Upcoming Theatre

Firebrand Theatre, the first musical theatre company committed to employing and empowering women by expanding opportunities on and off the stage, is pleased to announce casting for its inaugural production, the Chicago premiere of LIZZIE, the rock musical based on the true-life story of accused axe-murderess Lizzie Borden. LIZZIE will play November 11 – December 17, 2017 at The Den Theatre's Bookspan Theatre, 1333 N. Milwaukee Ave. in Chicago’s Wicker Park neighborhood. Single tickets for LIZZIE are currently on sale at firebrandtheatre.org. Season subscriptions (including 9 TO 5 THE MUSICAL) are currently available. The press opening is Tuesday, November 14 at 7:30 pm.
 
LIZZIE will feature Liz Chidester as Lizzie, Leah Davis as Bridget, Jacquelyne Jones as Alice and Camille Robinson as Emma. The late night cast/understudies, who will appear in four 11 pm performances, include Kyrie Anderson as Lizzie, Becca Brown as Emma, Amanda Horvath as Bridget and Elle Walker as Alice.
 
Directed by Victoria Bussert with music direction by Julia A. Miller and Andra Velis Simon and choreography by Janet Louer, LIZZIE features music by Steven Cheslik-deMeyer and Alan Stevens Hewitt, lyrics by Steven Cheslik-deMeyer and Tim Maner, book by Tim Maner, additional music by Tim Maner, additional lyrics by Alan Stevens Hewitt, based on an original concept by Steven Cheslik-deMeyer and Tim Maner with orchestrations by Alan Stevens Hewitt. 
 
"Lizzie Borden took an axe, gave her mother forty whacks. When she saw what she had done, gave her father forty-one." So goes the nursery rhyme describing the crime of the century that took the nation by storm when Lizzie Borden murdered her parents with an axe in 1892. Or did she? LIZZIE is a musical that reimagines that bloody legend with four women fronting a female rock band. LIZZIE is American mythology set to a blistering rock score with rage, sex, betrayal and bloody murder. 
 
"We thought casting Lizzie would be extremely difficult since the skillsets needed are so specific and challenging – yet it turned out to be the easiest casting I've ever done because Chicago is overflowing with talented women,” comments Founder and Artistic Director Harmony France. “It became immediately clear that one cast was not enough. Our regular Lizzie cast is going to blow you away, but our understudies are so incredible that we decided to add four special late-night performances so audiences can also enjoy their talents. Looking to the future, Firebrand will strive to empower both women and men, but for Lizzie we wanted to come out of the gate and flood the stage, the band and backstage with women in a way that hasn't been done before. There isn't a better show to do that with than Lizzie."
 
The production team for LIZZIE includes: Eleanor Kahn (scenic design), Charlotte M. Yetman (costume design), Maya Michele Fein (lighting design), Victoria Deiorio (sound design), Jeff Herrmann (props design) and Danielle Stack (production manager).
 
PRODUCTION DETAILS:
 
Title: LIZZIE
Music: Steven Cheslik-deMeyer and Alan Stevens Hewitt
Lyrics: Steven Cheslik-deMeyer and Tim Maner
Book: Tim Maner
Additional Music: Tim Maner
Additional Lyrics: Alan Stevens Hewitt
Based on an original concept by: Steven Cheslik-deMeyer and Tim Maner
Orchestrations: Alan Stevens Hewitt
Director: Victoria Bussert
Music Directors: Julia A. Miller and Andra Velis Simon
Choreography: Janet Louer
 
Cast: Liz Chidester (Lizzie), Leah Davis (Bridget), Jacquelyne Jones (Alice) and Camille Robinson (Emma).
Late Night Cast/Understudies: Kyrie Anderson (Lizzie), Becca Brown (Emma), Amanda Horvath,  (Bridget) and Elle Walker (Alice).
 
Location: The Den Theatre's Bookspan Theatre, 1333 N. Milwaukee Ave.
Dates: Previews: Saturday, November 11 at 8 pm and Sunday, November 12 at 3 pm
Regular run: Thursday, November 16 – Sunday, December 17, 2017
Curtain Times: Thursdays, Fridays & Saturdays at 8 pm; Sundays at 3 pm. Please note: there will not be a performance on Thursday, November 23 (Thanksgiving Day).
Late Night Performances (featuring understudies): Friday, December 1 at 11 pm, Saturday, December 2 at 11 pm, Friday, December 8 at 11 pm and Saturday, December 9 at 11 pm
Open Captioned Performances (by Molly Brennan): Sunday, November 26 at 3 pm and Sunday, 
December 3 at 3 pm
Tickets: Previews $25. Regular run $45. Late night shows $30. Students $20. Tickets are currently available at firebrandtheatre.org.

 

Published in Upcoming Theatre

Based on the 1988 cult film “Heathers” starring Wynona Ryder and Christian Slater, the talented cast of “Heathers: The Musical” bursts onto the stage with enough energy to "bully" the audience right back into the mean late 80's when this particular tale of murder in high school first raised the issues of teen cruelty over twenty-five years ago. Dark and questionable is the subject matter that it be made into a musical, but the show does have its moments. After all, we are talking about a film that may have forewarned us of the tragic school shootings to come in its wake. 

Veronica, the nerdy girl who becomes a "Heather" at the expense of her friendship to the truly kind "fat girl" in her class is well played here by Courtney Mack. Mack shows a full range of emotions as she realizes what has begun as simple teen angst and bullying has turned her new outsider boyfriend, J.D., whom she meets hanging around a 7-11 store all day into a serial murderer. Adding to Mack’s solid performance, Chris Ballou also does a fine job in taking on the role of J.D..  

Haley Jane Schafer, Rochelle Therrien and Jacquelyne Jones, are each fantastic as the “Heathers" - the meanest, prettiest girls in school who rule with an iron lipstick case. Each of the Heathers' has her own unique flavor of comedy and delivery and each are very good dancers as well as vocalists.

That said, the set which was a big colorless lump full of doorways did not make you feel you were in a high school at all and was actually a distraction at times. Also, the costumes the Heathers DID wear were great - very sexy period costumes, but then they never changed clothes until almost the end of the show, leaving some disappointment. As gorgeous, skinny, fickle fashion mongers, this inconsistency made the show feel much to be desired when it came to dressing them as the story progressed with the lack of colorful, sexy clothing and accessory changes as occurs in the movie and would be a big part of their real high school lives. 

The songs may not have been on the most memorable side, but the show did have a few good laughs. There was some terrific physical comedy in the slow motion fight scene between the two jocks who terrorize all the girls in school with jokes about date rape, etc. 

Certainly a challenging task at hand, James Beaudry's direction in this small venue with so much young and energetic talent falls short in that it seemed the play starts at a very high level of energy and volume and continues at that exact same volume even during the ballads. Instead, there needed to be some genuine reflection and time to rest for the characters to be fully formed and also to rest the audience’s ears – simply put, more dynamics. 

All in all, this cast did a great job with the materials they were given and delivered a funny, bitter and scary version of what life in high school was like then and now. See "Heathers" with the expectation of a few decent yuks, a handful of entertaining musical numbers ("Big Fun" comes to mind) and a sometimes pretty accurate nostalgic peek at high school in the late 1980's.   

Kokandy Productions of “Heathers: The Musical” is being performed at Theater Wit through April 24th. For more show information, visit www.theaterwit.org.  

 

Published in Theatre Reviews

 

 

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