Theatre

Saturday, 17 September 2016 15:27

Review: In the Heights Featured

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Before the colonial history of New York City was hip hop-ified by outrageously talented Broadway composer/writer/actor Lin-Manuel Miranda, a small portion of the city had its own hip hop story to tell. In the Heights, which premiered on Broadway in 2008 and subsequently won the Tony for Best Musical (among four total wins) and Grammy for Best Musical Show album, features a lively ensemble who collectively share the story of their own corner of Manhattan. 

It's appropriate that Chicago's Porchlight Music Theatre chose Miranda's first musical to perform through October, as it will overlap the Chicago premiere of his second musical, the cultural phenomenon Hamilton, which gets its own Loop theater at the end of the month. Like Hamilton, In the Heights is a mixture of brilliantly-crafted rap, (as well as merengue and salsa), powerful singing, and rich, often funny, dialogue. 

The story, set in Manhattan's predominantly Latino neighborhood Washington Heights, centers around the neighborhood bodega where the members of the community congregate, whether to grab their morning coffee, flirt, gossip, or discuss their dreams, their conversations painting a complicated portrait of the "barrio" life. Some of them, like the willful and stubborn Vanessa, see the Heights as a prison sentence and hope for a better future, wishing to get out by any means. Others, like Abuela Claudia, immigrated to the utopian New York City when they were young and dearly love the neighborhood in which they have lived most of their lives. Meanwhile, others struggle with both love and disdain for the Heights, like college dropout Nina who wrestles with the shame of losing her scholarship and breaking the bittersweet news to her parents that she must return home. 

                                              

On top of the drama, humor, romance, heartbreak, and impossible hopes passionately sung and rapped about by the various characters -- Porchlight's modest 18-person cast showcases extreme talent, the powerful female voices in particular could easily be heard on a professional Broadway stage -- the authenticity of a real New York community shines through. From the "piragua" (flavored shaved ice) seller carting through town, to the close-knit gossipy hair salon, to the shop owners chasing away graffiti artists, to the fierce Puerto Rican and Dominican pride on display, In the Heights realistically captures the essence of a colorful, cultural community. It entices and welcomes you with open arms, making you feel like you could be right at home if you found yourself at the edge of northern Manhattan getting off the A train at 181st Street.

In the Heights is playing at Stage 773 now through Sunday, October 23rd. Tickets can be purchased at Porchlight Music Theatre.

Last modified on Friday, 07 October 2016 16:37
Anne Rakowiecki

Musical theatre geek. Cat enthusiast. Rock-n-roller. DePaul University graduate. St. Louisan/Chicagoan. All about that bass.

 

 

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