 a.m. — Bennett Gordon Hall

Kids Concert series

Catskill Puppet Theater

Sister Rain and Brother Sun

Tickets: reserved $10 / no lawn — Park opens at 10:00 a.m.

 

Saturday, June 3, 1:00 p.m. — Martin Theatre

Kids Concert series

Magical Strings of Youth of the Betty Haag Academy of Music †

Tickets: reserved $10 / lawn $5 — Park opens at noon

 

Saturday, June 3, 2:00 p.m. — Bennett Gordon Hall

Kids Concert series

Catskill Puppet Theater

Sister Rain and Brother Sun

Tickets: reserved $10 / no lawn — Park opens at noon

 

Saturday, June 3, 5:00 p.m. — Bennett Gordon Hall

Kids Concert series

Catskill Puppet Theater

Sister Rain and Brother Sun

Tickets: reserved $10 / no lawn — Park opens at 4:00 p.m.

 

Saturday, June 10, 7:30 p.m. — Pavilion

John Legend

Gallant †

Darkness & Light Tour

Tickets: reserved $173 / $153 / lawn $52^ — Park opens at 5:00 p.m.

 

Wednesday, June 14, 2:00 p.m. — Bennett Gordon Hall

Master Class

Linda May Han Oh, String Bass

Ravinia’s Steans Music Institute: Program for Jazz

Tickets: free / no lawn — Park opens at 1:00 p.m.

 

Wednesday, June 14, 7:30 p.m. — Pavilion

Pat Metheny

An Evening with Pat Metheny

Tickets: reserved $55 / $45 / lawn $15^ — Park opens at 5:00 p.m.

 

Thursday, June 15, 8:00 p.m. — Pavilion

Seu Jorge

The Life Aquatic: A Tribute to David Bowie

Tickets: reserved $60 / $50 / lawn $27^ — Park opens at 5:00 p.m.

 

Friday, June 16, 6:00 p.m. — Bennett Gordon Hall

Ravinia’s Steans Music Institute: Program for Jazz

Jazz Grandstand

Tickets: reserved $10 / no lawn — Park opens at 5:00 p.m.

 

Friday, June 16, 7:30 p.m. — Pavilion

Willie Nelson & Family

Lukas Nelson & Promise of the Real

Tickets: reserved $125 / $105 / lawn $49^ — Park opens at 5:00 p.m.

 

Saturday, June 17, 11:00 a.m. — Martin Theatre

Kids Concert series

Ko-Thi Dance Company

Tickets: reserved $10 / lawn $5 — Park opens at 10:00 a.m.

 

Saturday, June 17, 6:00 p.m. — Bennett Gordon Hall

Fine Arts Quartet

Alexander Bickard, String Bass †

Alon Goldstein, Piano

Mozart Concertos for Piano and String Quintet

Mozart: String Quartet No. 20 (“Hoffmeister”)

(arr. Lachner): Piano Concerto No. 23

(arr. Lachner): Piano Concerto No. 24

Tickets: reserved $10 / no lawn — Park opens at 5:00 p.m.

 

Saturday, June 17, 8:30 p.m. — Pavilion

Aretha Franklin

Tickets: reserved $110 / $85 / lawn $38^ — Park opens at 5:00 p.m.

 

Sunday, June 18, 8:00 p.m. — Pavilion

Milwaukee Symphony Orchestra

George Stelluto, Conductor

La La Land in concert

Justin Hurwitz: Score to La La Land *

Complete film shown on Pavilion and lawn video screens

Tickets: reserved $90 / $25 / lawn $25 — Park opens at 5:00 p.m.

 

Monday, June 19, 8:00 p.m. — Pavilion

Sammy Hagar & The Circle †

Andrew Hagar †

Tickets: reserved $110 / $95 / lawn $38^ — Park opens at 5:00 p.m.

 

Tuesday, June 20, 7:30 p.m. — Martin Theatre

Juilliard String Quartet

Bartók: String Quartet No. 1

Beethoven: String Quartet No. 13 (with Grosse Fuge)

Tickets: reserved $60 / $40 / lawn $10 — Park opens at 5:00 p.m.

 

Friday, June 23, 8:00 p.m. — Pavilion

Gipsy Kings

Tickets: reserved $90 / $75 / lawn $38^ — Park opens at 5:00 p.m.

 

Saturday, June 24, 7:30 p.m. — Pavilion

Common †

Tickets: reserved $110 / $100 / lawn $44^ — Park opens at 5:00 p.m.

 

Tuesday, June 27, 7:00 p.m. — Pavilion

Boz Scaggs

Michael McDonald

Tickets: reserved $90 / $70 / lawn $38^ — Park opens at 4:00 p.m.

 

Wednesday, June 28, 8:00 p.m. — Pavilion

Diana Krall

Tickets: reserved $104 / $94 / lawn $42^ — Park opens at 5:00 p.m.

 

Thursday, June 29, 2:00 p.m. — Bennett Gordon Hall

Master Class

Robert Levin, Piano

Ravinia’s Steans Music Institute: Program for Piano and Strings

Tickets: free / no lawn — Park opens at 1:00 p.m.

 

Thursday, June 29, 7:00 p.m. — Pavilion

Kids Concert series

The Stars of the Peking Acrobats

Tickets: reserved $15 / lawn $5 — Park opens at 4:00 p.m.

 

Friday, June 30, 2:00 p.m. — Bennett Gordon Hall

Ravinia’s Steans Music Institute: Program for Piano and Strings

Tickets: free / no lawn — Park opens at 1:00 p.m.

 

Friday, June 30, 8:00 p.m. — Pavilion

The Moody Blues

Days of Future Passed 50th Anniversary Tour

Tickets: reserved $120 / $100 / lawn $44^ — Park opens at 5:00 p.m.

 

JULY

 

Saturday, July 1, 2:00 p.m. — Bennett Gordon Hall

Ravinia’s Steans Music Institute: Program for Piano and Strings

Tickets: free / no lawn — Park opens at 1:00 p.m.

 

Saturday, July 1, 7:30 p.m. — Pavilion

Lila Downs †

Tickets: reserved $65 / $55 / lawn $27^ — Park opens at 5:00 p.m.

 

Sunday, July 2, 6:00 p.m. — Pavilion

The Beach Boys

The Temptations

Tickets: reserved $80 / $55 / lawn $38^ — Park opens at 3:00 p.m.

 

Monday, July 3, 7:30 p.m. — Martin Theatre

Ryan Speedo Green, Bass-baritone †

Adam Nielsen, Piano †

Program to be selected from works by Franz Schubert, Hugo Wolf, Franz Liszt, Gustav Mahler, Margaret Bonds, Florence B. Price, Thomas H. Kerr Jr., Leslie Adams, and Howard Swanson

Tickets: reserved $60 / $40 / lawn $10 — Park opens at 5:00 p.m.

 

Wednesday, July 5, 7:30 p.m. — Martin Theatre

Miriam Fried, Violin

Mihaela Martin, Violin

Atar Arad, Viola

Paul Biss, Viola

Frans Helmerson, Cello

Anton Nel, Piano

Mozart: Piano Quartet No. 2

Ravel: Sonata for Violin and Cello

Mozart: String Quintet No. 5

Tickets: reserved $60 / $40 / lawn $10 — Park opens at 5:00 p.m.

 

Thursday, July 6, 2:00 p.m. — Bennett Gordon Hall

Ravinia’s Steans Music Institute: Program for Piano and Strings

Tickets: free / no lawn — Park opens at 1:00 p.m.

 

Thursday, July 6, 7:30 p.m. — Pavilion

Headliner to be announced March 26

Booker T. Jones

Tickets: reserved $90 / $70 / lawn $38^ — Park opens at 5:00 p.m.

 

Friday, July 7, 2:00 p.m. — Bennett Gordon Hall

Master Class

Frans Helmerson, Cello

Ravinia’s Steans Music Institute: Program for Piano and Strings

Tickets: free / no lawn — Park opens at 1:00 p.m.

 

Friday, July 7, 7:30 p.m. — Pavilion

Sheryl Crow

Lukas Nelson & Promise of the Real

Be Myself Tour

Tickets: reserved $115 / $105 / lawn $49^ — Park opens at 5:00 p.m.

 

Saturday, July 8, 2:00 p.m. — Bennett Gordon Hall

Ravinia’s Steans Music Institute: Program for Piano and Strings

Tickets: free / no lawn — Park opens at 1:00 p.m.

 

Sunday, July 9, 2:00 p.m. — Bennett Gordon Hall

Ravinia’s Steans Music Institute: Program for Piano and Strings

Tickets: free / no lawn — Park opens at 1:00 p.m.

 

Monday, July 10, 6:00 p.m. — Bennett Gordon Hall

Ravinia’s Steans Music Institute: Program for Piano and Strings

Music of Dvořák

Program to include Piano Quintet No. 2

Tickets: reserved $10 / no lawn — Park opens at 5:00 p.m.

 

Tuesday, July 11, through Sunday, July 23 — Ravinia Tent, North Lawn

The Virtual Orchestra

Take a seat within London’s Philharmonia Orchestra as it plays the thrilling climax from Sibelius’s Fifth Symphony under the baton of Esa-Pekka Salonen—a once-in-a-lifetime vantage point in this unique virtual-reality experience.

Tickets: free with park admission, reserved in advance through box office

 

Tuesday, July 11, 8:00 p.m. — Pavilion

Chicago Symphony Orchestra

Lionel Bringuier, Conductor † (CSO debut)

Yuja Wang, Piano †

Brahms: Piano Concerto No. 1

Mussorgsky (orch. Ravel): Pictures at an Exhibition

Tickets: reserved $75 / $25 / lawn $10 — Park opens at 5:00 p.m.

 

Wednesday, July 12, 8:00 p.m. — Pavilion

Chicago Symphony Orchestra

Andrey Boreyko, Conductor †

Joshua Bell, Violin

Bruch: Scottish Fantasy

Prokofiev: Suite from Romeo and Juliet (compiled by the conductor)

Tickets: reserved $100 / $25 / lawn $10 — Park opens at 5:00 p.m.

 

Thursday, July 13, 2:00 p.m. — Bennett Gordon Hall

Master Class

Miriam Fried, Violin

Ravinia’s Steans Music Institute: Program for Piano and Strings

Tickets: free / no lawn — Park opens at 1:00 p.m.

 

Friday, July 14, 2:00 p.m. — Bennett Gordon Hall

Ravinia’s Steans Music Institute: Program for Piano and Strings

Tickets: free / no lawn — Park opens at 1:00 p.m.

 

Friday, July 14, 6:30 p.m. — Pavilion

OneRepublic

Fitz & The Tantrums †

James Arthur †

Tickets: reserved $125 / $95 / lawn $49^ — Park opens at 4:00 p.m.

 

Saturday, July 15, 11:00 a.m. — Pavilion

Kids Concert series

Laurie Berkner

Tickets: reserved $15 / lawn $5 — Park opens at 10:00 a.m.

 

Saturday, July 15, 2:00 p.m. — Bennett Gordon Hall

Ravinia’s Steans Music Institute: Program for Piano and Strings

Tickets: free / no lawn — Park opens at 1:00 p.m.

 

Saturday, July 15, 6:30 p.m. — Pavilion

OneRepublic

Fitz & The Tantrums

James Arthur

Tickets: reserved $125 / $95 / lawn $49^ — Park opens at 4:00 p.m.

 

Sunday, July 16, 5:00 p.m. — Pavilion

Chicago Symphony Orchestra

Dima Slobodeniouk, Conductor † (CSO debut)

Simon Trpčeski, Piano

All-Tchaikovsky Program

Romeo and Juliet Fantasy Overture

Piano Concerto No. 1

Francesca da Rimini

1812 Overture (with cannons)

Tickets: reserved $90 / $25 / lawn $10 — Park opens at 3:00 p.m.

 

Monday, July 17, 6:00 p.m. — Bennett Gordon Hall

Ravinia’s Steans Music Institute: Program for Piano and Strings

Music of Dvořák

Tickets: reserved $10 / no lawn — Park opens at 5:00 p.m.

 

Monday, July 17, 7:30 p.m. — Martin Theatre

Angela Hewitt, Piano

Bach: “Goldberg Variations” Tickets: reserved $60 / $40 / lawn $10 — Park opens at 5:00 p.m.

 

Tuesday, July 18, 8:00 p.m. — Pavilion

Chicago Symphony Orchestra

Edward Gardner, Conductor † (CSO debut)

Yefim Bronfman, Piano

Elgar: “Enigma” Variations

Brahms: Piano Concerto No. 2

Tickets: reserved $75 / $25 / lawn $10 — Park opens at 5:00 p.m.

 

Wednesday, July 19, 6:00 p.m. — Bennett Gordon Hall

Ravinia’s Steans Music Institute: Program for Piano and Strings

Music of Dvořák

Tickets: reserved $10 / no lawn — Park opens at 5:00 p.m.

 

Thursday, July 20, 8:00 p.m. — Pavilion

Chicago Symphony Orchestra

Susanna Mälkki, Conductor

Vadim Repin, Violin

Sibelius: Violin Concerto

Beethoven: Symphony No. 3 (“Eroica”)

Tickets: reserved $75 / $25 / lawn $10 — Park opens at 5:00 p.m.

 

Friday, July 21, 2:00 p.m. — Bennett Gordon Hall

Ravinia’s Steans Music Institute: Program for Piano and Strings

Tickets: free / no lawn — Park opens at 1:00 p.m.

 

Friday, July 21, 8:00 p.m. — Pavilion

Chicago Symphony Orchestra

Susanna Mälkki, Conductor

Kirill Gerstein, Piano

Beethoven: Piano Concerto No. 3

Sibelius: Symphony No. 2

Tickets: reserved $50 / $25 / lawn $10 — Park opens at 5:00 p.m.

 

Saturday, July 22, 2:00 p.m. — Bennett Gordon Hall

Ravinia’s Steans Music Institute: Program for Piano and Strings

Tickets: free / no lawn — Park opens at 1:00 p.m.

 

Saturday, July 22, 6:30 p.m. — Pavilion

Blondie

Garbage †

John Doe & Exene Cervenka †

The Rage and Rapture Tour

Tickets: reserved $90 / $70 / lawn $38^ — Park opens at 4:00 p.m.

 

Sunday, July 23, 6:00 p.m. — Bennett Gordon Hall

Cristina Gómez Godoy, Oboe †

Program to include:

Bach (attr.): Oboe Sonata in G minor *

Britten: Six Metamorphoses after Ovid for solo oboe *

Bozza: Fantaisie pastorale *

Dutilleux: Oboe Sonata *

Tickets: reserved $10 / no lawn — Park opens at 4:00 p.m.

 

Sunday, July 23, 7:00 p.m. — Pavilion

Andrew Bird †

Tickets: reserved $75 / $65 / lawn $33^ — Park opens at 4:00 p.m.

 

Monday, July 24, 7:30 p.m. — Martin Theatre

Emerson String Quartet

Calidore String Quartet

Beethoven: String Quartet No. 11 (“Serioso”)

R. Strauss: String Sextet from Capriccio

Shostakovich: Two Pieces for String Octet

Mendelssohn: String Octet

Tickets: reserved $60 / $40 / lawn $10 — Park opens at 5:00 p.m.

 

Tuesday, July 25, 8:00 p.m. — Pavilion

Celebrating John Adams at 70

Chicago Symphony Orchestra

Kent Nagano, Conductor †

Nikolai Lugansky, Piano

John Adams: Harmonielehre (The Book of Harmony) *

Beethoven: Piano Concerto No. 5 (“Emperor”)

Tickets: reserved $75 / $25 / lawn $10 — Park opens at 5:00 p.m.

 

Wednesday, July 26, 2:00 p.m. — Bennett Gordon Hall

Master Class

Kevin Murphy, Piano

Ravinia’s Steans Music Institute: Program for Singers

Tickets: free / no lawn — Park opens at 1:00 p.m.

 

Wednesday, July 26, 8:00 p.m. — Pavilion

Stephen Stills

Judy Collins

Numa Edema †

Tickets: reserved $80 / $70 / lawn $33^ — Park opens at 5:00 p.m.

 

Thursday, July 27, 7:30 p.m. — Martin Theatre

Apollo’s Fire †

Jeannette Sorrell, Conductor and Harpsichord †

Vivaldi’s Four Seasons: Rediscovered

Vivaldi: The Four Seasons

Vivaldi: Concerto for Two Cellos

Dall’Abaco: Concerto in E minor *

Tickets: reserved $60 / $40 / lawn $10 — Park opens at 5:00 p.m.

 

Friday, July 28, 8:00 p.m. — Pavilion

Chicago Symphony Orchestra

Christoph Eschenbach, Conductor

Ray Chen, Violin (CSO debut)

Marisol Montalvo, Soprano † (CSO debut)

Mendelssohn: Violin Concerto

Barber: Knoxville: Summer of 1915

Mozart: “L’amerò, sarò costante” for soprano and violin

Mendelssohn: Symphony No. 5 (“Reformation”)

Tickets: reserved $50 / $25 / lawn $10 — Park opens at 5:00 p.m.

 

Saturday, July 29, 11:00 a.m. — Martin Theatre

Kids Concert series

Joyous String Ensemble

Tickets: reserved $10 / no lawn — Park opens at 10:00 a.m.

 

Saturday, July 29, 7:00 p.m. — Pavilion

Gala Evening Benefiting Reach*Teach*Play

Chicago Symphony Orchestra

Christoph Eschenbach, Conductor

Lang Lang, Piano

Dvořák: Carnival Overture

Dvořák: Symphony No. 8

Rachmaninoff: Piano Concerto No. 1

Tickets: reserved $150 / $25 / lawn $10 — Park opens at 4:00 p.m.

 

Sunday, July 30, 2:00 p.m. — Bennett Gordon Hall

Ravinia’s Steans Music Institute: Program for Singers

Tickets: free / no lawn — Park opens at 1:00 p.m.

 

Monday, July 31, 7:00 p.m. — Martin Theatre

Pierre-Laurent Aimard, Piano

Messiaen: Catalogue d’oiseaux *

Tickets: reserved $60 / $40 / lawn $10 — Park opens at 4:00 p.m.

 

AUGUST

 

Tuesday, August 1, 8:00 p.m. — Pavilion

Chicago Symphony Orchestra

Gianandrea Noseda, Conductor

Denis Matsuev, Piano

Smetana: The Moldau

R. Strauss: Suite from Der Rosenkavalier

Rachmaninoff: Rhapsody on a Theme by Paganini

Ravel: La valse

Tickets: reserved $90 / $25 / lawn $10 — Park opens at 5:00 p.m.

 

Wednesday, August 2, 7:30 p.m. — Martin Theatre

Danish String Quartet †

Juho Pohjonen, Piano

Haydn: String Quartet No. 25

Beethoven: String Quartet No. 7

Shostakovich: Piano Quintet

Tickets: reserved $60 / $40 / lawn $10 — Park opens at 5:00 p.m.

 

Thursday, August 3, 6:00 p.m. — Bennett Gordon Hall

Ravinia’s Steans Music Institute: Program for Singers

Celebrating the Music of Finland and the 100th Anniversary of Finnish Independence

Tickets: reserved $10 / no lawn — Park opens at 5:00 p.m.

 

Thursday, August 3, 8:00 p.m. — Pavilion

Chicago Symphony Orchestra

Pinchas Zukerman, Conductor and Violin

Elgar: Deux Chansons for violin and orchestra * (CSO premiere)

Mozart: Violin Concerto No. 3

Tchaikovsky: Symphony No. 4

Tickets: reserved $90 / $25 / lawn $10 — Park opens at 5:00 p.m.

 

Friday, August 4, 8:30 p.m. — Pavilion

Tony Bennett

Tickets: reserved $146 / $116 / lawn $39^ — Park opens at 5:00 p.m.

 

Saturday, August 5, 7:30 p.m. — Pavilion

Darius Rucker

Radney Foster †

Tickets: reserved $130 / $115 / lawn $49^ — Park opens at 5:00 p.m.

 

Sunday, August 6, 5:00 p.m. — Pavilion

Chicago Symphony Orchestra Steven Reineke, Conductor Sir James Galway, Flute

Lady Jeanne Galway, Flute Ashley Brown, Vocalist

Tony DeSare, Vocalist † (CSO debut)

A Tribute to Henry Mancini

Program to include selections from The Pink Panther, Hatari!, Victor/Victoria, The Days of Wine and Roses, and Breakfast at Tiffany’s

Tickets: reserved $90 / $25 / lawn $10 — Park opens at 3:00 p.m.

 

Monday, August 7, 2:00 p.m. — Bennett Gordon Hall

Master Class

Morris Robinson, Bass

Ravinia’s Steans Music Institute: Program for Singers

Tickets: free / no lawn — Park opens at 1:00 p.m.

 

Monday, August 7, 7:30 p.m. — Martin Theatre

Sir James Galway, Flute

Lady Jeanne Galway, Flute

Phillip Moll, Piano

Tickets: reserved $60 / $40 / lawn $10 — Park opens at 5:00 p.m.

 

Tuesday, August 8, 8:00 p.m. — Pavilion

Chicago Symphony Orchestra

James Levine, Conductor

Chicago Symphony Chorus

Nadine Sierra, Soprano † (CSO debut)

Matthew Polenzani, Tenor

John Relyea, Bass

Haydn: The Creation

Tickets: reserved $90 / $25 / lawn $10 — Park opens at 5:00 p.m.

 

Wednesday, August 9, 2:00 p.m. — Bennett Gordon Hall

Master Class

John Relyea, Bass

Ravinia’s Steans Music Institute: Program for Singers

Tickets: free / no lawn — Park opens at 1:00 p.m.

 

Wednesday, August 9, 7:30 p.m. — Martin Theatre

Morris Robinson, Bass

Kevin Murphy, Piano

Program to include European classic song and American song, spirituals, and gospel music Tickets: reserved $60 / $40 / lawn $10 — Park opens at 5:00 p.m.

 

Thursday, August 10, 6:00 p.m. — Bennett Gordon Hall

Ravinia’s Steans Music Institute: Program for Singers

Schumann and Brahms

Tickets: reserved $10 / no lawn — Park opens at 5:00 p.m.

 

Thursday, August 10, 8:00 p.m. — Pavilion

Chicago Symphony Orchestra

Krzysztof Urbański, Conductor

Garrick Ohlsson, Piano

Rachmaninoff: Piano Concerto No. 3

Shostakovich: Symphony No. 10

Tickets: reserved $75 / $25 / lawn $10 — Park opens at 5:00 p.m.

 

Friday, August 11, 7:30 p.m. — Pavilion

Santana

Transmogrify Tour

Tickets: reserved $135 / $115 / lawn $49^ — Park opens at 5:00 p.m.

 

Saturday, August 12, 11:00 a.m. — Martin Theatre

Kids Concert series

Opera for the Young

Donizetti’s The Elixir of Love

Tickets: reserved $10 / lawn $5 — Park opens at 10:00 a.m.

 

Saturday, August 12, 2:00 p.m. — Bennett Gordon Hall

Ravinia’s Steans Music Institute: Program for Singers

Tickets: free / no lawn — Park opens at 1:00 p.m.

 

Saturday, August 12, 7:30 p.m. — Pavilion

Santana

Transmogrify Tour

Tickets: reserved $135 / $115 / lawn $49^ — Park opens at 5:00 p.m.

 

Sunday, August 13, 5:00 p.m. — Pavilion

Chicago Symphony Orchestra Emil de Cou, Conductor

Kevin Cole, Piano and Host

Sylvia McNair, Vocalist

Ryan VanDenBoom, Vocalist and Dancer

I Love to Rhyme: A Tribute to Ira Gershwin

Program to include songs from Gene Kelly and Fred Astaire films and George Gershwin’s Rhapsody in Blue Tickets: reserved $90 / $25 / lawn $20 — Park opens at 3:00 p.m.

 

Sunday, August 13, 8:30 p.m. — Martin Theatre

Leslie Odom Jr. †

Tickets: reserved $100 / $90 / lawn $20 — Park opens at 3:00 p.m.

 

Monday, August 14, 6:00 p.m. — Bennett Gordon Hall

Ravinia’s Steans Music Institute: Program for Singers

American Music Theater

Program to include songs by Adams, Bernstein, and Bolcom

Tickets: reserved $10 / no lawn — Park opens at 5:00 p.m.

 

Monday, August 14, 8:00 p.m. — Pavilion

Punch Brothers

I’m With Her †

Julian Lage †

American Acoustic

Tickets: reserved $80 / $70 / lawn $27^ — Park opens at 5:00 p.m.

 

Tuesday, August 15, 6:00 p.m. — Bennett Gordon Hall

Jonathan Biss, Piano

Complete Beethoven Piano Sonatas, Part 4 [Second year of three-year cycle]

Piano Sonata No. 15 (“Pastoral”) Piano Sonata No. 20

Piano Sonata No. 3

Piano Sonata No. 27

Piano Sonata No. 28 Tickets: reserved $10 / no lawn — Park opens at 5:00 p.m.

 

Wednesday, August 16, 6:00 p.m. — Bennett Gordon Hall

Celebrating John Adams at 70

Lincoln Trio

Beethoven: Piano Trio No. 3 [Start of complete cycle]

John Adams: Shaker Loops for string septet *

Tickets: reserved $10 / no lawn — Park opens at 5:00 p.m.

 

Wednesday, August 16, 7:30 p.m. — Martin Theatre

Vladimir Feltsman, Piano

Schubert: Piano Sonata, D. 960

Brahms: Six Piano Pieces, op. 118

Brahms: Four Piano Pieces, op. 119

Tickets: reserved $60 / $40 / lawn $10 — Park opens at 5:00 p.m.

 

Thursday, August 17, 6:00 p.m. — Bennett Gordon Hall

Jonathan Biss, Piano

Complete Beethoven Piano Sonatas, Part 5 [Second year of three-year cycle]

Piano Sonata No. 19

Piano Sonata No. 16

Piano Sonata No. 7

Piano Sonata No. 2

Piano Sonata No. 31 Tickets: reserved $10 / no lawn — Park opens at 5:00 p.m.

 

Thursday, August 17, 7:30 p.m. — Martin Theatre

Celebrating John Adams at 70

The Knights

Eric Jacobsen, Conductor

Susan Graham, Mezzo-soprano

Purcell: Fantasy upon One Note *

John Adams: Common Tones in Simple Time *

Canteloube: Selections from Chants d’Auvergne

John Adams: Chamber Symphony *

Mozart: Symphony No. 40

Tickets: reserved $60 / $40 / lawn $10 — Park opens at 5:00 p.m.

 

Friday, August 18, 6:00 p.m. — Bennett Gordon Hall

Harriet Krijgh, Cello †

Magda Amara, Piano †

Schumann: Three Romances, op. 94

Chopin: Cello Sonata

Rachmaninoff: Elegy, op. 3, no. 1 *

Myaskovsky: Cello Sonata No. 2 *

Tickets: reserved $10 / no lawn — Park opens at 4:00 p.m.

 

Friday, August 18, 7:00 p.m. — Pavilion

Chicago Symphony Orchestra

Ludwig Wicki, Conductor

Chicago Children’s Choir

Chicago Chorale

The Lakeside Singers

Howard Shore: Score to The Fellowship of the Ring

Complete film shown on Pavilion and lawn video screens

Tickets: reserved $90 / $25 / lawn $25 — Park opens at 4:00 p.m.

 

Saturday, August 19, 7:00 p.m. — Pavilion

Chicago Symphony Orchestra

Ludwig Wicki, Conductor

Chicago Children’s Choir

Chicago Chorale

The Lakeside Singers

Howard Shore: Score to The Two Towers

Complete film shown on Pavilion and lawn video screens

Tickets: reserved $90 / $25 / lawn $25 — Park opens at 4:00 p.m.

 

Sunday, August 20, 1:00 p.m. — Bennett Gordon Hall

St. Charles Singers

Program to include:

Dominick Argento: Walden Pond *

Tickets: reserved $10 / no lawn — Park opens at noon

 

Sunday, August 20, 7:00 p.m. — Pavilion

Chicago Symphony Orchestra

Ludwig Wicki, Conductor

Chicago Children’s Choir

Chicago Chorale

The Lakeside Singers

Howard Shore: Score to The Return of the King

Complete film shown on Pavilion and lawn video screens

Tickets: reserved $90 / $25 / lawn $25 — Park opens at 4:00 p.m.

 

Monday, August 21, 7:30 p.m. — Martin Theatre

Behzod Abduraimov, Piano

Bach (arr. Busoni): Toccata and Fugue, BWV 565

Liszt: Piano Sonata

Schubert: Moment musical no. 2

Liszt: Soirée de Vienne (Valse-caprice after Schubert) no. 6 *

Prokofiev: Piano Sonata No. 6

Tickets: reserved $60 / $40 / lawn $10 — Park opens at 5:00 p.m.

 

Martina Filjak, Piano † Haydn:

Haydn:

Bach (arr. Liszt): Liszt:

Liszt:

Liszt:

 

Tuesday, August 22, 6:00 p.m. — Bennett Gordon Hall

Andante and Variations in F minor Keyboard Sonata No. 18 *

Prelude and Fugue, BWV 543

Deux légendes

Lucia di Lammermoor Fantasy *

Grande paraphrase de la marche de Giuseppe Donizetti composée pour Sa Majesté le sultan Abdul Medjid-Khan *

Tickets: reserved $10 / no lawn — Park opens at 5:00 p.m.

 

Tuesday, August 22, 8:00 p.m. — Pavilion

Lucerne Symphony Orchestra †

James Gaffigan, Conductor †

InMo Yang, Violin

Rossini: Overture to William Tell

Bruch: Violin Concerto No. 1

Brahms: Symphony No. 1

Tickets: reserved $50 / $25 / lawn $10 — Park opens at 5:00 p.m.

 

Wednesday, August 23, 8:00 p.m. — Pavilion

Lucerne Symphony Orchestra

James Gaffigan, Conductor

Behzod Abduraimov, Piano

Rachmaninoff: Piano Concerto No. 2

Wagner: Siegfried Idyll

Beethoven: Symphony No. 4

Tickets: reserved $50 / $25 / lawn $10 — Park opens at 5:00 p.m.

 

Thursday, August 24, 6:00 p.m. — Bennett Gordon Hall

Celebrating John Adams at 70

Christina Naughton, Piano †

Michelle Naughton, Piano †

John Adams: Roll Over Beethoven for two pianos * (Chicago premiere)

Mendelssohn: Andante and Variations for four-hands piano *

Chopin: Rondo for two pianos

Mozart: Andante and Variations for four-hands piano

Debussy: En blanc et noir for two pianos

John Adams: Hallelujah Junction for two pianos *

Tickets: reserved $10 / no lawn — Park opens at 5:00 p.m.

 

Friday, August 25, 6:00 p.m. — Bennett Gordon Hall

Spider Saloff

The Cool Heat of Peggy Lee

Tickets: reserved $10 / no lawn — Park opens at 5:00 p.m.

 

Friday, August 25, 8:00 p.m. — Pavilion

Alanis Morissette †

Tickets: reserved $115 / $100 / lawn $38^ — Park opens at 5:00 p.m.

 

Saturday, August 26, 7:30 p.m. — Pavilion

John Mellencamp †

Tickets: reserved $150 / $130 / lawn $44^ — Park opens at 5:00 p.m.

 

Sunday, August 27, 7:30 p.m. — Pavilion

John Mellencamp

Tickets: reserved $150 / $130 / lawn $44^ — Park opens at 5:00 p.m.

 

Monday, August 28, 7:30 p.m. — Pavilion

Pentatonix †

Tickets: reserved $90 / $75 / lawn $38^ — Park opens at 5:00 p.m.

 

Tuesday, August 29, 6:00 p.m. — Bennett Gordon Hall

Adrienne Haan †

Tehorah

Tehorah (“pure” in Hebrew) is a celebration of the 50th anniversary of German–Israeli diplomatic relations, combining music of 1920s Weimar Berlin, Yiddish klezmer, and contemporary Hebrew songs.

Tickets: reserved $10 / no lawn — Park opens at 5:00 p.m.

 

Tuesday, August 29, 7:30 p.m. — Pavilion

Lifehouse

Switchfoot

Tickets: reserved $80 / $65 / lawn $38^ — Park opens at 5:00 p.m.

 

Wednesday, August 30, 6:00 p.m. — Bennett Gordon Hall

Celebrating John Adams at 70

Chad Hoopes, Violin †

David Fung, Piano

Mozart: Violin Sonata No. 20

Dvořák: Romantic Pieces

John Adams: Road Movies *

Beethoven: Violin Sonata No. 7

Tickets: reserved $10 / no lawn — Park opens at 5:00 p.m.

 

Wednesday, August 30, 7:30 p.m. — Pavilion

John Butler Trio †

The Waifs †

Tickets: reserved $65 / $55 / lawn $27^ — Park opens at 5:00 p.m.

 

Thursday, August 31, 6:00 p.m. — Bennett Gordon Hall

Daniel Schlosberg, Piano †

Inna Faliks, Piano †

Mahler (arr. Zemlinsky): Symphony No. 6 (for four-hands piano)

Tickets: reserved $10 / no lawn — Park opens at 5:00 p.m.

 

SEPTEMBER

 

Friday, September 1, 6:00 p.m. — Bennett Gordon Hall

Pacifica Quartet

Complete Beethoven String Quartets, Part 1

String Quartet No. 3

String Quartet No. 11 (“Serioso”)

String Quartet No. 6

String Quartet No. 16

Tickets: reserved $10 / no lawn — Park opens at 5:00 p.m.

 

Friday, September 1, 7:30 p.m. — Pavilion

Michael Bolton †

Gladys Knight

Tickets: reserved $100 / $80 / lawn $44^ — Park opens at 5:00 p.m.

 

Saturday, September 2, 1:00 p.m. — Bennett Gordon Hall

Pacifica Quartet

Complete Beethoven String Quartets, Part 2

String Quartet No. 12

String Quartet No. 1

String Quartet No. 9

Tickets: reserved $10 / no lawn — Park opens at noon

 

Saturday, September 2, 6:00 p.m. — Bennett Gordon Hall

Pacifica Quartet

Complete Beethoven String Quartets, Part 3

String Quartet No. 5

String Quartet No. 8

String Quartet No. 13 (with Grosse Fuge)

Tickets: reserved $10 / no lawn — Park opens at 5:00 p.m.

 

Sunday, September 3, 1:00 p.m. — Bennett Gordon Hall

Pacifica Quartet

Complete Beethoven String Quartets, Part 4

String Quartet No. 2

String Quartet No. 7

String Quartet No. 14

Tickets: reserved $10 / no lawn — Park opens at noon

 

Sunday, September 3, 6:00 p.m. — Bennett Gordon Hall

Pacifica Quartet

Complete Beethoven String Quartets, Part 5

String Quartet No. 4

String Quartet No. 10 (“Harp”)

String Quartet No. 15

Tickets: reserved $10 / no lawn — Park opens at 5:00 p.m.

 

Monday, September 4, 6:00 p.m. — Bennett Gordon Hall

Simón Bolívar String Quartet †

Haydn: String Quartet No. 29 (“How do you do?”)

Ginastera: String Quartet No. 1

Shostakovich: String Quartet No. 9

Tickets: reserved $10 / no lawn — Park opens at 5:00 p.m.

 

Tuesday, September 5, 6:00 p.m. — Bennett Gordon Hall

Bryan Wallick, Piano

Bach: Italian Concerto

Brahms: Variations and Fugue on a Theme by Handel

Albéniz: Selections from Iberia

Evocación

El puerto

Liszt: Fantasy and Fugue on the Theme B–A–C–H *

Liszt: Norma Fantasy

Tickets: reserved $10 / no lawn — Park opens at 5:00 p.m.

 

Thursday, September 7, 7:30 p.m. — Bennett Gordon Hall

Ruth Page Festival of Dance

Concert Dance Inc.

The Chicago Project

Program to include the premiere of a work exploring the human kinesthetic and emotional relationship to the form, texture, materials, and design of architecture, especially Chicago architecture, including accompanying images created by Frank Vodvarka

Tickets: reserved $10 / no lawn — Park opens at 6:30 p.m.

 

Friday, September 8, 7:30 p.m. — Bennett Gordon Hall

Ruth Page Festival of Dance

Concert Dance Inc.

The Chicago Project

Program to include the premiere of a work exploring the human kinesthetic and emotional relationship to the form, texture, materials, and design of architecture, especially Chicago architecture, including accompanying images created by Frank Vodvarka

Tickets: reserved $10 / no lawn — Park opens at 5:00 p.m.

 

Friday, September 8, 8:00 p.m. — Pavilion

Frankie Valli & The Four Seasons

Tickets: reserved $100 / $90 / lawn $38^ — Park opens at 5:00 p.m.

 

Saturday, September 9, 7:30 p.m. — Pavilion

Stevie Nicks †

Tickets: reserved $200 / $190 / lawn $70^ — Park opens at 5:00 p.m.

 

Sunday, September 10, 7:30 p.m. — Pavilion

Stevie Nicks

Tickets: reserved $200 / $190 / lawn $70^ — Park opens at 5:00 p.m.

 

Thursday, September 14, 8:00 p.m. — Pavilion

National Youth Orchestra of Venezuela †

Gustavo Dudamel, Conductor †

Prokofiev: Symphony No. 5

Evencio Castellanos: Santa Cruz de Pacairigua *

Julián Orbón: Xilofono from Tres versiones sinfónicas *

Camargo Guarnieri: Dansa brasileira *

Silvestre Revueltas: Sensemayá

Bernstein: Waltz from Divertimento for Orchestra

Oscar Lorenzo Fernandez: Batuque from Reisado do pastoreio

Ginastera: Danza final (Malambo) from Estancia

Tickets: reserved $90 / $25 / lawn $10 — Park opens at 5:00 p.m.

 

Friday, September 15, 8:00 p.m. — Pavilion

Smokey Robinson

Tickets: reserved $80 / $70 / lawn $33^ — Park opens at 5:00 p.m.

 

Saturday, September 16, 11:00 a.m. — Bennett Gordon Hall

Kids Concert series

The Performer’s School

Joseph and the Amazing Technicolor Dreamcoat

Tickets: reserved $15 / no lawn — Park opens at 10:00 a.m.

 

Saturday, September 16, 2:00 p.m. — Bennett Gordon Hall

Kids Concert series

The Performer’s School

Joseph and the Amazing Technicolor Dreamcoat

Tickets: reserved $15 / no lawn — Park opens at 1:00 p.m.

 

Saturday, September 16, 5:00 p.m. — Bennett Gordon Hall

Kids Concert series

The Performer’s School

Joseph and the Amazing Technicolor Dreamcoat

Tickets: reserved $15 / no lawn — Park opens at 4:00 p.m.

 

Saturday, September 16, 7:00 p.m. — Pavilion

TLC †

Sugar Ray’s Mark McGrath

Biz Markie †

All-4-One †

O-Town †

Snap! †

I Love the ’90s: The Party Continues Tour

Tickets: reserved $102 / $82 / lawn $46^ — Park opens at 4:00 p.m.

 

Sunday, September 17, 11:00 a.m. — Bennett Gordon Hall

Kids Concert series

The Performer’s School

Joseph and the Amazing Technicolor Dreamcoat

Tickets: reserved $15 / no lawn — Park opens at 10:00 a.m.

 

Sunday, September 17, 2:00 p.m. — Bennett Gordon Hall

Kids Concert series

The Performer’s School

Joseph and the Amazing Technicolor Dreamcoat

Tickets: reserved $15 / no lawn — Park opens at 1:00 p.m.

 

Sunday, September 17, 2:00 p.m. — Full Park

Fiesta Ravinia

Daylong celebration of Mexican culture, including Latin cuisine throughout the park, Mariachi bands, children’s performances, family activities, dance lessons, and a Mexican-American art show

Tickets: free with park admission for evening concert

 

Sunday, September 17, 6:00 p.m. — Pavilion

Los Tigres del Norte

Natalia Jiménez †

Tickets: reserved $85 / $65 / lawn $33^ — Park opens at 2:00 p.m.

 

Ravinia welcomes all festival fans to follow, connect, and interact online at facebook.com/raviniafestival, twitter.com/raviniafestival, and instagram.com/raviniafestival. Ravinia is a not-for-profit organization. For more information visit Ravinia.org.

 

Monday, 10 April 2017 12:08

Ravinia Announces 2017 Summer Season 

James Levine, Christoph Eschenbach, Gustavo Dudamel, Susanna Mälkki, Kent Nagano, a “virtual” Esa-Pekka Salonen, and three conductors making Chicago Symphony Orchestra debuts take the podium. 

CSO soloists include Lang Lang, headlining the gala fundraiser; Joshua Bell; Sir James Galway; Pinchas Zukerman; Denis Matsuev; Garrick Ohlsson; and pianist Yuja Wang, one of 30 classical artists making Ravinia debuts. 

Guest ensembles include the Lucerne Symphony; National Youth Orchestra of Venezuela; and Apollo’s Fire, the Cleveland Baroque Orchestra, all in their Ravinia debuts; along with the returns of The Knights and the Milwaukee Symphony Orchestra. 

CSO performs the award-winning scores to all three Lord of the Rings films as the movies are shown on consecutive nights; Oscar darling La La Land Live with Orchestra receives Midwest premiere. 

Tributes set for three great Americans: Henry Mancini, Ira Gershwin, and a multi-concert celebration of the 70th birthday of John Adams. 

Chamber/recital series features Pacifica Quartet with the complete Beethoven quartets; Jonathan Biss, continuing his multiyear Beethoven cycle; bass-baritone Ryan Speedo Green, subject of bestseller Sing for Your Life; and the Simón Bolívar String Quartet. 

Stevie Nicks, John Mellencamp, Common, Pentatonix, Lila Downs, TLC, Alanis Morissette, John Butler Trio, Andrew Bird, Sammy Hagar, and the Tony-winning Leslie Odom Jr., Burr from Broadway’s Hamilton, among 59 artists making Ravinia debuts. 

Double bills pair John Legend/Gallant, OneRepublic/Fitz & the Tantrums, Michael Bolton/Gladys Knight, Garbage/Blondie, Lifehouse/Switchfoot, The Beach Boys/The Temptations, and Judy Collins/Stephen Stills. 

Returning favorites include Willie Nelson, Aretha Franklin, Diana Krall, Santana, Tony Bennett, Darius Rucker, Sheryl Crow, Frankie Valli & the Four Seasons, Smokey Robinson, The Gipsy Kings, and The Moody Blues, celebrating the 50th anniversary of Days of Future Passed.

Los Tigres del Norte and Natalia Jiménez headline second annual daylong Fiesta Ravinia, celebrating Mexican Independence Day. 

Ravinia renews Chicago Symphony Orchestra summer residency with unprecedented eight-year extension. 

Ravinia President and CEO Welz Kauffman today announced the not-forprofit festival’s complete 2017 summer lineup—more than 140 events from June 3 through Sept. 17— including the 82nd annual residency of the Chicago Symphony Orchestra as well as visits by the Lucerne Symphony Orchestra and the National Youth Orchestra of Venezuela with conductor Gustavo Dudamel in his Ravinia debut. In addition to Dudamel, 58 artists make their Ravinia debuts, including Stevie Nicks, John Mellencamp, Pentatonix, Common, Hamilton star Leslie Odom Jr., and Ryan Speedo Green. Tickets are available to donors beginning March 22 and go on sale to the general public on May 9, exclusively at Ravinia.org. “I’m frequently asked what defines a successful season. Because there are so many ways to enjoy Ravinia, that answer is different for everyone, and their defining moments might be a big light-and-sound spectacular with a legendary hit machine or a quiet evening on the lawn with a chamber concert flowing from the Martin Theatre, one of our popular film projects or one of our magnificent classical masterpieces, performed as only the Chicago Symphony Orchestra can,” Kauffman said. “It’s an all-of-the-above summer at Ravinia in 2017.” 

$25/$10/FREE CLASSICAL PRICING Ravinia’s popular pricing returns this summer, with most Pavilion seats for all CSO concerts selling for just $25 apiece. Most lawn tickets will be priced at $10 each, and lawn admission for all classical concerts—CSO, special events, recitals, and chamber music—is free for children and students through college. A 10-punch lawn pass will also be sold, granting lawn admission for as little as $7 per concert. On film nights, the $25 price for a reserved seat in the Pavilion is the same for a lawn ticket, so patrons can choose the experience they prefer—a seat under the roof with a view of the orchestra or a picnic on the lawn before the giant movie screen—without cost being an issue. The $10 BGH Classics series offers up close-and-personal musical experiences in Ravinia’s most intimate concert space, the 450-seat Bennett Gordon Hall, for only $10 for a reserved seat, less than the cost of a movie ticket. 

CHICAGO SYMPHONY ORCHESTRA RESIDENCY Ravinia has hosted the CSO in its summer residency since 1936, and the two institutions recently agreed to an eight-year extension of their current contract—which would have expired in 2018— extending the unique relationship through 2026. “I’m so proud that one of my first opportunities in becoming chairman of the Ravinia Festival Association was to work with my predecessor John Anderson and Welz Kauffman in negotiating this unprecedented agreement with our CSO counterparts, Helen Zell and Jeff Alexander,” said Jennifer Steans. “I literally grew up attending CSO concerts at Ravinia and find particular satisfaction in seeing today’s youngsters discovering the ensemble that stands as one of Chicago’s eternal assets.” Modeled on the successful 2016 CSO residency, which averaged more than 6,000 listeners per concert, the 18 concerts of 2017 intertwine staples of the symphonic repertoire; a variety on the podium, from the returns of James Levine, Christoph Eschenbach, and Susanna Mälkki to three conductors making their CSO debuts; popular movie nights, with all three Lord of the Rings films; and attractively priced tickets. 

• LEVINE’S CREATION: One of the most important figures in Ravinia’s history is also one of the most important musicians in the world. James Levine so enjoyed his long-awaited return to the festival podium last year after a two-decade absence that he agreed to return this summer to lead the Chicago Symphony Orchestra and Chorus in one of his favorite “party” pieces, Haydn’s The Creation, an oratorio based on the Old Testament story, on Aug. 8. The evening features the stars of Levine’s current Metropolitan Opera production of Mozart’s Idomeneo, soprano Nadine Sierra in her CSO debut and tenor Matthew Polenzani, along with bass John Relyea.  

• ESCHENBACH/LANG LANG/GALA: In a rare return to the festival, Christoph Eschenbach teams up with his most celebrated discovery, superstar pianist Lang Lang, for the Women’s Board’s July 29 Gala Benefit Evening to raise funds for Ravinia and its Reach*Teach*Play education programs. Lang Lang will perform Rachmaninoff’s Piano Concerto No. 1 on a program that also includes Dvořák’s Carnival Overture and Symphony No. 8. On a separate program, Eschenbach also showcases one of his newest protégés, Ray Chen, playing Mendelssohn’s Violin Concerto in his CSO debut on a July 28 program with the composer’s “Reformation” Symphony, and the CSO debut of soprano Marisol Montalvo with Barber’s Knoxville: Summer of 1915. The soloists share the spotlight in Mozart’s “L’amerò, sarò costante” for soprano and violin from Il rè pastore. 

• RACHMANINOFF’S MASTERWORKS: In addition to Lang Lang’s gala performance of the composer’s First Piano Concerto, Garrick Ohlsson returns for Rachmaninoff’s Piano Concerto No. 3 (often featured as a harrowing high-wire act in films such as Shine, the biopic on resurgent touring concert pianist David Helfgott). The Aug. 10 concert, conducted by Krzysztof Urbański, also features Shostakovich’s Symphony No. 10. Denis Matsuev plays Rachmaninoff’s Rhapsody on a Theme by Paganini under conductor Gianandrea Noseda on Aug. 1. (The visiting Lucerne Symphony Orchestra will perform Rachmaninoff’s Second Piano Concerto, as noted below.) 

• PIANIST YUJA WANG: Yuja Wang makes her Ravinia debut with the Brahms Piano Concerto No. 1. Recently featured in the New Yorker for being fashion-forward in terms of musicality and couture, Wang has become an international sensation, with the New York Times reporting, “She seems to have everything: speed, flexibility, pianistic thunder, and interpretive nuance.” One of the hottest conductors in the world at age 26, Wang’s recording partner Lionel Bringuier makes his concurrent Ravinia and CSO debuts on the July 11 program, which also includes Mussorgsky’s Pictures at an Exhibition. 

• JOSHUA BELL’S SCOTTISH FANTASY: Superstar violinist Joshua Bell returns—after last season’s soaring success sharing the Ravinia stage with longtime friend Chris Botti—to perform Bruch’s homage to the highlands, the Scottish Fantasy. Music director of the National Orchestra of Belgium, Andrey Boreyko makes his Ravinia debut with the July 12 program, which also features selections from Prokofiev’s Romeo and Juliet. 

• BACK-TO-BACK MÄLKKI: One of the few women conductors of international repute, the charismatic Susanna Mälkki, who recently won rave reviews for her Metropolitan Opera debut with L’amour de Loin, pairs Beethoven with her Finnish compatriot Sibelius on two programs. She conducts the Sibelius Violin Concerto with Vadim Repin and Beethoven’s “Eroica” Symphony on July 20, and then returns to conduct Beethoven’s Piano Concerto No. 3 with Kirill Gerstein and the Sibelius Symphony No. 2 on July 21. 

• LORD OF THE RINGS CYCLE: Over three different summers—to increasing buzz and demand— Ravinia presented each of the Lord of the Rings films with their scores digitally removed so that the CSO could perform Howard Shore’s award-winning music live as the movies were shown in their entirety on screens in the Pavilion and on the lawn. Ravinia will bring back all three films, The Fellowship of the Ring (Aug. 18), The Two Towers (Aug. 19), and The Return of the King (Aug. 20), over three consecutive evenings, with Ludwig Wicki reprising his conducting role. The Chicago Children’s Choir, Chicago Chorale, and The Lakeside Singers will combine to perform the score’s extensive choral parts. 

• GALWAY TRIBUTE TO MANCINI: Sir James Galway pays tribute to one of the most prolific and awarded (20 Grammys and four Oscars) composers of all time, Henry Mancini, on an Aug. 6 program that includes music from The Pink Panther, Breakfast at Tiffany’s (“Moon River”), Victor/Victoria, The Days of Wine and Roses, and much more. The tuneful concert features flutist Lady Jeanne Galway and vocalists Ashley Brown and Tony DeSare under the baton of film expert Steven Reineke. Reineke was a protégé of “Prince of Pops” Erich Kunzel, who enjoyed a close collaborative relationship with Mancini and the Galways, and he will conduct from Kunzel’s personally notated scores. 

• TRIBUTE TO IRA GERSHWIN: Chicago pianist Kevin Cole, who built a career on his acclaimed interpretations of George Gershwin’s Rhapsody in Blue, reprises that masterwork and also turns his attention to the composer’s famous partner and brother, lyricist Ira Gershwin—the wordsmith who actually gave Rhapsody in Blue its title. Cole has presided over wildly popular tributes to Marvin Hamlisch and Cole Porter at Ravinia, and has developed this program in that style, applying his loving attention and musical know-how to one of America’s all-time greatest songwriters in I Love to Rhyme: A Tribute to Ira Gershwin on Aug. 13. Dancer/singer Ryan VanDenBoom and vocalist Sylvia McNair, who also headlined the Hamlisch and Porter tributes, return with conductor Emil de Cou. 

• ZUKERMAN PLAYS AND CONDUCTS: Legendary violinist Pinchas Zukerman returns on Aug. 3 as soloist and conductor with the CSO premiere of Elgar’s Deux Chansons for violin and orchestra, Mozart’s Violin Concerto No. 3, and Tchaikovsky’s Symphony No. 4.

• TCHAIKOVSKY SPECTACULAR: Tchaikovsky gets his turn at telling the tale of the immortal star-crossed lovers when his Romeo and Juliet Fantasy Overture kicks off Ravinia’s annual “Tchaikovsky Spectacular” on July 16. Making his simultaneous CSO and Ravinia debuts, Moscowborn Dima Slobodeniouk, artistic director of the Sibelius Festival, conducts the popular concert that features the “1812” Overture with live cannon fire. Simon Trpčeski joins the all-Tchaikovsky evening for the First Piano Concerto. 

• BRONFMAN’S BRAHMS: In his simultaneous CSO and Ravinia debuts on July 18, Edward Gardner, who recently led Der Rosenkavalier to raves at the Lyric Opera of Chicago, conducts Elgar’s “Enigma” Variations and the Brahms Piano Concerto No. 2 with one of the world’s most admired pianists, Yefim Bronfman.  

• LUGANSKY’S EMPEROR: Pianist Nikolai Lugansky performs Beethoven’s “Emperor” Concerto on a July 25 program that also features Harmonielehre (The Book of Harmony) by John Adams, under the baton of Kent Nagano in his Ravinia debut. 

VISITING ORCHESTRAS/ENSEMBLES In addition to the CSO residency, Ravinia will host several ensembles throughout the summer. 

 • LUCERNE SYMPHONY ORCHESTRA: Visiting Ravinia for the first time, the orchestra of the Swiss town where Rachmaninoff and Wagner lived will be led by its music director, James Gaffigan, in two Pavilion concerts populated with music associated with the namesake lake. On Aug. 22 they will play the William Tell Overture, which Rossini set on Shepherd’s Day on Lake Lucerne; Bruch’s Violin Concerto No. 1 with RSMI alumnus InMo Yang as soloist; and the Symphony No. 1 by Brahms, for whom a visit to Lucerne figured into his rumored love triangle with Clara and Robert Schumann. On Aug. 23 they’ll perform Wagner’s Siegfried Idyll; Rachmaninoff’s Piano Concerto No. 2 with soloist Behzod Abduraimov (“His sound has an appealing warmth even in the most testosterone-fueled outbursts,” says the New York Times); and Beethoven’s Symphony No. 4. 

• NATIONAL YOUTH ORCHESTRA OF VENEZUELA: One of the most influential conductors on the planet and chief proponent of the El Sistema model of student orchestras, used by Ravinia in its Reach*Teach*Play programs, Gustavo Dudamel comes to Ravinia for the first time with his youth orchestra, comprising young Sistema musicians handpicked by the conductor. The Sept. 14 concert features Prokofiev’s Symphony No. 5 in addition to works by Hispanic composers Evencio Castellanos, Julián Orbón, Camargo Guarnieri, Silvestre Revueltas, and Oscar Lorenzo Fernandez, as well as Ginastera’s Danza final from Estancia. Dudamel and his young musicians will also work with students from Cook and Lake Counties who participate in Ravinia’s education programs—headed by Ravinia’s Director of Reach*Teach*Play, who was recently appointed to the Board of Directors of El Sistema USA—which serve 75,000 people annually. Using the El Sistema model, which avoids classroom music theory and instead gets students playing their instruments from day one, Ravinia establishes orchestras, providing instruments and instructors to schools that do not have music programs of their own. 

• LA LA LAND LIVE: The 2017 winner of six Oscars, including Best Director and Best Actress, writer-director Damien Chazelle’s charming movie about a wannabe movie star (Emma Stone) who falls for a jazz-obsessed pianist (Oscar nominee Ryan Gosling) will be shown on screens on the lawn and in the Pavilion while the Milwaukee Symphony Orchestra plays the Oscar-winning score (including Best Song “City of Stars”) live on June 18. John Legend, who makes his third Ravinia appearance this summer, also has a supporting role in the film that he also co-produced. 

• APOLLO’S FIRE: Performing Vivaldi’s seminal The Four Seasons, the acclaimed periodinstrument ensemble Apollo’s Fire, The Cleveland Baroque Orchestra, makes its Ravinia debut with its music director, Jeannette Sorrell, conducting from the harpsichord on July 27. 

• THE KNIGHTS: In its 10th concert at Ravinia, one of the classical world’s most cutting-edge and elastic ensembles will perform Mozart’s Symphony No. 40, Purcell’s Fantasy upon One Note, and selections from Canteloube’s Chants d’Auvergne, joined by mezzo-soprano Susan Graham. The Aug. 17 Martin Theatre concert also features two works by John Adams (see Adams section below).

VIRTUAL REALITY ORCHESTRA London’s Philharmonia Orchestra will also come to Ravinia—“virtually.” Ravinia ticketholders are invited to virtually take a seat within the orchestra, playing the thrilling climax of Sibelius’s Fifth Symphony under the baton of Esa-Pekka Salonen, for a once-in-a-lifetime vantage point through this unique virtual reality experience from July 11 through 23 at the Ravinia Tent on the North Lawn. Admission is free for those attending concerts on those nights. Free tickets can be arranged in advance at Ravinia.org or in person on concert nights, pending availability. “The Philharmonia’s digital projects have taken place all over the world and I am delighted that we are now bringing our latest virtual reality experience, The Virtual Orchestra, to Ravinia,” said Salonen. “The incredible power of virtual reality is that it is disappointing to leave it, to come back to reality. There is no doubt that for classical music, virtual reality will be a very powerful, useful medium, and I am very excited to be taking part in this project.” 

 

NONCLASSICAL LINEUP Superstars abound on Ravinia’s 2017 roster, including long-awaited debuts and the returns of audience favorites. Playing the festival for the first time are Sammy Hagar & the Circle with Michael Anthony, Jason Bonham, and Vic Johnson on June 19; Chicago’s own Common on June 24; multiple Grammy winner Lila Downs on July 1; Andrew Bird on July 23; Tony-winning Hamilton star Leslie Odom Jr. on Aug. 13; Alanis Morissette on Aug. 25; John Mellencamp on Aug. 26 and 27; Pentatonix on Aug. 28; Australian roots-rockers the John Butler Trio with special guest The Waifs on Aug. 30; and Stevie Nicks on Sept. 9 and 10. Returning favorites include Pat Metheny with Antonio Sanchez, Linda May Han Oh, and Gwilym Simcock on June 14; Seu Jorge Presents The Life Aquatic: A Tribute to David Bowie on June 15; 2017 Grammy winner Willie Nelson on June 16; Aretha Franklin on June 17; the Gipsy Kings on June 23; jazz pianist/singer Diana Krall June 28; The Moody Blues with their Days of Future Passed 50th Anniversary Tour on June 30; Sheryl Crow on July 7; Tony Bennett on Aug. 4; Darius Rucker on Aug. 5; Santana in his Transmogrify Tour on Aug. 11 and 12; Frankie Valli & the Four Seasons on Sept. 8; and Motown legend Smokey Robinson on Sept. 15. Ravinia will also present bigger-than-life pairings such as John Legend in his Darkness & Light Tour with special guest Gallant on June 10; Boz Scaggs and Michael McDonald on June 27; the all-American The Beach Boys and The Temptations on July 2; OneRepublic with Fitz & the Tantrums in their Ravinia debut and James Arthur on July 14 and 15; Blondie and Garbage in its Ravinia debut on July 22; Judy Collins and Stephen Stills (he wrote “Suite: Judy Blue Eyes” about her) on July 26; Chris Thile’s Punch Brothers and I’m With Her (Sara Watkins, Sarah Jarosz, and Aoife O’Donovan) on Aug. 14; Lifehouse and Switchfoot on Aug. 29; Michael Bolton, in his Ravinia debut, and Gladys Knight on Sept. 1; and Los Tigres del Norte and Natalia Jiménez on Sept. 17. The festival also brings together six hit-making bands in “I Love the ’90s: The Party Continues,” starring TLC, Biz Markie, All4-One, O-Town, and Snap!, all in their Ravinia debuts, along with Sugar Ray’s Mark McGrath on Sept. 16. 

 

CELEBRATION: JOHN ADAMS AT 70 

After presenting the Chicago premieres of the composer’s El Niño and The Gospel According to the Other Mary, Ravinia will celebrate the 70th birthday of Pulitzer Prize winner John Adams with concerts this season. 

• NAGANO DEBUT: One of the world’s most sought-after conductors of John Adams, the acclaimed Kent Nagano makes his long-awaited Ravinia debut on July 25, leading the CSO in Harmonielehre (The Book of Harmony). The program also features pianist Nikolai Lugansky performing Beethoven’s “Emperor” Concerto. 

• SHAKER LOOPS: Ravinia favorites and 2017 Grammy nominees the Lincoln Trio will be the core players for Shaker Loops for string septet. The title reflects two concepts that Adams envisioned, concentric circles of water and the repetitive dance movements of the Shakers, both represented by oscillations on the strings in this 1978 piece. The program also includes the first installment in a multiyear cycle of Beethoven’s piano trios. (Part of the $10 BGH Classics series) 

• CHAMBER SYMPHONY/COMMON TONES IN SIMPLE TIME: Inspired by an odd mix of Schoenberg’s Chamber Symphony score and frenetic cartoon energy, Adams’s 1992 Chamber Symphony will be performed by The Knights on Aug. 17 in the Martin Theatre. They will also perform the composer’s Common Tones in Simple Time, which toys with the listener’s perception of time and space. 

• ADAMS FOR TWO PIANOS: Twin sisters Christina and Michelle Naughton perform two pieces Adams composed for two pianos, Roll Over Beethoven (in its Midwest premiere) and Hallelujah Junction. The Aug. 24 program also features sets of variations for four-hands piano by Mendelssohn and Mozart, as well as further two-piano works in a rondo by Chopin and Debussy’s En blanc et noir. (Part of the $10 BGH Classics series) 

• ROAD MOVIES: Adams had motion in mind when he composed this melodic piece with a “swing” component, which will be performed by violinist Chad Hoopes and pianist David Fung on Aug. 30. The program also includes Mozart’s Violin Sonata No. 20, Dvorak’s Romantic Pieces, and Beethoven’s Violin Sonata No. 7. (Part of the $10 BGH Classics series)

CHAMBER MUSIC/RECITALS Although celebrated for providing one of the finest outdoor music experiences, Ravinia also presents one of the world’s most expansive chamber music series, hosting more than 50 indoor concerts and recitals in its two halls, the exquisite 850-seat Martin Theatre and the state-of-the-art 450-seat Bennett Gordon Hall, home to the $10 BGH Classics series. Martin Theatre concerts are broadcast to the lawn; Bennett Gordon Hall concerts are not. Highlights include:

• RYAN SPEEDO GREEN: After getting off to a rough start in an abusive home and a stint in juvenile detention—as cinematically depicted in the New York Times bestseller Sing for Your Life: A Story of Race, Music and Family—the bass-baritone turned his life around and is building an international career launched by the Metropolitan Opera National Council competition. He makes his Ravinia debut in a Martin Theatre recital on July 3. 

• QUARTET DUET: The Emerson String Quartet and the young Calidore String Quartet (which Gramophone magazine praises as “the epitome of confidence and finesse”) team up for a July 24 Martin Theatre concert built around Two Pieces for String Octet by Shostakovich. The program also features Beethoven’s String Quartet No. 11 (“Serioso”), the String Sextet from Capriccio by Richard Strauss, and Mendelssohn’s String Octet. 

• CATALOGUE OF THE BIRDS: Pianist Pierre-Laurent Aimard, a close, personal friend of Olivier Messiaen, performs the composer’s complete Catalogue of the Birds, which re-creates the songs of nature’s winged music makers, on July 31 in the Martin Theatre. 

• WALDEN POND: The St. Charles Singers celebrate the bicentennial of Henry David Thoreau with the musical adaptation of his existential masterpiece Walden by Dominick Argento on Aug. 20. (Part of the $10 BGH Classics series) 

• DANISH STRING QUARTET: Amusingly casting themselves as “modern Vikings” whose weapon of choice is music, the acclaimed Scandinavian foursome make their Ravinia debut on Aug. 2 in the Martin Theatre with Haydn’s String Quartet No. 25, Beethoven’s String Quartet No. 7, and Shostakovich’s Piano Quintet, featuring pianist Juho Pohjonen. 

• A ‘KNIGHT’ WITH SIR JAMES AND LADY JEANNE GALWAY: In addition to their CSO concert, the flutists will put together an intimate recital in the Martin Theatre on Aug. 7. 

• MORRIS ROBINSON: The award-winning bass sings works by Schubert, Bernstein, Verdi, and Jerome Kern along with American spirituals on Aug. 9 in the Martin Theatre, accompanied by Kevin Murphy, director of the RSMI Program for Singers. 

• JONATHAN BISS BEETHOVEN CYCLE: After launching his multiyear complete cycle of Beethoven’s piano sonatas last year, one of the foremost authorities on the composer returns with two more installments. On Aug. 15, Biss will perform Piano Sonatas Nos. 15 (the “Pastoral”), 20, 3, 27, and 28. On Aug. 17, he will perform Piano Sonatas Nos. 19, 16, 7, 2, and 31. (Both concerts are part of the $10 BGH Classics series.) 

• SPIDER SALOFF TRIBUTE TO PEGGY LEE: One of the most popular cabaret singers Chicago has ever produced pays loving tribute to the sexy jazz singer in the one-woman show The Cool Heat of Peggy Lee on Aug. 25. (Part of the $10 BGH Classics series) 

• MAHLER FOR FOUR HANDS: Pianists Daniel Schlosberg and Inna Faliks perform a four-hand transcription of Mahler’s Sixth Symphony on Aug. 31. (Part of the $10 BGH Classics series) 

• COMPLETE BEETHOVEN STRING QUARTETS: Postponed from last season, the Pacifica Quartet performs all 16 of Beethoven’s string quartets over five different programs between Sept. 1 and 3. (All part of the $10 BGH Classics series) 

• SIMÓN BOLÍVAR STRING QUARTET: Principal musicians from Venezuela’s acclaimed orchestra perform Haydn’s String Quartet No. 29, Ginastera’s String Quartet No. 1, and Shostakovich’s String Quartet No. 9 on Sept. 4 (Part of the $10 BGH Classics series) 

• CONCERT DANCE INC.’S CHICAGO PROJECT: The performing arm of the Ruth Page Foundation does the impossible, literally dancing about architecture in The Chicago Project, which explores the kinesthetic and emotional bonds between the human body and the city’s world-famous architecture on Sept. 7 and 8. (Part of the $10 BGH Classics series) 

 

RAVINIA’S STEANS MUSIC INSTITUTE The best young musicians from around the world compete for about 60 coveted fellowships each year to Ravinia’s highly immersive and highly regarded summer conservatory to work individually and in ensembles with the superb faculty.  

• $10 BGH CLASSICS: Current RSMI participants will perform seven concerts on the $10 BGH Classics series. The mostly Chicago-based jazz musicians will showcase their ensemble, writing, and improvisational skills in the “Jazz Grandstand” on June 16; participants in the Program for Piano and Strings will perform works by Dvořák along with a selection of other composers on July 10, 17, and 19; and participants in the Program for Singers celebrate the music of Finland on Aug. 3, Schumann and Brahms on Aug. 10, and American music theater—including songs by John Adams, Leonard Bernstein, and William Bolcom—on Aug. 14. 

• MASTER CLASSES: Among the most intriguing events Ravinia offers is the series of free master classes at which the young professionals of RSMI expose themselves to critique and instruction in front of the festival’s discerning audiences. This summer the master classes will be led by bass player Linda May Han Oh—herself an RSMI alumna, who performs with Pat Metheny on the same evening’s Pavilion concert—on June 14; pianist Robert Levin on June 29; cellist Frans Helmerson on July 7; violinist Miriam Fried, director of the Program for Piano and Strings, on July 13; pianist Kevin Murphy, director of the program for Singers, on July 26; bass Morris Robinson on Aug. 7; and bass John Relyea on Aug. 9. 

• MATINEE CONCERTS: Participants in the institute give free matinee concerts all summer long at 2 p.m. in Bennett Gordon Hall. Piano and Strings concerts are set for June 30 and July 1, 6, 8, 9, 14, 15, 21, and 22, and participants in the Program for Singers will perform on July 30 and Aug. 12. 

• FACULTY PERFORMANCES: Violinists Miriam Fried and Mihaela Martin, violists Paul Biss and Atar Arad, cellist Frans Helmerson, and pianist Anton Nel, all RSMI faculty members, join forces for a recital of Mozart and Ravel on July 5 in the Martin Theatre; pianist Kevin Murphy and bass Morris Robinson unite in a recital of classical composers and American spirituals on Aug. 9 in the Martin Theatre; and pianist Jonathan Biss continues his multiyear traversal of the complete Beethoven sonatas on Aug. 15 and 17. 

• ALUMNI PERFORMANCES: World-class artists who have honed their craft at RSMI perform with the most accomplished ensembles—including the Chicago Symphony Orchestra and The Knights—in the most illustrious halls around the world, and Ravinia is always thrilled to welcome them back. This summer 19 alumni return on a variety of concerts, including bass player Linda May Han Oh with Pat Metheny on June 14; pianist Alon Goldstein and the Fine Arts Quartet with Mozart’s Piano Concertos Nos. 23 and 24 on June 17; violinist Joseph Lin as first violinist of the Juilliard String Quartet on June 20; Yuja Wang, who has become one of the most important pianists of her generation, making her Ravinia debut on July 11; cellist Paul Dwyer as a member of Apollo’s Fire, which makes its Ravinia debut in the Martin Theatre with Vivaldi’s The Four Seasons on July 27; soprano Nadine Sierra performing solo parts in Haydn’s Creation with the CSO under the baton of James Levine on Aug. 8; and violinist InMo Yang joins the Lucerne Symphony Orchestra in its Ravinia debut on Aug. 22.

FIESTA RAVINIA The world’s most celebrated Norteño band, Los Tigres del Norte, and Spanish singer and Telemundo star Natalia Jiménez headline Ravinia’s second annual celebration of Mexican independence in a daylong festival on Sept. 17 that will include Latin cuisine throughout the park, Mariachi bands, children’s performances, family activities, dance lessons, and a Mexican-American art show. The park opens for the special festivities at 2 p.m. and the main-stage show begins at 6 p.m. 

KIDS CONCERT SERIES In addition to admitting all children and students through college for free to the lawn for every classical performance, Ravinia also presents a popular series of concerts intended specifically for young listeners. Tickets are specially priced at $10 to $15 for reserved seats or $5 on the lawn (where applicable). 

• CATSKILL PUPPET THEATER: The ensemble gives three performances of Sister Rain and Brother Sun, a nature-themed show featuring colorful set and costumes, plenty of audience interaction, and original songs, at 11 a.m., 2 p.m., and 5 p.m. on June 3 in Bennett Gordon Hall. 

• STARS OF THE PEKING ACROBATS: These international entertainers pack their shows with everything but gravity as they defy the senses with a dazzling array of colorful costumes, exotic music, and out-of-this-world stunts at the special family time of 7 p.m. on June 29. 

• OPERA FOR THE YOUNG: The company that reimagines classic opera for kids presents its adaptation of Donizetti’s The Elixir of Love on Aug. 12. 

• JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT: The Performer’s School, which made its Ravinia debut last summer with a hit adaptation of Winnie the Pooh, returns with a new production of the Andrew Lloyd Webber/Tim Rice classic in six performances: 11 a.m., 2 p.m., and 5 p.m. Sept. 16 and 17 in Bennett Gordon Hall. 

• The Kids Concerts series will also feature the Magical Strings of Youth of the Betty Haag Academy of Music on June 3; the Ko-Thi Dance Company on June 17; Laurie Berkner on July 15; and the Joyous String Ensemble on July 29.

MISSION STATEMENT Ravinia is an internationally renowned, not-for-profit music festival that presents outstanding performances by the world’s greatest artists. Ravinia’s principal objectives are: 

• to present performances of a full range of classical music in its open-air Pavilion and enclosed recital halls, by the world’s greatest composers and musicians, along with a variety of other kinds of light classical, jazz, and popular music; 

• to maintain a beautiful park that is welcoming to all and attractive to families in which the music experience is enhanced by a beautiful environment and excellent dining opportunities;

• to enable gifted young performers to study under great teachers and perform in concert settings; and

 • to develop broader and more diverse audiences for classical music through education and outreach programs and by maintaining affordable ticket prices.

 

2017 SPONSORS

Ravinia is a not-for-profit that earns about half its annual operating revenue to achieve its mission through ticket sales. The rest comes from support of private donors, foundations, and corporate sponsors. Everyone involved at Ravinia would like to thank the following sponsors for their support: 

• Lead Reach*Teach*Play Sponsor: Allstate Insurance Company “As a longtime Ravinia supporter, Allstate is pleased to partner with the organization in its mission to enrich young lives through the Reach*Teach*Play programs,” said Don Civgin, President, Emerging Businesses. “Because Allstate recognizes that Good Starts YoungSM, we applaud Ravinia’s commitment to education and public outreach with their focus on Chicago’s children.” 

• Featured Sponsors: Audrey L. Weaver, in Loving Memory of Michael D. Vogan; BMO Harris Bank; The Dancing Skies Foundation; Discover, Official Card; Exelon; Hyundai, Official Vehicle Sponsor; In Memory of Howard A. Stotler; In Memory of Keene H. Addington II; McCormick Foundation; Midtown Athletic Club, Official Club; Negaunee Foundation; Terlato Wines, Official Wine Sponsor; United Airlines, Official Airline; Wintrust, Chair Rental Sponsor 

• Season Sponsors: The Avrum Gray Family, in Memory of Joyce Gray; Beam Suntory; Conagra Brands; Ernst & Young LLP; Fortune Brands Home & Security; Harriet Bernbaum, in Memory of Keren-Or Bernbaum and Harry H. Bernbaum; Holly and John Madigan; Illinois Tool Works; In Honor of Sandra K. Crown; Kirkland & Ellis; Marcus Lemonis LLC; PICNICLIGHTS; PNC Bank; RBC Wealth Management; Steinway Piano Gallery of Northbrook, Official Piano Sponsor; Xfinity, WiFi Sponsor 

• Program Sponsors: AbbVie; ABN AMRO Clearing; Aon; Baxter International Inc.; Charles and Margery Barancik Foundation; Elizabeth F. Cheney Foundation; Consilio; Deloitte LLP; The Fremont Foundation; Greenberg Traurig, LLP; Jenner & Block; Joan and Bob Feitler; J.P. Morgan Chase; Kerrygold; KPMG LLP; Latham and Watkins LLP; Lifeway Foods; Lori Ann Komisar and Morris Silverman; Mayer Brown LLP; Megan P. and John L. Anderson; Mesirow Financial; Michael A. Sachs and Family; Perkins Coie LLP; Reed Smith LLP; Sidley Austin LLP; Stella Artois and Goose Island Beer Company, Official Craft and Import Beer Sponsor; Testa Produce 

• Sponsors: Barbara and Jim Herst; The Creation Consortium; Diana and Bruce Rauner; The Family of James and Roslyn Marks; Jo and Newt Minow; Leslie Berger and Paul Williams; The Mancini Consortium; Nancy Zadek; Ravinia Associates Board; Ravinia Women’s Board; Sue and Tom Pick; The Tchaikovsky Consortium; Winnie and Bob Crawford

 

GENERAL INFORMATION 

• Location: Ravinia is located at Lake Cook and Green Bay Roads in Highland Park, about 20 minutes north of Chicago. The Metra Union Pacific North line stops right at Ravinia’s main entrance. On-site parking is limited, so Ravinia runs a free, handicap-accessible bus service to and from remote lots, mostly along the railroad line. Parking on residential streets is prohibited by City ordinance, and violators will be ticketed by local police. 

• Drop-offs: Personal cars, driver services (such as Uber), and taxis may not drop guests off on residential streets. The general drop-off points are the Braeside Metra Station and the main (west) gate. Local police will ticket violators. 

• Secondary Market: Ticket buyers should be certain to obtain tickets through Ravinia.org. Ravinia is not affiliated with any secondary-market ticket sellers and cannot be held responsible for fraudulent tickets. Tickets for some shows will sell out to donors prior to public sales. The best way to obtain tickets to the summer’s hottest shows is to become a financial supporter of the not-for-profit festival. 

• No Smoking: Smoking of any type, including “vaping” and use of electronic cigarettes, is prohibited on Ravinia’s grounds and on Highland Park streets. There are designated smoking areas in Ravinia parking lots. 

• Security: Guns, explosives, and other weapons are strictly prohibited at Ravinia. Guests will be subject to bag search and a “wanding” of their person upon entrance and reentrance both to the park and to the Pavilion. Those refusing cooperation will not be allowed to enter. 

• Weather: Ravinia concerts go on rain or shine. Should a concert be canceled due to severe weather in the area, Ravinia will make every effort to contact ticket buyers. Guests can monitor local Highland Park weather through the National Weather Service (ZIP code is 60035). 

• Box Office: Tickets for these events and the rest of the summer 2017 lineup may be requested by Ravinia donors at the Affiliate level and above beginning March 22, and the Friend level on April 27. Bravo- and Encore-level donors can begin requesting lawn tickets on May 2. General public ticket sales begin at 5 a.m. on May 9, at Ravinia.org. The Ravinia Box Office phone lines will open for orders on May 10 at 847-266-5100. For more information, please visit Ravinia.org

• ALL ARTISTS, PRICES, AND PROGRAMS ARE SUBJECT TO CHANGE. Refunds are not given unless a concert is canceled in its entirety.

 

Stephen Sondheim's "Marry Me a Little" is just around the corner, but how much do you really know about this Porchlight premiere? Here are 10 things you might not know about this rarely seen Stephen Sondheim revue - Opening April 14 at Stage 773! Tickets and show information are available at http://porchlightmusictheatre.org/marry-me-a-little/.

 

"Marry Me a Little" debuted professionally in 1981 off-Broadway at The Actors Playhouse. The production set into a new dramatic context songs cut from Sondheim musicals produced up until that time, as well as songs from his then-unproduced musical "Saturday Night," "The Last Resorts," an abandoned project he was working on with playwright Jean Kerr, and "The Girls of Summer," the 1956 play of the same name by N. Richard Nash for which Sondheim created incidental music.

 

"Marry Me a Little" is the only Sondheim project that has a cast of two Bethany Thomas and Austin Cook play singles living in the same urban apartment building, both looking for love and not knowing their possible mate is just one floor away.

 

Bethany Thomas recently released her FIRST ALBUM! Titled "First," it is now available through CDBaby (iTunes soon to follow) and is currently streaming on Spotify.

 

Bethany Thomas first appeared at Porchlight Music Theatre in "Children of Eden" at the age of 19! She has also appeared here in "Into The Woods," "Once On This Island" among others, as well as numerous Chicago Sings concerts.

 

Austin Cook has twice received the Equity Jeff Award for his work here at Porchlight. In 2014, he received the award for Artistic Specialization for his work on "Ain't Misbehavin'"and again the following year for Music Direction for his outstanding contributions to our Chicago premiere of "Sondheim on Sondheim."

 

Austin Cook in NYC! Austin Cook currently lives in New York City, where his wife, actress Adrienne Walker, is starring in "The Lion King" on Broadway as "Nala". He has returned to Chicago specifically for this production.

 

Stephen Sondheim and Porchlight

Stephen Sondheim has given Porchlight permission to re-imagine "Marry Me a Little" for this production and to include material written since the show debuted in 1981.

Appearing for the first time in any production of "Marry Me a Little" are:

 

"Second Midnight" (cut from "Into the Woods") Used as the protagonists contemplate children (You're a good person and I'm a good person / You'll be a good father; we'll know what to do. / If / When / How will we say to our child in the night / Nothing's all black but then nothing's all white? / How will we say it will be all right / When we know that it mightn't be true? / What will we do? / I don't understand...) "Honey" (cut from "Merrily We Roll Along") Included to explore persevering in a relationship as things/life get increasingly more difficult. "I Remember Sky" (from the TV production "Evening Primrose") To explore the freedom breaking out of a bad relationship. "You Are the Best Thing That Ever Has Happened To Me" (from "Bounce") Used to explore being in love and writing about it at the same time.

 

Brand new orchestrations!

"Marry Me a Little" was originally presented with piano-only accompaniment. For this production, Austin Cook has created orchestrations for keyboard, cello, drums and flute and Bb clarinet as well has his occasional participation at the baby grand piano.

 

A first for Porchlight

This production will be the first time Porchlight has ever produced a musical "in-the-round."

Director Jess McLeod and Scenic Designer Jeffrey D. Kmiec thought it the best approach to create the "voyeuristic" atmosphere they were looking to achieve for the audience's experience.

 

Porchlight LOVES Sondheim

This is the first time Porchlight has produced "Marry Me a Little," but it's definitely not our first Sondheim.

Other Sondheim productions that have appeared on our stage include:

"Gypsy"

Music by Jule Styne

Book by Arthur Laurents

 

"A Funny Thing Happened on the Way to the Forum"

Book by Burt Shevelove and Larry Gelbart

 

"Anyone Can Whistle"

Book by Arthur Laurents

 

"Company"

Book by George Furth

 

"A Little Night Music"

Book by Hugh Wheeler

 

"Pacific Overtures"

Book by John Weidman

 

"Sweeney Todd"

Book by Hugh Wheeler

 

"Merrily We Roll Along"

Book by George Furth

 

"Sunday in the Park with George"

Book by James Lapine

 

"Into the Woods"

Book by James Lapine

 

"Assassins"

Book by John Weidman

 

"Passion"

Book by James Lapine

 

"Putting it Together"

 

and

"Sondheim on Sondheim"

 

The Neo-Futurists are proud to present a world premiere created and performed by Leah Urzendowski* and Anthony Courser The? Unicorn? Hour?, directed by Adrian Danzig, April 6  - May 13, at The Neo-Futurarium, 5153 N. Ashland. Previews are Thursday, April 6 - Saturday, April 8 at 7:30 p.m. with opening night Monday, April 10 at 7:30 p.m. Performances run Thursdays – Saturdays at 7:30 p.m. Ticket prices for previews and Thursdays are pay what you can; for the regular run, tickets are $10-25. Tickets and information are available at neofuturists.org or 773.275.5255.

The? Unicorn? Hour? invites the audience to discover and grow in an atmosphere where joy can float freely. Inspired by childhood favorites like “Mr. Rogers’ Neighborhood” and “Peewee’s Playhouse,” this show claims joy as the core fantastical world of adventure within us.  Joy is an active choice, requiring a shift of perception of the world around you.   

“We became really obsessed and excited with the politics of joy; joy being an activism; that feeling joy, being joy, creating joy is a way to fight against the world and your oppressor.  Joy is a part of the resistance,” said Leah Urzendowski. “The? Unicorn? Hour? refers to the unicorn that lives within all of us - the mythical magical organ in your soul that can be tapped into at any moment you choose. You can “unicorn” at anytime! Seeking joy is refusing woe and accepting the beauty of an unbridled lifting of the spirit.”

“We want to give people the gift of saying yes and delighting in absurd choices; help people tap back into a time before the word ‘no’ was forced on them. We want to be a looking glass of what a world could look like when we choose to eliminate self-doubt and say yes to a sincere playfulness,” added Anthony Courser.   

ABOUT LEAH URZENDOWSKI* creator/performer

Leah Urzendowski* is a founding member of The Ruffians, and an ensemble member with The Neo-Futurists since 2011. Some of Urzendowski’s Chicago credits include Jeff recommended Mr. Burns (Theatre Wit); Too Much Light Makes The Baby Go Blind, Miss Neo Pageant, (both with The Neo- Futurists); Burning Bluebeard (The Ruffians); 500 Clown Trapped, 500 Clown Frankenstein, 500 Clown Macbeth (all with 500 Clown); Moby Dick, Dustbowl Gothic ( both with The Building Stage) and Hunchback (Redmoon). Choreography and movement direction credits include The Magic Play (Goodman), Lord of The Flies (Steppenwolf), Ivywild (Hypocrites), Miss Neo Pageant (The Neo-Futurists) and Burning Bluebeard (The Ruffians, The Neo-Futurists).  TV and film credits include “Chicago PD,” “Chicago Fire,” “ER” and “Operator.” Urzendowski is a teaching artist with The Ruffians, The Neo-Futurists and Team Awesome, specializing in physical theatre, ensemble and partnership building, clown, movement and movement consulting. She received her BFA from Chicago College of Performing Arts at Roosevelt University, and is represented by Stewart Talent.

ABOUT ANTHONY COURSER, creator/performer

Anthony Courser is a founding member of the Ruffians (2013), an artistic associate with The Neo-Futurists (2012) and a teaching artist with Barrel of Monkeys (2001).  Some of Courser’s favorite Chicago credits include Burning Bluebeard (The Ruffians, The Neo-Futurists); Jeff Recommended Ivywild (The Hypocrites); Daredevils Hamlet, Picked Up, The Fool Returns to His Chair, Daredevils (The Neo-Futurists), That’s Weird, Grandma (Barrel of Monkeys); set designer for Analog (The Neo-Futurists).  He was in the performance ensemble of New Belgium Brewing’s Tour de Fat and the Le Tigre Tent. He is a graduate of Dell Arte International School for Physical Theatre and a student of Panchinko Clowning with Sue Morrison at the Canadian Clown Institute.  Courser is a teacher of clown, Physical Theatre, and Ensemble and Partner Building.  He is also a carpenter, but he doesn’t have time to build you a table.

ABOUT ADRIAN DANZIG** director

Adrian Danzig was an early Neo-Futurist (1990) and a founding member of Redmoon Theater, Hubinspoke Theater and is the founding producing artistic director of 500 Clown. His direction/creation credits include Circle of Madness, Action, Not Dead Yet, 500 Clown Get Happy and the earliest versions of 500 Clown Macbeth. Danzig graduated from New York City’s High School of Performing Arts, received his BA from Oberlin College in Government and his MFA from the School of The Art Institute of Chicago in Performance. He has studied clown with Ctibor Turba, Philippe Gaulier, Ronlin Foreman, Dominique Jando, Els Comediants, David Shiner, Avner the Eccentric and was a clown with Big Apple Circus Clown Care for seven years. 

   

* denotes an active member of The Neo-Futurist Ensemble

 

ABOUT THE NEO-FUTURISTS

The Neo-Futurists are a collective of wildly productive writer-director-performers that create theater that is fusion of sport, poetry and living-newspaper. Having created more than 9,775 plays within 28 years of Too Much Light Makes the Baby Go Blind and over 65 original, full-length productions within their immediate, non-illusory aesthetic. The Neo-Futurists have grown to become one of the most highly regarded experimental theater companies in the United States. From humble beginnings as the first late-night theater production in Chicago, they launched what became Chicago’s longest running show and today sustain multifaceted programs such as Neo-Access, The Kitchen (a micro-festival on art and performance), Prime Time, Neo-Lab and their ongoing late night show 50 weekends every year. For more information visit www.neofuturists.org

The Neo-Futurists are proud to present a world premiere created and performed by Leah Urzendowski* and Anthony Courser The? Unicorn? Hour?, directed by Adrian Danzig, April 6 - May 13, at The Neo-Futurarium, 5153 N. Ashland. Previews are Thursday, April 6 - Saturday, April 8 at 7:30 p.m. with opening night Monday, April 10 at 7:30 p.m. Performances run Thursdays – Saturdays at 7:30 p.m. Ticket prices for previews and Thursdays are pay what you can; for the regular run, tickets are $10-25. Tickets and information are available at neofuturists.org or 773.275.5255.

 

Today, the producers of “Spamilton,” the critically acclaimed parody of “Hamilton,” will extend its Chicago production for an open-ended run at the Royal George Theatre (1641 N. Halsted). Created by Tony Award honoree Gerard Alessandrini, the mastermind behind “Forbidden Broadway,” “Spamilton” officially opened in Chicago on March 12 to rave reviews, with Hedy Weiss of the Chicago Sun-Times calling “Spamilton” an “altogether brilliant, hilarious, cliché-demolishing send-up of ‘Hamilton,’” Chris Jones of Chicago Tribune noting “You really don’t want to miss ‘Spamilton,’” and Barbara Vitello of the Daily Herald exclaiming the show is “deliciously silly. The laughs come fast and furious!” The all-Chicago “Broadway ready” (Chicago Sun-Times) cast includes Donterrio Johnson, Adam LaSalle, Michelle Lauto, Eric Andrew Lewis, Yando Lopez and David Robbins. Tickets for “Spamilton” are available now with additional performances to be added on a regular basis. Tickets ($59 – $99) can be purchased at the Royal George Theatre’s box office online, at Ticketmaster.com or by calling 312.988.9000.  

 

“We feel very fortunate to have found such success here in Chicago with the talented local company we’ve brought together at the Royal George. This Chicago cast is unbelievably great!” said Alessandrini. “What a way to be welcomed to the Windy City! We can’t wait to see what the summer holds for the success of ‘Spamilton’ here in Chicago.”

 

“Spamilton,” which was initially scheduled in New York as an exclusive 18-performance off-Broadway engagement, has extended three times and is now playing its ninth smash month of an open engagement at the Triad (158 West 72nd Street). The New York production earned rave reviews across-the-board, with Ben Brantley of The New York Times calling it “smart, silly and convulsively funny!” and Lin-Manuel Miranda exclaiming “I laughed my brains out!” In its Chicago premiere, the local cast received additional acclaim, with critics hailing the production “endlessly entertaining” (Performink), “A Must-See!” (BroadwayWorld.com), and “razor sharp and filled with wit and humor” (Chicago Theatre Review). On Opening Night, cast members from the Chicago production of “Hamilton” were in the audience, and following the performance Wayne Brady called the production “Amazing! It’s the perfect blend of funny and parody. Go see ‘Spamilton!”

 

In addition to Alessandrini, the creative team includes Gerry McIntyre (Choreography), Dustin Cross (Costume Design), Milo Blue (Scenic Design), Andy Kloubec (Lighting Design), Matt Reich (Sound Design), Jamie Karas (Prop Design), Leah Munsey-Konops (Wig Design), Fred Barton (Musical Director), and Richard Danley and Fred Barton (Musical Arrangements).

 

“Spamilton” is produced in Chicago by John Freedson, David Zippel, Gerard Alessandrini, Margaret Cotter and Liberty Theatricals, in association with JAM Theatricals. Chuckie Benson and Ariel Richardson are the understudies for the production.

 

The performance schedule for “Spamilton” is as follows: Tuesdays through Fridays at 7:30 p.m., Saturdays at 5 p.m. and 8 p.m. and Sundays at 2 p.m. and 5 p.m. For additional details, visit Ticketmaster.com or TheRoyalGeorgeTheatre.com.

 

For more information, visit Spamilton.com.

 

Hell in a Handbag Productions is pleased to open its 15th season with the world premiere of LADY X – A MUSICAL, a shocking exposé ripped from the headlines of yesteryear, playing from April 21 – June 10, 2017 at Mary’s Attic, 5400 N. Clark St. in Chicago. Single tickets and season subscriptions are currently available at www.handbagproductions.org or by calling (800) 838-3006. 

 

Based on Handbag’s 2010 play of the same name, LADY X – A MUSICAL takes on the black and white crime melodrama films of the ‘30s and ‘40s. It’s the story of seedy nightclubs, the menacing gangsters who run them and the loose women that keep the customers coming back for more! Co-directed by Tommy Bullington and Steve Love with music direction by JD Caudill, the campy new musical parody features a book by Artistic Director David Cerda and music by Cerda and Scott Lamberty. Join Handbag for a glimpse into the world of the 'clip-joint' from days gone by filled with sassy dames, crooked hoods and the regular Joes trying to make a buck. 

 

LADY X – A MUSICAL will feature Chazie Bly, David Cerda, Laura Coleman, Sydney Genco, Adrian Hadlock, Michael Hampton, Ed Jones, Josh Kemper, Elizabeth Lesinski, Steve Love, Michael S. Miller and Christea Parent.

 

Mary Dwight (Christea Parent) is a gorgeous dame and a tough cookie who knows the score (and then some). Mary spends her nights as a 'clip-joint hostess,' making the customers feel welcome, whether it's sharing a drink with them – or the evening. Mary's got all the angles figured out, until Scarlett Fontanelli (David Cerda) enters the picture. As deadly as she is beautiful, Scarlett will stop at nothing to gain control over this world of underground crime. But Frank Graham (Laura Coleman), a young idealistic Assistant District Attorney, will stop at nothing to bring Scarlett and the Fontanelli syndicate to its knees. Frank wants justice for decent citizens everywhere and for his sister Barbara, a casualty of the Fontanelli family business.

 

Join Mary and her unforgettable pals, the not so bright Emmy Lou (Elizabeth Lesinski), Estelle (Ed Jones), the good-natured tramp with a penchant for funnels and all the good time gals in a tale so startling... so lurid... that only Hell in a Handbag Productions would dare tell it!

 

The production team for LADY X – A MUSICAL includes: Roger Wykes (set design), Austin Lemoine (costume design), Rachel Lake (lighting design), and Mealah Heidenreich (props), Sydney Genco (makeup design) and Michelle Kidd (asst. stage manager).

 

PRODUCTION DETAILS:

 

Title: LADY X – A MUSICAL

Book: David Cerda

Music: David Cerda and Scott Lamberty

Co-Directors: Tommy Bullington and Steve Love

Music Director: JD Caudill

Choreographer: Steve Love 

Cast: Chazie Bly (Val), David Cerda (Scarlett Fontanelli), Laura Coleman (Frank Graham), Sydney Genco (Ruby), Adrian Hadlock (Crandall), Michael Hampton (Ape), Ed Jones (Estelle), Josh Kemper (Nelson), Elizabeth Lesinski (Emmy Lou), Steve Love (Betty), Michael S. Miller (Gordon) and Christea Parent (Mary).

 

Dates: Previews: Friday, April 21 at 7:30 pm, Sunday, April 23 at 6 pm and Thursday, April 27 at 7:30 pm

Regular run: Saturday, April 29 – Saturday, June 10, 2017

Curtain Times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 6:00 pm. Please note: there will not be a performance on Sunday, May 7 or Sunday, June 4. 

Tickets: Previews $12. Regular run $26 in advance, $30 at the door. VIP tickets with cocktail $38 and up. Group rates $21 for or more. Tickets are currently available at www.handbagproductions.org or by calling (800) 838-3006.

 

About the Creative Team

 

David Cerda (Book/Music) is the co-founder and Artistic Director of Hell in a Handbag Productions. He has written and appeared in POSEIDON! An Upside Down Musical, The Birds, Rudolph the Red-Hosed Reindeer, SCARRIE The Musical, Caged Dames, Lady X, How Whatever Happened to Baby Jane Happened, TROGG! A Rock and Roll Musical, Christmas Dearest, Scream, Queen! SCREAM!, The Rip Nelson Halloween Spooktacular and Sexy Baby. His plays have been produced around the country. He has also worked as a songwriter/lyricist with Amazon Films on an animated project and as an actor with various theater companies throughout the city of Chicago. This year Cerda has also been named as an inductee into the Chicago Gay and Lesbian Hall of Fame for his contributions to Chicago theatre.

 

Scott Lamberty (Music) is a composer, arranger, sound designer and audio engineer who has been bringing sound and music to the Chicago theater scene since the early 1990s. He has written and produced musical scores for more shows than he can count including The Bad Seed The Musical and The Passion Follies at Corn Productions; and Poseidon An Upside Down Musical, The Birds and Rudolph The Red-Hosed Reindeer at Hell in a Handbag Productions. His work as an audio engineer has included the Chicago Symphony Orchestra, Lyric Opera, Chicago a capella, Music of the Baroque and the Elgin Symphony Orchestra. He is the recording engineer for the Ravinia Steans Music Institute.

 

Tommy Bullington (Co-Director) is excited to return to Hell in a Handbag Productions after being seen onstage in The Rip Nelson Holiday Spectacular and served as understudy Chaz Bono in Skooby Don't. Other creative credits include co-directing Circle Theatre’s hit comedy Triassic Parq, serving as assistant director for Factory Theatre’s Hey Dancin! Hey Musical! and assistant directing Drury Lane Oakbrook’s Seven Brides for Seven Brothers. Performing credits include Urinetown the Musical (Officer Barrel) with Boho Theatre, 180 Degree Rule (Berlitz/Freddy) with Babes with Blades Ensemble, Jesus Christ Superstar (King Herod) with Theo Ubique and Return of Neverland (Smee) with Quest Theatre for which he won a Jeff Award for Actor in a Supporting Role in a Musical.  Tommy has also worked with such companies as Porchlight Music Theatre, Raven Theatre, Kokandy Productions and Emerald City Theatre.

 

Steve Love (Co-Director/Choreographer) is a Handbag ensemble member, and a two-time Jeff Award nominee (Best Supporting Actor, Best Choreography). Recent creative credits include last year's production of Christmas Dearest (Director/Choreographer, HIAH), and Northlight Theatre's production of Charm (Choreographer). Recent performing credits include Miracle! (Helen) with HIAH; Kin Folk (Arethin) and Stanley in the Name of Love (Stanley) with The New Colony. Steve has worked on stages on the East Coast, the Midwest and throughout the Caribbean aboard Disney Cruise Lines. 

 

JD Caudill (Music Director) is an emerging director and music director from Ohio, where they studied musical theatre performance, directing and psychology at Bowling Green State University. Since arriving in Chicago two years ago, they have directed for The New Colony (Face the Day), Arc Theatre (Can Cause Death; Homecoming), Hobo Junction (Aquaman!; Urges), Broken Nose Theatre (Tuesday), 20% Theatre (Ellen, The Bean, and Nelle), Red Theatre (Ring a Bell), The Runaways Lab Theatre (Spectrum), Paragon Theatre (The Rhode Island Chapter), co-directed After Orlando (Pride Plays and Films), and was featured as a director in Haven Theatre’s first Director’s Haven (Jane Doe 232). This is JD’s fourth time music directing for Hell in a Handbag Productions (Skooby, Don’t!; The Rip Nelson Holiday Spectacular; Christmas Dearest), and they created harmonies and coached vocals for The New Colony’s Stanley in the Name of Love. Along with directing and music directing, they’ve stayed busy assistant directing for The New Colony (Kinfolk; Stanley in the Name of Love), The Metropolis (R&G Are Dead), 16th Street Theater (Merchild; Agreed Upon Fictions), and Hobo Junction (Sure Thing). 

 

About Hell in a Handbag Productions

Hell in a Handbag is dedicated to the preservation, exploration, and celebration of works ingrained in the realm of popular culture via theatrical productions through parody, music and homage. Handbag is a 501(c)(3) Not for Profit.

 

For additional information, visit www.handbagproductions.org.

 

Ten years after their critically acclaimed collaboration on King Lear, Artistic Director Robert Falls and stage and screen star Stacy Keach—both 2015 Theater Hall of Fame inductees—reunite for the world premiere of Pamplona by Jim McGrath. Keach stars as Ernest Hemingway, one of the most acclaimed novelists and short story writers of the 20th century, in this explosive tour de force drama, set during the author’s haunted years following his Pulitzer and Nobel Prize honors. Pamplona marks Keach’s second exploration of the literary legend: he earned a Golden Globe Award and an Emmy Award nomination for his portrayal of Hemingway in the eponymous 1988 television mini-series. Pamplona appears May 19 – June 18 in the Owen Theatre (now extended through June 25th). Tickets ($20-60, subject to change) go on sale Monday, February 20 at 10am online at GoodmanTheatre.org and at 12 noon by telephone, 312.443.3800, or in person at the Goodman Box Office (170 N. Dearborn). Note: The previously-announced Lady in Denmark by Dael Orlandersmith will be rescheduled TBA; Goodman subscribers will receive tickets to Pamplona.   

 

“I am honored to work with Stacy on the world premiere of Jim McGrath’s beautifully rendered work about one of our most charismatic yet complicated literary titans—and a Chicagoland native—Ernest Hemingway,” said Robert Falls who, in addition to King Lear (2006), also directed Keach in Arthur Miller’s Finishing the Picture (2004). “Stacy is a voracious reader, and Hemingway has fascinated him for a long time. The opportunity to dive deep with him to reveal this troubled artist and amazing man—at once a father, husband, lover, wartime correspondent and adventurer—is thrilling.”

 

In McGrath’s new play, after the prize comes the pressure. Basking in the glory of career-defining awards—the 1953 Pulitzer Prize and the coveted Nobel Prize for Literature in 1954—legendary writer Ernest Hemingway insists his best work is yet to come. Five years later, holed up in a Spanish hotel with a looming deadline, he struggles to knock out a story about the rivalrous matadors of Pamplona. But his real battles lie outside the bullfighting arena; in declining health, consumed by his troubled fourth marriage and tormented by the specter of past glories, he must now conquer the deepening despair that threatens to engulf him.  

 

“My fascination with Hemingway began when I was a student at the University of California at Berkeley, where I read In Our Time. I felt as if the author was inside my head, expressing himself with words and attitudes that reflected how I felt—and I became inspired to read everything he wrote,” said Stacy Keach. “When I played him in the 1980s, I was somewhat intimidated; I felt simply too young to fully appreciate the emotional turmoil he had experienced, due to his failing health and his inability to continue writing. This is why I am so excited with the prospect of revisiting this literary giant now, at the right age to fully explore the essence of his later years. The opportunity to work with Bob, with whom I’ve been blessed to collaborate twice before, and work again at Goodman Theatre—so close to where Hemingway grew up—is perfect.”

 

Ernest Hemingway (1899 – 1961) was born in Oak Park, IL, and got his start as a journalist writing for The Kansas City Star after attending Oak Park and River Forest High School. Shortly after, he joined the Red Cross during World War I, receiving the Italian Silver Medal of Bravery in 1918 for assisting soldiers, an experience that would inspire one of his most beloved works A Farewell to Arms (1929). Following the war, he spent time in Paris, befriending the likes of Gertrude Stein, James Joyce and F. Scott Fitzgerald, and published his first collection of stories Three Stories and Ten Poems (1923). Next came his first novel The Sun Also Rises (1926), about a group of British and American expatriates traveling to Pamplona, Spain. Among his many other great works are the Pulitzer Prize-winning The Old Man and the Sea, For the Whom Bell Tolls (Pulitzer Prize nomination), Green Hills of Africa, Death in the Afternoon and To Have and Have Not. On assignment, Hemingway was also present for some of World War II’s most noted events including the liberation of Paris, and received a Bronze Star for bravery for his coverage of the war. Following the war, he spent an extensive amount of time in Cuba and in 1954, shortly after publishing The Old Man and the Sea, received the Nobel Prize for Literature. Hemingway was married four times, often tumultuously, to Elizabeth Hadley Richardson, Pauline Pfeiffer, Martha Gelhorn and Mary Welsh Hemingway. He had three sons, Jack, Patrick and Gregory. Troubled by financial issues, familial burdens and alcohol abuse, Hemingway took his own life in Idaho in 1961.

 

Stacy Keach has maintained a series of performances in motion picture and television projects while continuing to add to his significant achievements on the stage—both classical and Broadway. His most recent motion pictures are director Stephen Gaghan’s Gold, starring Matthew McConaughy, Edgar Ramirez, and Bryce Dallas Howard, and Gotti with John Travolta. Other recent films are Truth (with Cate Blanchett and Robert Redford), Stephen King’s, Cell, (with John Cusack and Samuel L. Jackson,) and Netflix’s Girlfriend’s Day, starring and directed by Bob Odenkirk. His filmography includes John Huston’s Fat City, co-starring Jeff Bridges, Alexander Payne’s Academy Award nominated big screen drama, Nebraska, If I Stay, Bourne Supremacy, Sin City: A Dame To Kill For, The Ninth Configuration, The Heart Is A Lonely Hunter, Doc, Up In Smoke, American History and the classic western, The Long-Riders, which he produced with his brother James Keach. Keach was one of the stars of the NBC comedy series, Crowded.  He recently finished filming a few episodes of award winning Man With A Plan alongside Matt LeBlanc and Kevin Nealon. Prior television includes: Showtime’s Ray Donovan, Starz’s Blunt Talk, CBS’s, Blue Bloods, Fox’s Titus, Mickey Spillane’s Mike Hammer, Two and a half Men, Prison Break, NCIS: New Orleans, and Hot In Cleveland. As a narrator his voice has been heard in countless documentaries and numerous books on tape. He is the narrator on CNBC’s American Greed. Keach has portrayed a constellation of the classic and contemporary stage's greatest roles, and he is considered a pre-eminent American interpreter of Shakespeare. His Shakespearian roles include Hamlet, Henry V, Coriolanus, Falstaff, Macbeth, Richard 3, and King Lear. He also headed the national touring company cast of Frost/Nixon, portraying Richard M. Nixon. Keach’s memoir All in All: An Actor’s Life On and Off the stage, received the Prism Literary Award. Other awards include: Golden Globe, three Obies, three Vernon Rices, two Drama Desks, three Helen Hayes, Emmy and Tony Award nominations, and he won the Prestigious Millineum Recognition Award, the Will Award. Keach was recently inducted into the American Theater Hall of Fame, and received a Hollywood Film Award for Best Ensemble in the film Gold. He also received the 2016 Best Narrator from The Society of Voice Arts and Sciences in the category of Crime and Thriller for his work on Mike Hammer audio novels. Keach was a Fulbright scholar to the London Academy of Music and Dramatic Art, attended the University of California at Berkeley and the Yale Drama School. Of his many accomplishments, Keach claims that his greatest accomplishment is his family: his wife of 30 years, Malgosia, and children Shannon and Karolina.

 

Jim McGrath’s first short play, Trail of the Westwoods Pewee, was presented at the West Bank Theatre in New York City in 1987. The next year saw the production of his first full-length play, Bob’s Guns, at the Director’s Company in New York. In 1992, New Jersey’s Passage Theatre produced his play Roebling Steel. In 1995, the Met Theatre in Los Angeles premiered The Ellis Jump, which won McGrath the Ovation Award for Best Writing of a World Premier Play. For television, he wrote detective stories for Simon & Simon, The Father Dowling Mysteries, Matlock, Mike Hammer and Over My Dead Body, as well as the children’s series Wishbone and Liberty Kids, science fiction series Quantum Leap, Codename Eternity and Dark Realm and the television films Elvis: The Early Years and Silver Bells (starring Anne Heche). He also co-wrote the screenplay for the feature film Kickboxer: Vengeance. In 2012, he produced and wrote the documentary Momo: The Sam Giancana Story, which won Best Documentary Awards at the Bel Air Film Festival and The Monaco International Film Festival. He has taught creative writing courses at Patton State Prison in San Bernardino, California State Home for Veterans in Los Angeles and The Center Theater in Chicago. He was trained as an artist leader with Imagination Workshop, by founders Margaret Ladd and Lyle Kessler in 1983, for which he worked with mentally ill and homeless clients for decades as a theater artist. In 2010, he became Executive Director of Imagination Workshop. McGrath is a native of Dallas, Texas. After graduating SMU, he attended Princeton Theological Seminary for two years before embarking on his playwriting career.

 

Robert Falls is celebrating 30 years as Goodman Theatre Artistic Director this season. His current production, Annie Baker’s adaptation of Uncle Vanya, is on stage now in the Owen Theatre through March 12. Last season, he directed Rebecca Gilman’s Soups, Stews, and Casseroles: 1976, and co-adapted/directed the world premiere of 2666, based on Roberto Bolaño’s internationally celebrated novel, earning a Jeff Award for Best Adaptation. Previous credits include the critically acclaimed production of The Iceman Cometh at the Brooklyn Academy of Music; Gilman’s Luna Gale at the Kirk Douglas Theatre in Los Angeles; and a new production of Mozart’s Don Giovanni for the Lyric Opera of Chicago. Other recent productions include Measure for Measure and the world premiere of Beth Henley’s The Jacksonian. Among his other credits are The Seagull, King Lear, Desire Under the Elms, John Logan’s Red, Jon Robin Baitz’s Three Hotels, Eric Bogosian’s Talk Radio and Conor McPherson’s Shining City; the world premieres of Richard Nelson’s Frank’s Home, Arthur Miller’s Finishing the Picture (his last play), Eric Bogosian’s Griller, Steve Tesich’s The Speed of Darkness and On the Open Road, John Logan’s Riverview: A Melodrama with Music and Gilman’s A True History of the Johnstown Flood, Blue Surge and Dollhouse; the American premiere of Alan Ayckbourn’s House and Garden and the Broadway production of Elton John and Tim Rice’s Aida. Falls’ honors for directing include, among others, a Tony Award (Death of a Salesman), a Drama Desk Award (Long Day’s Journey Into Night), an Obie Award (subUrbia), a Helen Hayes Award (King Lear) and multiple Jeff Awards (including a 2012 Jeff Award for The Iceman Cometh). For “outstanding contributions to theater,” Mr. Falls has also been recognized with such prestigious honors as the Savva Morozov Diamond Award (Moscow Art Theatre), the O’Neill Medallion (Eugene O’Neill Society), the Distinguished Service to the Arts Award (Lawyers for the Creative Arts) and the Illinois Arts Council Governor’s Award.

 

About Goodman Theatre

 

America’s “Best Regional Theatre” (Time magazine) and “Chicago’s flagship resident stage” (Chicago Tribune), Goodman Theatre is a not-for-profit organization distinguished by the quality and scope of its artistic programming and civic engagement. Founded in 1925, the Goodman is led by Robert Falls—“Chicago’s most essential director” (Chicago Tribune), who marks 30 years as Artistic Director this season—and Executive Director Roche Schulfer, who is celebrated for his vision and leadership over nearly four decades. Dedicated to new plays, reimagined classics and large-scale musical theater works, Goodman Theatre artists and productions have earned hundreds of awards for artistic excellence, including: two Pulitzer Prizes, 22 Tony Awards, nearly 160 Jeff Awards and more. Over the past three decades, audiences have experienced more than 150 world or American premieres, 30 major musical productions, as well as nationally and internationally celebrated productions of classic works (including Falls’ productions of Death of a Salesman, Long Day’s Journey into Night, King Lear and The Iceman Cometh, many in collaboration with actor Brian Dennehy). In addition, the Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” For nearly four decades, the annual holiday tradition of A Christmas Carol has created a new generation of theatergoers. 

 

The 2016 opening of the Alice Rapoport Center for Education and Engagement (“the Alice”) launched the next phase in the Goodman’s decades-long commitment as an arts and community organization dedicated to educating Chicago youth and promoting lifelong learning. Programs are offered year-round and free of charge. Eighty-five percent of the Goodman’s youth program participants come from underserved communities.

 

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation of the new Goodman center in 2000.

 

Today, Goodman Theatre leadership includes the distinguished members of the Artistic Collective: Brian Dennehy, Rebecca Gilman, Henry Godinez, Dael Orlandersmith, Steve Scott, Chuck Smith, Regina Taylor, Henry Wishcamper and Mary Zimmerman. Joan Clifford is Chair of Goodman Theatre’s Board of Trustees, Cynthia K. Scholl is Women’s Board President and Justin A. Kulovsek is President of the Scenemakers Board for young professionals. 

 

Visit the Goodman virtually at GoodmanTheatre.org—including OnStage+ for insider information—and on Twitter (@GoodmanTheatre), Facebook and Instagram.

 

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