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Route 66 Theatre Company is pleased to announce the line-up for its 6th annual Mile Markers Benefit Concert: REVOLUTION: SONGS OF PROTEST AND EMPOWERMENT on Friday, March 10, 2017 at Mayne Stage, 1328 W. Morse Ave. in Chicago. Tickets for MILE MARKERS are currently available at http://www.brownpapertickets.com/event/2879219.

 

Featuring performances and music direction by acclaimed composer/lyricist Michael Mahler and directed by Tammy Mader, this year’s concert will also feature Missy Aguilar, Audrey Billings, Brianna Borger, Jonathan Butler-Duplessis, Dara Cameron, Vasily Deris, Devin DeSantis, Dina DiCostanzo, Don Forston, Lara Filip, Sophie Grimm, Heidi Kettenring, Diana Lawrence, Adam Michaels, Andrew Mueller, Matthew Mueller, Malcolm Ruhl, Stephen Schellhardt, Bethany Thomas, Stef Tovar, Keely Vasquez and Byron Willis. The all-star band includes Jim Barclay, Liam Davis, Bob Gilmartin and Scott Stephenson.

 

Door open at 7 pm for a cash bar, light bites, silent auction and raffle followed by a night filled with music from the '60s through today. Mile Markers is the cornerstone of Route 66 Theatre Company’s fundraising efforts and directly supports the 2017 season.

 

EVENT DETAILS:

 

Title: REVOLUTION: SONGS OF PROTEST AND EMPOWERMENT

Music Director: Michael Mahler

Director: Tammy Mader

Date/Time: Friday, March 10 at 8 pm. Doors open at 7 pm for cash bar, light bites, silent auction and raffle.

Location: Mayne Stage, 1328 W. Morse Ave, Chicago

Tickets: General Admission: $45 (Balcony or Main Floor SIDE seating includes ONE standard drink ticket). Reserved Seating: $60 (Main Floor CENTER seating includes ONE standard drink ticket) Premium VIP Booth Seats $400 (includes 4 seats and 8 standard drink tickets and valet parking).Tickets are currently available at http://www.brownpapertickets.com/event/2879219.

 

Biographies:

 

Michael Mahler (Concept and Music Direction) is the Jeff Award-winning composer/lyricist of Diary of a Wimpy Kid, October Sky, The Man who Murdered Sherlock Holmes, Hero, Wonderland: Alice's Rock & Roll Adventure, Something in the Game, and others. He contributed additional lyrics to the new Broadway production of Miss Saigon and created the original English libretto for Boublil and Schönberg's La Revolution Francaise. Michael is a Jeff-Nominated actor most recently seen as Seymour in Little Shop of Horrors at American Blues, and he plays guitar in his band The Lincoln Squares. www.michaelmahler.com

 

Tammy Mader (Director) occasionally puts her musical theatre foot into the waters of rock & roll, mostly directing Route 66 Mile Marker concerts, which include Joshua Tree, Bridge Over Troubled Water, Jagged Little Pill (+redux), The Nightmare Before Christmas and Purple Rain. Other rock & roll endeavors: directed and choreographed Buddy: The Buddy Holly Story at Drury Lane Theatres in Oakbrook and Water Tower Place; directed and choreographed the musical Hairspray; belted out some ‘60s girl group ditties in Shout!; roller-skated in spandex & leather while singing Olivia Newton John hits in Xanadu; collected enough tip money during Pump Boys And Dinettes to buy beer for the company for the entire run; played Ernie the Keebler Elf in a rock-opera called Leo On Ice for the annual Leo Burnett Breakfast at the Chicago Theatre; played a ukulele in a band called Ethyl & The Mermen. 

 

Route 66 Theatre Company

 

Route 66 Theatre Company introduces, develops, produces, and exports new work for the stage. The road begins with our new play development process and reaches west, where our World and Chicago Premiere shows are given an advocate for further regional productions along the road less traveled from Chicago to Los Angeles. Since the company’s founding, Route 66 has produced 10 productions, 2 in two cities including an Off-Broadway premiere, been nominated for ten Jeff Awards and won two. Route 66 is now a resident company of The Den Theatre. www.route66theatre.org

 

Route 66 is Stef Tovar, Founder and Artistic Director; Rachel Wendte, Managing Director; Deborah Blumenthal, Director of New Play Development; Alana Parvey-Zalas, Business Manager; Matthew Bonaccorso, Company Manager and Kelly Parker, Casting Director

 

Route 66 Theatre Company Artistic Associates: Brian Sidney-Bembridge, Audrey Billings, Johnny Clark, Brandon Dahlquist, Raymond Fox, Damon Kiely, Ron Klier, Jenni Lamb, Tyler Meredith, John Mohrlein, Kelly Parker, Geoff Rice, Emily Rohm, Tricia Small, Jeremy Sonkin, Alex Stage, Nancy Staiger, Erica Stephan, Bethany Thomas, Rita Vreeland, Steven Wilson, Rachel Wendte and Emily Woods.

 

Route 66 Theatre Company Board of Directors: Jennifer Baumann, President; Deborah Haimes, Vice-President of Communications; Nicholas Stone, Treasurer; Molly Crabtree, Secretary; Elizabeth Derrico, David and Monica Byrd, Lee Dickson, James Frenzel, Laurie Hamilton, Tammy Rosenszweig, Pat Turnbull and Robert Veasey.

 

Route 66 Theatre Company’s 9th Season is presented by generous grants from MacArthur Funds for Arts and Culture at the Richard H. Driehaus Foundation, Gaylord and Dorothy Donnelly Foundation, Illinois Arts Council Agency and DCASE CityArts. 

 

Lookingglass Theatre Company, in association with Dark Harbor Stories, present the U.S. Premiere of Beyond Caring, written and directed by Alexander Zeldin. Beyond Caring runs March 22 – May 7, 2017 at Lookingglass Theatre Company, located inside Chicago's historic Water Tower Water Works, 821 N. Michigan Ave. at Pearson. 

 

Unseen. Unheard. Unknown. At the margins of society, on the knife-edge of survival, they work for low wages, in harsh conditions. No safety net. No insurance or protections. No guarantee of work tomorrow.

 

This critically-acclaimed piece, most recently produced at the UK’s National Theatre and re-imagined for Chicago by writer/director Alexander Zeldin, is a gritty portrait of those who cling precariously to the bottom rung of the ladder. Full of life, humor, and tenderness, it sheds light on America’s shadow economy and shines an unflinching spotlight on the incendiary intersection of race and class.

 

Beyond Caring is produced in association with Dark Harbor Stories. Dark Harbor Stories is a company led by David Schwimmer and Tom Hodges dedicated to producing original stories with a social conscience in theatre, television and film. Lookingglass Ensemble Member David Schwimmer brought this project to Lookingglass, and is working closely with writer/director Alexander Zeldin on the production, and collaborating with Lookingglass to develop the necessary attention and funds for this exciting project.

 

Playwright and director Alexander Zeldin comments, “This opportunity in the US is a totally new one for me. I’ve found that looking at the lives of those working in the conditions of the temporary economy, the margins of society, says so much about the moral, spiritual, and emotional place that the country is in, much like it did the UK. It tells us about how the sentiment that lives are to be lived with dignity, respect and a sense of value is only a hollow set of words. But it says something else, too—here in the US, it tells us about race in this country. So we’re not just remaking the play with US actors. We’re continuing the inner work and the research to make a new Beyond Caring born out of these conditions in a deep collaboration with these actors, as well as with the deep involvement of workers here.”

 

The cast of the U.S. Premiere of Beyond Caring includes Caren Blackmore (Ebony-Grace), Ensemble Member J. Nicole Brooks (Tracy), Keith D. Gallagher (Ian), Edwin Lee Gibson (Phil) and Wendy Mateo (Sonia).

 

The creative team for Beyond Caring includes Ensemble Member Daniel Ostling (scenic and lighting design), Ensemble Member Mara Blumenfeld (costume design), Josh Anio Grigg (sound design and composition) and Amanda Herrmann (props design). Tess Golden is the Production Stage Manager.

 

Community Partners for Beyond Caring include: Chicago Humanities Festival, The Chicago Urban League, Chicago Worker’s Collaborative, The Jewish Women’s Foundation of Metropolitan Chicago, Latino Union of Chicago, Latinos Progresando, Leadership Greater Chicago, and Women Employed.

 

REFLECT Panels

REFLECT is a curated series of post-show discussions featuring panelists with a range of viewpoints and expertise on the content and context of the play. Discussions take place directly following the 2 p.m.­ matinee on select Sundays at Lookingglass Theatre. The discussions are free and open to the public.

 

April 9: Division Street: Race, Class, and Who’s in Charge

The temporary labor work force in Chicago relies upon division between races to help keep wages low and workers disunited. What are the strategies and techniques that achieve this? What are potential strategies and techniques for overcoming it? How have racial and ethnic hierarchies shifted over time?

 

April 16: The State of the Union: Will Collective Bargaining Survive?

Chicago has been a hub of union organizing and a stronghold of collective bargaining. At the same time, it remains one of the biggest open markets for temporary labor in the country. What are the obstacles to unionizing the temporary labor workforce? Would unionization be a good thing? How do other labor unions feel about temporary laborers? How do unions stay relevant? Should they?

 

April 23: Welcome to The Jungle: Chicago Workers Then and Now

Chicago has long used immigrant labor to populate its stockyards, mills, warehouses, and factories. Why has it historically been a destination for both people and goods? Who benefits from this system, and who suffers? Is upward mobility a reality? How long does it take for “the American dream” to become manifest, or alternately, to wither and die?

 

April 30: Power Dynamics: Women in Today’s Workforce

What are the obstacles and issues uniquely faced by women in the workplace? How has the societal view of working women changed, and is it changing still? In what ways do double-standards for men and women remain? How are our conversations about equal pay, family leave, sexual harassment, life/work balance and other issues evolving?

 

Wednesday, May 3 (following the 7:30 p.m. performance): The Ethics of Investigative Journalism

How do reporters serve their multiple constituents: their readers/audience, their sources, their media outlets? When should a reporter go “undercover” to get the “inside scoop” of the on-the-ground realities? And if they do, when should they disclose their true identity? How is this similar to the investigative process for artists or others researching a subject? The Ethics of Investigative Journalism panel discussion is moderated by Chicago Humanities Foundation’s Alison Cuddy.

 

May 7: Crossing the Atlantic: Beyond Caring in the U.K. and the U.S.

Beyond Caring was originally produced in England in response to the temporary labor force and working conditions there. In adapting the production to reflect Chicago realities, what was similar and what was different about the development process? Join the conceiver and director of the production, Alexander Zeldin, for a unique conversation.

 

 

About the Artists

ALEXANDER ZELDIN (Writer/Director) is a writer and director for theatre. His critically-acclaimed play Beyond Caring had its World Premiere at The Yard Theatre in Hackney in 2014, before transferring to the Temporary Theatre at the National Theatre in London in 2015. In 2015, Alex was the recipient of The Quercus Trust Award and was appointed as Associate Director at The Birmingham Repertory Theatre. Beyond Caring toured the UK in 2016 and his new play LOVE opened at the National Theatre in London in December 2016 to rave reviews. As of 2017, he will be resident director at the National Theatre where his upcoming work will premiere.

CAREN BLACKMORE (Ebony-Grace) is making her Lookingglass debut with Beyond Caring. She was last seen in Court Theatre's production of Electra. Her Chicago theatre credits include: a one woman show, The MLK Project: The Fight For Civil Rights (Writers Theatre), Spill (TimeLine Theatre), Jitney! (Court Theatre), The Joe Tex Story (Black Ensemble Theater), and she has also worked with Pegasus Players, Stockyards Theatre Project, Theater Wit, The Loop Players, Congo Square Theatre Company, eta Creative Arts Foundation and MPAACT. Caren has attended New Freedom Theatre in Philadelphia and is a graduate of Oberlin College and the Eugene O'Neill National Theater Institute

J. NICOLE BROOKS (Tracy/Lookingglass Ensemble Member) is an actor, wordsmith, and director. Recent stage credits include the acclaimed comedy Immediate Family directed by Phylicia Rashad (Goodman Theatre; Mark Taper Forum), and Lucas Hnath’s Death Tax (Lookingglass Theatre). She is author of Black Diamond: The Years the Locusts Have Eaten (published by Methuen), Fedra Queen of Haiti (published University of Illinois Press) and has several plays in development. Directing credits include Thaddeus & Slocum: A Vaudeville Adventure, Black Diamond, and Mr. Rickey Calls a Meeting (Lookingglass Theatre). Prized ribbons: TCG Fox Foundation Resident Actor Fellowship, National Endowment for the Arts, LA Ovations, African American Theatre Alliance of Chicago, Jeff Award Nominations, and Black Theater Alliance Awards.

 

KEITH D. GALLAGHER (Ian) is making his Lookingglass debut. Chicago: Mary Page Marlowe, Marie Antoinette (Steppenwolf Theatre Company); The Gospel of Franklin, Man in Love (Steppenwolf First Look); Awake and Sing, The Lieutenant of Inishmore (Northlight Theatre); Shining City (Goodman Theatre); Tracks (TUTA Chicago); Arcadia (Court Theatre); The Real Thing (Remy Bumppo Theatre Company). Regional: A Raisin in the Sun (Geva Theatre Center); The Gospel According to James (Indiana Repertory Theatre); The Lieutenant of Inishmore (The Repertory Theatre of St. Louis); Shining City (Huntington Theatre Company). TV: Chicago Fire; Chicago P.D.; Detroit 187.

 

EDWIN LEE GIBSON (Phil) is making his Lookingglass debut. Off Broadway: Love and Information, U.S. premiere (The Minetta Lane Theatre/New York Theatre Workshop); The Seven (New York Theatre Workshop); The Bellagio Fountain Has Been Known To Make Me Cry (Concrete Temple Theatre, NYC); Turquoise (Dixon Place, NYC); The Death of Bessie Smith (New Brooklyn Theatre); The Diary of Black Men (Fairfield Halls, London). Chicago credits: The Royale (American Theater Company); St. James Infirmary (Congo Square Theatre Company). Awards: OBIE Award - Outstanding Performance. TV: recurring role as Orton Freeman on Law and Order: SVU (NBC); Shameless (Showtime). Film: Mom and Dad (Armory Films/Brian Taylor); Marshall (Chestnut Ridge Prods/ Reginald Hudlin); Blood First (NaRa Films).

WENDY MATEO (Sonia) returns to the Lookingglass after last appearing as “Mother-in-Law” in Blood Wedding (2016) and “Maria” in Big Lake Big City (2013). Other Chicago credits include Tumbao: The Misadventures of la Familia Pilón at Steppenwolf Theatre Company’s 1700 Theatre and Don Chipotle produced by The Playground Theater. Wendy can also be seen on the many comedy stages around Chicago and at Mas Mejor online with the comedy duo, Dominizuelan. TV credits include: Shameless (Showtime), Chicago P.D. (NBC), and The Exorcist (FOX).

FACT SHEET/ Beyond Caring

 

Title:  Beyond Caring

In Association with:  Dark Harbor Stories, led by David Schwimmer and Tom Hodges

Written and Directed by:  Alexander Zeldin

Cast:  Caren Blackmore (Ebony-Grace), Ensemble Member J. Nicole Brooks (Tracy), Keith D. Gallagher (Ian), Edwin Lee Gibson (Phil) and Wendy Mateo.

 

Creative Team: Ensemble Member Daniel Ostling (scenic and lighting design), Ensemble Member Mara Blumenfeld (costume design), Josh Anio Grigg (sound design and composition) and Amanda Herrmann (props design). Tess Golden is the Production Stage Manager.

 

Dates:              Previews:  March 22 – March 31, 2017

                        Regular run: April 2 – May 7, 2017

 

Times:            

Wednesdays:  7:30 p.m.

Thursdays: 2:00 p.m. and 7:30 p.m.

Fridays: 7:30 p.m.

Saturdays:  2:00 p.m. and 7:30 p.m.

Sundays:  2:00 p.m. and 7:30 p.m.

           

Location:          Lookingglass Theatre Company, located inside Chicago's historic

Water Tower Water Works, 821 N. Michigan Ave. at Pearson.

  

Prices:  Previews are $35 - $45

Regular Run is $40 - $75

Student tickets are available the day of the show for $20 with a valid student ID. Based on Availability.

Groups of 8 or more patrons save up to 20%. Call 773-477-9257 X 125 or email This email address is being protected from spambots. You need JavaScript enabled to view it. details.

 

Box Office:      Buy online at lookingglasstheatre.org

or by phone at (312) 337-0665

The Lookingglass box office is located at Water Tower Water Works,

821 N. Michigan Ave.

 

Age Recommendation: Beyond Caring is recommended for ages 18+. The production contains adult sexual situations, language and nudity.

 

Accessible

Performances: Open Captioned performance, Thursday, April 20, 2017 at 7:30 p.m.

Touch Tour/Audio Described performance, Thursday, April 27, 2017 at 7:30 p.m.

(Touch Tour begins at 6 p.m.).  More information: lookingglasstheatre.org/access

 

Additional Programs: REFLECTPost-Show Panel Series - Lookingglass’ REFLECT Series is a curated selection of post-show discussions featuring panelists with a range of viewpoints and expertise on the content and context of each production. These wide-ranging conversations, moderated by artistic staff, offer an opportunity for Lookingglass audiences and guests to engage with the vision and visionaries behind each show, get a behind-the-scenes glimpse at the unique Lookingglass process, and hear from artists, academics and authorities with diverse perspectives on the material. REFLECT post-show panel discussions take place directly following the 2 p.m. matinees at Lookingglass Theatre. The discussions are free and open to the public. lookingglasstheatre.org/reflect

 

Theatre Night Out for Young Professionals – Thursday, April 20, 2017

Join members of the Lookingglass Junior Board and other young professionals at every production! With a complimentary pre or post-show reception at one of our partner restaurants, Theatre Night Out is a great way to meet other young people who are passionate about theatre. More details TBA. lookingglasstheatre.org/under35  

 

 

 

About Lookingglass Theatre Company

Inventive. Collaborative. Transformative. Lookingglass Theatre Company, recipient of the 2011 Regional Theatre Tony Award, was founded in 1988 by eight Northwestern University students. Now in its 29th season, Lookingglass is home to a multi-disciplined ensemble of artists who create story-centered theatrical work that is physical, aurally rich and visually metaphoric. The Company has staged 64 world premieres, received 143 Joseph Jefferson Awards and nominations, and work premiered at Lookingglass has been produced in New York City, Los Angeles, Seattle, Berkeley, Philadelphia, Princeton, Hartford, Kansas City, Washington D.C., Atlanta, Louisville and St. Louis. Lookingglass original scripts have been produced across the United States. In 2016, Lookingglass received the MacArthur Award for Creative and Effective Institutions.

 

The Lookingglass Theatre in Chicago's landmark Water Tower Water Works opened in June 2003. In addition to developing and presenting ensemble work, Lookingglass Education and Community programs encourage creativity, teamwork and confidence with thousands of community members each year.

 

Lookingglass Theatre Company continues to expand its artistic, financial and institutional boundaries under the guidance of Artistic Director Heidi Stillman, Executive Director Rachel Kraft, Producing Director Philip R. Smith, Connectivity and Engagement Director Andrew White, General Manager Michele Anderson, a 24 member artistic ensemble, 23 artistic associates, an administrative staff and a dedicated board of directors led by Chairman John McGowan of CTC| myCFO (a part of BMO Financial Group) and President Nancy Timmers, civic leader and philanthropist. For more information, visit lookingglasstheatre.org.

 

The plot twists, outrageous circumstances and fast-paced narrative style of the telenovela arrive on the Goodman stage this spring in Destiny of Desire—Karen Zacarías’ “terrifically entertaining theatrical roller coaster, directed to perfection by José Luis Valenzuela” (The Los Angeles Times). Filled with original live music—arranged and performed in English and Spanish by Rosino Serrano—and movement by choreographer Robert Barry Fleming, Destiny of Desire is Zacarías’ smart, subversive and comic study of the clashes of the haves and have-nots that simultaneously honors and parodies the beloved Latin American TV serial drama. Destiny of Desire, produced in association with South Coast Repertory, appears March 11 through April 16 (opening night is March 20) in the Albert Theatre. Tickets ($20-$75; subject to change) are available at GoodmanTheatre.org/Destiny, the box office (170 N. Dearborn) or by phone at 312.443.3800. Details about special events and performances—including “A Date with Destiny” March 15 Scenemakers Board fundraiser for young professionals, “Drama and Desire” March 16 Women’s Night and $10 College Night—appear below. Hoy is the Media Sponsor.

 

“We are thrilled to welcome back Karen Zacarías, one of our most gifted writers, to the Goodman with this delightful new play,” said Artistic Director Robert Falls. “If you’re a fan of the telenovela, you’ll relish the twists and turns that are an essential part of the genre’s allure; if it’s your first experience, I think you’ll be charmed by Karen’s wit, ingenuity and sobering insights into the issues that confront us today. Either way, I predict you’ll be seduced by the unique pleasures of the telenovela as translated to the stage.”

 

When women take destiny into their own hands, the world transforms! On a stormy night in small town Mexico, two baby girls are born—one to poverty, one to privilege—then secretly switched. Eighteen years later the girls meet, brought together by misfortune. Or is it fate? The 11-member company includes Esperanza America, Elisa Bocanegra, Eduardo Enrikez, Evelina Fernández, Fidel Gomez, Cástulo Guerra, ​​​Ricardo Gutierrez, Ruth Livier, Mauricio Mendoza, Ella Saldana North and Rosino Serrano. The creative team includes François-Pierre Courture (sets), Julie Weiss (costumes), Pablo Santiago (lights), John Zalewski (sound), Serrano (composer/music director) and Fleming (choreography).

 

“I think the moment is right for a theatrically adventurous, wickedly subversive and raucously entertaining play that defies labels while challenging and celebrating a Latino tradition,” said Karen Zacarías, whose previous plays at the Goodman include The Sins of Sor Juana (2010) and Mariela in the Desert (2005). “Destiny of Desire is an act of rebellion, heritage and joy—as well as an aesthetic, artistic and political endeavor. Writing this play has been a joyful experience, and I’m thrilled to share it with Chicago audiences at the Goodman, which I consider an artistic home.”

 

Televised serial dramas of Latin America, Korea, India and beyond are characterized by fast-moving plots, personal stories against political backdrops, music in storytelling, and encouragement of social change. Ugly Betty, Devious Maids, Jane the Virgin and Queen of the South are among U.S. versions of telenovelas. Unlike daytime soaps, telenovelas air during primetime, over the course of roughly 200 episodes (or chapters) up to six nights a week.

 

"It is great to be at the Goodman with this play, which challenges the perception of Mexicans told through the familiar lens of the Telenovela genre,” said José Luis Valenzuela.  “Karen has masterfully created a raucous piece that combines music, humor, and a political edge that culminates in a night of beauty and provocation of what happens when women decide to take over their own destiny."

Karen Zacarías was recently hailed by American Theater Magazine as one of the most produced playwrights in the USA. Other plays premiering in Chicago in 2017 include Native Gardens at Victory Gardens and Into the Beautiful North at 16th Street Theater. Other plays include Mariela in the Desert (World Premiere, The Goodman), The Sins of Sor Juana (productions The Goodman Theater and Teatro Vista), The Book Club Play (16th Street Theater), Legacy of Light (National Steinberg citation winner), the adaptations of Just Like Us (Denver Center), How the Garcia Girls Lost Their Accent (Round House). She collaborated on the libretto for the ballets Sleepy Hollow and Hemingway: The Sun Also Rises for the Washington Ballet at the Kennedy Center for Performing Arts and has written 10 TYA musicals with composer Deborah Wicks La Puma. Her plays have been produced at The Kennedy Center, The Goodman Theater, South Coast Rep, The Guthrie, Cincinnati Playhouse, RoundHouse Theater, GALA Hispanic Theater, Denver Theater Center, Dallas Theater Center and many more. Zacarías is a core founder of the Latino Theatre Commons, a national network that strives to update the American narrative to including the stories of Latinos. She is the founder of Young Playwrights’ Theater, an award-winning theater company that teaches playwriting in local public schools in Washington, D.C. Zacarías lives in D.C. with her husband and three children.    

 

José Luis Valenzuela is the artistic director of the Latino Theater Company (LTC) and The Los Angeles Theatre Center (LATC) and also a professor and head of the MFA directing program at UCLA’s School of Theater, Film and Television. In 2010, under Valenzuela’s leadership, the LATC was nominated for an L.A. Stage Alliance Ovation Award for Best Theatre Season. Valenzuela’s artistic vision and community commitment has garnered numerous recognitions, nominations and awards including the Ann C. Rosenfield Distinguished Community Partnership Prize and the Hispanic Heritage Month Local Hero of the Year Award. He serves on the national steering committee of the Latina/o Theatre Commons and produced the national Latina/o Theatre Festival Encuentro in 2014. Most recently, he directed Destiny of Desire at Arena Stage in Washington D.C. and South Coast Repertory and La Olla – Plautus’s The Pot of Gold for the Latino Theater Company at the LATC.

 

TICKETS, DISCOUNTS AND SPECIAL EVENTS

Tickets ($20-$75) – GoodmanTheatre.org/Destiny; 312.443.3800; Fax: 312.443.3825; TTY/TDD: 312.443.3829

Box Office Hours –12noon - 5pm; on performance days, the box office remains open until 30 minutes past curtain

MezzTix – Half-price day-of-performance mezzanine tickets available at 10am online (promo code MEZZTIX)

$10Tix – Student $10 day-of-performance tickets; limit four, with valid student ID (promo code 10TIX)

Group Sales and dinner/theater packages with Latinicity restaurant are available for parties 10+; 312.443.3820

Gift Certificates – Available in any amount; GoodmanTheatre.org/GiftCertificates

 

“A DATE WITH DESTINY” SCENEMAKERS EVENT – March 15 | 5:30pm reception at Catch 35, 7:30pm performance

Tickets are $65. Join the Scenemakers Board for “A Date with Destiny”—a fateful fundraising event that supports New Play Development at Goodman Theatre. Mingle with Chicago young professionals and experience the kind of exciting new plays the Scenemakers Board works to support. GoodmanTheatre.org/DestinyDate

 

COLLEGE NIGHT – March 15 | 6pm meet-the-artists pizza party, 7:30pm performance

Tickets are $10 using code COLLEGE; includes dinner and performance. Students enjoy a pre-show reception with fellow theater-lovers and cast members, followed by a performance. GoodmanTheatre.org/CollegeNight

 

“DRAMA AND DESIRE” WOMEN'S NIGHT – March 16 | 5:30pm cocktails and dinner at Petterino's, 7:30pm performance. Tickets are $75; includes dinner and performance. Mingle with the city’s best and brightest female leaders. GoodmanTheatre.org/WomensNight

 

ARTIST ENCOUNTER – March 19 at 5pm | The Alice Center for Engagement and Education at Goodman Theatre.  Tickets are FREE. In a special collaboration with Chicago Foundation for Women, join Zacarías for an in-depth conversation about the play, as well as her experience as a female playwright and her role as an artist in advocating for women’s rights. GoodmanTheatre.org/ArtistEncounter

 

ACCESSIBILITY AT GOODMAN THEATRE

 

Touch-Tour, April 8 at 12:30pm – A presentation detailing the set, costume and character elements

Audio-Described Performance, April 8 at 2pm – The action/text is audibly enhanced for patrons via headset

ASL-Interpreted Performance, April 12 at 7:30pm – Professional ASL interpreter signs the action/text as played 

Open-Captioned Performance, April 15 at 2pm – An LED sign presents dialogue in sync with the performance

Visit Goodman Theatre.org/Access for more information about Goodman Theatre’s accessibility efforts.

 

About Goodman Theatre

 

America’s “Best Regional Theatre” (Time magazine) and “Chicago’s flagship resident stage” (Chicago Tribune), Goodman Theatre is a not-for-profit organization distinguished by the quality and scope of its artistic programming and civic engagement. Founded in 1925, the Goodman is led by Robert Falls—“Chicago’s most essential director” (Chicago Tribune), who marks 30 years as Artistic Director this season—and Executive Director Roche Schulfer, who is celebrated for his vision and leadership over nearly four decades. Dedicated to new plays, reimagined classics and large-scale musical theater works, Goodman Theatre artists and productions have earned hundreds of awards for artistic excellence, including: two Pulitzer Prizes, 22 Tony Awards, nearly 160 Jeff Awards and more. Over the past three decades, audiences have experienced more than 150 world or American premieres, 30 major musical productions, as well as nationally and internationally celebrated productions of classic works (including Falls’ productions of Death of a Salesman, Long Day’s Journey into Night, King Lear and The Iceman Cometh, many in collaboration with actor Brian Dennehy). In addition, the Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” For nearly four decades, the annual holiday tradition of A Christmas Carol has created a new generation of theatergoers. 

 

The 2016 opening of the Alice Rapoport Center for Education and Engagement (“the Alice”) launched the next phase in the Goodman’s decades-long commitment as an arts and community organization dedicated to educating Chicago youth and promoting lifelong learning. Programs are offered year-round and free of charge. Eighty-five percent of the Goodman’s youth program participants come from underserved communities.

 

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation of the new Goodman center in 2000.

 

Today, Goodman Theatre leadership includes the distinguished members of the Artistic Collective: Brian Dennehy, Rebecca Gilman, Henry Godinez, Dael Orlandersmith, Steve Scott, Chuck Smith, Regina Taylor, Henry Wishcamper and Mary Zimmerman. Joan E. Clifford is Chair of Goodman Theatre’s Board of Trustees, Cynthia K. Scholl is Women’s Board President and Justin A. Kulovsek is President of the Scenemakers Board for young professionals. 

 

Visit the Goodman virtually at GoodmanTheatre.org—including OnStage+ for insider information—and on Twitter (@GoodmanTheatre), Facebook and Instagram.

 

Producer Jeffrey Seller is thrilled to announce Tony Award® nominee DANIEL BREAKER will join the Chicago company of HAMILTON as Aaron Burr.  He will begin performances on Tuesday, April 11 at The PrivateBank Theatre in Chicago.

 

Mr. Breaker received a Tony Award® nomination for his role as “Youth” in Passing Strange and was most recently seen on Broadway as “Mafala Hatimbi” in The Book of Mormon. 

 

Mr. Breaker will join ARI AFSAR as Eliza Hamilton; MIGUEL CERVANTES as Alexander Hamilton; ALEXANDER GEMIGNANI as King George III, JONATHAN KIRKLAND as George Washington, CHRIS DE’SEAN LEE as Marquis de Lafayette/Thomas Jefferson; JOSEPH MORALES as Mr. Cervantes’ alternate; KAREN OLIVO as Angelica Schuyler, JOSÉ RAMOS as John Laurens/Phillip Hamilton; WALLACE SMITH as Hercules Mulligan/James Madison, and SAMANTHA MARIE WARE as Peggy Schuyler/Maria Reynolds.

 

The Chicago company also includes SAM ABERMAN, JOSÈ AMOR, AMBER ARDOLINO, REMMIE BOURGEOIS, CHLOË CAMPBELL, YOSSI CHAIKIN, CARL CLEMONS-HOPKINS, JOHN MICHAEL FIUMARA, JEAN GODSEND FLORADIN, AARON GORDON, JIN HA, HOLLY JAMES, MALIK SHABAZZ KITCHEN, COLBY LEWIS, DASHÌ MITCHELL, JUSTICE MOORE, SAMANTHA POLLINO, CANDACE QUARRELS, GABRIELLA SORRENTINO, ROBERT WALTERS and AUBIN WISE.

  

Daniel Breaker’s Broadway credits include The Book of Mormon, The Performers, Shrek: The Musical (Drama Desk Nomination), Passing Strange (Tony Award nomination, Drama Desk Nomination, Theatre World Award, Audelco Award)Cymbeline and Well.  His Off-Broadway credits include Loves Labour’s Lost, (Shakespeare in the Park) By The Way, Meet Vera Stark (Second Stage), Passing Strange (The Public Theater), Fabulation (Playwrights Horizons) and Pericles (Red Bull, Culture Project).   London credits include How to Act Around Cops (SoHo Theatre).  Film & TV credits include “Sisters” (with Tina Fey and Amy Poehler), “Limitless” (with Bradley Cooper & Robert De Niro), “He’s Way More Famous Than You,” “Redhook Summer” (dir. Spike Lee), “Passing Strange” (Spike Lee), “Unbreakable Kimmy Schmidt,” “Mozart in the Jungle,” “Unforgettable” and “Law & Order: Criminal Intent.”

 

HAMILTON is the story of America's Founding Father Alexander Hamilton, an immigrant from the West Indies who became George Washington's right-hand man during the Revolutionary War and was the new nation’s first Treasury Secretary.  Featuring a score that blends hip-hop, jazz, blues, rap, R&B, and Broadway, HAMILTON is the story of America then, as told by America now.  

With book, music and lyrics by Lin-Manuel Miranda, direction by Thomas Kail, choreography by Andy Blankenbuehler and musical supervision and orchestrations by Alex Lacamoire, HAMILTON is based on Ron Chernow’s biography of Founding Father Alexander Hamilton.  

 

HAMILTON’s creative team previously collaborated on the 2008 Tony Award ® Winning Best Musical IN THE HEIGHTS.

 

HAMILTON features scenic design by David Korins, costume design by Paul Tazewell, lighting design by Howell Binkley, sound design by Nevin Steinberg, hair and wig design by Charles G. LaPointe, and casting by Telsey + Company, Bethany Knox, CSA.

 

The musical is produced by Jeffrey Seller, Sander Jacobs, Jill Furman and The Public Theater.

 

The HAMILTON Original Broadway Cast Recording – recipient of the 2016 Grammy for Best Musical Theatre Album and a regular on numerous Billboard top 10 lists – is available everywhere nationwide.

 

HAMILTON: The Revolution, Lin-Manuel Miranda and Jeremy McCarter’s book about the making of the musical, is on sale and has been a selection on The New York Times Best Seller List.

 

For more show information visit www.HamiltonOnBroadway.com, www.Facebook.com/HamiltonMusical, www.Instagram.com/HamiltonMusical and www.Twitter.com/HamiltonMusical.

 

ABOUT BROADWAY IN CHICAGO

Broadway In Chicago was created in July 2000 and over the past 17 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining well up to 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including The PrivateBank Theatre, Oriental Theatre, Cadillac Palace Theatre, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place and presenting Broadway shows at The Auditorium Theatre of Roosevelt University.

For more information and performance schedule, visit www.BroadwayInChicago.com.

 

Facebook@BroadwayInChicago ● Twitter@broadwaychicago ● Instagram@broadwayinchicago ● #broadwayinchicago 

 

Wednesday, 22 February 2017 19:13

Writers Theatre Announces 2017-18 Season

Written by

Writers Theatre Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma announce the company’s 2017-2018 six-show season, opening with the World Premiere of Trevor the musical in the Alexandra C. and John D. Nichols Theatre. The production will be directed by Marc Bruni (Beautiful: The Carole King Musical on Broadway), with book and lyrics by Dan Collins, music by Julianne Wick Davis, music direction by Alexander Rovang and choreography by Josh Prince, by special arrangement with U Rock Theatricals. The season will continue with Oscar Wilde’s clever comedy of manners The Importance of Being Earnest directed by Michael Halberstam; Eugene O’Neill’s masterpiece A Moon for the Misbegotten directed by William Brown; and Sam Shepard’s Pulitzer Prize-winning Buried Child, directed by Kimberly Senior in the Alexandra C. and John D. Nichols Theatre, with a production yet to be announced opening the season in the Gillian Theatre, followed by the Chicago Premiere of Lydia Diamond’s Smart People, directed by Hallie Gordon.

 

The 2017-2018 Season marks Writers Theatre’s second full season in the company’s award-winning new home at 325 Tudor Court in Glencoe, designed by Studio Gang Architects. Productions will be presented in two spaces in the theater complex including the 255-seat Alexandra C. and John D. Nichols Theatre as well as the Gillian Theatre, a 50 to 99-seat flexible theatre space.

 

From its very first year, Writers Theatre has brought quality and excellence to the stage while maintaining the company’s hallmark intimacy. The last 25 years have seen unprecedented growth in both the artistic and business arenas as the company has garnered national acclaim and recognition, marked by the celebrated opening of the Theatre’s new facility in February of 2016. With a longstanding reputation for consistent artistic excellence and with strong ties to the community, Writers Theatre has built an award-winning repertoire and serves as a vital and highly regarded company in the Chicagoland theatre community.

 

“This is a particularly ambitious season for us,” says Artistic Director Michael Halberstam. “We are starting to really stretch things in our new home! We are particularly delighted to be in collaboration with such a wonderful array of directors, actors and playwrights. Of particular note, this season marks our first collaboration with a team of New York producers in presenting a powerful world premiere musical, which will launch what is a classic Writers Theatre season. We have our trademark mix of classic revivals and new plays presented with fresh perspective in our two intimate venues. When we set about to build a new home, we wanted to create a theatre that would allow us to continue to pursue our mission, but with much greater sophistication.  This season takes advantage of our new facility by honoring our past while very much looking forward to our future. Stand by for additional news to come! There is one more exhilarating production still to announce!”

 

Season Packages are available at the Box Office, 325 Tudor Court, Glencoe, 847-242-6000 and www.writerstheatre.org.

 

Writers Theatre is pleased to welcome back BMO Harris Bank as the distinguished 2017/18 Season Sponsor, marking the Bank’s seventh consecutive year as season sponsor.

 

 

The Writers Theatre 2017-2018 Season includes:

 

World Premiere

TREVOR THE MUSICAL

Book and Lyrics by Dan Collins

Music by Julianne Wick Davis

Based on the Academy Award-winning film Trevor

Choreography by Josh Prince

Music Direction by Alexander Rovang

Directed by Marc Bruni

August 9 – September 17, 2017

Alexandra C. and John D. Nichols Theatre | 325 Tudor Court, Glencoe

 

Meet Trevor, a 13-year-old boy in 1981 whose vibrant imagination drives a turbulent journey of self-discovery. As he deals with adolescence and all that goes with it, Trevor begins to explore what it means to be himself, influenced by his friends, parents . . . and Diana Ross. 

 

Based on the story that inspired the Oscar-winning film, the charity and the national movement, TREVOR the musical is a coming-of-age story about identity, emerging sexuality and the struggles of growing up in a world that may not be ready for you.  This world premiere musical is directed by Marc Bruni, who helmed the Tony Award-winning production of Beautiful: The Carole King Musical on Broadway.

 

The Trevor Project was created as a result of the Academy Award-winning film that also inspired TREVOR the musical. The Trevor Project is the nation’s only accredited crisis intervention and suicide prevention organization focused on saving young LGBTQ lives. www.TheTrevorProject.org 

 

 

TO BE ANNOUNCED

September 27 – December 17, 2017

The Gillian Theatre | 325 Tudor Court, Glencoe

 

We’re still finalizing details for the first production in the Gillian Theatre next season, and aren’t quite ready to make the project public yet. However, we can tell you that it fits the Writers Theatre style—intimate, engaging and full of captivating performances by top-flight talent.

 

 

THE IMPORTANCE OF BEING EARNEST

Written by Oscar Wilde

Directed by Artistic Director Michael Halberstam

November 8 – December 23, 2017

Alexandra C. and John D. Nichols Theatre | 325 Tudor Court, Glencoe

 

One of the cleverest comedies by one of the greatest writers in the English language, THE IMPORTANCE OF BEING EARNEST introduces us to Jack and Algernon, two charming bachelors who are each living a double life, aided by a fictional alter ego called “Ernest.” But when they fall truly in love with a pair of proper young women, will they be able to bring an end to the charade and convince the formidable Lady Bracknell that they are suitable candidates for marriage? After all, “the one charm about marriage is that it makes a life of deception absolutely necessary for both parties.”

 

Artistic Director Michael Halberstam brings his talent for refreshing the classics to this effervescent comedy of manners. Filled with Wilde’s sparkling wit, piercing social satire and trademark wordplay, this well-loved classic is certain to delight this holiday season!

 

 

A MOON FOR THE MISBEGOTTEN

Written by Eugene O’Neill

Directed by William Brown

February 7 – March 18, 2018

Alexandra C. and John D. Nichols Theatre | 325 Tudor Court, Glencoe

 

In 1920s rural Connecticut, Phil Hogan cobbles together a living on rented farmland that he hopes to someday own outright, when his landlord Jim Tyrone comes into his inheritance. Hogan has driven away his three sons, but his towering daughter Josie understands her father and can hold her own. When the two learn that the land may be sold out from under them, they concoct a plan to save it that ultimately reveals the secret desires that two lonely souls have kept hidden for years.

 

This bittersweet elegy from four-time Pulitzer Prize-winning playwright and Nobel laureateEugene O’Neill offers a moving and powerful exploration of humanity at its basest and most beautiful.  Directed by WT Resident Director William Brown (Company, Doubt: A Parable, The Liar, A Little Night Music and many more), this soaring powerhouse of a play is simultaneously intimate and epic, touching on themes of desire, family and the things we sacrifice for those we love.

 

 

SMART PEOPLE

Written by Lydia Diamond

Directed by Hallie Gordon

March 21 – June 10, 2018

The Gillian Theatre | 325 Tudor Court, Glencoe

 

Four intelligent, attractive and opinionated young urban professionals—a doctor, an actress, a psychologist, and a neurobiologist studying the human brain’s response to race—search for love, success, and identity while also attempting to navigate the intricacies of racial and sexual politics. This whip-smart new play taps into current cultural conversation in an enthralling and provocative way, taking on deep questions of the nature of prejudice with razor sharp wit.

 

Staged in our intimate Gillian Theatre, this sexy, serious and fiercely funny new play explores the inescapable nature of racism and other tricky topics with rapid fire dialogue, shattering assumptions about our culture’s ingrained attitudes of racism, sexism and classism. You’re sure to be captivated by one of the smartest new plays of its time!

 

 

 

BURIED CHILD

Written by Sam Shephard

Directed by Kimberly Senior

May 9 – June 17, 2018 

Alexandra C. and John D. Nichols Theatre | 325 Tudor Court, Glencoe

 

On a cross-country trip from New York to the west coast, Vince and his girlfriend Shelly decide to make a stop at his grandparents’ rural Illinois home. But when they arrive, neither his grandparents, Dodge and Halie, nor his father Tilden and uncle Bradley seem to recognize or remember him. As Vince searches for answers, truths begin to emerge that reveal a deep corrosion of this fragmented family living in a forgotten America.

 

This Pulitzer Prize-winning masterpiece will be newly invigorated for the WT stage by Resident Director Kimberly Senior (Hedda Gabler, The Diary Of Anne Frank, Marjorie Prime, The Scene), drawing audiences deeply into the story of a family fighting to come to grips with an America that may have left them behind.

 

 

SEASON PACKAGES

Writers Theatre season ticket packages provide a convenient theater going experience and guarantee access to all of WT’s highly anticipated productions throughout the season. Six-play subscription packages are available, ranging in price from $249 to $389.

 

Three-play “Pick Your Own” Flex packages that include two productions in the Nichols Theatre and one production in the Gillian Theatre start at $199.

 

Season package subscribers receive exclusive benefits including complimentary ticket exchanges by phone and mail (upgrade fees may apply), a one-year subscription to The Brief Chronicle newsmagazine and more. For a complete list of benefits visit writerstheatre.org.

 

Season Packages are available at the Box Office, 325 Tudor Court, Glencoe, 847-242-6000 and writerstheatre.org.

 

AUDIENCE ENGAGEMENT OPPORTUNITIES:

For additional information about the WT Audience Enrichment programs listed below, visit writerstheatre.org/events.

 

Pre-Show Conversation: Up Close

Join us at 6:45pm before every Thursday evening performance (excluding previews and extension dates) of Trevor the musical, The Importance of Being Earnest, A Moon for the Misbegotten and Buried Child for a 15-minute primer on the context and content of the play facilitated by a member of the WT Artistic Team.

 

Post Show Conversation: The Word

Join us after every Tuesday evening performance (excluding previews and extension dates) for a 15-minute discussion of the play, facilitated by a member of the WT Artistic Team.

 

Post Show Conversation: The Artist

Join us after every Wednesday evening performance (excluding previews and extension dates) for a 15-minute talk-back featuring actors from the production, facilitated by a member of the WT Artistic Team.

 

Sunday Spotlight

This one-hour event extends the conversation on our stages by featuring an expert in a field related to the themes or setting of each play, moderated by a member of the WT Artistic Team. Seating is limited. RSVP is required.

 

The Making of… Series

Writers Theatre will once again host its popular The Making of… Series, providing insight into a different aspect of creating the productions seen on our stages. This one-hour event will feature WT Literary Manager Bobby Kennedy in conversation with an artist associated with each production, discussing their part in bringing the play to life. The Making of… events are FREE and open to the public. Seating is limited. RSVP is required.

 

From Page to Stage Series

Writers Theatre and select North Shore libraries present the 13th annual From Page to Stage Series. This comprehensive series of special events, lectures, readings and film viewings are designed to enhance and enrich the audience experience of WT productions each season.  All events are FREE of charge and open to the public. For more information about the From Page to Stage Series, visit writerstheatre.org/from-page-to-stage-series. From Page to Stage is generously sponsored by Randy L. and Melvin R. Berlin, who have been supporting the program since its inception 13 years ago.

 

Writers Theatre also offers Access Performances, including ASL-interpretation and Open Captioning on select dates for each production.  Please visit writerstheatre.org/accessibility for more information.

 

 

ABOUT WRITERS THEATRE

For more than 25 years, Writers Theatre has captivated Chicagoland audiences with inventive interpretations of classic work, a bold approach to contemporary theatre and a dedication to creating the most intimate theatrical experience possible.

 

Under the artistic leadership of Michael Halberstam and the executive leadership of Kathryn M. Lipuma, Writers Theatre has grown to become a major Chicagoland cultural destination with a national reputation for excellence, being called the top regional theatre in the nation by The Wall Street Journal. The company, which plays to a sold-out and discerning audience of more than 60,000 patrons each season, has garnered critical praise for the consistent high quality and intimacy of its artistry—providing the finest interpretations of both classic and contemporary theatre in its two intensely intimate venues. 

 

In February 2016, Writers Theatre opened a new, state-of-the-art facility. This established the company's first permanent home—a new theatre center in downtown Glencoe, designed by the award-winning, internationally renowned Studio Gang Architects, led by Founder and Design Principal Jeanne Gang, FAIA, in collaboration with Theatre Consultant Auerbach Pollock Friedlander. The new facility, which was recently recognized with LEED Gold Certification for sustainability initiatives, has allowed the Theatre to continue to grow to accommodate its audience, while maintaining its trademark intimacy, resonating with and complementing the Theatre’s neighboring Glencoe community, adding tremendous value to Chicagoland and helping to establish the North Shore as a premier cultural destination.

 

Find Writers Theatre on Facebook at Facebook.com/WritersTheatre or follow @WritersTheatre on Twitter. For more information, visit www.writerstheatre.org.

 

Wednesday, 22 February 2017 19:03

Court Theatre Announces 2017-2018 Season

Written by

Court Theatre proudly announces its 63rd season under the continuing leadership of Charles Newell, Marilyn F. Vitale Artistic Director and Executive Director Stephen J. Albert. The company’s 2017/18 season will feature the lively musical tribute to the hit songs of saxophonist and songwriter Louis Jordan, Five Guys Named Moe, written by Clarke Peters and directed by Resident Artist Ron OJ Parson and Associate Director Felicia P. Fields; an exploration of the complex life of Emily Dickinson with The Belle of Amherst, written by William Luce, directed by Sean Graney and featuring Kate Fry; an electrifying story of love and family with Arthur Miller’s American masterpiece All My Sons, directed by Charles Newell and featuring Timothy Edward Kane and John Judd; the classic family drama Guess Who’s Coming to Dinner, by Todd Kreidler, based on the screenplay by William Rose, directed by Marti Lyons and featuring Jacqueline Williams;and the Chicago Premiere of the story of remarkable Supreme Court Justice Antonin Scalia with The Originalist, written by John Strand.

 

In addition to the mainstage season, Court’s 2014 production of Iphigenia in Aulis will be remounted in California at the invitation of the prestigious Getty Villa. This is the highest achievement for theatres producing Greek or Roman work. Charles Newell, Marilyn F. Vitale Artistic Director, returns to direct the script translated by Court’s Founding Artistic Director Nicholas Rudall, featuring members of the original cast.

 

“From a celebratory musical to a leading American poet, from Arthur Miller’s tragedy of the common man to a stage adaptation of an iconic film and a portrait of a notorious figure in American jurisprudence, Court Theatre welcomes an eclectic and powerful season,” says Charles Newell, Marilyn F. Vitale Artistic Director. “We are thrilled to invite a range of celebrated artists from Chicago and beyond to bring these stories to life for our audiences. It is also a distinct honor to bring our production of Iphigenia in Aulis to the leading American presenter of Classical Greek Theatre as the Getty Villa offers an incomparable setting for the study and enjoyment of the arts and cultures of ancient Greece, Roma, and Etruria.”

 

The 2017/18 Court Theatre Season Up-Close:

Five Guys Named Moe

September 7 - October 8, 2017

A Musical by Clarke Peters

Directed by Ron OJ Parson and Associate Director Felicia P. Fields

Music Direction by Abdul Hamid Royal

Featuring Louis Jordan’s Greatest Hits

 

A lively musical tribute to the hit songs of saxophonist and songwriter Louis Jordan, Five Guys Named Moe introduces Nomax: a broke, newly single guy singing the blues late into the night. Suddenly, five unexpected friends--Big Moe, Four-Eyed Moe, Eat Moe, No Moe, and Little Moe--emerge from his radio to help ease his broken heart. Pioneering musician Louis Jordan’s new approach to jazz paved the way for rock and roll in the 1950s.

 

The Belle of Amherst

November 2 - December 3, 2017

By William Luce

Directed by Sean Graney

Featuring Kate Fry as Emily Dickinson

 

Emily Dickinson's own original poems, diary entries, and letters welcome us into her Massachusetts home, where she shares snippets of joy and creation amongst the heartache of an isolated and misunderstood life.

 

This 1976 play by William Luce offers a glance into the complex life of one of the most prolific poets of our time. Playwright and director Sean Graney returns to Court for the fourth time to direct The Belle of Amherst, with Kate Fry (Electra; Caroline, or Change) starring as Emily Dickinson.

 

All My Sons

January 11 - February 11, 2018

By Arthur Miller

Directed by Charles Newell

Featuring Timothy Edward Kane and John Judd

 

Local businessman and manufacturer Joe Keller developed a bitter history with his business partner after dealing with profound tragedy during World War II. Despite the odds, love blossoms between Joe’s son Chris and his partner’s daughter Ann. Joe is destined to face old dilemmas and defend his decisions in this electrifying family drama.

 

All My Sons established playwright Arthur Miller as an American theater icon, and won the 1947 Drama Critics' Award for Best New Play. Court Theatre’s production is directed by Marilyn F. Vitale Artistic Director Charles Newell and features Timothy Edward Kane (An Iliad; One Man, Two Guvnors; Harvey) and John Judd. 

Guess Who’s Coming to Dinner

March 15 - April 15, 2018

By Todd Kreidler (based on the screenplay by William Rose)

Directed by Marti Lyons

Featuring Jacqueline Williams

 

Matt and Christina Drayton live a modern, white upper-class life in 1960s San Francisco, but their comfortable life is muddled when daughter Joey returns home with John Prentice, a black physician whom she has known for ten days and intends to marry. Suddenly, their longtime progressive values are challenged; Matt and Christina find themselves facing difficult personal questions about the future of their daughter and their family. And unfortunately for the Draytons, Joey and John aren’t their only surprise guests coming to dinner.

 

Chicago Premiere

The Originalist

May 10 - June 10, 2018

By John Strand

 

When a Harvard Law School graduate with decidedly different views takes on a clerkship with Supreme Court Justice Antonin Scalia, one of America’s most brilliant and polarizing figures, she discovers in him an infuriating opponent and an unexpected mentor. Their relationship faces the ultimate test as they confront one of the most polarizing cases to reach the nation’s highest court.

 

Written by Charles MacArthur Award winner John Strand, this daring new work shows just how much passion for the law and risk it takes to defend one’s version of the truth.

 

Additional casting and creative team information to be announced at a later date.

 

Subscription Information

Five, four, and three play subscriptions to Court’s 2017/18 season range from $96 to $300 and are on sale now. To purchase a subscription or to receive more information, call the Court Theatre Box Office at (773) 753-4472, or visit Court’s website at www.CourtTheatre.org. Individual tickets for all shows will be available on August 1st.

 

Court Theatre is guided by its mission to discover the power of classic theatre. Court endeavors to make a lasting contribution to American theatre by expanding the canon of translations, adaptations, and classic texts. Court revives lost masterpieces, illuminates familiar texts, and distinguishes fresh, modern classics. Court engages and inspires its audience by providing artistically distinguished productions, audience enrichment activities, and student educational experiences.

 

Wednesday, 22 February 2017 18:56

Northlight Announces 2017-18 Season

Written by

Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, announces its 43rd season, opening with the World Premiere of Bruce Graham’s Sanctions, directed by BJ Jones and featuring Mary Beth Fisher. The season continues with the Midwest Premiere of The Book of Will,Lauren Gunderson's new play about the creation of Shakespeare's First Folio, directed by Jessica Thebus; followed by the Chicago Premiere of the third play in Dominique Morisseau’s Detroit trilogy, Skeleton Crew, directed by Ron OJ Parson; and Martin McDonagh’s Tony Award-winning dark comedy The Beauty Queen of Leenane,directed by BJ Jones and featuring Kate Fry. Closing out the season is the Midwest Premiere of the heartwarming, music-filled comedy The Legend of Georgia McBride by Matthew Lopez, directed by Vanessa Stalling.

“Our 2017-18 Season brings back playwrights whose work we have been proud to present over the last few years. We're excited about our next world premiere with Bruce Graham, whose writing never fails to jolt us with topicality and humor. We'll also welcome back Lauren Gunderson, who brought us the wildly successful Miss Bennet; Dominique Morisseau, with the final installment of her Detroit trilogy; and Matthew Lopez, author of Northlight audience favorite The Whipping Man. I will be directing Martin McDonagh's The Beauty Queen of Leenane with the incomparable Kate Fry playing Maureen. It's a play I have always wanted to do, now celebrating its 20th Anniversary,” comments BJ Jones. “What thrills me the most is how generously our audience has embraced our efforts to discover new voices, new work, and new talents. In the last few years we have surprised audiences with work that has found its way into the canon nationwide. Our audience is our collaborator in creating art, and for that we are most grateful.”

 

The 2017-18 Season includes:

The World Premiere of

SANCTIONS

By Bruce Graham

Directed by BJ Jones

Featuring Mary Beth Fisher

September 14 – October 22, 2017

As a university nears the end of its probation for past NCAA violations, the athletic department gets back to the big business of college football: recruitment, alumni donations, and games on ESPN. Administrator Claire Torrance is responsible for improving player academics—despite resistance to her methods from the university dean. But when an overeager freshman tutor gets too close to some of the players, a new scandal threatens to blow up the whole program.

 

This biting world premiere comes from the author of Funnyman, White Guy on the Bus and The Outgoing Tide.

 

THE BOOK OF WILL

By Lauren Gunderson

Directed by Jessica Thebus

November 9 – December 17, 2017

William Shakespeare wrote some of the world’s most beloved plays – but without his friends, they may have been lost to history! Follow the members of Shakespeare’s own company as they cunningly navigate the production of the First Folio in 1623. They may not have any money or clear-cut rights to his work, but they’re armed with wit, humor, a deep camaraderie and a passion to preserve the plays that shaped their lives. With the help of their wives and colleagues, two actors set out not only to print a collection, but to uphold a legacy for the world.

 

SKELETON CREW

By Dominique Morisseau

Directed by Ron OJ Parson

January 25 – March 4, 2018

At the start of the Great Recession, rumors of impending closure surround one of the last auto plants in Detroit. The nation’s financial crisis gets personal as each of the workers confronts the life-altering choices they must make if their plant goes under, while the supervisor is torn between allegiances to his makeshift family of co-workers and management’s “cost-saving” demands. When pushed to the limits of survival, how far over the lines are people willing to cross?

 

The third play in Dominique Morisseau’s Detroit trilogy, Skeleton Crew was named one of Time Magazine’s 10 Best Shows of the Year.

 

THE BEAUTY QUEEN OF LEENANE

By Martin McDonagh

Directed by BJ Jones

Featuring Kate Fry

March 15 – April 22, 2018

This Tony Award-winning dark comedy is set in the provincial Irish town of Leenane. Forty-year-old spinster Maureen Folan lives with her manipulative ageing mother Mag, stuck in a caretaking relationship that has them both seething with resentment. When a romantic encounter finally sparks Maureen’s hopes for an escape from her dreary existence, Mag’s interference sets in motion a chain of events that is as tragically funny as it is terrifying.

 

THE LEGEND OF GEORGIA MCBRIDE

By Matthew Lopez

Directed by Vanessa Stalling

May 10 – June 17, 2018

A down-on-his-luck Elvis impersonator has an overdrawn checking account and a baby on the way. When a drag show takes over the entertainment at the Florida Panhandle bar where he performs, he’ll also be out of a job…unless he’s willing to step into some high heels. This heartwarming, music-filled comedy celebrates the unexpected path to finding your true voice.

 

Curtain times are: Tuesdays at 7:30 p.m.; Wednesdays at 1:00 p.m. and 7:30 p.m.; Thursdays at 7:30 p.m.; Fridays at 8:00 p.m.; Saturdays at 2:30 p.m. and 8:00 p.m.; Sundays at 2:30 p.m. and 7:00 p.m.

 

Subscriptions to the 2017-18 Northlight Season are available through the box office, 9501 Skokie Boulevard in Skokie, by phone at 847.673.6300 or online at northlight.org.  Renewals are currently available.  New subscriptions will be available beginning in May 2017.  With its wide range of ticket prices, discounted subscription packages and complimentary parking, Northlight remains of one of the best theatrical values in Chicagoland. 

 

Subscriptions range in price from $99-$250.  A limited number of season subscriptions for the Opening Night performances (also includes a reception with the cast) are available for $325, subject to availability.  Northlight subscribers will have the first chance to purchase additional tickets before they go on sale to the general public. For more information, visit northlight.org.

 

 

Northlight Theatre aspires to promote change of perspective and encourage compassion by exploring the depth of our humanity across a bold spectrum of theatrical experiences, reflecting our community to the world and the world to our community.

 

Now in its 42nd season, the organization has mounted over 200 productions, including nearly 40 world premieres. Northlight has earned 198 Joseph Jefferson Award nominations and 34 Awards. As one of the area’s premier theatre companies, Northlight is a regional magnet for critical and professional acclaim, as well as talent of the highest quality.

 

Northlight is supported in part by generous contributions from Allstate Insurance; the Paul M. Angell Family Foundation; Robert & Isabelle Bass Foundation; BMO Harris Bank; Henrietta Lange Burk Fund; The Elizabeth F. Cheney Foundation; The Chicago Community Trust; ComEd, An Exelon Company; The Davee Foundation; Edgerton Foundation for New American Plays Award; Evanston Community Foundation; Full Circle Foundation; Illinois Arts Council, a state agency; Kirkland & Ellis Foundation; The John D. and Catherine T. MacArthur Foundation; Melvoin Award for Playwriting; Modestus Bauer Foundation; National Endowment for the Arts; Niles Township; The Offield Family Foundation; The Pauls Foundation; Room & Board; Sanborn Family Foundation; Dr. Scholl Foundation; The Shubert Foundation, Inc.; The Harold and Mimi Steinberg Charitable Trust; The Sullivan Family Foundation; and Tom Stringer Design Partners.

 

 

Hold the presses! Hell in a Handbag Productions announced today it will open its 15th season with the world premiere of LADY X – A MUSICAL, a shocking exposé ripped from the headlines of yesteryear! LADY X will replace the previously announced musical VALLEY!, from April 21 – June 11, 2017 at Mary’s Attic, 5400 N. Clark St. in Chicago.  

 

Based on Handbag’s 2010 play of the same name, LADY X – A MUSICAL takes on the black and white crime melodrama films of the ‘30s and ‘40s. It’s the story of seedy nightclubs, the menacing gangsters that run them and the loose women that keep the customers coming back for more! Co-directed by Tommy Bullington and Steve Love with music direction by JD Caudill, the campy new musical parody features a book by Artistic Director David Cerda, music by Cerda and Scott Lamberty. Join Handbag for a glimpse into the world of the 'clip-joint' from days gone by filled with sassy dames, crooked hoods and the regular Joes trying to make a buck. Single tickets and season subscriptions are currently available at www.handbagproductions.org or by calling (800) 838-3006. The press opening is Friday, April 28 at 7:30 pm.

 

Mary Dwight is a gorgeous dame and a tough cookie who knows the score (and then some). Mary spends her nights as a 'clip-joint hostess,' making the customers feel welcome, whether it's sharing a drink with them – or the evening. Mary's got all the angles figured out, until Scarlett Fontanelli (David Cerda) enters the picture. As deadly as she is beautiful, Scarlett will stop at nothing to gain control over this world of underground crime. But Frank Graham, a young idealistic Assistant District Attorney, will stop at nothing to bring Scarlett and the Fontanelli syndicate to its knees. Frank wants justice for decent citizens everywhere and for his sister Barbara, a casualty of the Fontanelli family business.

 

Join Mary and her unforgettable pals, the not so bright Emmy Lou (Elizabeth Lesinski), Estelle (Ed Jones), the good natured tramp with a penchant for funnels and all the good time gals in a tale so startling... so lurid... that only Hell in a Handbag Productions would dare tell it!

 

The production team for LADY X – A MUSICAL includes Austin Lemoine (costume design) and Mealah Heidenreich (props).

 

PRODUCTION DETAILS:

 

Title: LADY X – A MUSICAL

Book: David Cerda

Music: David Cerda and Scott Lamberty

Co-Directors: Tommy Bullington and Steve Love

Music Director: JD Caudill

Choreographer: Steve Love 

Cast: David Cerda (Scarlett Fontanelli), Ed Jones (Estelle) and Elizabeth Lesinski (Emmy Lou). Additional casting to be announced.

 

Dates: Previews: Friday, April 21 at 7:30 pm, Sunday, April 23 at 6 pm and Thursday, April 27 at 7:30 pm

Regular run: Saturday, April 29 – Sunday, June 11, 2017

Curtain Times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 6:00 pm. Please note: there will not be a performance on Sunday, May 7 or Sunday, June 4. 

Tickets: Previews $12. Regular run $26 in advance, $30 at the door. VIP tickets with cocktail $38 and up. Group rates $21 for or more. Tickets are currently available at www.handbagproductions.org or by calling (800) 838-3006.

 

Ten years after their critically acclaimed collaboration on King Lear, Artistic Director Robert Falls and stage and screen star Stacy Keach—both 2015 Theater Hall of Fame inductees—reunite for the world premiere of Pamplona by Jim McGrath. Keach stars as Ernest Hemingway, one of the most acclaimed novelists and short story writers of the 20th century, in this explosive tour de force drama, set during the author’s haunted years following his Pulitzer and Nobel Prize honors. Pamplona marks Keach’s second exploration of the literary legend: he earned a Golden Globe Award and an Emmy Award nomination for his portrayal of Hemingway in the eponymous 1988 television mini-series. Pamplona appears May 19 – June 18 in the Owen Theatre. Tickets ($20-60, subject to change) go on sale Monday, February 20 at 10am online at GoodmanTheatre.org and at 12 noon by telephone, 312.443.3800, or in person at the Goodman Box Office (170 N. Dearborn). Note: The previously-announced Lady in Denmark by Dael Orlandersmith will be rescheduled TBA; Goodman subscribers will receive tickets to Pamplona.   

 

“I am honored to work with Stacy on the world premiere of Jim McGrath’s beautifully rendered work about one of our most charismatic yet complicated literary titans—and a Chicagoland native—Ernest Hemingway,” said Robert Falls who, in addition to King Lear (2006), also directed Keach in Arthur Miller’s Finishing the Picture (2004). “Stacy is a voracious reader, and Hemingway has fascinated him for a long time. The opportunity to dive deep with him to reveal this troubled artist and amazing man—at once a father, husband, lover, wartime correspondent and adventurer—is thrilling.”

 

In McGrath’s new play, after the prize comes the pressure. Basking in the glory of career-defining awards—the 1953 Pulitzer Prize and the coveted Nobel Prize for Literature in 1954—legendary writer Ernest Hemingway insists his best work is yet to come. Five years later, holed up in a Spanish hotel with a looming deadline, he struggles to knock out a story about the rivalrous matadors of Pamplona. But his real battles lie outside the bullfighting arena; in declining health, consumed by his troubled fourth marriage and tormented by the specter of past glories, he must now conquer the deepening despair that threatens to engulf him.  

 

“My fascination with Hemingway began when I was a student at the University of California at Berkeley, where I read In Our Time. I felt as if the author was inside my head, expressing himself with words and attitudes that reflected how I felt—and I became inspired to read everything he wrote,” said Stacy Keach. “When I played him in the 1980s, I was somewhat intimidated; I felt simply too young to fully appreciate the emotional turmoil he had experienced, due to his failing health and his inability to continue writing. This is why I am so excited with the prospect of revisiting this literary giant now, at the right age to fully explore the essence of his later years. The opportunity to work with Bob, with whom I’ve been blessed to collaborate twice before, and work again at Goodman Theatre—so close to where Hemingway grew up—is perfect.”

 

Ernest Hemingway (1899 – 1961) was born in Oak Park, IL, and got his start as a journalist writing for The Kansas City Star after attending Oak Park and River Forest High School. Shortly after, he joined the Red Cross during World War I, receiving the Italian Silver Medal of Bravery in 1918 for assisting soldiers, an experience that would inspire one of his most beloved works A Farewell to Arms (1929). Following the war, he spent time in Paris, befriending the likes of Gertrude Stein, James Joyce and F. Scott Fitzgerald, and published his first collection of stories Three Stories and Ten Poems (1923). Next came his first novel The Sun Also Rises (1926), about a group of British and American expatriates traveling to Pamplona, Spain. Among his many other great works are the Pulitzer Prize-winning The Old Man and the Sea, For the Whom Bell Tolls (Pulitzer Prize nomination), Green Hills of Africa, Death in the Afternoon and To Have and Have Not. On assignment, Hemingway was also present for some of World War II’s most noted events including the liberation of Paris, and received a Bronze Star for bravery for his coverage of the war. Following the war, he spent an extensive amount of time in Cuba and in 1954, shortly after publishing The Old Man and the Sea, received the Nobel Prize for Literature. Hemingway was married four times, often tumultuously, to Elizabeth Hadley Richardson, Pauline Pfeiffer, Martha Gelhorn and Mary Welsh Hemingway. He had three sons, Jack, Patrick and Gregory. Troubled by financial issues, familial burdens and alcohol abuse, Hemingway took his own life in Idaho in 1961.

 

Stacy Keach has maintained a series of performances in motion picture and television projects while continuing to add to his significant achievements on the stage—both classical and Broadway. His most recent motion pictures are director Stephen Gaghan’s Gold, starring Matthew McConaughy, Edgar Ramirez, and Bryce Dallas Howard, and Gotti with John Travolta. Other recent films are Truth (with Cate Blanchett and Robert Redford), Stephen King’s, Cell, (with John Cusack and Samuel L. Jackson,) and Netflix’s Girlfriend’s Day, starring and directed by Bob Odenkirk. His filmography includes John Huston’s Fat City, co-starring Jeff Bridges, Alexander Payne’s Academy Award nominated big screen drama, Nebraska, If I Stay, Bourne Supremacy, Sin City: A Dame To Kill For, The Ninth Configuration, The Heart Is A Lonely Hunter, Doc, Up In Smoke, American History and the classic western, The Long-Riders, which he produced with his brother James Keach. Keach was one of the stars of the NBC comedy series, Crowded.  He recently finished filming a few episodes of award winning Man With A Plan alongside Matt LeBlanc and Kevin Nealon. Prior television includes: Showtime’s Ray Donovan, Starz’s Blunt Talk, CBS’s, Blue Bloods, Fox’s Titus, Mickey Spillane’s Mike Hammer, Two and a half Men, Prison Break, NCIS: New Orleans, and Hot In Cleveland. As a narrator his voice has been heard in countless documentaries and numerous books on tape. He is the narrator on CNBC’s American Greed. Keach has portrayed a constellation of the classic and contemporary stage's greatest roles, and he is considered a pre-eminent American interpreter of Shakespeare. His Shakespearian roles include Hamlet, Henry V, Coriolanus, Falstaff, Macbeth, Richard 3, and King Lear. He also headed the national touring company cast of Frost/Nixon, portraying Richard M. Nixon. Keach’s memoir All in All: An Actor’s Life On and Off the stage, received the Prism Literary Award. Other awards include: Golden Globe, three Obies, three Vernon Rices, two Drama Desks, three Helen Hayes, Emmy and Tony Award nominations, and he won the Prestigious Millineum Recognition Award, the Will Award. Keach was recently inducted into the American Theater Hall of Fame, and received a Hollywood Film Award for Best Ensemble in the film Gold. He also received the 2016 Best Narrator from The Society of Voice Arts and Sciences in the category of Crime and Thriller for his work on Mike Hammer audio novels. Keach was a Fulbright scholar to the London Academy of Music and Dramatic Art, attended the University of California at Berkeley and the Yale Drama School. Of his many accomplishments, Keach claims that his greatest accomplishment is his family: his wife of 30 years, Malgosia, and children Shannon and Karolina.

 

Jim McGrath’s first short play, Trail of the Westwoods Pewee, was presented at the West Bank Theatre in New York City in 1987. The next year saw the production of his first full-length play, Bob’s Guns, at the Director’s Company in New York. In 1992, New Jersey’s Passage Theatre produced his play Roebling Steel. In 1995, the Met Theatre in Los Angeles premiered The Ellis Jump, which won McGrath the Ovation Award for Best Writing of a World Premier Play. For television, he wrote detective stories for Simon & Simon, The Father Dowling Mysteries, Matlock, Mike Hammer and Over My Dead Body, as well as the children’s series Wishbone and Liberty Kids, science fiction series Quantum Leap, Codename Eternity and Dark Realm and the television films Elvis: The Early Years and Silver Bells (starring Anne Heche). He also co-wrote the screenplay for the feature film Kickboxer: Vengeance. In 2012, he produced and wrote the documentary Momo: The Sam Giancana Story, which won Best Documentary Awards at the Bel Air Film Festival and The Monaco International Film Festival. He has taught creative writing courses at Patton State Prison in San Bernardino, California State Home for Veterans in Los Angeles and The Center Theater in Chicago. He was trained as an artist leader with Imagination Workshop, by founders Margaret Ladd and Lyle Kessler in 1983, for which he worked with mentally ill and homeless clients for decades as a theater artist. In 2010, he became Executive Director of Imagination Workshop. McGrath is a native of Dallas, Texas. After graduating SMU, he attended Princeton Theological Seminary for two years before embarking on his playwriting career.

 

Robert Falls is celebrating 30 years as Goodman Theatre Artistic Director this season. His current production, Annie Baker’s adaptation of Uncle Vanya, is on stage now in the Owen Theatre through March 12. Last season, he directed Rebecca Gilman’s Soups, Stews, and Casseroles: 1976, and co-adapted/directed the world premiere of 2666, based on Roberto Bolaño’s internationally celebrated novel, earning a Jeff Award for Best Adaptation. Previous credits include the critically acclaimed production of The Iceman Cometh at the Brooklyn Academy of Music; Gilman’s Luna Gale at the Kirk Douglas Theatre in Los Angeles; and a new production of Mozart’s Don Giovanni for the Lyric Opera of Chicago. Other recent productions include Measure for Measure and the world premiere of Beth Henley’s The Jacksonian. Among his other credits are The Seagull, King Lear, Desire Under the Elms, John Logan’s Red, Jon Robin Baitz’s Three Hotels, Eric Bogosian’s Talk Radio and Conor McPherson’s Shining City; the world premieres of Richard Nelson’s Frank’s Home, Arthur Miller’s Finishing the Picture (his last play), Eric Bogosian’s Griller, Steve Tesich’s The Speed of Darkness and On the Open Road, John Logan’s Riverview: A Melodrama with Music and Gilman’s A True History of the Johnstown Flood, Blue Surge and Dollhouse; the American premiere of Alan Ayckbourn’s House and Garden and the Broadway production of Elton John and Tim Rice’s Aida. Falls’ honors for directing include, among others, a Tony Award (Death of a Salesman), a Drama Desk Award (Long Day’s Journey Into Night), an Obie Award (subUrbia), a Helen Hayes Award (King Lear) and multiple Jeff Awards (including a 2012 Jeff Award for The Iceman Cometh). For “outstanding contributions to theater,” Mr. Falls has also been recognized with such prestigious honors as the Savva Morozov Diamond Award (Moscow Art Theatre), the O’Neill Medallion (Eugene O’Neill Society), the Distinguished Service to the Arts Award (Lawyers for the Creative Arts) and the Illinois Arts Council Governor’s Award.

 

About Goodman Theatre

 

America’s “Best Regional Theatre” (Time magazine) and “Chicago’s flagship resident stage” (Chicago Tribune), Goodman Theatre is a not-for-profit organization distinguished by the quality and scope of its artistic programming and civic engagement. Founded in 1925, the Goodman is led by Robert Falls—“Chicago’s most essential director” (Chicago Tribune), who marks 30 years as Artistic Director this season—and Executive Director Roche Schulfer, who is celebrated for his vision and leadership over nearly four decades. Dedicated to new plays, reimagined classics and large-scale musical theater works, Goodman Theatre artists and productions have earned hundreds of awards for artistic excellence, including: two Pulitzer Prizes, 22 Tony Awards, nearly 160 Jeff Awards and more. Over the past three decades, audiences have experienced more than 150 world or American premieres, 30 major musical productions, as well as nationally and internationally celebrated productions of classic works (including Falls’ productions of Death of a Salesman, Long Day’s Journey into Night, King Lear and The Iceman Cometh, many in collaboration with actor Brian Dennehy). In addition, the Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” For nearly four decades, the annual holiday tradition of A Christmas Carol has created a new generation of theatergoers. 

 

The 2016 opening of the Alice Rapoport Center for Education and Engagement (“the Alice”) launched the next phase in the Goodman’s decades-long commitment as an arts and community organization dedicated to educating Chicago youth and promoting lifelong learning. Programs are offered year-round and free of charge. Eighty-five percent of the Goodman’s youth program participants come from underserved communities.

 

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation of the new Goodman center in 2000.

 

Today, Goodman Theatre leadership includes the distinguished members of the Artistic Collective: Brian Dennehy, Rebecca Gilman, Henry Godinez, Dael Orlandersmith, Steve Scott, Chuck Smith, Regina Taylor, Henry Wishcamper and Mary Zimmerman. Joan Clifford is Chair of Goodman Theatre’s Board of Trustees, Cynthia K. Scholl is Women’s Board President and Justin A. Kulovsek is President of the Scenemakers Board for young professionals. 

 

Visit the Goodman virtually at GoodmanTheatre.org—including OnStage+ for insider information—and on Twitter (@GoodmanTheatre), Facebook and Instagram.

 

Gorilla Tango Originals proudly presents a new take on an old story: “Jack and the Beanstalk: A Panto Adventure” by Jason Peck and directed by Drew Alexander Echales. “Jack and the Beanstalk: A Panto Adventure” is family friendly (best for ages 5 and up), and performs Saturdays at 1pm, March 4-April 22, 2017, at Gorilla Tango Theatre (1919 N. Milwaukee Avenue, Chicago IL 60647). Tickets are $15; lap children (i.e. ages 1 and under) free. Please visit www.gorillatango.com or call 773-598-4549 for tickets and more information.

Oh no! Princess Rose has been kidnapped by the Giant, Blunderbore. Oh my! Jack’s magical beans grew a gigantic beanstalk to the Giant’s castle in the sky. Can Jack climb the beanstalk and rescue the Princess? Or will she have to rescue him instead? Find out in this fun, interactive, gender-bending British Panto*, suitable for the whole family.

*ABOUT BRITISH PANTO (pantomime): British Panto refers to a traditional family-friendly genre that includes songs, gags, slapstick comedy, gender-bending actors, and plenty of topical humor for the adults. Anglophiles will be particularly big fans of this lesser-known theatrical genre making its reappearance and the rest of the audience will be delighted as well. Panto is loud, energetic fun and the perfect family activity.

Says Gorilla Tango Originals Executive Producer, Ellen Domonkos White: “I am very appreciative of the way this particular genre embraces the complexity of gender identity by making it approachable and acceptable. The British Pantomime Dame is fascinating because she is not a Drag Queen; this is a male-identifying actor playing a woman. The actor playing in our Pantomime is very well versed in this style of performance and thoroughly enjoys embracing his feminine side on stage. I am also a big fan of ‘Jack’ being played by a female-identifying actor – it’s refreshing to see the hero played by a woman. I think it’s important for children to see genders in a nontraditional way. And we don’t do it in a way that brings attention to it and turns the show into a political statement; rather, we treat gender in an accessible way.  Maybe it’ll spark a conversation or it might simply help a child embrace different gender-identities. Or maybe they won’t even notice it at all. Ha!”

Author Jason Peck, hailing from London, states: “I've been a fan of the pantomime genre for as long as I can remember, but it wasn't until I became a teenager that I discovered more of the background to it through vaudeville, the U.K equivalent British Music Hall, and the Italian theatrical movement, Commedia dell 'arte. I've wanted to write a pantomime for quite a few years, but with all of the disparate elements that make up a pantomime, it wasn't something that was easy to do. Having been a comedy writer for a while now, I'm delighted to have the opportunity to go back to a genre that I've always wanted to write.”

As Sir Ian McKellen, who twice played Widow Twankey in a Panto version of “Aladdin”, once said: “Panto has everything theatrical–song, dance, verse, slapstick, soliloquy, audience participation, spectacle, cross-dressing and a good plot, strong on morality and romance – what more could you want from a family outing?”

“Jack and the Beanstalk: A Panto Adventure” runs one hour in length.

www.gorillatango.com 1919 N. Milwaukee Ave., Chicago, IL 60647/773-598-4549

 

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