Theatre in Review

Buzz Center Stage

Buzz Center Stage

Greenhouse Theater Center is pleased to launch its 2017-18 season with Artistic Director Jacob Harvey and Elizabeth Margolius’ bold reimagining of Sophie Treadwell's most celebrated play, MACHINAL. Inspired by the surreal life and trial of famed murderess Ruth Snyder, MACHINAL will play August 11 – September 24, 2017 at The Greenhouse Theater Center (Upstairs Main Stage), 2257 N. Lincoln Ave. in Chicago. Single tickets and season subscription packages are currently available at greenhousetheater.org, in person at the box office or by calling (773) 404-7336. 
 
The cast of MACHINAL includes Heather Chrisler, Maddie DePorter, Sean Gallagher, Arti Ishak, Cody Proctor, Sarah Rachel Schol, Scott Shimizu, Carin Silkaitis, Paul Michael Thomson and Jonah Winston.
 
MACHINAL will be presented through an educational partnership with North Central College, allowing students to shadow professional actors as the production’s understudy cast. Students will be immersed in every facet of the production, serving not only as understudies but as assistant designers and assisting members of the production team, in a program that serves as an extension of classroom work and a springboard into the Chicago theatre community. The student understudy cast will have two guaranteed performances at the Greenhouse, one for a high school audience and one for the public.
 
One young woman must break out in this exhilarating reimagining of MACHINAL, the American classic inspired by the sensational, true story of murderess Ruth Snyder. Trapped in an unhappy marriage, the young woman finds a thrill in the arms of a flyby lover. But when reality returns, how far will her fight for freedom take her? And who will pay the ultimate price? How do you escape the machine?
 
“Our team is thrilled to bring this intimate exploration of one woman's choice between captivity and freedom to our Chicago audience,” commented Artistic Director Jacob Harvey. “As we put the show together,” added Movement Director Elizabeth Margolius, “I am thrilled to bring this cast's diverse perspectives into focus to illuminate the world of Machinal – a world from our past that still speaks to the struggles facing all of us, especially women.”
The production team for MACHINAL to date includes: Nick Thornton (associate director/movement coordinator), Eleanor Kahn (scenic/props design), Eric Watkins (lighting design), Jeffrey Levin (sound design), Christina Leinicke (costume design), Adrian Shelton (dramaturg), Darek Lane (stage manager), Ron Rude (production manager) and Stephen Kossak (asst. stage manager).
PRODUCTION DETAILS:
 
Title: MACHINAL
Playwright: Sophie Treadwell
Director: Jacob Harvey
Movement Director: Elizabeth Margolius
Cast: Heather Chrisler (Young Woman), Maddie DePorter (Track 7), Sean Gallagher (Track 6, Husband), Arti Ishak (Track 5, Telephone Girl), Cody Proctor (Lover), Sarah Rachel Schol (Track 4), Scott Shimizu (Track 8), Carin Silkaitis (Track 3, Mother), Paul Michael Thomson (Track 2) and Jonah Winston (Track 1).
 
Location The Greenhouse Theater Center (Upstairs Main Stage) 2257 N. Lincoln Ave, Chicago
Dates: Previews: Friday, August 11 at 7:30 pm, Saturday, August 12 at 7:30 pm and Sunday, August 13 at 7:30 pm
Regular run: Friday, August 18 – Sunday, September 24, 2017
Curtain times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm. Please note: there will not be a performance on Thursday, August 17.
Tickets: Preview: $20. Regular run: $35. Students: $15. Tickets are currently at greenhousetheater.org, in person at the box office or by calling (773) 404-7336. Season subscription packages are also available.

 

Following a sold-out engagement at Steppenwolf’s 1700 Theatre this spring, actor and magician Brett Schneider’s hit one-man show COMMUNION: An Evening of Magic, returns to Chicago for three performances only August 4 – 6, 2017 at The Den Theatre’s Bookspan Theatre, 1333 N. Milwaukee Ave. in Chicago. Tickets, priced at $20, are currently available at thedentheatre.com.
 
Have you ever wished you could know what someone else is thinking? What if you could? COMMUNION: An Evening of Magic is a 70-minute performance that explores magic as a proxy for human connection, and a celebration of our desire to better understand one another. Highly interactive and unconventional, COMMUNION blends world-class magic, sleight of hand and psychological suggestion with live participation from the audience. No two performances are alike.  For additional information, visit brettschneidermagic.com
 
Schneider’s previous work has received critical praise from across the U.S.:
 
“Schneider is captivating... his rapport is winning, his routines are confident, and 
he’s great at generating anticipation... you’ll need to see this.” 
–The Washington Post
 
“The show dips its toes into the realm of actual magic... some quite elaborate onstage magic from 
designer Brett Schneider involving disappearances, levitations and the like.”
--The Chicago Tribune
 
“…a highly intelligent and vulnerable actor and a first-rate magician.” 
–Time Out Chicago
 
“A magnificent central performance... [Brett Schneider] has a casually charismatic stage presence that blends the inner power of a Robert Mitchum 
with the sex appeal of a James Dean... Schneider’s ability to communicate and make intimate contact with the audience is its own kind of magic.”
–The Hollywood Reporter
 
“Handsome professional magician ‘Great’ (Brett Schneider) dazzles crowdswith his amazing card tricks… 
Schneider is a charismatic and appealing performer, impressive as both an actor and a magician.”
 –LA Weekly
 
PRODUCTION DETAILS:
 
Title: COMMUNION: An Evening of Magic
Written and performed by: Brett Schneider
 
Location: The Den Theatre’s Bookspan Theatre, 1333 N. Milwaukee Ave., Chicago
Dates: Friday, August 4 – Sunday, August 6, 2017
Curtain times: Friday and Saturday at 8 pm; Sunday at 7 pm
Tickets: $20. Tickets are currently available at thedentheatre.com.
 
About Brett Schneider

Brett Schneider is an actor, magician and illusion designer. Brett has been performing magic professionally for over 20 years and is a member of the world-famous Magic Castle in Hollywood, California. His work has received numerous awards and citations and he was a finalist in World Magic Seminar. Recently, Brett starred in and created the illusions for the Goodman Theatre’s hit production of The Magic Play. In addition to magic performance, Brett also works as a magic consultant for theatre, television and film. His theatrical work has been twice nominated for a Jeff Award and has appeared in venues such as The Goodman Theatre, Lookingglass Theatre, the Chicago Symphony Orchestra and The Roundabout Theatre in New York. His work has also been incorporated into TV shows, music videos, short films and features. For additional information, visit brettschneidermagic.com.
 
About The Den Theatre

Artistic Director Ryan Martin opened The Den in 2010 with a single theatre space. Seven years later, The Den boasts five intimate and unique theatres on two floors ranging from 50 – 200 seats, as well as two additional spaces primarily used for classes and rehearsals. The Den is also equipped with two bars enveloped by a never-ending field of lounge space for audiences and like-minded culture hounds to drink, talk, read, watch, think, listen and live. The Den is home to five resident theatre companies including First Floor Theater, Haven Theatre Company, Griffin Theatre, Irish Theatre of Chicago, and The New Colony. Hundreds of other companies from Chicago and beyond have also called The Den home, utilizing its theatres, studio space and easily convertible cabaret space to accommodate a stream of programming, including plays, musicals, film screenings, classical and jazz performances, dance, improv and stand-up, seminars and speaking engagements. For additional information, visit www.thedentheatre.com.

 

Cirque du Soleil is thrilled to venture into uncharted territory with its brand new creation, Cirque du Soleil Crystal, exploring the artistic attributes of ice for the very first time. Specifically created for arenas, the state-of-the-art production will create a fresh innovative experience, pushing the boundaries once again by combining outstanding skating and sliding, remarkable aesthetics and acrobatic feats that defy the imagination.
 
“We are excited to create a unique entertainment experience on ice for all spectators to enjoy. It's a wonderful opportunity for Cirque du Soleil as ice provides us with an entirely new field of play which also comes with a set of creative challenges. Our goal is to continuously surprise audiences by showcasing all the incredible possibilities on ice,” explained Yasmine Khalil, Executive Producer of Crystal.
 
Crystal will follow a young woman who shatters through reality to reach a surreal world filled with possibility. Beneath the surface, she pursues the life that has been glistening within. Sometimes, we must first leave solid ground to find our true footing.
 
Cirque du Soleil invites the audience to discover Crystal – A Breakthrough Ice Experience – and find out what it means to skate on the edge of reality.
 
Performance Schedule & Ticket Information
Cirque du Soleil Crystal will be presented at the Sears Centre Arena, 5333 Prairie Stone Parkway, Hoffman Estates, IL in six performances only, November 16-19, 2017. Performances take place Thursday - Friday, November 16-17, at 7:30pm; Saturday, November 18, at 3:30 & 7:30pm; and Sunday, November 19, at 1 & 5pm.
 
Tickets for Cirque du Soleil Crystal start at $30.00 and go on sale Wednesday, June 21, at 10am by phone at 888-SEARSTIX (732-7784) or online by visiting www.searscentre.com.
 
Sponsor
Forsythe Technology is the Official Sponsor of Crystal in the United States
 
Cirque du Soleil
Crystal is Cirque du Soleil’s 42nd original production since 1984. The company has brought wonder and delight to more than 180 million spectators in more than 450 cities on six continents. Cirque du Soleil has over 4,000 employees, including 1,300 performing artists from 50 different countries.
For more information about Cirque du Soleil, visit www.cirquedusoleil.com.
More information about Crystal by Cirque du Soleil can be found at cirquedusoleil.com/crystal, and on  Facebook, Twitter or Instagram.

 

Hell in a Handbag Productions, now celebrating its 15th Anniversary Season, is pleased to announce casting for the world premiere of BEWILDERED, a musical parody of the classic TV sitcom Bewitched, told from the perspective of Gladys Kravitz, Samantha Stephens’ iconic nosy neighbor. 
 
BEWILDERED will feature ensemble members David Cerda as Endora, Caitlin Jackson as Gladys Kravitz, Ed Jones as Uncle Arthur, Michael S. Miller as Mr. Tumer and AJ Wright as Darrin G. The production also features Steve Kimbrough as Larry Tate, Matt Miles as Abner, Elizabeth Morgan as Samantha, Scott Sawa as Darrin S. and Robert Williams as Tabitha/Louise. Rounding out the cast are Kira Gaudynski, Jennifer Ledesma, Travis Monroe Neese and Sarah Taylor as Magic Stage Hands.
 
Featuring a book by Ron Weaver, music and lyrics by Aaron Benham and Ron Weaver and direction and choreography by Brigitte Ditmars, BEWILDERED will play September 27 – November 11, 2017 at Stage 773, 1225 W. Belmont Ave. in Chicago. Tickets are currently available at www.handbagproductions.org and stage773.com, by calling (773) 327-5252 or in person at the Stage 773 box office. The press opening is Sunday, October 1 at 7 pm.
 
A parody and reimagining of the beloved ‘60s/‘70s television sitcom Bewitched, this spellbinding throwback is told from the point of view of Gladys Kravitz, the poor, misunderstood neighbor who keeps seeing crazy things at the home of Samantha Stephens, a beautiful witch, and her ‘ordinary family.’ Gladys’ husband Abner has had enough and is about to take drastic measures. Can Gladys prove her visions are real without destroying the Stephens family – or is she doomed to a life of pills and institutions? Gladys finally gets her due in this fun and magical musical parody.
 
The production team for BEWILDERED includes: Roger Wykes (scenic design), Rachel Sypniewski (costume design), Cat Wilson (lighting design), Sydney Genco (make-up design), Mealah Heidenreich (props design) Becca Holloway (Assistant Director) and Keith Ryan (wig design). 
 
PRODUCTION DETAILS:
 
Title: BEWILDERED
Book: Ron Weaver
Music and Lyrics: Aaron Benham and Ron Weaver
Director/Choreographer: Brigitte Ditmars
Cast: David Cerda (Endora), Kira Gaudynski (Magic Stage Hand), Caitlin Jackson (Gladys), Ed Jones (Uncle Arthur), Steve Kimbrough (Larry Tate), Jennifer Ledesma (Magic Stage Hand), Matt Miles (Abner), Michael S. Miller (Mr. Tumer), Elizabeth Morgan (Samantha), Travis Monroe Neese (Magic Stage Hand), Scott Sawa (Darrin S.), Sarah Taylor (Magic Stage Hand), Robert Williams (Tabitha/Louise) and AJ Wright (Darrin G.).
 
Location: Stage 773 (Box Theater), 1225 W. Belmont Ave. in Chicago
Dates: Previews: Wednesday, September 27 at 7:30 pm, Thursday, September 28 at 7:30 pm, Friday, September 29 at 7:30 pm and Saturday, September 30 at 7:30 pm
Regular run: Thursday, October 5 – Saturday, November 11, 2017
Curtain Times: Thursday, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm
Special Halloween Show: Tuesday, October 31 at 7:30 pm
Tickets: Previews $22 in advance ($25 at door). Regular run $34 in advance ($39 at door). Tickets are currently available at www.handbagproductions.org and stage773.com, by calling 773-327-5252, or in person at the Stage 773 box office. 
 
About the Creative Team
 
Ron Weaver (Book, Music and Lyrics) moved to Chicago 18 years ago as an Equity Stage Manager at The Writers Theatre in Glencoe. A long-time fan of Hell in a Handbag Productions, he is currently working as box office manager at the North Shore Center for the Performing Arts in Skokie, and on numerous other theatrical projects. Ron holds an MFA in Theatre Technology and Management from the University of Illinois at Urbana/Champaign. This is his first play to be produced.
 
Aaron Benham (Music and Lyrics) First time in the bag!  Chicago credits: Side Show, Scottsboro Boys, Putting it Together (Porchlight); Xanadu (ATC); The Wild Party (Jeff Award), Carrie (Bailiwick Chicago); Always Patsy Cline, A Tribute to the Andrews Sisters (Jeff Award) (Theo-Ubique); also work with About Face, Chicago Opera Theater, Montana Shakespeare, Second City, Writers. BFA, Emerson College.
 
Brigitte Ditmars (Director/Choreographer) is a proud Handbag Alumni having performed in several Handbag productions including the original Poseidon! An Upside-Down Musical, multiple Rudolph the Red-Hosed Reindeers and originated the role of Mary Anderson in the 2006 production of Caged Dames. She provided choreography for countless other Handbag productions including multiple incarnations of Rudolph the Red-Hosed Reindeer, the original Lady X and the 2010 remount of Poseidon! An Upside-Down Musical, for which she received a Joseph Jefferson Award Nomination. Previous directing credits include Rock of Ages (Timber Lake Playhouse); Maybe Baby, It's You and Nunsense (Fox Valley Repertory); Model 736 (Collaboraction). She has received two Joseph Jefferson Awards for Achievement in Choreography for Reefer Madness (Circle Theatre) and Pinafore! (Bailiwick Repertory), as well as three additional nominations. Notable choreography credits include Peter and the Starcatcher (Metropolis Performing Arts Center); Xanadu (American Theatre Company); The Producers (Mercury Theatre); American Idiot (Northwestern University); Mr. Burns: A Post-Electric Play (Theater Wit); Hey! Dancin'! Hey! Musical! (Factory Theatre); Cinderella (Emerald City Children’s Theatre); Forever Plaid (Fox Valley Repertory); Improbable Frequency (Strawdog Theatre).
 
About Hell in a Handbag Productions

Hell in a Handbag is dedicated to the preservation, exploration, and celebration of works ingrained in the realm of popular culture via theatrical productions through parody, music and homage. Handbag is a 501(c)(3) Not for Profit.
 
For additional information, visit www.handbagproductions.org.

 

Collaboraction, Chicago's social issue-driven contemporary theater, announced today its line-up of 24 world premiere short pieces for PEACEBOOK, a free, collaborative city-wide festival of theater, dance, music, visual art and spoken word, all focused on cultivating peace in Chicago.

Actor David Dastmalchian (Twin Peaks), Sandra Delgado (La Havana Madrid), GQ (Q Brothers), Kevin Coval (Louder Than a Bomb), noted director Mignon McPherson Stewart, Sir Taylor (Example Setters) and Bril Barrett (Making a Difference Dance) are among the artists and activists creating fresh new works in support of Chicago's peace movement. 

Each piece is seven minutes or less, and range from solos to large collaborations. 

In sum, the 24 "chapters" that comprise PEACEBOOK unite more than 200 artists, from household names to neighborhood peace activists, all intent on creating real connections with Chicagoans in communities around the city.
 
PEACEBOOK launches with a one-day, marathon premiere of all 24 chapters on Saturday, August 26, 2017 in the Goodman's 350-seat flexible Owen Theatre, 170 N. Dearborn St., Chicago. Show times are 3 p.m. (PEACEBOOK Englewood), 5:30 p.m. (PEACEBOOK Hermosa) and 8 p.m. (PEACEBOOK Austin). 

All three programs are presented free of charge. Free ticket reservations, with an option to donate what you can, will launch Wednesday, July 19 at 10 a.m. To reserve tickets and for more information, visit collaboraction.org/peacebook2017, email This email address is being protected from spambots. You need JavaScript enabled to view it. or call Collaboraction, (312) 226-9633.
 
Following their Goodman debuts, the 24 acts will be divided into three programs of eight works that will tour to these south, west and north side neighborhoods next fall as part of the Chicago Park District's Nights Out in the Parks program:
 
PEACEBOOK Englewood
Hamilton Park, 513 W. 72nd St.
Thursday and Friday, October 5 and 6 at 7 p.m.
Saturday, October 7   Dome of Dance competition at 3 p.m., community meal and peace panel at 4 p.m., show at 5 p.m.
 
PEACEBOOK Hermosa
Kelvyn Park, 4438 W. Wrightwood Ave.
Thursday and Friday, October 19 and 20 at 7 p.m.
Saturday, October 21   Dome of Dance competition at 3 p.m., community meal and peace panel at 4 p.m., show at 5 p.m.
 
PEACEBOOK Austin
La Follette Park, 1333 N. Laramie Ave.
Thursday and Friday, November 2 and 3 at 7 p.m.
Saturday, November 4  Dome of Dance competition at 3 p.m., community meal and peace panel at 4 p.m., show at 5 p.m. 

Park performances are free. Each night features a different musical guest. Before every Saturday show is a free community meal and peace fair with panels, workshops and community organizations from a diverse array of Chicago peacemakers.
 
"In these times of rising homicides and racial tension in Chicago, we believe in the power of theater to incite empathy, knowledge, dialogue and change around peace in Chicago," said Collaboraction Artistic Director Anthony Moseley. "With over 200 artists from all throughout the city and partnerships with the Goodman Theatre and the Chicago Park District, we are establishing PEACEBOOK as a place for our city to come together around this most critical social issue with our future at stake." 
 
For PEACEBOOK updates, visit collaboraction.org, follow the company on Twitter, Facebook, Tumblr, YouTube or Instagram, or call the Collaboraction box office, (312) 226-9633.

More about the plays

The following 24 prayers for peace were selected from over 100 submissions of theater, dance and spoken word works, all envisioning a more peaceful Chicago:

PEACEBOOK Englewood (Hamilton Park):
 
Dandelions
by Marsha Estell, directed by Mignon McPherson Stewart
A heartfelt story about loss and how violence and peace are not always mutually exclusive.
 
Example Setters
by The Example Setters
A spoken word piece by teens who want to set the Example in the city of Chicago.
 
#Hashtag Who's Next The Musical
written and directed by Frederick Alphonso
A song that invites us to join/live the justice revolution through facing our constructed narratives around crime.
 
Hoods
by Kaye Winks, directed by Schoen Smith
The Chicago family, made up of different neighborhoods in the city, sits down for a group art therapy session to talk out their long-established communication problems.
 
June-Dastmalchian Collaboration (working title)
devised by David Dastmalchian and Aisha June
LA film, TV, and stage actor, David Dastmalchian (The Dark Knight, Ant Man, Twin Peaks) returns to Chicago to team up with Collaboraction Teen Peacemaker ensemble member, Aisha June, to write and perform in a devised work about peace in Chicago.
 
Obama, the Musical
by Yuri Basho Lane, directed by Elizabeth Lovelady
A beat-box musical examining Barack Obama in three stages of his life.
 
Triumphs, Burdens, and Laughs
choreographed by Elysia Banks
South Side native, Elysia Banks, choreographed this dance piece to highlight the resilience of South Side communities and pay homage to their grit and fortitude.
 
What Do You See?
by Brian Keys, directed by Kristina Valada-Viars
Keys' solo show examines the confrontation between a black man and society that takes us to the core of our prejudices.

 
PEACEBOOK Hermosa (Kelvyn Park):
 

Barbarism
by Jason Grote, directed by Iris Sowalt
A woman with PTSD and apocalyptic survivor's guilt takes audiences on an exploration of the gilded cages in her mind as she reveals the fragility of the human spirit.
 
Conflict
devised by the Collaboraction Teen Peacemaker Ensemble, directed by Luis Crespo
The Collaboraction Teen Peacemaker Ensemble grapples with the real cost of hate in Chicago and its future.
 
Eckhart Park Echoes
by Nancy Garcia Loza, directed by Juan Castaneda
A peaceful protest by way of storytelling. Garcia Loza's solo show offers a snapshot of her aunt's life as it unfolded on a Chicago block for forty years in West Town.
 
Finding a Loving Motherland
devised by Sami Hussain Ismat
A satirical tragi-comedy about a refugee escaping Syria only to encounter ridiculous bureaucratic and racial discrimination, fear of white supremacy in Trump's America, and crime in his new neighborhood.
 
A People's History of the Block
by Kevin Coval
Coval, of Louder Than a Bomb, explores peace through the words of real Chicagoans he met while touring with his newest poetry book, "A People's History of Chicago."
 
Recipe for Peace
devised by Dionne Hawkins
Tune into this cooking show where the host prepares the ingredients to create peace, by the artistic director of the Austin Town Hall Theatre Company.
Rangel-Delgado Collaboration (working title)
adapted and directed by Sandra Delgado, from the writings of Sammy Rangel
Acclaimed Chicago actress Sandra Delgado collaborates with peace activist and TED Talk standout Sammy Rangel, author of "Fourbears: Myths of Forgiveness," to tell his inspirational story of hope and redemption.
 
We'll Be Doing This Together
by Ann Kreitman
This non-traditional, interactive theater piece asks the audience to create gentle and joyful connections between strangers.

 
PEACEBOOK Austin (La Follette Park):

17 to (New) Life
devised by GQ and Tyrone Taylor
GQ of the Q Brothers and Tyrone Taylor co-create and perform this ritual of healing based on Taylor's real life events, including murder, incarceration, freedom and search for transformation.
 
Some Thoughts On Race and Racism In Chicago From Some People Who Aren't Sure What To Do And Who Sat Down And Talked About It
by Sarah Illiatovitch-Goldman, directed by Josh Sobel
This piece of verbatim theatre talks about race through white eyes, using words from a collection of interviews that shed light on how we see ourselves and each other as a community.
 
Dear Masculinity
by Eneale Pickett, directed by Rain Wilson
This play, by a west side native, is a collection of letters written by men to their masculinity.
 
EmpoWOMENt
devised by Bril Barrett
A team of female dancers proved tap-dance can be an effective form of protest and a powerful catalyst for change in this work choreographed by the acclaimed founder of M.A.D.D. (Making a Difference Dancing).
 
High and Dry
by Greg Hardigan, directed by Genevieve Fowler
A man has a chance encounter with a woman on the street and must confront his role in creating peace in Chicago.
 
The High Priestess
devised by Dr. Laura Biagi
Inspired by the two cards of the major Arcana of the Tarot, this performance art piece revolves around the power to give social meaning to sounds and the concept of failing and undoing by meditating on four alphabets: Sanskrit, Arabic, Hebrew and Latin.
 
The Making of an Example Setter
by Sir Taylor, directed by Anthony Moseley
Collaboraction Artistic Director Anthony Moseley teams up with the leader of The Example Setters, former Jesse White Tumbler and member of the U.S. Olympics team, Sir Taylor, to tell a new story of healing in Chicago. 
 
Quiet Time
by Erica Mann Ramis, directed by Nat Swift
A woman's thoughts are played out on stage as she meditates in an effort to navigate the maze of her grief after the loss of her husband. 

About Collaboraction

Collaboraction (collaboraction.org) collaborates with artists, community activists, and citizens from throughout the city to create original theatrical experiences that push artistic boundaries and explore critical social issues with a diverse community of Chicagoans. Collaboraction has worked with over 3,000 artists to bring more than 60 productions and events to upwards of 250,000 audience members.

Production highlights include Collaboraction's acclaimed series of Crime Scene productions responding to Chicago's current crime epidemic, 15 years of the SKETCHBOOK Festival, Sarah Moeller's Forgotten Future: The Education Project in 2014, 2010's Chicago premiere of 1001 by Jason Grote, 2008's world premiere of Jon by George Saunders and directed by Seth Bockley, and 2007's The Intelligent Design of Jenny Chow: an instant message with excitable music by Rolin Jones.
Collaboraction, based on the third floor of Wicker Park's historic Flat Iron Arts Building with three theatre spaces, is led by Artistic Director Anthony Moseley and a dedicated staff and board of directors. Collaboraction is supported by Bloomberg Philanthropies, The Gaylord and Dorothy Donnelley Foundation, Richard H. Driehaus Foundation via the MacArthur Foundation, and the Wicker Park & Bucktown SSA #33 Chamber of Commerce. This program is partially supported by a grant from the Illinois Arts Council Agency.

For tickets and information, visit collaboraction.org or call (312) 226-9633. 

Firebrand Theatre, the first musical theatre company committed to employing and empowering women by expanding opportunities on and off the stage, is pleased to announce the appointment of Kimberly Lawson as Managing Director. 
 
Comments Artistic Director Harmony France, “Kimberly has vast administrative experience from her time at Victory Gardens and Lookingglass Theatres. She believes strongly in our mission of employing and empowering women and for standing up for inclusion and diversity in theatre. Not to mention she is an inspiring artist herself. I think she is a perfect fit for Firebrand Theatre and look forward to what we will be able to achieve together.”
 
About Kimberly Lawson
 
Kimberly Lawson is thrilled to be joining the team of Firebrand Theatre. Originally from St. Louis, MO, Kimberly has worked with over 20 theaters in the Chicago area as a theater administrator and performer. Currently the Manager of Audience Services of Lookingglass Theatre, she previously held the position of Director of Audience and Venue Services at Victory Gardens Theater. As performer, she was most recently seen in Andre DeShields' Confessions of a P.I.M.P at Victory Gardens Theater. Kimberly is also an active cabaret singer, and is a member of Chicago Cabaret Professionals. Her latest show, WOZ, was nominated for a BroadwayWorld Chicago award after playing sold out performances at Davenport's Piano Bar, Victory Gardens and Stage 773. She will be returning to the Davenport's stage in August with her latest show, She Plays the Violin.
 
Firebrand Theatre’s inaugural season begins this fall with the Chicago premiere of LIZZIE, a rock musical based on the true-life story of accused axe-murderess Lizzie Borden, playing November 11 – December 17, 2017. The season concludes next spring with the musical comedy 9 TO 5 THE MUSICAL, based on the hit movie of the same name about three working women fighting for equality in a sexist workplace, playing April 7 – May 20, 2018. Both productions will be presented at The Den Theatre's Bookspan Theatre, 1333 N. Milwaukee Ave. in Chicago. For tickets and additional information, visit firebrandtheatre.org.
 
Mission Statement
 
FIREBRAND THEATRE is a musical theatre company committed to employing and empowering women by expanding their opportunities on and off the stage. Firebrand is a 501(c)(3) Equity theatre.
 
Company members: Artistic Director: Harmony France, Managing Director: Kimberly Lawson, Advisory Board: Lili-Anne Brown, Brenda Didier, Kate Garassino, Emjoy Gavino, Amber Mak, Danni Smith, Company Members: Kasey Alfonso, Sydney Charles, Adelina Feldman-Schultz, Amanda Horvath, Jon Martinez, Eric Martin, Amelia Jo Parrish and Andra Velis-Simon.

 

Chicago Loop Alliance (CLA) launches its second ACTIVATE event of the year with Wasteland: Dispose and Discover on Wednesday, July 26 from 5-10 p.m. at the Chicago Theatre Alley (enter on Benton Place at State St). Guests who RSVP in advance at loopchicago.com/activate will receive a complimentary drink ticket for beer, wine, or cocktail at the event.
 
The 2017 ACTIVATE series invites the public to explore the pulse of daily life that the alley embodies. Art and programming will focus on a different aspect of alley life for each event. Wasteland explores the alley as the space where we dispose of unwanted stuff – and discover discarded objects that continue to hold value. Through a series of interactive art installations using discarded objects and trash receptacles as the primary materials, the event highlights the story of our trash and the alley’s role as garbage hotspot. 
 
The identity of the practical, hardworking alley is inextricably linked to trash. Chicagoans, who each throw out about one ton of garbage per year, make frequent trips to the alley dumpster. But, as the old adage goes, “one man’s trash is another man’s treasure.” Picture an alley picker’s excitement to find an old footstool lounging by the trash can. Imagine a scrapper stacking old pipes and a rusty stove in his retrofitted pickup. Curators Duncan Bindbeutel and Desmond Naranjo have created an array of activities and installations that highlight the alley’s main function: a wasteland for the discarded.

Flametube, a kinetic sculpture designed by Joshua T. Gilbert made of repurposed materials (such as recycled cell phone chargers and salvaged car components) that shoots flames in response to musical input.

Mystery Cans from artist Kelly Wyatt, whose contents will mystify patrons as new and mysterious forms emerge from not-so-ordinary trash and recycling cans throughout the night.

Propagation, a robotic flower made of reclaimed materials and cutting-edge 3D printed components, programmed to move, grow, and respond to the audience from industrial designer Steven Krejcik and software developer Paul Kirby.

On Garbage Pond, a large functional fountain sculpted by Devon Bonstein made from items found in Chicago alleys.
 
The Portal, a monumental structure overlaid with an illuminated scene of alley activities returns to amplify the ACTIVATE experience. By their very nature, alleys are voids – the space between buildings. The Portal provides a sense of arrival and puts the alleyway in play with the streetscape. Designed by PORT Urbanism, the structure will display a photo montage comprised of contemporary and historic images to support each theme, inspiring passersby to give an alley a second glance and wonder about its history.
 
The remaining 2017 ACTIVATE events on August 24 and September 28 will explore the alley as a channel pulsating with power lines and a hideaway where we can cavort and misbehave away from the eyes of the street. Dates are subject to change. Specific location and event details will be posted two weeks prior at loopchicago.com/activate.
 
Over the past three seasons, ACTIVATE has generated nearly $1.7 million in estimated economic impact to Loop businesses, with nearly $1 million in 2016 alone. More than 47,000 people have attended ACTIVATE over the course of the series. “Linger Longer” is a program of exclusive offers and promotions to drive traffic to CLA business members before and after each event.   
 
ACTIVATE sponsors include: School of the Art Institute of Chicago as presenting sponsor; PNC Bank, Lagunitas Brewing Company, Little Things, and CH Distillery as title sponsors; Vitacoco and RX Bar as event sponsors; and TimeOut Chicago as media sponsor.
 
About Chicago Loop Alliance
Chicago Loop Alliance (CLA), the sole service provider for Special Service Area 1-2015, creates, manages, and promotes high-performing urban experiences, attracting people and investment to the Loop. For more information, please visit www.LoopChicago.com.
 
About ACTIVATE
ACTIVATE is a series of pop-up arts programs that encourage visitors to see the Loop anew. ACTIVATE transforms alleys and other urban locations into creative exhibition spaces that bring artists and the public together for an evening of exploration, interaction, and celebration of the arts. Chicago Loop Alliance launched the initiative in 2014.

 

Victory Gardens Theater announces the lineup for the 2017 IGNITION Festival of New Plays, including Tuvaluor The Saddest Song by Antoinette Nwandu; This Land Was Made by Tori Sampson; Spin Moves by Ken Weitzman; Tell Them I'm Still Young by Julia Doolittle; Wolf Play by Hansol Jung; and Suspension by Kristiana Rae Colón. The 2017 Festival runs August 4-6, 2017 at Victory Gardens Theater, located at 2433 N Lincoln Avenue. All readings will be free and open to the public, though a reservation is encouraged. For more information or to RSVP, visit www.victorygardens.org/ignition or call the Victory Gardens Box Office at 773.871.3000.
 
INGITION’s six selected plays will be presented in a festival of readings and will be directed by leading artists from Chicago. Following the readings, any number of the plays may be selected for intensive workshops during Victory Gardens Theater’s 2017-18 season, and Victory Gardens may produce these plays in an upcoming season.
 
“At Victory Gardens,​we bridge Chicago communities through innovative and challenging new plays by giving playwrights the time and space to develop their work. We are thrilled to welcome these six remarkable and unique voices in the American theater to our IGNITION Festival,” comments Artistic Director Chay Yew. “These playwrights not only reflects the challenges in our current political climate, but push us to imagine a greater future.”
 
"This year’s lineup exemplifies the current political and cultural zeitgeist of our city and country: a young girl’s journey to self-empowerment, a movement towards a revolution, the role basketball plays in international peace, how to recover from the loss of a child, America’s role in Korean adoptions, and the ancestral power of #blackgirlmagic. Come experience these new plays and hear what they have to say about the world in which we live," remarks Director of New play Development Isaac Gomez.  
 
The 2017 Lineup Includes:
 
Friday, August 4, 2017 at 7:30 p.m.
Tuvalu, or The Saddest Song by Antoinette Nwandu
It is Los Angeles in the mid-nineties, and Jackie-girl is at a crossroads. This lyrical and powerful coming of age story with a soundtrack asks how the girls whose mothers’ lives have been tainted by abuse, violence, poverty and shame ever grow into healthy and empowered women. 
 
About Antoinette Nwandu
Antoinette Nwandu is a New York-based playwright via Los Angeles. Her play Pass Over is currently receiving its World Premiere production at Steppenwolf in June 2017, and her play Breach will receive a World Premiere at Victory Gardens in February 2018. She is currently under commission from Echo Theater Company in Los Angeles. Antoinette’s plays have been supported by the Cherry Lane Mentor Project (mentor: Katori Hall), Kennedy Center, Page73, Ars Nova, PlayPenn, Space on Ryder Farm, Southern Rep, The Flea, Naked Angels, Fire This Time, and The Movement Theater Company. Honors include a spot on the 2016 Kilroys list, the Lorraine Hansberry Playwriting Award, the Negro Ensemble Company’s Douglas Turner Ward Prize, and a Literary Fellowship at the Eugene O’Neill Playwrights Conference. Antoinette is an alum of the Ars Nova Play Group, the Naked Angels Issues PlayLab, and Dramatists Guild Fellowship. Additional honors include being named a Ruby Prize finalist, PONY Fellowship finalist, Page73 Fellowship finalist, NBT’s I Am Soul Fellowship finalist, and two-time Princess Grace Award semi-finalist. Education: Harvard, The University of Edinburgh, Tisch School of the Arts.
 
IGNITION Opening Night Kick-Off at 9:30 p.m.
Victory Gardens Theater Lobby
Stick around for this opening night celebration with a live DJ, delicious appetizers, and complimentary drinks as we raise a glass to kick off our IGNITION Festival of New Plays.
 
Saturday, August 5, 2017 at 3:00 p.m.
This Land Was Made by Tori Sampson
Oakland in 1967 was a powder keg of social activism about to boil over into radical action that would soon change how the whole country engaged in politics. For the patrons of Miss Trish’s Bar, however, these ain’t nothing but talking points—that is, until the full seductive and explosive force of the revolution walks through the door.
 
About Tori Sampson
Tori Sampson is a recent graduate of Yale School of Drama, where her credits include This Land Was MadeSome Bodies Travel and If Pretty Hurts Ugly Must be a Muhfucka. Her plays have been developed at Great Plains National Theater Conference and Berkeley Repertory Theater’s The Ground Floor residency program. She holds an Honorable Mention from the 2016 Relentless Award, is the Kennedy Center’s 2016 Paula Vogel Playwright and second-place Lorraine Hansberry recipient. She is a 2017 finalist for the Alliance Theater’s Kendeda Prize. Tori’s other plays include, Cadillac Crew, Black Girl Nerd and Cottoned Like Candy. Her short play, She’s our President, will be produced by Baltimore Center Stage as part of the My America: She commission. Tori is currently working on a commission from Berkeley Repertory Theater and will spend the next year as a Jerome Fellow at The Playwrights' Center in Minneapolis.  A native of Boston, Massachusetts, she holds a B.S. in sociology from Ball State University in Muncie, IN.
 
Bringing New Plays To Life at 5:00 p.m.
Panel Conversation
Richard Christiansen Theater
Victory Gardens is home to some of the richest and boldest new plays premiering across the country. In a city where audiences are hungry for new theatre work, what is the current state of new play development and its future? What are the best practices for new play collaborations? Join this timeless conversation on the new play process featuring IGNITION playwrights Antoinette Nwandu, Tori Sampson, Ken Weitzman, Julia Doolittle, Hansol Jung, and Kristiana Rae Colón.
 
Saturday, August 5, 2017 at 7:30 p.m.
Spin Moves by Ken Weitzman
It's 1996, the inaugural year of the WNBA, and Maja dreams of playing high school basketball - but having escaped to the U.S. from the war in Bosnia, panic attacks prevent her from playing the game she loves. That is, until a new coach appears at her high school. He helps Maja to face her fears, but his unorthodox tactics alarm Maja’s fiercely protective mother.
 
About Ken Weitzman
Ken Weitzman’s most recent play, Halftime with Don is in the midst of a 2017 National New Play Network Rolling World Premiere. Ken's previous productions include, among others, The Catch (The Denver Center Theatre Company), Fire in the Garden (Indiana Repertory Theatre), The As If Body Loop (Humana Festival), Arrangements (Atlantic Theatre Company). His devised work includes, Memorabilia (Alliance Theatre), Hominid (Out of Hand Theatre/Theatre Emory/Oerol Festival Netherlands), and Stadium 360 (Out of Hand Theatre).  Plays-in-progress include Spin Moves (New Harmony Project) and seal boy (Keen Company Playwrights Lab, The Lark’s Meeting of the Minds, (Playwrights’ Center of Minneapolis). National Awards include The L. Arnold Weissberger Award for Playwriting for Arrangements, TCG Edgerton Foundation New American Play Award for The Catch, the Fratti/Newman Political Play Contest Award for Fire in the Garden, and South Coast Repertory’s Elizabeth George Commission for an Outstanding Emerging Playwright Organizations who have commissioned Ken’s work include the San Francisco Museum of Modern Art, Arena Stage, the Alliance Theatre, Actors Theatre of Louisville, Theatre Emory, Out of Hand Theatre, and South Coast Repertory Theatre. Ken is a Core Writer at the Playwrights Center of Minneapolis, and a former board member of The New Harmony Project. Ken received his MFA from University of California, San Diego and has taught at UCSD, Emory University, Indiana University (head of MFA in Playwriting) and, currently, at Stony Brook University.  
 
Artist Meet, Greet, & Ice Cream Social at 9:30 p.m.
Victory Gardens Theater Lobby
Hang out with the playwrights and artists while cooling off with boozy ice cream floats at this post-show artist meet & greet. 
 
Sunday, August 6, 2017 at 12:00 p.m.
Tell Them I'm Still Young by Julia Doolittle
Allen and Kay are approaching sixty-five when their only daughter is killed in a car crash. Now parents without children, the two struggle to renegotiate their identities and their marriage, as the entrance of two young people revives a painful longing for what's been lost: their family and their futures.  
 
About Julia Doolittle
Julia Doolittle is a Brooklyn-based playwright and screenwriter whose work has been developed at the Williamstown Theatre Festival, Rattlestick Playwright's Theatre, The Tank, Tiny Rhino, The Women's Project, Ensemble Studio Theatre, Urban Stages, and Rogue Machine Theatre. She is a 2016 recipient of the Elizabeth George Commission from South Coast Rep. Upcoming, the Samuel French Off-Off-Broadway Play Festival.
 
Sunday, August 6, 2017 at 3:00 p.m.
Wolf Play by Hansol Jung
An American father un-adopts a Korean boy but just before he leaves the new house, the ex-father finds out that the new couple to whom he has “re-homed” his ex-son, is lesbian. This doesn't sit well with ex-father at all. The boy is actually not a real boy. He is a puppet. And his puppeteer is the Emcee of the evening, and spinner of the night’s tale: a lone wolf. 
 
About Hansol Jung
Hansol Jung is a playwright and director from South Korea. Productions include Cardboard Piano (Humana Festival at Actors Theater of Louisville), Among the Dead (Ma-Yi Theatre Company), and No More Sad Things (co-world premiere at Sideshow Theatre, and Boise Contemporary Theatre). Commissions from Playwrights Horizons, Seattle Repertory Theatre, Artists Repertory Theater, the Virginia B. Toulmin Foundation grant with Ma-Yi Theatre and a translation of Romeo and Juliet for Play On! at Oregon Shakespeare Festival. Her work has been developed at The Public Theater, Royal Court, New York Theatre Workshop, Berkeley Repertory’s Ground Floor, Sundance Theatre Lab, O’Neill Theater Center’s New Play Conference, Lark Play Development Center, Salt Lake Acting Company, Boston Court Theatre, Bushwick Starr, Ma-Yi Theater Company, Asia Society New York, and Seven Devils Playwright Conference. She is the recipient of the Page 73 Playwright Fellowship, Rita Goldberg Playwrights’ Workshop Fellowship at the Lark, 2050 Fellowship at New York Theater Workshop, MacDowell Colony Artist Residency, and International Playwrights Residency at Royal Court. She has translated over thirty English musicals into Korean, including Evita, Dracula, Spamalot, and The 25th Annual Putnam County Spelling Bee, while working on several award winning musical theatre productions as director, lyricist and translator in Seoul, South Korea. Hansol holds a Playwriting MFA from Yale School of Drama, and is a member of the Ma-Yi Theatre Writers Lab.
 
The Race Race at 5:00 p.m.
Panel Conversation
Richard Christiansen Theater
In a country so divided and polarized by topics of race, how are these conflicts reflected in the dramatic arts? What role does theater play in conversations around race and how can it begin the process of healing and understanding? Join IGNITION and Chicago-based playwrights as we begin to uncover the role race plays in creating new work. 
 
Sunday, August 6, 2017 at 7:30 p.m.
Suspension by Kristiana Rae Colón
On the 100th day of 45's first term, two Black teen girls stage a coup of the authoritarian regime of Climb & Succeed Charter Academy, a not-so-dystopian high school where campus security patrols the halls in riot gear and a new disciplinary code takes in-school suspension to a haunting extreme. Voltaire & Yansa, guided by a mystic teaching artist, learn to wield their ancestral magic and blackgirl badassery to combat the harrowing militarization of public education. 
 
Performances are at the Victory Gardens Biograph Theater, 2433 N. Lincoln Avenue, in the heart of Chicago’s Lincoln Park neighborhood. Admission to all festival readings and events is free, though an RSVP is required. For more information or to RSVP, visit www.victorygardens.org/ignition/ or call the Victory Gardens Box Office at 773.871.3000.
 
For more information about Victory Gardens, visit www.victorygardens.org.  Follow us on Facebook at Facebook.com/victorygardens, Twitter @VictoryGardens and Instagram at instagram.com/victorygardenstheater/

 

 
Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, announces the addition of Cry It Out, written by Molly Smith Metzler, to close its 43rd season, May 10 – June 17, 2018. The previously announced The Legend of Georgia McBride, directed by Lauren Shouse, has been re-scheduled to open the season, playing September 14 - October 22, 2017, replacing Bruce Graham’s Sanctions. 
 
Cry It Out was commissioned by Actors Theatre of Louisville and premiered at the Humana Festival of New American Plays in spring 2017. Northlight's production, directed by Jessica Fisch, will be the first outside of the Festival.
 
Cooped up on maternity leave and eager for conversation, Jessie invites the funny and forthright Lina for coffee in their neighboring backyards. They become fast friends, quickly bonding over their shared “new mom” experience—and arousing the interest of a wealthy neighbor hoping for a similar connection. This insightful comedy takes an honest look at the absurdities of new motherhood, the dilemma of returning to work versus staying at home, and how class impacts parenthood and friendship.
 
Molly Smith Metzler‘s plays include Elemeno PeaThe May Queen, Carve, Training Wisteria and Close Up Space (Susan Smith Blackburn Prize finalist).  Regional Theatre: South Coast Repertory, the O’Neill National Playwrights Conference, Chautauqua Theater Company, Geva Theatre Center, and City Theatre Company, among others. Off-Broadway: Manhattan Theatre Club. Awards include the Lecomte du Nouy Prize from Lincoln Center, the Kennedy Center National Student Playwriting Award, the Association for Theatre in Higher Education’s David Mark Cohen Award, and the Mark Twain Comedy Prize. Metzler is an alum of Ars Nova’s Play Group and the Dorothy Strelsin New American Writers Group at Primary Stages. She is currently under commission at Manhattan Theatre Club and South Coast Repertory. Television: Codes of Conduct (HBO); Casual (Hulu); Orange Is the New Black (Netflix). Metzler was educated at State University of New York Geneseo, Boston University, New York University’s Tisch School for the Arts, and The Juilliard School.
  
The 2017-18 Season is now as follows:
 
THE LEGEND OF GEORGIA MCBRIDE
By Matthew Lopez
Directed by Lauren Shouse
September 14 - October 22, 2017

A down-on-his-luck Elvis impersonator has an overdrawn checking account and a baby on the way. When a drag show takes over the entertainment at the Florida Panhandle bar where he performs, he’ll also be out of a job…unless he’s willing to step into some high heels. This heartwarming, music-filled comedy celebrates the unexpected path to finding your true voice.
 
THE BOOK OF WILL
By Lauren Gunderson
Directed by Jessica Thebus
November 9 – December 17, 2017

William Shakespeare wrote some of the world’s most beloved plays – but without his friends, they may have been lost to history! Follow the members of Shakespeare’s own company as they cunningly navigate the production of the First Folio in 1623. They may not have any money or clear-cut rights to his work, but they’re armed with wit, humor, a deep camaraderie and a passion to preserve the plays that shaped their lives. With the help of their wives and colleagues, two actors set out not only to print a collection, but to uphold a legacy for the world.
 
SKELETON CREW
By Dominique Morisseau
Directed by Ron OJ Parson
January 25 – March 4, 2018

At the start of the Great Recession, rumors of impending closure surround one of the last auto plants in Detroit. The nation’s financial crisis gets personal as each of the workers confronts the life-altering choices they must make if their plant goes under, while the supervisor is torn between allegiances to his makeshift family of co-workers and management’s “cost-saving” demands. When pushed to the limits of survival, how far over the lines are people willing to cross?
 
The third play in Dominique Morisseau’s Detroit trilogy, Skeleton Crew was named one of Time Magazine’s 10 Best Shows of the Year.
 
THE BEAUTY QUEEN OF LEENANE
By Martin McDonagh
Directed by BJ Jones
Featuring Kate Fry
March 15 – April 22, 2018

This Tony Award-winning dark comedy is set in the provincial Irish town of Leenane. Forty-year-old spinster Maureen Folan lives with her manipulative aging mother Mag, stuck in a caretaking relationship that has them both seething with resentment. When a romantic encounter finally sparks Maureen’s hopes for an escape from her dreary existence, Mag’s interference sets in motion a chain of events that is as tragically funny as it is terrifying.
 
CRY IT OUT
By Molly Smith Metzler
Directed by Jessica Fisch
May 10 – June 17, 2018

Cooped up on maternity leave and eager for conversation, Jessie invites the funny and forthright Lina for coffee on their neighboring patios. They become fast friends, quickly bonding over their shared “new mom” experience—and arousing the interest of a wealthy neighbor hoping for a similar connection. This insightful comedy takes an honest look at the absurdities of new motherhood, the dilemma of returning to work versus staying at home, and how class impacts parenthood and friendship.
 
Curtain times are: Tuesdays at 7:30 p.m.; Wednesdays at 1:00 p.m. and 7:30 p.m.; Thursdays at 7:30 p.m.; Fridays at 8:00 p.m.; Saturdays at 2:30 p.m. and 8:00 p.m.; Sundays at 2:30 p.m. and 7:00 p.m.
 
Subscriptions to the 2017-18 Northlight Season are available through the box office, 9501 Skokie Boulevard in Skokie, by phone at 847.673.6300 or online at northlight.org. With its wide range of ticket prices, discounted subscription packages and complimentary parking, Northlight remains of one of the best theatrical values in Chicagoland. 
 
Subscriptions range in price from $99-$250.  A limited number of season subscriptions for the Opening Night performances (also includes a reception with the cast) are available for $325, subject to availability.  Northlight subscribers will have the first chance to purchase additional tickets before they go on sale to the general public. For more information, visit northlight.org.
 
Northlight Theatre aspires to promote change of perspective and encourage compassion by exploring the depth of our humanity across a bold spectrum of theatrical experiences, reflecting our community to the world and the world to our community.
 
Now in its 42nd season, the organization has mounted over 200 productions, including nearly 40 world premieres. Northlight has earned 198 Joseph Jefferson Award nominations and 34 Awards. As one of the area’s premier theatre companies, Northlight is a regional magnet for critical and professional acclaim, as well as talent of the highest quality.
 
Northlight is supported in part by generous contributions from Allstate Insurance; the Paul M. Angell Family Foundation; Robert & Isabelle Bass Foundation; BMO Harris Bank; Henrietta Lange Burk Fund; The Elizabeth F. Cheney Foundation; The Chicago Community Trust; ComEd, An Exelon Company; The Davee Foundation; Edgerton Foundation for New American Plays Award; Evanston Community Foundation; Full Circle Foundation; Illinois Arts Council, a state agency; Kirkland & Ellis Foundation; The John D. and Catherine T. MacArthur Foundation; Melvoin Award for Playwriting; Modestus Bauer Foundation; National Endowment for the Arts; Niles Township; The Offield Family Foundation; The Pauls Foundation; Room & Board; Sanborn Family Foundation; Dr. Scholl Foundation; The Shubert Foundation, Inc.; The Harold and Mimi Steinberg Charitable Trust; The Sullivan Family Foundation; and Tom Stringer Design Partners.
 

 

 

Red Theater Chicago announces the start of their 6th season with their upcoming production of The Elaborate Entrance of Chad Deity by Kristoffer Diaz, directed by Jeremy Aluma. Performances run August 15 through September 16, 2017 at Strawdog Theatre, 1802 W Berenice Ave, Chicago, IL 60613.


THE PLAY
How does one pursue the “American Dream” in a country that refuses to offer opportunity indiscriminately? That is the question at the heart of The Elaborate Entrance of Chad Deity, a flashy American satire set in the professional entertainment wrestling world. We follow Macedonio Guerra, an excellent Puerto Rican wrestler, as he rises from the bottom of the pecking order. In this interactive physical comedy, Mace talks directly to the audience as fans in his arena, drawing the viewer into the struggle, joy, and heart of the story. The play dissects race, xenophobia, ego, and our moral compass – topics even more relevant now than when it premiered eight years ago. Winner of the 2011 Obie Award for Best New American Play, a 2009 Pulitzer Prize Finalist, and the 2008 National Latino Playwriting Award.


CALENDAR LISTING
WHO: Red Theater Chicago
WHAT: The Elaborate Entrance of Chad Deity by Kristoffer Diaz, directed by Jeremy Aluma.
WHERE: Strawdog Theatre, 1802 W Berenice Ave, Chicago, IL 60613
WHEN:
Friday, August 18 at 8pm (press opening)
Saturday, August 19 at 8pm 
Sunday, August 20 at 4pm 
Thursday, August 24 at 8pm
Friday, August 25 at 8pm
Saturday, August 26 at 8pm 
Sunday, August 27 at 4pm (touch tour)
Monday, August 28 at 8pm (captions)
Thursday, August 31 at 8pm (captions)
Friday, September 1 at 8pm
Saturday, September 2 at 8pm 
Sunday, September 3 at 4pm 
Thursday, September 7 at 8pm
Friday, September 8 at 8pm
Saturday, September 9 at 8pm 
Sunday, September 10 at 8pm (understudy show)
Thursday, September 14 at 8pm
Friday, September 15 at 8pm
Saturday, September 16 at 8pm (closing)


TICKETS: Tickets go on sale online July 24, 2017 at redtheater.org

TICKETS, DATES & INFORMATION
The Elaborate Entrance of Chad Deity runs Thursdays through Saturdays at 8:00 PM, and Sundays at 4:00 PM August 15, through September 16, 2017, with an additional Monday performance on August 28 with captions. Captions will also be provided on Thursday, August 31 at 8:00 PM. A touch tour will be offered on Sunday, August 27 at 4:00 PM. Tickets go on sale online July 24, 2017 at redtheater.org. **Previews are Tuesday, August 15 through Thursday, August 17 at 8:00 PM. The Elaborate Entrance of Chad Deity will be performed at Strawdog Theatre’s new home at 1802 W Berenice Ave, Chicago, IL 60613. The theater is fully accessible and CTA accessible via the Irving Park Brown Line train or the #11 Lincoln bus.

 

Page 5 of 11

 

 

10 Years! Fave Issue Covers

Register

Latest Articles