Home

The lights come up as a dark-haired young, Latino - bloodied, bruised, battered -  launches  into an adrenaline-fueled monolog.  

Facing the audience, Abe (Gabe Ruiz) is talking a mile a minute to an unseen clerk in the wee hours at a convenience store. From the torrent we piece together clues - Abe has survived a harrowing event. 

From this opening, playwright Ike Holter toggles the audience between puzzlement and certainty as The Wolf at the End of the Block tells its story in increments. This high-energy thriller gradually unfolds details that at each bend make us re-examine what we thought we knew. 

Though serious and even tense, The Wolf is never dreary - the pace and light-hearted delivery, the playful banter of the characters, keep it from veering into a diatribe. These are people who manage to extract the joy and happiness when and where they find it, while  they can.  

The next morning we find Abe awaited by sister Miranda (Ayssette Muñóz) and boss Nunley (Bear Bellinger) at the restaurant where he works, since Abe did not come home last night. He arrives - more lucid but still in shock - and reveals he was attacked in a police bar in an anti-Hispanic hate crime. Ethnic slurs were hurled, fists flew.   

Holter takes us deeper: Miranda, a citizen journalist,  feeds this crime lead to Frida, renowned TV newscaster. After vetting Abe's recount, Frida decides she will run with the story. Sandra Marquez  delivers Frida as a savvy yet jaded reporter  - talking in a clip that seems to be ripped right out of The Front Page. The story passes muster as one that will work on TV. 

We follow as Holter digs even further:  the sister Miranda determines Abe has held back something from Frida - he was drinking more than he said and may have instigated the fight. Frida doesn't care; she will use the part of the story that works for the viewers. 

At another point, Nunley, Abe's African-American boss, reveals he has a tape of Abe that may show him stealing - we are never quite sure. We are with Nunley when he enounters the cop James (James Farrugio is perfectly sinister) who may have beaten Abe, and we share Nunley's fear and intimidation.  

Against the current  turbulent political landscape, the play also examines the role of facts in media, and how motive can affect which truth is revealed, or suppressed. 

Having its world premiere, Teatro Vista's The Wolf at the End of the Block is engrossing, well acted and well produced - and is readily recommended. Holter is considered an up and coming writer - at moments he shows a structure and even lyricism along with pragmatic realism. This is the kind of theater we want to see more of.  It runs through March 5 at the Victory Gardens Theatre.  

Published in Theatre in Review
Thursday, 16 April 2015 05:00

Review: Between You, Me and the Lampshade

As Chekov supposedly once said, if you bring a gun out in act one, it better go off by act three. Raul Castillo’s new play for Teatro Vista, ‘Between You, Me and the Lampshade’ goes for a metaphoric interpretation of the old rule.

The play starts off with a rush of adrenaline as a mysteriously battered young woman (Aysette Munoz) breaks into the trailer home of Jesse (Sandra Marquez). Jesse stands armed with a rifle, and from there a riveting dialog about race, immigration and love unfolds over 90 minutes.

Castillo’s play is largely plot-driven in an old school kinda way, but he raises it from the pot-boiler genre with the poetic yearnings of a Mexican couple stuck between two countries and on the run from border patrol. Castillo also goes on to comment on the inter-minority caste system. Jesse though Latina, denies her home intruder from calling her senorita or speaking Spanish. She even goes on to use racial slurs. The characters’ use of the vernacular and a plethora of double-negatives subtly provide a very realistic atmosphere of life in southern Texas.

The play isn’t without its lightness. A touching scene between Jesse’s teenage son Woody (Tommy Rivera-Vega) and his gamer, cyber pal K-Ten (Bryce Gangel) hits on issues of loneliness and the feeling of being misunderstood even in a place where everyone speaks the same language. When the cyber pal actually shows up in real life, a romantic current emerges.

The cast works well together under the direction of Ricardo Gutierrez. Bryce Gangel’s self-involved and blissfully unaware character brings with her most of the show’s comedy.  Sandra Marquez is very sure of herself in the role of a flailing mother and reluctant aid, with authentic reactions that are at times abrasive, which is to say very human. Ayssette Munoz as a woman on the run makes careful choices, without veering into melodrama. While this is not yet a perfect play, Raul Castillo’s undoubtedly a talented playwright with the foundation of a provocative play that calls for immigration reform. 

Through May 10th - Teatro Vista at Victory Gardens Theatre. 2433 N Lincoln Ave. 773-871-3000

Published in Theatre Reviews

"What's The Buzz?" Paramount's Reinvention of Jesus Christ Superstar is Boldly Delicious

24 April 2017 in Theatre in Review

Of the many Andrew Lloyd Webber hits, Jesus Christ Superstar has always been a personal favorite of mine. It rocks,…

Review: Into the Beautiful North at 16th Street Theater

24 April 2017 in Theatre in Review

It’s been quite a year in Chicagoland for Karen Zacarías, and it’s not over yet. One year after her The…

Disney's "Aladdin" Brings Classic Romance, Fun and Freedom for All to a 'Whole New World' of Theater Goers

22 April 2017 in Theatre in Review

I have to admit Aladdin is one of my all-time favorite Disney films so I was very optimistic upon entering…

Seth Walker and Edward David Anderson at City Winery Make for Helluva Double Bill

21 April 2017 in In Concert

It was an interesting pairing of solo singer/guitar players last night at City Winery. I often check out artists I…

Review: "Marry Me A Little" at Stage 773

20 April 2017 in Theatre in Review

How nice that even songs Stephen Sondheim cut from his own musicals can still find a home. “Marry Me a…

Scapegoat, a Wild Story, Is Overloaded With Action and Characters

20 April 2017 in Theatre in Review

Scapegoat; Or (Why the Devil Always Loved Us) a satirical political drama now playing at the Den Theatre, takes the…

Becca Stevens at City Winery - Unfair Comparisons… Assume Nothing!

19 April 2017 in In Concert

It’s so easy to make comparisons with artists these days. He/she sounds like so and so, etc. My expectation before…

The Mystery of Love and Sex Today's Modern Family

18 April 2017 in Theatre in Review

Following the lives of Charlotte and Jonny, The Mystery of Love and Sex cleverly explores a variety of subjects including…

Strangest Things! The Musical A Good Idea, But...

15 April 2017 in Theatre in Review

If you’ve followed Netflix’s big 2016 hit Stranger Things, this play will make all kinds of sense. You’ll get the…

Haven Theatre Company Presents "We're Gonna Die" at the Den Theatre

14 April 2017 in Upcoming Shows

Haven Theatre Company announces We’re Gonna Die, the final production in its fourth season, written by Young Jean Lee and…

After Six Months of Wedded Bliss, Tony N’ Tina's Wedding Chicago Announces New Cast Members Joining the “Family”

14 April 2017 in Upcoming Theatre

After hosting over 10,000 wedding crashers since opening in September 2016, one of Chicago’s longest-running smash-hit shows, Tony n’ Tina’s…

Ravinia 2017 Chronological Listing of Events

14 April 2017 in In Concert

For ticket information, visit Ravinia.org or call 847-266-5100. The complete 2017 season schedule follows. Note that artists and programs are…

 

10 Years! Fave Issue Covers

 
   Tickets Just a Click Away

Register

  BUZZ CENTER STAGE INTERVIEW ARCHIVE

Latest Articles

Guests Online

We have 148 guests and no members online

Buzz Chicago on Facebook Buzz Chicago on Twitter