Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, announces the addition of Cry It Out, written by Molly Smith Metzler, to close its 43rd season, May 10 – June 17, 2018. The previously announced The Legend of Georgia McBride, directed by Lauren Shouse, has been re-scheduled to open the season, playing September 14 - October 22, 2017, replacing Bruce Graham’s Sanctions. 
 
Cry It Out was commissioned by Actors Theatre of Louisville and premiered at the Humana Festival of New American Plays in spring 2017. Northlight's production, directed by Jessica Fisch, will be the first outside of the Festival.
 
Cooped up on maternity leave and eager for conversation, Jessie invites the funny and forthright Lina for coffee in their neighboring backyards. They become fast friends, quickly bonding over their shared “new mom” experience—and arousing the interest of a wealthy neighbor hoping for a similar connection. This insightful comedy takes an honest look at the absurdities of new motherhood, the dilemma of returning to work versus staying at home, and how class impacts parenthood and friendship.
 
Molly Smith Metzler‘s plays include Elemeno PeaThe May Queen, Carve, Training Wisteria and Close Up Space (Susan Smith Blackburn Prize finalist).  Regional Theatre: South Coast Repertory, the O’Neill National Playwrights Conference, Chautauqua Theater Company, Geva Theatre Center, and City Theatre Company, among others. Off-Broadway: Manhattan Theatre Club. Awards include the Lecomte du Nouy Prize from Lincoln Center, the Kennedy Center National Student Playwriting Award, the Association for Theatre in Higher Education’s David Mark Cohen Award, and the Mark Twain Comedy Prize. Metzler is an alum of Ars Nova’s Play Group and the Dorothy Strelsin New American Writers Group at Primary Stages. She is currently under commission at Manhattan Theatre Club and South Coast Repertory. Television: Codes of Conduct (HBO); Casual (Hulu); Orange Is the New Black (Netflix). Metzler was educated at State University of New York Geneseo, Boston University, New York University’s Tisch School for the Arts, and The Juilliard School.
  
The 2017-18 Season is now as follows:
 
THE LEGEND OF GEORGIA MCBRIDE
By Matthew Lopez
Directed by Lauren Shouse
September 14 - October 22, 2017

A down-on-his-luck Elvis impersonator has an overdrawn checking account and a baby on the way. When a drag show takes over the entertainment at the Florida Panhandle bar where he performs, he’ll also be out of a job…unless he’s willing to step into some high heels. This heartwarming, music-filled comedy celebrates the unexpected path to finding your true voice.
 
THE BOOK OF WILL
By Lauren Gunderson
Directed by Jessica Thebus
November 9 – December 17, 2017

William Shakespeare wrote some of the world’s most beloved plays – but without his friends, they may have been lost to history! Follow the members of Shakespeare’s own company as they cunningly navigate the production of the First Folio in 1623. They may not have any money or clear-cut rights to his work, but they’re armed with wit, humor, a deep camaraderie and a passion to preserve the plays that shaped their lives. With the help of their wives and colleagues, two actors set out not only to print a collection, but to uphold a legacy for the world.
 
SKELETON CREW
By Dominique Morisseau
Directed by Ron OJ Parson
January 25 – March 4, 2018

At the start of the Great Recession, rumors of impending closure surround one of the last auto plants in Detroit. The nation’s financial crisis gets personal as each of the workers confronts the life-altering choices they must make if their plant goes under, while the supervisor is torn between allegiances to his makeshift family of co-workers and management’s “cost-saving” demands. When pushed to the limits of survival, how far over the lines are people willing to cross?
 
The third play in Dominique Morisseau’s Detroit trilogy, Skeleton Crew was named one of Time Magazine’s 10 Best Shows of the Year.
 
THE BEAUTY QUEEN OF LEENANE
By Martin McDonagh
Directed by BJ Jones
Featuring Kate Fry
March 15 – April 22, 2018

This Tony Award-winning dark comedy is set in the provincial Irish town of Leenane. Forty-year-old spinster Maureen Folan lives with her manipulative aging mother Mag, stuck in a caretaking relationship that has them both seething with resentment. When a romantic encounter finally sparks Maureen’s hopes for an escape from her dreary existence, Mag’s interference sets in motion a chain of events that is as tragically funny as it is terrifying.
 
CRY IT OUT
By Molly Smith Metzler
Directed by Jessica Fisch
May 10 – June 17, 2018

Cooped up on maternity leave and eager for conversation, Jessie invites the funny and forthright Lina for coffee on their neighboring patios. They become fast friends, quickly bonding over their shared “new mom” experience—and arousing the interest of a wealthy neighbor hoping for a similar connection. This insightful comedy takes an honest look at the absurdities of new motherhood, the dilemma of returning to work versus staying at home, and how class impacts parenthood and friendship.
 
Curtain times are: Tuesdays at 7:30 p.m.; Wednesdays at 1:00 p.m. and 7:30 p.m.; Thursdays at 7:30 p.m.; Fridays at 8:00 p.m.; Saturdays at 2:30 p.m. and 8:00 p.m.; Sundays at 2:30 p.m. and 7:00 p.m.
 
Subscriptions to the 2017-18 Northlight Season are available through the box office, 9501 Skokie Boulevard in Skokie, by phone at 847.673.6300 or online at northlight.org. With its wide range of ticket prices, discounted subscription packages and complimentary parking, Northlight remains of one of the best theatrical values in Chicagoland. 
 
Subscriptions range in price from $99-$250.  A limited number of season subscriptions for the Opening Night performances (also includes a reception with the cast) are available for $325, subject to availability.  Northlight subscribers will have the first chance to purchase additional tickets before they go on sale to the general public. For more information, visit northlight.org.
 
Northlight Theatre aspires to promote change of perspective and encourage compassion by exploring the depth of our humanity across a bold spectrum of theatrical experiences, reflecting our community to the world and the world to our community.
 
Now in its 42nd season, the organization has mounted over 200 productions, including nearly 40 world premieres. Northlight has earned 198 Joseph Jefferson Award nominations and 34 Awards. As one of the area’s premier theatre companies, Northlight is a regional magnet for critical and professional acclaim, as well as talent of the highest quality.
 
Northlight is supported in part by generous contributions from Allstate Insurance; the Paul M. Angell Family Foundation; Robert & Isabelle Bass Foundation; BMO Harris Bank; Henrietta Lange Burk Fund; The Elizabeth F. Cheney Foundation; The Chicago Community Trust; ComEd, An Exelon Company; The Davee Foundation; Edgerton Foundation for New American Plays Award; Evanston Community Foundation; Full Circle Foundation; Illinois Arts Council, a state agency; Kirkland & Ellis Foundation; The John D. and Catherine T. MacArthur Foundation; Melvoin Award for Playwriting; Modestus Bauer Foundation; National Endowment for the Arts; Niles Township; The Offield Family Foundation; The Pauls Foundation; Room & Board; Sanborn Family Foundation; Dr. Scholl Foundation; The Shubert Foundation, Inc.; The Harold and Mimi Steinberg Charitable Trust; The Sullivan Family Foundation; and Tom Stringer Design Partners.
 

 

 

Published in Upcoming Theatre

Red Theater Chicago announces the start of their 6th season with their upcoming production of The Elaborate Entrance of Chad Deity by Kristoffer Diaz, directed by Jeremy Aluma. Performances run August 15 through September 16, 2017 at Strawdog Theatre, 1802 W Berenice Ave, Chicago, IL 60613.


THE PLAY
How does one pursue the “American Dream” in a country that refuses to offer opportunity indiscriminately? That is the question at the heart of The Elaborate Entrance of Chad Deity, a flashy American satire set in the professional entertainment wrestling world. We follow Macedonio Guerra, an excellent Puerto Rican wrestler, as he rises from the bottom of the pecking order. In this interactive physical comedy, Mace talks directly to the audience as fans in his arena, drawing the viewer into the struggle, joy, and heart of the story. The play dissects race, xenophobia, ego, and our moral compass – topics even more relevant now than when it premiered eight years ago. Winner of the 2011 Obie Award for Best New American Play, a 2009 Pulitzer Prize Finalist, and the 2008 National Latino Playwriting Award.


CALENDAR LISTING
WHO: Red Theater Chicago
WHAT: The Elaborate Entrance of Chad Deity by Kristoffer Diaz, directed by Jeremy Aluma.
WHERE: Strawdog Theatre, 1802 W Berenice Ave, Chicago, IL 60613
WHEN:
Friday, August 18 at 8pm (press opening)
Saturday, August 19 at 8pm 
Sunday, August 20 at 4pm 
Thursday, August 24 at 8pm
Friday, August 25 at 8pm
Saturday, August 26 at 8pm 
Sunday, August 27 at 4pm (touch tour)
Monday, August 28 at 8pm (captions)
Thursday, August 31 at 8pm (captions)
Friday, September 1 at 8pm
Saturday, September 2 at 8pm 
Sunday, September 3 at 4pm 
Thursday, September 7 at 8pm
Friday, September 8 at 8pm
Saturday, September 9 at 8pm 
Sunday, September 10 at 8pm (understudy show)
Thursday, September 14 at 8pm
Friday, September 15 at 8pm
Saturday, September 16 at 8pm (closing)


TICKETS: Tickets go on sale online July 24, 2017 at redtheater.org

TICKETS, DATES & INFORMATION
The Elaborate Entrance of Chad Deity runs Thursdays through Saturdays at 8:00 PM, and Sundays at 4:00 PM August 15, through September 16, 2017, with an additional Monday performance on August 28 with captions. Captions will also be provided on Thursday, August 31 at 8:00 PM. A touch tour will be offered on Sunday, August 27 at 4:00 PM. Tickets go on sale online July 24, 2017 at redtheater.org. **Previews are Tuesday, August 15 through Thursday, August 17 at 8:00 PM. The Elaborate Entrance of Chad Deity will be performed at Strawdog Theatre’s new home at 1802 W Berenice Ave, Chicago, IL 60613. The theater is fully accessible and CTA accessible via the Irving Park Brown Line train or the #11 Lincoln bus.

 

Published in Upcoming Theatre

If you saw "The Gin Game", a timely play about the coming together of two lonely but feisty seniors at a run-down nursing home, when you were younger - you should see it again now at Drury Lane. 

John Reeger and Paula Scrofano, a long-time married couple who met at Northwestern University and raised a family while carving out distinguished theatrical reputations for themselves, play these roles with gusto and finesse. 

Taking on the roles of Weller Martin and Fonsia Dorsey, like other great acting couples before them - Hume Cronyn and Jessica Tandy or Mary Tyler Moore and Dick Van Dyke, John Reeger and Paula Scrofano pull out all the emotional stops to reveal the inner turmoil of seniors who have been left alone at the end of their lives to basically die in a dilapidated nursing home because they have both lost everything they own to their children or the state and are on Medicare.  

As they discuss and complain intermittently about all the problems seniors are still facing today, like poor nutrition, lack of stimulation in adult activities, and having their most precious belongings stolen, the audience sadly realizes that nothing has changed for seniors affected by catastrophic illness and the increasingly unreasonable, high costs of healthcare since "The Gin Game" first came out. 

Videographer Mike Tutaj, lights up the shabby, depressing and realistic set design by Katherine Ross with a series of beautiful and poignant slideshow type images from a variety of nursing homes that the audience can really identify with in how nursing homes are run today, especially if you are not wealthy enough to be placed in a fancier gated community.

Ross Lehman directs this very talented couple, Reeger and Scrofano, with an understanding and yet demanding pace that sets the characters on fire as their life stories come tumbling out one dealt card at a time. Over a series of gin games (often humorously played out), our characters get to know each other better and better while reluctantly revealing how their own personal tempers and foibles contributed in part to the broken relationships with their children. 

I saw the play years ago but this time, having dealt personally with the placement of four family members of different ages each with debilitating disabilities and dwindling financial resources beyond their control, I found it even more satisfying to watch. The crowd I joined at the opening was mostly between the ages of fifty and ninety-years-old and undoubtedly related to these very same, sad and lonely circumstances that are inevitable for so many senior citizens, as perhaps many younger audience members realized the same for their aging parents or grandparents. 

I can't rave enough about the fine performances by the semi-retired John Reeger and Paula Scrofano. The pair push each other’s buttons as only a real married couple can and display a sharp sense of timing and emotional flexibility rarely seen in younger actors. The couple also show off their fine comedic mastery.  

I highly recommend this thought provoking, totally timeless and relevant production in which Reeger and Scrofano use every single word, every gesture to brilliantly drive home the message that senior citizens are every bit as sharp and full of emotional and physical needs for fulfillment and daily entertainment as their younger counterparts.

This is a darkly funny and meaningful production the entire family young and old should see together, if only to wake up and realize we all will be old someday, and, if we don't make changes to preserve and increase the coverage of Medicare and Medicaid, we are dooming ourselves and our children to retirements that look more like "jails for those who have lived too long" instead of clean and comfortable homes to retire in. 

"The Gin Game" is being performed at Drury Lane Theatre in Oakbrook through August 13th. For more information visit www.drurylanetheatre.com.

 

Published in Theatre in Review

As Chicago Tap Theatre embarks upon their mission to “Shuffle off to Europe” where they will join tap dance companies Tapage and Tap Olé in their home countries to perform Liason, the talented outfit impresses upon its audience yet another fantastic production in its third remount of Changes, a sci-fi adventure set to the music of the late, great David Bowie. In reverence to 1940’s science fiction, seemingly with pages from the old Flash Gordon serials put in play, we get a nasty trio of futuristic villains who have made captive a host of dreamy angels, crippling each by removing their wings, and a hero who must set them free and may only be able to do so by teaching the imprisoned seraphs to fight back (via a tap dance-off, of course).


Artistic Director Mark Yonally’s creative vision is what makes this production such an amazing spectacle. It is visually compelling, thanks to the costume design by Emma Cullimore and its punch-packing choreography, and musically fulfilling as the music chosen behind each dance routine is wisely chosen by Music Director Kurt Schweitz to provide much impact. Kristen Uttich, well cast as the show’s hero, Jennifer Pfaff Yonally as the lead Alliange and Mark Yonally as Altego with Aimee Chase and Heather Latakas as his Henchpeople, lead a gifted ensemble in what turns out to be a pretty engaging story of good versus evil filled with touching moments of beauty, soul and hope and thrilling climaxes when powerful confrontation erupts.


Changes includes many Bowie favorites that are accompanied on strings by Molly Rife and violinist Anna Gillan, who oversee the dancers at the rear of the stage. “Life on Mars” opens the show followed by “Starman” and “Space Oddity” setting the tone for this energetic production that comes with many “wow” moments. Much of Bowie’s music is set to a house mix adding extra thump and larger-than-life tempo, of which I have to wonder was necessary, as opposed to playing the songs in their original recorded versions, my guess being the extra boost provided a clearer pocket for the dancers to perform within or perhaps may have been needed to hear the songs distinctly above the often-thunderous flurry of tap dancing. A feast for Bowie fans, the production also comprises such hits as “Under Pressure” “Changes”, “Ziggy Stardust” and other faves that will have you poking through Spotify to relive the production's many great moments upon exiting the theatre.


Chicago Tap Theatre keeps this commanding form of dance alive, and even in bloom, with one fantastic production after another, Changes being no exception. Thoroughly entertaining from beginning to end, Changes has the perfect combination of dance, music and visuals to make this retro-sci-fi rocket take off.


Changes is being performed at Stage 773 through July 16th. For tickets and/or more show information, or to find out how you can help get this talented dance company to Europe, visit ChicagoTapTheatre.com.

Published in Dance in Review

Experience one of Shakespeare’s classic romances, as First Folio Theatre (Mayslake Peabody Estate, 31st St. & Rt. 83) presents AS YOU LIKE IT, previewing July 12, opening Saturday, July 15 at 8:15p.m.and closing August 20. Set in modern day Arden and directed by Skyler Schrempp, this delightful tale whisks audiences away to another world. During the summer season, First Folio’s productions are held outside on the grounds of the gorgeous Mayslake Peabody Estate mansion, and guests are invited to bring their picnic baskets, candelabras, blankets and chairs, and wine and cheese to enjoy the productions under the stars.

A timeless story, AS YOU LIKE IT, follows Rosalind who must disguise herself as a boy to survive in the Forest of Arden. She has little hope that she will ever meet the dashing Orlando again, but the Forest is full of surprises and unexpected visitors. When Rosalind finds the exiled Orlando hanging love poems on trees, she must keep her wits about her and her identity as secret as possible. Before long, she finds herself in the midst of one of the most complicated love triangles Shakespeare ever wrote for the stage. A story of love at first sight, AS YOU LIKE IT will leave you writing on trees and looking up at the stars.

The cast of AS YOU LIKE IT is led by Leslie Ann Sheppard as Rosalind, Nick Harazin as Orlando, Vahishta Vafadari as Celia, with Luke Daigle as Oliver, Courtney Abbott as Touchstone, Kevin McKillip as Jaques, Belinda Bremner as Duke Senior, Sarah Wisterman as Phebe, Micheal Angelo Smith as Silvius, Jim Morley as Adam, Philip Winston as Duke Frederick, Evan Michalic as Charles the Wrestler, Matthew Moore as Corin, Amanda Raquel Martinez as Amiens, and Sierra Schnack as Audrey. The ensemble includes Karly Hanna, Bailey Hayman, Robin Minkens and Jared Michael Sheldon.

The artistic team includes Scenic Designer Angela Weber Miller (Dr. Seward’s Dracula at First Folio Theatre), Lighting Designer Michael McNamara (The Turn of the Screw at First Folio); Original Music and Sound Design by Christopher Kriz (Roz and Ray at Victory Gardens Theatre), Costume Designer Mieka van der Ploeg, Properties Designer Cassandra Schillo. Stage Manager is Miranda Anderson, and Sarah West and Lina Benich serve as Assistant Stage Managers.

AS YOU LIKE IT runs Wednesdays through Sundays with 8:15pm performances each evening. First Folio is easy to get to via the East-West Tollway (I-88) or the Stevenson Expressway (I-55). Free parking is available on the grounds. Preview tickets are $23. Regular priced tickets are $29 Wednesdays and Thursdays (seniors and students are $26), and $39 on Fridays through Sundays (seniors and students are $36). $10 tickets are available for children 13 and under. For Season subscriptions and tickets, call the box office at 630.986.8067 or visit www.firstfolio.org.

Published in Upcoming Theatre

Pegasus Theatre Chicago is proud to announce MUSE 2017: Femmes Noires de la Resistance, July 13 - 23 at Pegasus’s resident home Chicago Dramatists, 773 N. Aberdeen. This year’s MUSE celebrates new works, new artists and new voices with this annual series of theatrical readings, panels and performances featuring female artists intersecting ideas, visions and artistic excellence. Tickets are $10 per performance and Festival passes ranging from $18-35, which allows for access to 2 events or unlimited MUSE events, and performances. All tickets and passes are available at PegasusTheatreChicago.com or by phone at 866.811.4111.
 
This year’s MUSE, Femmes Noires de la Resistance, focuses on black women holding their own power.  MUSE 2017 will feature storytelling duo In The Spirit, spoken word artists Surviving The Mic, Black Feminist Poetics, 3 Arts Awardee Candace Hunter, musicians K’hala Elizabeth and L11 and theatrical performances by Tasia Jones, with excerpts from the plays of Marsha Estell, Loy Webb and Kendeda Winner Tsehaye Hébert.
 
The 2017 MUSE: Femmes Noires de la Resistance, curated by Nikki Patin with Ilesa Duncan and Regina Victor, and hosted by Nikki Patin and guest host Melissa DuPrey. includes:
 
Theatre Showcase
Thursday, July 13 at 7:30 p.m.
The theatre Showcase includes theatre artists Tasia Jones and readings of new plays by Marsha Estell, Loy Webb and Kendeda winner Tsehaye Hebert.
 
Spoken Word Showcase
Friday, July 14 and July 21 at 7:30 p.m.
Featured in this spoken word showcase are Surviving the Mic and Black Feminist Poetics.
 
Storytelling with IN THE SPIRIT
Saturday, July 15 and July 22 at 7:30 p.m.
Starring Chicago’s premier storytelling duo comprised of Zahra Baker and Emily Hooper Lansana of IN THE SPIRIT. 

Music/Performance Showcase
Sunday, July 16 at 3 p.m. and Thursday, July 20 at 7:30 p.m.
These two performances in MUSE 2017 include music and film showcases featuring musicians L11 and the webseries “Seeds,” and on Thursday, July 20th, 3Arts Awardee Candace Hunter (Chlee Arts) and musician K’hala Elizabeth.
 
Panel Discussion
Sunday, July 23 at 3 p.m.
The final day of MUSE 2017 includes a panel discussion focuses on black women and women of color theatre leaders. Guests and audience members will discuss the topic with artists and performers from the Festival.
 
NIKKI PATÍN, HOST/CO-CURATOR
Nikki Patín has been featured in The Guardian, Chicago Tribune, HBO's “Def Poetry Jam” and on international television and radio. A Peabody Award-winning poet, Patín has been writing, performing and educating for almost 15 years. She has taught hundreds of workshops on spoken word, body image and interpersonal violence. Recently, she addressed the United Nations in Geneva, Switzerland on behalf of Black women survivors of sexual violence. She holds an MFA in Creative Non-Fiction from the University of Southern Maine. Her work can be found at www.nikkipatin.com.
 
ABOUT PEGASUS THEATRE CHICAGO
Pegasus Theatre Chicago has been a mainstay in the Chicago theater community for nearly 38 years. Its recent rebranded mission is to produce boldly imaginative theatre, champion new and authentic voices and illuminate the human journey. The theatre adheres to the core values of community engagement, social relevance, boldness, adventure and excellence.
 
Pegasus is also committed to initiating important conversations through the arts with strong community engagement and socially relevant programming, including the Young Playwrights Festival for high school-age scribes, which celebrated its 30th Anniversary in 2017. Pegasus Theatre Chicago has received seventy-seven Joseph Jefferson Citations since its inception.
 
Pegasus Theatre Chicago is proud to announce MUSE 2017, July 13 - 23 at Pegasus’s resident home Chicago Dramatists, 773 N. Aberdeen. This year’s MUSE celebrates new works, new artists and new voices with this annual series of theatrical readings, panels and performances featuring female artists intersecting ideas, visions and artistic excellence. Tickets are $10 per performance and $25 for a Festival pass, which allows unlimited access to all MUSE events, and performances. All tickets and passes are available at PegasusTheatreChicago.com or by phone at 866.811.4111.

 

Published in In Concert

Fun! Funny! Funnier! If you are fan of The Golden Girls TV show, then run, don't walk, to see Hell in a Handbag’s The Golden Girls: The Lost Episodes at Mary's Attic before its special, recently extended, run is over. The show opens with a heart lifting, hug your best friend singalong of the sitcom’s famed theme song, "Thank you for being a Friend" - in its fantastic entirety! 

Plenty of fans arrive in costume to see the show and in between the hysterically funny, bawdy, R-Rated "Lost Episodes” theatre goers are entertained by Golden Girls trivia contests with fun prizes, so live it up. 

Hell in a Handbag Artistic Director David Cerda wrote the show which parodies the famed 1980’s sitcom where four women who share a home in a Miami Senior Community are not ready to stop living life to the fullest. Cerda is fantastic as the deadpan Dorothy even with the use of just one syllable – “Mah!" David, who recently won a well-deserved special Jeff Award (Congrats!) for all of his amazing contributions to theatre in Chicago with his much beloved production company Hell in a Handbag, evokes laughs with every shoulder-padded shrug and anchors the show with his dead-on funny accuracy in the role of Dorothy that actress Bea Arthur made famous. 

I don't know how he does it but every single show David writes is unique, displays every cast members talents superbly, heartfelt and funnier than the last. In this show, he takes the iconic TV show and brings it to a new level, creating hysterically campy “lost episodes” that one could only wish took to the air during the series’ heyday.  

Blanche is played with true southern sex appeal by A. J. Wright. Wright is mind-blowingly accurate in his portrayal of the flirty man-eater. Wright is so convincing, I had to occasionally close my eyes and just listen with delight, because I really felt he was a woman channeling Rue Clanahan, not a man in drag. The razor-sharp tongued Sophia played by Adrian Hadlock is also right on the mark with his dry as a martini, machine gun-like delivery of every single one-liner.

Ed Jones rounds out this fearsomely funny foursome with his always gentle, never forced portrayal of the delicate and ditzy, Rose, often forced to do and say indelicate things! Handbag favorite Ed Jones is - as ever, roaringly funny and true to Betty White's every gesture, even to her dazed and confused looks of naivety. As in all of Handbag’s productions, Golden Girls is equipped with a stellar ensemble, this show including hilarious performances by Chazie Bly, Kristopher Bottrall, Grant Drager, Lori Lee, David Lipschutz, Terry McCarthy, Michael S. Miller and Robert Williams.

Not ignoring the other fine touches that make this such a fun experience, Myron Elliot’s costumes and Keith Ryan's wigs and makeup are a laugh riot in themselves and really help each actor achieve the eerie accuracy that makes this a true golden fest for fans of the show. 

David Cerda and I have some kind of strange psychic connection in that his shows always seem to coincide in some synchronistic way with things going on in my life and family, and Golden Girls was just what I needed to see. My mother and I lived in Miami Florida throughout my whole young adult life and the week I saw this production of Golden Girls (one of my mom's favorite shows to watch with me) she was in the hospital and I was extremely stressed and worried about losing her. When David says as Dorothy about her mother Sophia, "She's probably thinking back to her youth in the fields of Sicily," and then sighs, "God, I'd wish she'd just die," I had to let out a cathartic laugh because it was just such a perfectly funny, subtext of compassion coupled with frustration of the statement of all mother/daughter love when stretched to its limits. I loved it. Naturally, I don’t wish such a thing, but Cerda’s writing has a way of somehow finding love and humor in even such a statement.  

I didn't stop laughing or smiling from start to finish of this uproariously funny take on the Golden Girls that no fan should miss. Even if you are not familiar with the show, it’s worth checking out. Don't worry, you’ll pick it up quickly. And like many Hell in a Handbag shows, there is an intermission long enough to stretch, grab a drink and use the restroom which allows you to really allow the funniness of the first act to sink in. Increasingly I find myself enduring 90-minute or longer shows with no intermission as if the audience is trapped in some kind of marathon endurance test of our concentration and bladders! But not at Hell in a Handbag shows, which proves yet again that David Cerda is in tune with everything a Golden Girl needs to truly enjoy a laugh packed night out with your best friends. Much Thanks to David Cerda for "being a friend!”

Golden Girls: The Lost Episodes is being performed at Mary’s Attic in Andersonville on Wednesday and Thursdays at 7:30 p.m now extended through September 16th. Saturday dates have been added for August. Tickets are $20, but are just $16 if purchased in advance. To purchase tickets or to find out more about this hilarious show wonderfully directed by Shade Murray, visit handbagproductions.org.

Published in Theatre in Review

“Late Company” is the fairly literal title of a new play by Canadian playwright Jordan Tannahill. Presented by COR Theatre, Jessica Fisch directs the regional premiere at Pride Arts Center. The 80-minute play is a response to the uptick in teen suicides triggered by cyberbullying.

“Late Company” takes on the weighty issue of LGBT teen suicide. The play begins with political couple Michael (Paul Fagen) and Debora (Tosha Fowler) setting up for some dinner guests. Over the course of their cryptic conversation, we glean that their son has killed himself and the dinner guests are the parents of the bully they blame for their son’s suicide.

The implausibility of the situation is troubling. It’s hard to imagine that a grieving family would cordially invite over the parents of the bully they blame for the loss of their son. It’s even harder to imagine anyone taking that invitation. What transpires over the course of 80 minutes is a structurally unsound one-liner competition. Some highlights include “you were always more interested in the spin, than the spin cycle.”

This is not a play without heart. This is a play without a clear message. While most of us can generally agree that suicide is a heartbreaking thing to happen to any loved one, this play treats it as nearly incidental. The playwright struggles to flesh out a clear central argument. These characters are rarely having conversations, sometimes they’re just reading letters to each other. Great plays are exchanges of revelatory dialogue in which bigger issues are addressed. “Late Company” stays so specific to its own characters that it rarely acknowledges the outside world.

Tannahill’s play is ambitious and maybe more remarkable in other productions. The storyline is very relevant and has the opportunity to say much more than it does in its current form. There’s a lot to discuss on this topic and plenty of work still to do to prevent teen suicide. The playwright would be wise to dig a little deeper than anger in order to express that moral.

At COR Theatre through July 16th at Pride Arts Center. 4147 N Broadway St

 

Published in Theatre in Review

Collaboraction Theatre Company announces Darkest Before Dawn: A Dark Circus of Music, Theatre and Fashion, an immersive event to raise funds for their celebrated Youth Theatre Ensemble, The Peacemakers.

The event's all-star line-up includes the DJ trio Dark Wave Disco, Black Plastic, a fashion spectacle by The Order, Kelroy, DJ Heaven Malone, The Peacemakers and Founding Collaboraction Company Member Sandra Delgado (La Havana Madrid).

General admission is $15. 

Funder tickets are $40 in advance/$50 at the door, and include access to a private balcony, a Darkest Before Dawn gift bag, appetizers and drinks.

Friday, June 30th at The Chop Shop 2033 W. North Ave in Chicago.
The Funders reception starts at 7 p.m. 
Doors open at 8 p.m. 

Black attire encouraged.

For tickets and information, visit collaboraction.org or call (312) 226-9633.

Darkest Before Dawn Artist Lineup 

 
Dark Wave Disco
 
After receiving national attention from big names such as SPIN and BPM, Dark Wave became known as "one of the hottest parties in the country." Big acts like Steve Aoki and New York's notorious MisShapes all dropped in to mix sets with the new kings of the hipster set over the next two years, securing Dark Wave's notoriety and also, stellar guest list. - Chicago Scene Magazine

 

Black Plastic

A self-titled debut album was released last year on Cleopatra Records, its ten tracks filled with an indelible sense of dread combined with manifestations of dark wave and synth pop. Grady is best known as the founder of the award-winning cult magazine Lemon, which has featured collaborations with the likes of David Bowie, Daft Punk and Sonic Youth. This will be the band's first ever performance in Chicago.

 

THE ORDER
Jet-black, rebellious and compelling, THE ORDER is a conceptual women's fashion label that weaves together innovative design, high quality craftsmanship and wearability to create a powerful story that is both dark and feminine. 

 

Kelroy

Kelroy is a five piece rock band from the great Goddess Chicago. Their sound is an intense, thoughtful and unique mix of post rock psychedelia with a whole lot of mood. Dark and raw yet uplifting.

 

Sandra Delgado

Sandra Delgado is a Colombian-American actor, singer and writer born and raised in Chicago. She is a regular on the stages of the legendary Steppenwolf Theater and the Goodman Theater. She is a founding ensemble member of Collaboraction and an ensemble member of Teatro Vista, where she served as Associate Artistic Director from 2006-2008. Delgado is also on the National Steering Committee for the Latina/o Theatre Commons, an advocacy group for Latino theater artists. In 2011 she received the prestigious TCG Fox Foundation Resident Actor Fellowship in residence at the Goodman Theater in Chicago where she developed her solo show, para Graciela. She has since written and starred in her own show, La Havana Madrid, a theatrical, cinematic and musical history of Latino Caribbeans in Chicago.


Heaven Malone

Malone has DJed around the country in New York City at Girls & Boys and the notorious TRASH! party at Webster Hall in New York City, at A-list celebrity poolside hangout, Nightswim at The Hollywood Roosevelt in Los Angeles, and several Lollapalooza After Parties hosted by Aaron Paul (Jesse Pinkman of Breaking Bad). As "David Bowie Is...", the multi-media museum fashion exhibition of acclaimed rocker David Bowie came to Chicago, Malone DJed and produced multiple Bowie Ball events sponsored by The Museum of Contemporary Art.


About Collaboraction's Peacemaker Teen Ensemble


Led by Collaboraction Director of Youth Programming Luis Crespo, Collaboraction Peacemaker's Teen Ensemble creates original devised theater focusing on peace in Chicago. Collaboraction works with over 200 Chicago youth per year, with the most committed and passionate students advancing to Peacemakers. The Peacemakers appeared in Collaboraction's 2016 PEACEBOOK Festival and perform throughout the Chicago to promote peace. They return this fall in the second annual PEACEBOOK Festival, launching Saturday, August 26 at Chicago's Goodman Theatre.

Published in In Concert

About Face Theatre is pleased to present the world premiere of BRAVE LIKE THEM, a punk-infused exploration of the underground “riot grrrl” movement of the 1990s, devised and performed by members of the About Face Youth Theatre Ensemble and co-directed by AFT Education and Outreach Director Ali Hoefnagel and Education Coordinator Kieran Kredell. BRAVE LIKE THEM will play seven performances only, July 26 – August 6, 2017 at the Pride Arts Center (The Buena), 4147 N. Broadway in Chicago. Tickets for BRAVE LIKE THEM ($20 or Pay-What-You-Can) are currently available at aboutfacetheatre.com or by calling (773) 784-8565. 
 
This year, the About Face Youth Theatre Ensemble, ages 13-23, investigates how systems of oppression function within queer subcultures – specifically the underground “riot grrrl” movement of the 1990s that gave rise to bands such as Bikini Kill, Bratmobile and Sleater-Kinney. While the music and literature of this movement sought to forge a space for all girls – typically characterized by an unapologetic expression of female power and an aggressive dismantling of the patriarchy – the voices at its forefront were almost exclusively white and middle-class. BRAVE LIKE THEM aims to celebrate the “riot grrrl” movement for all the good that came out of it – but also dissect its inherent racial and class discrepancies.
 
Comments Co-Director Ali Hoefnagel, “This play is loud, sweaty and unapologetically queer as we shock ourselves with our own honesty, get messy with the truth and be brave like them.”
 
The production team for BRAVE LIKE THEM includes: Scott Penner (scenic design), Jeanine Fry (costume design), Kaili Story (lighting design), Brandon Reed (sound design), Meghan Erxleben (props design), Erin Kilmurray (movement direction), Nick Davio (music direction), Donny Acosta (asst. director), Liv Haman (asst. costume design), Kasey Trouba (stage manager) and Serena Dully (asst. stage manager).
 
PRODUCTION DETAILS:
 
Title: BRAVE LIKE THEM
Devised and performed by: About Face Youth Theatre Ensemble
Co-Directors: AFT Education and Outreach Director Ali Hoefnagel and Education Coordinator Kieran Kredell
 
Location: Pride Arts Center (The Buena), 4147 N. Broadway. Chicago
Dates: Previews: Wednesday, July 26 at 7 pm and Thursday, July 27 at 7 pm
Regular run: Saturday, July 29 – Sunday, August 6, 2017
Curtain Times: Wednesday, Thursday, Friday & Saturday at 7 pm; Sunday at 3 pm
Tickets: $20 or Pay-What-You Can. No one will be turned away for lack of funds. Tickets are currently available at aboutfacetheatre.com or by calling (773) 784-8565.

 

Published in Upcoming Theatre
Page 9 of 23

 

 

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