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Displaying items by tag: Kinky Boots

There is an economic theory centered around shoes. The theory, in short, says that one should spend more money on the best pair of boots that will last you ten years, as opposed to buying cheap shoes that will need to be replaced every six months. The latter path inevitably leads to more expenditure but the higher up front cost for the better pair is a barrier to those who cannot afford it. The theory is a perfect commentary on economics, poverty, and accessibility among many other factors, and this very same theory is one of the prevailing themes of one of the newest plays to come to Chicagoland; Kinky Boots.

Based on the 2005 British film Kinky Boots, written by Geoff Deane and Tim Firth and mostly inspired by true events, the musical tells the story of Charlie Price. Having inherited a shoe factory from his father, Charlie forms an unlikely partnership with cabaret performer and drag queen Lola to produce a line of high-heeled boots and save the business. In the process, Charlie and Lola discover that they are not so different after all. Kinky Boots is the big-hearted musical extravaganza that won six Tonys including Best Musical, the Grammy for Best Musical Theatre album and London’s Olivier Award for Best Musical. Kinky Boots features a joyous, Tony-winning score by pop icon Cyndi Lauper, and a hilarious, uplifting book by four-time Tony winner, Harvey Fierstein.

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The Highland Park Players performed Kinky Boots amongst the immaculate Loyola Academy McGrath Family Performing Arts Center in Wilmette. This production of Kinky Boots, like a good pair of boots, has an incredibly solid foundation. Headlined by the burgeoning talent of Anania Williams playing Lola, and Ben Frankart as Charlie, the two lead an ensemble cast of shoemakers and drag queens bouncing between London and Southampton. Williams was captivating as the incomparable Lola, bringing the tenderness and vulnerability to the role that demanded attention whenever on stage. Frankart was an endearing and charming Charlie, displaying the tenacity of the character in the wake of his father’s death and rallying to save his people’s jobs. At times the actors fell out of their English accents or delivered a key line or zinger without the right force or timing of delivery though the latter could have been caused due to some technical issues with their mics which also cut in and out on several actors. Despite some earlier issues, as the play progressed, the underlying themes of appreciation, respect of differences, and overcoming obstacles with help and support prevailed. There is real talent in the Highland Park Players ensemble cast, couple that with great set design and staging, and Kinky Boots has all the makings of great production off Broadway in Chicago.

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If this Kinky Boots production were a shoe, it would have an incredibly solid foundation and be quite comfortable, and could be worn by many different people, old and young, and have the added benefit of being worn for multiple occasions. With a good scrubbing a bit of polish it will be a performance with lasting stay power. Kinky Boots tickets can be purchased at: www.highlandparkplayers.com. The production runs from August 18-27th

Published in Theatre in Review
Thursday, 01 September 2016 13:08

Kinky Boots is Just (Not So) Plain Fun

Kinky Boots has now come through Chicago a few times and I am glad I finally had a chance to see this musical, being so hyped everything. With lyrics by Cyndi Lauper, I was curious to see how her music would translate to live theater.

 

Based on a true story, the play starts at Price & Son’s gentlemen shoe factory in Northampton, England. It centers on Charlie Price (Adam Kaplan) trying to turn around his father’s failing business. With the help from Lola (J. Harrison Ghee), who happens to be a drag queen, they collaborate to build a new direction for Price & Son and take it all the way to Milan.

 

What stands out more than anything else in this play is Ghee’s performance as Lola. Ghee is an amazing singer who exudes the energy you’d expect from a Broadway performer. Additionally, many of the other characters that are part of Lola’s Angels do a fantastic job (Joseph Anthony Byrd, Sam Dowling, Ian Gallagher Fitzgerald, JP Qualters, Xavier Reyes, and Sam Rohloff). They are toned, vibrant, and of course beautiful!

 

Another stand out performance is Tiffany Engen as Lauren. Lauren is a longtime employee of Price & Son and has a crush on Charlie. Engen is quirky and effortlessly breaks the ice when she is on stage. I would have liked to see more of her character in the play than the script allowed along with her fun dance moves.

 

I felt like there was some disconnect with the casting for Adam Kaplan. I had a really hard time connecting to his portrayal of Charlie. So much so that in the end, I just wished that Lola took over the entire operations at Price & Son.

 

Kinky Boots is fun and full of many ups and downs. If anything, you should go for the solo Ghee performs close to the end of the show. I felt remnants of Whitney Houston in the air and a lot of soul.

 

More importantly, the play touches on many of the injustices that are faced around the LGBTQ community. This is something that is still a challenge and many people still are not familiar or understanding of the community. I would implore people to watch this play and actually have a real conversation about gender identity. Although the play has a humorous tone, there is an underlying message that should be discussed.

 

You can catch Kinky Boots at the Oriental Theatre (24 W Randolph St, Chicago, IL 60601) during their short engagement ending on September 4th. Ticket prices range from $25-$98. 

 

Published in Theatre in Review

Kinky Boots, based on the 2005 British dramedy film, was written for the stage by Harvey Fierstein with music by Cyndi Lauper. It tells the story of the unlikely friendship between Charlie Price, who inherits his fathers failing shoe company, and Lola, a drag queen from London who inspires Charlie and helps him save the company. On a trip to London, Charlie takes a blow to the head trying to protect Lola from men accosting her on the street. He recovers backstage at Lola’s show and in talking with Lola about her busted heel gets an ingenious idea that just may save the factory. With the help of Lola and her Angels, they design a new line of shoes with the sparkly, sexiness befitting a drag queen and the stability to support a man and manage to convince the team at the factory on board with production for a fashion show in Milan.

The set design was inspired. Elaborate set pieces transformed from the dark and dull shoe store in Northampton to the glittery set of the Angel’s Drag Show before your eyes. Creative sets and staging combined with exciting choreography for some unforgettable scenes. One of my favorites was “Everybody Say Yeah” where Charlie and Lola pump up the factory workers and the Angels as they start producing Kinky Boots. With 4 operational conveyor belts on stage, people are flying left and right, flipping around the handles of the belts and it all was seamless! Another amazing scene is the fight scene where people sub in for sets in such a creative and unique way.

The costumes were the next standout of the show, designed by Gregg Barnes. There is a great dichotomy between the glitz and glamor of Lola and the Angels, and the plainness of the factory workers that helped you appreciate the tensions the two groups need to work through. And the boots!! What can’t you say about these boots! In the final scene we are dazzled with dozens of fantastic thigh high, rhinestone covered, 6 inch heeled boots that made my choice of flats for the evening seem very uninspired.

The showstopper of the entire show is most definitely Kyle Taylor Parker as Lola. His singing is phenomenal, his portrayal of Lola will make you laugh, cry, and want to be a better person, and he does it all in 6 inch stilettos. Steven Booth is great as Charlie, and there was a great chemistry between him and Lola on stage as their friendship develops, is challenged and comes out even stronger in the end. Another highlight for me was Lindsay Nicole Chambers as Lauren. One of my favorite songs of the night was her song – “The History of the Wrong Guys”. Her comedic style on stage and powerhouse voice was a perfect combo.

Overall, the show wows with a great mix of characters, fabulous costumes, catchy music, exciting choreography that plays well with a creative set and of course incredible shoes! Kinky Boots will be in Chicago at the Cadillac Palace Theatre through July 26th and it is a must see! 

Published in Theatre in Review

 

 

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