Upcoming Theatre

For Chicagoans that grew up in the 1980’s music scene, we remember favorite rock clubs such as The Thirsty Whale, Chances R and Dirty Nellies where spandex and rayon were the materials of choice and eye-liner on Aqua-net sprayed, long-haired guys was all the rage. For the glam rock scene, Chicago was always the minor league affiliate (Single A) to its Los Angeles big brother, where new bands seemingly broke out nearly every week. Almost grinding hair bands out akin to a factory assembly line, Los Angeles set the bar for rock bands all across the world, its clubs The Whiskey a Go Go, Troubadour and The Roxy stepping stones for the next big thing. In “Rock of Ages” the hilarious 1980's musical, we are taken to Los Angeles where the fictional Bourbon Room, one of the last rock hold outs, is under the threat of eminent domain as big money developers have other plans for the property.

Club owner Dennis (riotously played by Chicago favorite Gene Weygandt) runs The Bourbon Room with his sidekick and fellow rocker Lonny (Nick Druzbanski), who also serves as the play’s narrator. Realizing the club’s days are numbered, the two decide to go all out by bringing back Arsenal, a major band that got the start from The Bourbon Room, to play their final show with lead singer and egomaniac, Stacee Jaxx, who is off to pursue a solo career.

And what would an 80’s musical be without a cheesy love story? Bar back and aspiring musician, Drew, is instantly love struck when Dennis hires Sherrie (of course a hopeful actress) to be the club’s new waitress. From there we root for The Bourbon club, along with those protesting the new corporate development, and also for Drew and Sherrie to find love.

“Rock of Ages” is a fun time capsule filled with 80’s rock classics that includes Warrant’s “Heaven”, Journey’s “Don’t stop Believin’”, Twisted Sister’s “We’re Not Gonna Take It”, “Extreme’s “More than Words” and many, many more. Though a parody of the era, “Rock of Ages” is an entertaining tribute to an age in music that, though considered kitschy by some, left a major impact in the world of music. The musical makes several 80’s refences that can’t help but make us forty-to-fifty-somethings laugh, such as Drew’s date with Sherrie where he tries to romance her with a four-pack of Bartles & James wine coolers.

The show boasts as good of a cast as one could ask for. Adam Michaels as self-aggrandizer and vulgar lead singer, Stacee Jaxx, is absolutely hysterical in the role. His moments are plenty as he puts on full display his great knack for physical comedy along with some pretty raging vocals. And as one who has seen this production more times than I remember, I can say quite confidently that Nick Druzbanski may just be the best Lonny I have seen yet. Druzbanski really fires on all cylinders and is a comedic whirlwind, also contributing nicely with strong vocals, certainly deserving a Fogmaster 5000 for a performance nothing short of outstanding.

Notable vocal performances are aplenty in this production with both Cherry Torres as Sherrie and Russell Mernaugh as Drew impressing with their singing prowess in number after number. Both skilled singers as they are actors, Torres and Mernaugh also spark a wonderful chemistry and are able to deliver plenty of funny moments. Though many, other performances of note are Donica Lynn, who sings beautifully when called upon and Nick Cosgrove who nails the role of Franz, the flamboyant German son of developer Hertz, who draws a laugh in just about every scene he occupies.

“Rock of Ages” is silly fun. It’s a campy drive down memory lane. It’s highly recommended. It’s also part concert, as a live band plays from a stage upon the stage throughout the show, tasty guitar licks and all. For some, they will relive the highly memorable era, for others they will receive a tongue-in-cheek glimpse of a time when the Los Angeles rock scene churned out hair bands like Motley Crue, Poison and Ratt.

With Falls theatrical productions in full bloom, this is a must see.

“Rock of Ages” is being performed at Drury Lane Theatre in Oakbrook through October 15th. For tickets and/or more show information, visit www.DruryLaneTheatre.com.

Published in Theatre in Review

After a successful summer preview run, "Thrones: The Musical Parody" has returned to Apollo Theater for Fall performances. Though the production might not have the staying power as did "Million Dollar Quartet", a show originally scheduled for a two-week run that was renewed for several years, "Thrones" is a solid production that, despite its niche market, should get comfy in its Apollo home for a decent stay.

 

Parodying Game of Thrones, one of the biggest television series over the past decade "Thrones" hold little back, cleverly mocking its main characters delivering a crude, but witty, humor GoT fans are sure to enjoy. From the show's opening number "Thrones!", a song that punches the audience with spoilers and refers to "The Wire" as a show one doesn't realize they like until after two and a half seasons, we get a good taste of the campy ride we are about to take. The show's very funny cast includes Caitlyn Cerza, Nick Druzbanski, Madeline Lauzon, Beau Nolan, Victoria Olivier and Christopher Ratliff. 

 

The story revolves around a group of friends who excitedly await the GoT season premiere. However, after some lackluster enthusiasm is displayed, it's soon revealed that Brad (Druzbanski) has never seen the show. Of course, this is just mind blowing for the rest of the gang who quickly agree to act out the show to catch Brad up to speed. And this is where it starts to get crazy. In fact, the show takes a hilarious turn the moment Tom (Ratliff) throws on the John Snow wig and makeshift cape just before diving into his ode to The Wall watchers "For the Watch". And how can you have a wall number without taking a poke a Donald Trump, which they certainly do. Taking shots at practically every character on the show from Tyrian to Sansa to King Joffrey to Xerxes (there's actually a song on who we need to know), the group goes from one scenario to the next. Naturally, Brad's interest in the show grows as the friends get deeper and deeper into the characters. 

 

Act One ends on a high note with possibly the funniest number in the show, "Stabbin'", a gruesomely humorous massacre free-for-all that really needs to be seen to be appreciated in full. But worry not, after a big ending into intermission, we are not let down, as Act Two holds a strong pace by providing solid laughs throughout, steering us to a strong finish. Each actor richly contributes in this talented cast holding the ability to get big laughs at any given moment as well as providing respectable vocal ability. The cast brilliantly overplays their characters expressions and are able to successfully spoof their many characteristics such as Tyrian's poor accent, John Snow's seemingly empty thoughts or _________  not so subtle crush on Denarys. 

 

Written by the team of Chris Grace, Zach Reino, Al Samuels and Dan Wessels, the show gets a nice boost from director Hannah Todd, who is able to work the funny within the funny and finely translate it for stage. While GoT fans will certainly enjoy this show, easily picking up on its jokes - both subtle and bold, it remains to see how theater goers not familiar with the show will react. The GoT fan base in Chicago might be enough in itself to support this show for a long run, possibly even creating new GoT fans along the way. 

 

"Thrones: The Musical Parody", performed at Apollo Theater through November 15th, has plenty to make it a thoroughly entertaining event - laughs, sex, an engaging storyline,catchy songs and excellent acting performances. 

 

Take your Game of Thrones experience to the next level with "Thrones: The Musical Parody". 

Published in Theatre Reviews

 

 

10 Years! Fave Issue Covers

Register

Latest Articles