Dance in Review

One of the most striking presentations of a drama grounded in music is TimeLine Theatre’s Paradise Blue. It is not a musical, nor a review - rather it is a “jazz infused” production.

Powerful original music was composed by Orbert Davis, the founder of Chicago Jazz Philharmonic. The music has been recorded and is played as incidental and transitional themes in the play, giving it a strong supporting role but without overwhelming the production - akin to the role of the set.

Paradise Blue is set in 1949 in Detroit. It tells the story of a trumpeter, Blue (Al’Jaleel McGhee) running the Paradise nightclub in Detroit's Black Bottom neighborhood. As Detroit thrives in the post-war boom years, property values are rising and the area is a target for development.

Blue carries a lot of emotional baggage from a rough upbringing and the violent home life with his battling parents, a heartbreaking and tragic story revealed in the play, which leaves him orphaned, and haunted. Into this setting Morriseau brings a retinue of characters, and each one well-developed and memorable – which is quite an achievement: P-Sam (Charles Andrew Gardner), Corn (Ronald L Conner), and Pumpkin (Kristin E Ellis).

Those many strong characters do put a strain on the advance of the action, as we get a good deal of dialog about the background and aspirations of each. That is the kind of thing that could get balanced out in future productions which Paradise Blue clearly warrants. 

The play carries a noire styling, and this line is expressed with dynamic energy with the arrival of a mysterious stranger from New Orleans: Silver, played with amazing power by Tyla Abercrumbie. In fact, Abercrumbie's performance is so strong, she really stands out from the rest of the cast. She is exciting to watch from the moment she arrives and every second the spotlight is on her. Abercrumbie is also a pro, and balances the moments she plays opposite others, and doesn't overwhelm them - though I suspect she could. 

Unlike many plays about musicians, in this one the lead, Al’Jaleel McGhee, picks up a horn and blows. He plays intentionally weakly at one point, then gets his note at a pivotal point. Director Ron OJ Parson has McGhee play the theme line written for the show, then dissolves it into an artful reverb that fades away. Very very nice. The rest of the music was performed by Davis and members of Chicago Jazz Philharmonic, featuring Rajiv Halim, and recorded and mixed by Roger Heiss at Tone Zone Studio in Chicago. It was  The Chicago Community Trust. 

This play was recommended to me by those great folks at Hot Tix as I searched for one worth seeing, so I bought a ticket. Now I am saying the same to you. Paradise Blue runs through July 23 at Timeline Theatre, 615 W Wellington in Chicago. 

Published in Theatre in Review

 

 

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