Displaying items by tag: Quincy Jones

While not explicitly a biography about The Supremes, "Dreamgirls" is awfully close. It's a Quincy Jones-flavored musical about the road to fame, and the pitfalls of show business. Porchlight Theatre concludes its season with a rarely produced modern classic. Choreographed and directed by Brenda Didier, with musical direction by Doug Peck, "Dreamgirls" is a delight. 

 

"Dreamgirls" is really one of the first musicals about the early days of rock 'n roll. Though it's about more than just the rise of the "girl group" in popular music. The book by Tom Eyen uses a familiar story to illustrate how mainstream music helped open minds about race in America. The original Broadway production opened in 1981 and ran for four years. It has since been adapted into an Oscar-nominated film. 

 

Porchlight has assembled an all-star cast for this production. Particularly Donica Lynn as Effy. The three Dreams fill the rafters with soaring vocals. While Lynn may be the voice, Candace C. Edwards and Katherine Thomas as co-Dreams, turn in strong performances as well. Eric Lewis is electrifying in the role of fictional soul legend Jimmy Early. His numbers are thrilling.  

 

Didier's vision for this show is vivid. Her choreography is high-energy and visually pleasing throughout. Peck's musical direction proves a high point as well. It's not often you find yourself thinking about the band in a theatrical performance - but the wall of sound coming from this pit is a funky good time. Rounding out aesthetics are Bill Morey's costumes, which are well conceived and provide an extra layer of authenticity. 

 

Porchlight Music Theatre turns out another gem at Stage 773. "Dreamgirls" is a feast for the eyes and ears. Shows like "The Wiz" and "Dreamgirls" aren't produced nearly as often as they should be, which makes this impressive production all the more rare. The vocals are so good you'll wish you could take the soundtrack home with you. 

 

Through May 22nd at Stage 773. 1225 W Belmont Ave. 773-327-5252

 

Published in Theatre in Review

 

 

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