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Displaying items by tag: Cole Porter

To those familiar with Cole Porter’s 1930s musical, you may recognize the opening notes as the live orchestra begins to play the title number. Reno Sweeney (played with dazzle by Meghan Murphy) bounds on stage, and the Opening Night crowd erupts in cheers. Sweeney takes in the applause and adoration as she starts to sing:

“Times have changed
And we’ve often rewound the clock.
Since the puritans got a shock.
When they landed on Plymouth Rock.”

As Murphy’s belt swells and rings through the theater, this audience only cheered harder. This is the 11 o’clock number, and the artistic team does not disappoint. As the ensemble joins Murphy on stage, Choreographer Tammy Mader pulls all the stops. Tappers, ballroom dance, and everything in between. Lighting Designer G. “Max” Maxin IV fills the space with color that is only heightened by the exquisite costume design full of sparkle. Looking around at the audience, it was clear that I was not the only one bouncing along in my seat. Before Murphy even hits the final lyrics, the crowd was on their feet, eager to reward this show-stopping number with everything that they had.

Directed by Michael Weber, Anything Goes follows Billy Crocker (Luke Nowakowski), a man hopelessly in love with Hope Harcourt (Emma Ogea). The one problem? She is engaged to Lord Evelyn Oakleigh (Jackson Evans), and her mother is eager to see that this wedding takes place. Billy sets out as a stowaway onboard the ocean liner S.S. American – desperate to win the love of his life. Ultimately, if he wants to succeed, he finds that his only hope is to trust his alliances with nightclub singer Reno Sweeney (Meghan Murphy) and two wanted criminals - Moonface Martin (Steve McDonagh) and Erma (Tafadzwa Diener).

With music and lyrics by Cole Porter, the score features famous hits including: It’s De-Lovely, Friendship, and of course, Anything Goes. Full of love triangles, mistaken identities, and missed opportunities, you might just find yourself on the edge of your seat – eager to see what twist or turn might come next.

The die-hard fans of the classic musical know Cole Porter hits audiences with one larger-than-life number after another. Weber and his team fill the small stage to the brim with impressive designs and jaw-dropping choreography. Especially when combined with the stellar vocalists, those numbers ranging from You’re the Top to Blow, Gabriel, Blow certainly stand out. However, if you’re anything like this writer, you might also find that the intimate, smaller numbers truly hit the heart of the show.

It’s De-Lovely comes towards the end of Act I. Hope is discouraged, knowing deep down that she loves Billy, but her mother will never let her end the engagement. Alone on the ship deck, Billy finds her, and the two begin to sway and sing.

“The night is young, the skies are clear
So if you want to go walking, dear,
It's delightful, it's delicious, it's de-lovely.”

The lights dim to a deep blue, creating the feel of moonlight. As the song continues, the two become lost in each other, and start to dance. Other couples join and dance alongside them, but for Billy and Hope, it’s clear that the world only exists between the two of them. To put it simply, Ogea and Nowakowski enchant the Opening Night audience with their sweet duet. As the ending note plays and Billy dips Hope in a final pose, an audible sigh could be heard from the crowd. 

Inspiring vocalists and a jaunty score make Anything Goes a night of fun. If you’re a classical musical fan, then this is the show for you. If you have yet to experience a production of Cole Porter’s classic, Porchlight Music Theatre certainly offers an exciting introduction as we hit the show’s 90th anniversary.

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Running through February 25, 2024 at Ruth Page Center for the Arts – 1016 N. Dearborn St. 773-777-9884

*Extended through March 10th!

Published in Theatre in Review

I truly adore anything with Cole Porter’s amazing music performed as well as the cast at The Marriott Theatre. Porter’s songs “I Get a Kick Out of You”, “You’re the Top”, “Easy to Love” and “Blow, Gabriel, Blow” are lovingly performed and choreographed to perfection.

“Anything Goes” is the still fresh and funny tale of a group of passengers setting sail for romance and adventure on a spectacular ocean liner from New York to London. When some of the passengers complain to the Captain there are not enough celebrities on board, the Captain realizes that even criminal celebrities are exciting enough to qualify and invites the two “infamous crooks” on board to dine at his table to appease the rest of the guests hunger for drama and notoriety.

Stephanie Binetti (who plays the siren Reno Sweeney) is absolutely sensational in this role. I loved that she was more glamorous than strident, less Ethel Merman and more Liza Minelli, as it were.

Jameson Cooper as Billy Crocker started out a little bit lukewarm in my eyes but after he warmed up and performed his beautiful, heartfelt rendition of “So Easy to Love”, he really won me over. One could certainly see how Cooper as Billy Crocker can so easily charm Hope Harcourt, played by the lovely Summer Naomi Smart, with his genuinely romantic and earthy interpretation of these classic lyrics.

I never get tired of the dynamic and original staging in the round at The Marriott Theatre in Lincolnshire. This makes the big dance numbers (which there are plenty of) especially rich. Having the large cast move up and down the aisles throughout the show makes every single seat in this intimate playhouse a great seat!

Moonface Martin is played with amazing comic timing by Ross Lehman.  At the same time, Moonface’s blonde bombshell moll, Erma, played by Alexandra E. Palkovic, adds just the right of amount of real old time sex appeal to this show.

I highly recommend this fun, soaring production of one of Broadways’ most beloved shows for the entire family, especially for young people who have never been exposed to the wonder and magic of well done theater in the round!

“Anything Goes” is being performed at The Marriott Theatre in Lincolnshire through May 31st. For tickets and/or more show information, visit http://www.marriotttheatre.com/show/anything-goes

Published in Theatre in Review

 

 

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