Home

Wednesday, 22 February 2017 13:03

Court Theatre Announces 2017-2018 Season

Written by

Court Theatre proudly announces its 63rd season under the continuing leadership of Charles Newell, Marilyn F. Vitale Artistic Director and Executive Director Stephen J. Albert. The company’s 2017/18 season will feature the lively musical tribute to the hit songs of saxophonist and songwriter Louis Jordan, Five Guys Named Moe, written by Clarke Peters and directed by Resident Artist Ron OJ Parson and Associate Director Felicia P. Fields; an exploration of the complex life of Emily Dickinson with The Belle of Amherst, written by William Luce, directed by Sean Graney and featuring Kate Fry; an electrifying story of love and family with Arthur Miller’s American masterpiece All My Sons, directed by Charles Newell and featuring Timothy Edward Kane and John Judd; the classic family drama Guess Who’s Coming to Dinner, by Todd Kreidler, based on the screenplay by William Rose, directed by Marti Lyons and featuring Jacqueline Williams;and the Chicago Premiere of the story of remarkable Supreme Court Justice Antonin Scalia with The Originalist, written by John Strand.

 

In addition to the mainstage season, Court’s 2014 production of Iphigenia in Aulis will be remounted in California at the invitation of the prestigious Getty Villa. This is the highest achievement for theatres producing Greek or Roman work. Charles Newell, Marilyn F. Vitale Artistic Director, returns to direct the script translated by Court’s Founding Artistic Director Nicholas Rudall, featuring members of the original cast.

 

“From a celebratory musical to a leading American poet, from Arthur Miller’s tragedy of the common man to a stage adaptation of an iconic film and a portrait of a notorious figure in American jurisprudence, Court Theatre welcomes an eclectic and powerful season,” says Charles Newell, Marilyn F. Vitale Artistic Director. “We are thrilled to invite a range of celebrated artists from Chicago and beyond to bring these stories to life for our audiences. It is also a distinct honor to bring our production of Iphigenia in Aulis to the leading American presenter of Classical Greek Theatre as the Getty Villa offers an incomparable setting for the study and enjoyment of the arts and cultures of ancient Greece, Roma, and Etruria.”

 

The 2017/18 Court Theatre Season Up-Close:

Five Guys Named Moe

September 7 - October 8, 2017

A Musical by Clarke Peters

Directed by Ron OJ Parson and Associate Director Felicia P. Fields

Music Direction by Abdul Hamid Royal

Featuring Louis Jordan’s Greatest Hits

 

A lively musical tribute to the hit songs of saxophonist and songwriter Louis Jordan, Five Guys Named Moe introduces Nomax: a broke, newly single guy singing the blues late into the night. Suddenly, five unexpected friends--Big Moe, Four-Eyed Moe, Eat Moe, No Moe, and Little Moe--emerge from his radio to help ease his broken heart. Pioneering musician Louis Jordan’s new approach to jazz paved the way for rock and roll in the 1950s.

 

The Belle of Amherst

November 2 - December 3, 2017

By William Luce

Directed by Sean Graney

Featuring Kate Fry as Emily Dickinson

 

Emily Dickinson's own original poems, diary entries, and letters welcome us into her Massachusetts home, where she shares snippets of joy and creation amongst the heartache of an isolated and misunderstood life.

 

This 1976 play by William Luce offers a glance into the complex life of one of the most prolific poets of our time. Playwright and director Sean Graney returns to Court for the fourth time to direct The Belle of Amherst, with Kate Fry (Electra; Caroline, or Change) starring as Emily Dickinson.

 

All My Sons

January 11 - February 11, 2018

By Arthur Miller

Directed by Charles Newell

Featuring Timothy Edward Kane and John Judd

 

Local businessman and manufacturer Joe Keller developed a bitter history with his business partner after dealing with profound tragedy during World War II. Despite the odds, love blossoms between Joe’s son Chris and his partner’s daughter Ann. Joe is destined to face old dilemmas and defend his decisions in this electrifying family drama.

 

All My Sons established playwright Arthur Miller as an American theater icon, and won the 1947 Drama Critics' Award for Best New Play. Court Theatre’s production is directed by Marilyn F. Vitale Artistic Director Charles Newell and features Timothy Edward Kane (An Iliad; One Man, Two Guvnors; Harvey) and John Judd. 

Guess Who’s Coming to Dinner

March 15 - April 15, 2018

By Todd Kreidler (based on the screenplay by William Rose)

Directed by Marti Lyons

Featuring Jacqueline Williams

 

Matt and Christina Drayton live a modern, white upper-class life in 1960s San Francisco, but their comfortable life is muddled when daughter Joey returns home with John Prentice, a black physician whom she has known for ten days and intends to marry. Suddenly, their longtime progressive values are challenged; Matt and Christina find themselves facing difficult personal questions about the future of their daughter and their family. And unfortunately for the Draytons, Joey and John aren’t their only surprise guests coming to dinner.

 

Chicago Premiere

The Originalist

May 10 - June 10, 2018

By John Strand

 

When a Harvard Law School graduate with decidedly different views takes on a clerkship with Supreme Court Justice Antonin Scalia, one of America’s most brilliant and polarizing figures, she discovers in him an infuriating opponent and an unexpected mentor. Their relationship faces the ultimate test as they confront one of the most polarizing cases to reach the nation’s highest court.

 

Written by Charles MacArthur Award winner John Strand, this daring new work shows just how much passion for the law and risk it takes to defend one’s version of the truth.

 

Additional casting and creative team information to be announced at a later date.

 

Subscription Information

Five, four, and three play subscriptions to Court’s 2017/18 season range from $96 to $300 and are on sale now. To purchase a subscription or to receive more information, call the Court Theatre Box Office at (773) 753-4472, or visit Court’s website at www.CourtTheatre.org. Individual tickets for all shows will be available on August 1st.

 

Court Theatre is guided by its mission to discover the power of classic theatre. Court endeavors to make a lasting contribution to American theatre by expanding the canon of translations, adaptations, and classic texts. Court revives lost masterpieces, illuminates familiar texts, and distinguishes fresh, modern classics. Court engages and inspires its audience by providing artistically distinguished productions, audience enrichment activities, and student educational experiences.

 

Review: "Hard Times" at Lookingglass Theatre

16 October 2017 in Theatre in Review

Lookingglass Theatre Company opens its 30th Anniversary Season with the return of the award-winning “Hard Times”, adapted from Charles Dickens…

BLUE MAN GROUP CELEBRATES 20th BIRTHDAY!

16 October 2017 in Theatre Reviews

With two decades in its home at Lakeview’s Briar Street Theater under its belt, Blue Man Group is still going…

Review: "Piaf: The Show!"

11 October 2017 in Theatre in Review

Darn those French and their "musical spectaculars." There are few things Americans do with more flare than the French, and…

First Folio's "The Man-Beast" a passionate tale of horror that delivers big

11 October 2017 in Theatre in Review

Set in the 18th century French countryside, First Folio Theatre vividly brings to life Joseph Zettelmaier’s “The Man-Beast”, a romantic,…

Rigoletto’s classic tale is a feast for the ears

10 October 2017 in Theatre in Review

Court jester Rigoletto prefers to hide his misery behind jokes and mockery of others. But it’s not the only thing…

Hilarious "Bewildered" will make you realize that YOU are the leading lady in your life!

10 October 2017 in Theatre in Review

Hell in a Handbag rings in its fifteenth-anniversary season with real magic in this hilarious spoof of the 60's and…

Review: The Crucible at Steppenwolf Theatre

09 October 2017 in Theatre in Review

It’s the season of Arthur Miller in Chicago. It appears Miller is enjoying a renaissance right now with three of…

Older than Mythologie: Orphée et Eurydice at the Lyric Opera

08 October 2017 in Theatre Reviews

The first time I went to the opera was in elementary school to see La Triviata. It was a school…

Foxfinder is vaguely relevant

03 October 2017 in Theatre in Review

The most depressing thing about the Foxfinder’s premise of “near future” is that it looks remarkably like somewhat distant past,…

Suzanne Puckett; Poetry at its finest

03 October 2017 in BCS Spotlight

You tore him down! Discredited his name ~ Made him lie, cry and beg ~ Hold his head in shame …

Cupid Has A Heart On a unique, energetic night of shock comedy

02 October 2017 in Theatre in Review

As my sidekick for the evening – himself a theater and sketch comedy guy – and I entered Stage 773’s…

Review: Becky Shaw at Windy City Playhouse

29 September 2017 in Theatre in Review

“Sometimes lying is the most humane thing you can do,” declares Gina Gionfriddo’s character Suzanna Slater in her play ‘Becky…

 

 

10 Years! Fave Issue Covers

Register

Latest Articles

Guests Online

We have 183 guests and no members online

Buzz Chicago on Facebook Buzz Chicago on Twitter