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Displaying items by tag: Christ Lutheran Church

With an all Latino/Latina cast, Marisela Treviño Orta's 2014 one-act is brought to life with magic and wonder. The River Bride, set in a South American village along the murky and mysterious Amazon River is a romantic and touching production, which, thanks to director Rinska Carrasco-Prestinary and ingenious props created by Ellie Terrell, seems to have created a real river out of clever lighting, projection screens on the walls and a fourth wall-breaking set consisting of various docks and land areas with the audience seated so close. I could almost feel the water sweeping beneath my feet. 

In this tiny Brazilian village, we meet two sisters, Helena (Flavia Pallozi) and Belmira (Sofia Tew) who are preparing for the marriage of the younger sister Belmira to the older sister's childhood ex-boyfriend Duarte (Johnathan Nieves), which is a sad situation for the older sister.


But three days before the June wedding, Moises (Nico Fernandez U/S), a sensitive and mysteriously handsome stranger, is rescued from the river by Duarte and the girls’ kindly father, Sr. Costa, played with great love and gusto by Johnny Garcia. Once Moises is brought to the Costa’s home, life as the happy family knew begins to change as the young visitor has his eyes set on Helena.


Home to the Costa’s, their village is peaceful, charming and quite beautiful. It is the home of many fisherman, of which Sr. Costa and Duarte make their living. It is a simple place – a place where stories are shared. In this village, nested along the Amazon, an ancient myth is passed down from generation to generation regarding magical dolphins who are destined to find human love and become human in the process that are given the chance for three days each June to do the impossible! First these mermen must locate their true love, their destined human soulmate whom they will know instantly ONLY because "the very first sight of her looking into their eyes makes them feel true love in a place in their heart which has no words".  Secondly, they must convince the soulmate to marry them and third, they must place the magic wedding ring on the woman's finger by the side of the river in an act of secret marriage before sunset on the third day!


But the play is about more than such a grim fairy tale passed down, which dooms each merman to eternal and unbearable loneliness if they do not successfully seek out, find and grab hold of their own personal golden fleece, so to speak.


The play is about the complicated dynamic between sisters and the ability or inability to act for the sake of their own well-being. It's about the human in the fairy tale come true who is suddenly without notice faced with a magical, perfect love and her ingrained inability to recognize and seize the moment for herself. It’s also about the closeness of family.


I love the saucy, honeymooning chemistry between Sra. Costa and Sr. Costa, the sisters fun loving parents wonderfully played by Ana Maria Alvarez and Johnny Garcia. It should be noted that Nico Fernandez, Moises the stranger from the river, was understudying the role and had to step in with only 45-minutes notice before opening night! Fernandez, thrust into the role, did a great job creating chemistry with the two both Pollozi and Tew. The entire cast is delightful and believably creates the kind of welcoming nature one would hope to find in a close family from a quaint river village.


Along with its fine cast, there are a handful of twists and turns in this adoringly, capturing story that surprise and keep us guessing.


I really can't say enough of the cleverness of this stage design and lighting effects, which shows lightning bolts and rain on the walls and turns what once was the top floor of a Chicago church into a convincing and romantically, sensual experience of real life on the Amazon river.


I highly recommend this thought provoking, stunningly raw and romantic play which has been lovingly and lushly produced to theatergoers of all ages that wish to be transported to a magical land where fairy tales can come true, for better or worse. 


Halcyon Theatre’s The River Bride is being performed at Christ Lutheran Church, 3255 W. Wilson Ave in Chicago through June 18th. Tickets are just $20 and can be purchased at https://halcyontheatre.org/.

Warning - Do not proceed if you have not yet seen the play - Spoiler alert!

This isn't a total spoiler but it's such a great choice by the authoress, Marisela Treviño Orta', which is so brilliant and deepens the messages in this deeply affecting one act so much that I need to acknowledge this plot twist in this review. 

Although never directly stated in the play, only implied, it turns out that the blissful, everlastingly youthful and passionate love of Sra. and Sr. Costa is most likely the actual result of a successful transformation of a “dolphin king” and his true love, 

What is made clear is that Sr. Costa was also a man who appeared mysteriously by the river, on a busy fishing dock one day in a new town and wooed and married their happy mother within exactly three days in the month of June so many years before. This is crucial to me because it not only shows how the Brazilian people's modern lives are enriched by their own mythology but implies that the authoress feels some magic and mystery may still be left in the world at least where true love is concerned.

Another reason why I loved the implication is that the two sisters are the result of a magical wedding that led to a life of true love and sweet contentment, because when the sisters each make their choice - no spoiler here - the audience is made to envision and feel clearly the heavy, very real consequences of the wrong choice. 

The disbeliever or doubtful lover who makes the wrong choice results in just the opposite, a truly disastrous result – “Disastrous” from the Greek meaning "being torn from the perfect orbits of one's own fate or stars", a never ending lifetime of sadness, loneliness and discontent, perhaps a fate worse than death to people who love and treasure marriage and  their family life so much. 

 

Published in Theatre in Review

 

 

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