Writers Theatre, under the leadership of Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma, concludes its 2016/17 season with the musical Parade, with book by Alfred Uhry and music and lyrics by Jason Robert Brown, co-conceived by Harold Prince. The Writers Theatre production of Parade is directed by Gary Griffin and features musical direction by Michael Mahler and choreography by Ericka Mac. Parade runs May 24 – July 2, 2017 in the Alexandra C. and John D. Nichols Theatre at 325 Tudor Court, Glencoe.
This stirring, Tony Award-winning musical explores the endurance of love and hope against seemingly insurmountable odds, telling the true story of Leo Frank, a Brooklyn-born Jewish man falsely accused of murder in 1913 Atlanta. Innovative and daring, and filled with soaring music, Parade is a moving love story, a riveting murder mystery, a gripping courtroom drama and a powerful exploration of innocence and naïveté coming face-to-face with ignorance and prejudice.
Acclaimed director Gary Griffin, who directed the original Broadway production of Jason Robert Brown’s Honeymoon in Vegas and the world premiere of his The Trumpet of the Swan at the Kennedy Center, stages an intimate revival of this celebrated musical. With a book by playwright Alfred Uhry (Driving Miss Daisy) and a score by Brown (The Last Five Years, The Bridges of Madison County) that combines folk, rock, R&B and gospel, Parade ends WT’s 25th Anniversary Season with spectacular impact.
“I had the pleasure of being directed by Gary in a Writers Theatre production of Joe Orton's Loot. He is one of my favorite directors and one of my closest friends, and it is a privilege to be in collaboration with him again,” said Artistic Director Michael Halberstam. “I have enjoyed many, many years of conversation with him over copious glasses of wine discussing masterwork musicals and how best to make them work. I cannot express how happy I am then to be working on supporting Gary’s vision for Parade, a musical that has suddenly become disturbingly relevant given the deeply unsettling swell of anti-semitism. The Anti-Defamation League recently announced that cases of anti-semitism have spiked 86% in the first quarter of this year, proving the old adage that ‘the more things change the more they stay the same.’
“Gary has assembled a first-rate cast with breathtaking vocal prowess and a first-rate design team to create the world in which they bring Mr. Brown and Mr. Uhry’s bravura masterwork to life. Parade is a fully cohesive musical voyage into the triumph of love and the dangers of what can happen when the fires of hatred are irresponsibly stoked within an unhappy and angry populace. Musically, it defies simple definition while maintaining accessibility and a deep emotional core. It is a fitting way to close the season and it passes a symbolic baton to Trevor, a brand new musical which opens next season and strikes open a whole new adventure of its own.”
The cast of Parade includes: Larry Adams (Old Soldier/Judge Roan/Ensemble), Patrick Andrews (Leo Frank), Brianna Borger (Lucille Frank), Jonathan Butler-Duplessis (Jim Conley), McKinley Carter (Mrs. Phagan/Sally Slaton), Devin DeSantis (Britt Craig/Young Soldier/Ensemble), Kevin Gudahl (Hugh Dorsey/Ensemble), Derek Hasenstab (Governor John Slaton/Ensemble), Nicole Michelle Haskins (Minola "Minnie" McKnight/Angela), Caroline Heffernan (Mary Phagan/Essie/Ensemble), Zoe Nadal (Monteen/Ensemble),Jake Nicholson (Frankie Epps/Ensemble), Jeff Parker (Tom Watson/Ensemble), Leryn Turlington (Iola Stover/Ensemble), andJonah D. Winston (Newt Lee/Riley).
The creative team includes: Matt Deitchman (Associate Music Director & Piano/Conductor), Scott Davis (Scenic Designer), Mara Blumenfeld(Costume Designer), Christine Binder (Lighting Designer), Ray Nardelli (Sound Designer) and Scott Dickens (Properties Master). Bobby Kennedy is the Dramaturg, David Castellanos is the Production Stage Manager and Nick Moran is the CFM Contractor.
Single tickets for Parade, priced $35 - $80, are available online at www.writerstheatre.org, by phone at 847-242-6000, or in person at the box office at 325 Tudor Court in Glencoe.
PARADE On-stage Seating
For adventurous theatregoers who want to be part of the action, Writers Theatre is offering a limited number of special on-stage seats for every performance of Parade!
These special on-stage seats, reachable via curved staircases, will be on a raised platform at the back of the stage so that the audience will fully surround the action on stage. This exclusive vantage point provides audience members an immersive experience of Parade, as the area will be located near the orchestra and will also be used by actors during the performance…
Who's doesn’t remember The Brady Bunch? Mike Brady who has three sons, marries Carol, who has three daughters, they bring in a live in housekeeper, Alice, and they quickly become one of America’s most beloved families of the 1970’s. We basically watch the kids grow up, getting into all kinds of hijinks along the way, before they finally do what makes the most sense - form a family band. Sure, they're creating a musical unit may have not come from an organic source, rather coming with the task to make a few bucks to replace the silver platter than Jan messed up. Still, the Gang was groovy enough to not only win first prize in the talent contest with their song and dance routine, but their brief musical career gave them a new identity to the show’s viewers that stuck. Oldest brother Greg even attempts a solo career in music as Johnny Bravo after being “recruited” by a record company, only to find out that he wasn’t very good and was only selected because the “jacket fit”, literally.
Enter The Partridge Family, who debuted in homes shortly after The Brady Bunch. A widowed mother along with her five children tour both locally and nationally as a jammin’ rock band - and, yes, they all “play” their own instruments unlike the Brady’s. Leaving us a song per episode, The Partridge Family revolves around sappy love songs whereas the Brady’s dive into the music world is originated most certainly out of necessity and lasts but a couple random episodes.
There is little doubt, The Partridge Family wins the cool prize of the two families. Led by mom on keyboards, Shirley Partridge is an attractive musician who like to wear her shorts high while son Keith is a teenage heartthrob and daughter Laurie is dreamt about by teenage boys all across America. Then there was Danny, a mischievous redhead who badly faked his way up and down the neck of a bass. The family could be found playing music to raise attention to just causes or simply getting their groove on rehearing in the garage.
So here’s the question - Brady’s or Partridges? You know it’s come up at one time or another.
In “The Bardy Bunch” we get a riotous clash of the two families who step outside of our TV sets to settle this dispute once and for all on the stage. Written by Stephen Garvey, we get a glimpse of the two families as the show begins, just before the Brady kids jump into a lively version of “Keep On” complete with the same cheesy dance moves performed on the TV show. Immediately we get a sense that Olivia Rentaria as Marcia Brady and Sawyer Smith as Greg are going to be entertaining as hell to watch.
Though the story proves to be on the herky-jerky side where ghosts and murders are featured in rapid succession, it doesn’t really detract from the fact that audience members are in for an hour and forty-five minutes of campy fun, similar to The Brady Bunch movies that spoofed the family in the 1990’s. The fun to this show lies in the brilliant character lampooning done by this ultra-talented cast. This, in itself, makes the show a success. However, Garvey doesn’t want to live on camp alone, adding a plethora of Shakespeare references throughout the play, including the forbidden love of Keith, a Partridge, and Marsha, a hated Brady ala Romeo and Juliet. Of course, unlike the young Capulet and Montague, they are first obsessed with each other’s hair.
While Skyler Adams as a hokey, exaggerated Keith Partridge draws continuous laughs throughout the play as the largest player involved, he is joined by a stellar ensemble, each one taking advantage of their ample opportunities. Erin McGrath is well cast as Laurie Partridge, perfectly capturing the blasé nature of the former teen model, while Carol and Mike Brady are wonderfully played by seasoned veterans Cory Goodrich and Stef Tovar, two true talents. Brianna Borger takes on the other head of the household as Shirley Partridge and does a bang up job, bobbing head and all.
The play revisits many humorous episode scenarios from both shows and plants a dismissiveness for Jan Brady as the middle child who never seems to get any attention while also portraying Danny Partridge as the calculating business man in a thirteen-year-old body. “The Bardy Bunch” also dishes out a boatload of seventies lingo from calling someone a “real crumb” to Greg calling Laurie a “real groovy chick”. This play is undoubtedly a feast of nostalgia down to its groovy threads.
And with the humor comes the music, which if unfamiliar, is really good! Partridge hits dominate the show (obviously) with a nice selection including “I Woke Up in Love”, “I Can Feel Your Heartbeat”, “I Think I Love You” and the feel good, stand up singalong finale number, “Together We’re Better”.
“The Bardy Bunch” is jam-packed with laughs and fun memories for those who grew up watching the two families in action. With so much ugliness going on in the world today, we are given a wonderful escape to kick back and enjoy ourselves if just for an evening.
“The Bardy Bunch”, winner of the Overall Excellence Award for Outstanding Ensemble at the 2011 New York International Fringe Festival, is currently being performed at Mercury Theater through November, and hopefully longer. For tickets and/or more show information visit www.MercuryTheater.com or www.TheBardyBunch.com.