Upcoming Theatre

The current production of 42nd Street at Drury Lane Theater left me breathless! With book by Michael Stewart and Mark Bramble, music by Harry Warren and lyrics by Al Dubin, the newly updated and improved 42nd Street blends different periods of dance from the sixties to the present including some of the best tap dancers (don't call them hoofers) I have seen assembled for one show. 

Telling the age-old fantasy of Broadway performers everywhere as newcomer to New York, Peggy Sawyer, gets her chance at stardom and saving the show when the star falls during rehearsals and breaks her ankle. But this version is sympathetic to both the aging star, Suzzanne Douglas as Dorothy Brock, who has worked a long time and entertained the advances of a sexist producer just to finally have her stage time. Douglas has a beautiful rich, soulful singing voice and is very beautiful in this role. 

Kimberly Immanuel as Peggy Sawyer is also seen more realistically as a starving artist who just wants a break instead of a conniving backstabber out to hurt the leading lady. She is cute and unassuming as the newcomer who really has flying feet. Immanuel does a great job staying likable in her singing and acting and then dazzles the audience with some "out of this world" tap dancing which truly pleases the ears and eyes.  

Gene Weygandt as Julian Marsh, a Broadway director with the power to make stars and break them, also turns in a lovely performance with top-notch vocals, which make the character of Marsh more concerned with the dream world of Broadway life and less scary and sexist than I have seen director portrayals in other productions. 

This spectacularly energetic, colorful and sparkly, yes sparkly, production is directed artfully by Michael Heitzman, with choreography by Jared Grimes, music direction by Roberta Duchak, scenic design by Collette Pollard, costume design by Emilio Sosa, lighting design by Mike Baldassari, sound design by Ray Nardelli, and music arrangements by Everett Bradley.

The set and lighting changes and costume design really do satisfy Chicago audiences’ need to see productions that dazzle just as much as the run on Broadway on every level and leaves the audience energized and happy to have seen this show. 

I want to name the other stars and the ensemble because every single character was fully drawn in this wonderful production with Phillip Attmore as Billy Lawler, Justin Brill as Bert Barry, Donica Lynn as Maggie Jones, Brandon Springman as Pat/Ensemble, Cedric Young as Abner Dillon, Erica Evans as Andy Lee/Ensemble, and Sierra Schnack as Annie/Ensemble. The cast also includes Bret Tuomi, Time Brickey, Lamont Brown, Tristan Bruns, Joe Capstick, Joel Chambers, Andrea Collier, Gabriela Delano, Annie Jo Ermel, Rachel Marie LaPorte, Mandy Modic, Thomas Ortiz, Allie Pizzo, Marisa Reigle, Anthony Sullivan Jr., and Davon Suttles.

Full of fun hits such as “We’re in the Money”, this is a show that doesn’t stop. One of the most memorable scenes I have ever witnessed is a highly complex, mind blowingly and highly difficult six person tap piece that eventually turns into a full cast number worthy of anything I have seen in Broadway productions or at larger theaters in downtown Chicago or New York.

I highly recommend this run of 42nd Street at The Drury Lane for an exciting, feel good, upbeat Holiday spectacle about the joy of showbiz as we used to all envision it unfolding for a young star in the making. 

42nd Street is being performed at Drury Lane Theatre in Oakbrook through January 7th. For tickets and/or more show information visit www.drurylanetheatre.com.

 

Published in Theatre in Review

This excellent stage production of the 2013 musical Far from Heaven was based on Todd Haynes‘ 2002 motion picture of the same name. 

 

Far from Heaven is set in 1957 Hartford, Connecticut, well before the advent of the sexual revolution. Cathy Whitaker played by Summer Naomi Smart discovers that her handsome, successful businessman husband Frank is having affairs - with other men! Frank was played very well and very selfishly - if not compassionately - towards his wife whose world is crushed unexpectedly by actor Brandon Springman. 

 

After a time of trying to convert her husband back to heterosexuality by a psychologist, Cathy and her husband realize the emptiness and futility of their sexless and coldly critical relationship continuing just for the sake of the children.

 

Cathy's new gardener and widowed single father of a ten-year-old daughter, Raymond Deagan (Evan Tyrone Martin), becomes her friend and the scandal of her own life in spite of their necessarily platonic enjoyment of each other's company.

 

Evan Tyrone Martin has a wonderful rich smooth voice, arguably the best in the show and a nice natural quality to his acting. Summer Naomi Smart is stunning to look at as the real life "Stepford Wife" whose world comes crashing down when she tries to surprise visit her husband on a night he is "working late again" and gets the shock of her life when she finds him in the office in the arms of another man.

 

I've seen Ms. Smart in many musical comedies but this is the first time I have seen her really let loose in a dark way, especially in the scene when she confronts her husband about his homosexual affairs and lets out a terrifying and mournful wail that truly came from deep inside her character’s psyche. It was nice to see her tackle then take the reigns on this multi-dimensional role.  

 

Grant Saban‘s set seemed too much like a doll house to me, very one dimensional in color and shapes but perhaps that was intentional in terms of the subtext of the repressive 1950's. However, William Morey‘s gorgeous period costumes, which reminded me of a cross between Lucille Ball and Mary Tyler Moore's beautifully tailored and colorfully designed outfits in their respective series, brought the whole set to life.

 

Bri Sudia‘s performance is rich and dynamic as Cathy’s best friend Eleanor, who is very sympathetic about the sexless and lovlessness of Cathy's picture perfect marriage yet deserts her best friend over the issue of an interracial friendship. All of the supporting characters and girlfriends of Cathy Whitaker in this production do an excellent job in their respective roles and deliver as many ironic laughs as possible with subject matter that really is just a lot of sad statements about the wasted loves of many marriages in the fifties - marriages, which were built on lies and social and financial convenience rather than genuine love and real sexual attraction. 

 

Turning this subject matter into a musical may have made it more fun and palatable, but also detracted from the seriousness and tragedy of a woman who has given birth to two children and ends up totally alone, a single mother in the fifties, because of years and years of lies from a man who was supposed to be her best friend and true love. Yet the accompaniment of a great live orchestra really brings this sometimes somber score to life when needed. 

 

Finely directed by Chuck Larkin, Porchlight Musical Theatre's Far from Heaven is playing at Stage 773 through March 13th. For more show information on this absorbing and well-pieced-together production, visit www.prochlightmusictheatre.org.  

 

Published in Theatre Reviews

 

 

10 Years! Fave Issue Covers

Register

Latest Articles