Displaying items by tag: Broadway in Chicago

It’s often quoted in reviews that we are unworthy of such beauty or splendor the arts and humanities afford us. The turn of phrase elicits images of Wayne and Garth of Wayne’s World bowing at the feet of Alice Cooper, or a dashing Bridgerton man dropping to a knee at the feet of a lithe debutante to profess his unworthiness of her affections. But in a world that increasingly takes more and more from us, we mere mortals, I challenge that we are worthy. We are worthy of beauty, of art, of the humanities. We are worthy to see the amalgamation of when talented artists bring a work of fiction to a stage, to hear clever prose intermingled with catchy musical numbers, and be visually wowed and transported out of our reality, if only for a few short hours. We are worthy of magic. And magic is precisely what Cadillac Palace Theatre is granting us in Death Becomes Her, the musical, now playing through June 2nd.

(l to r): Megan Hilty (Madeline Ashton), Jennifer Simard (Helen Sharp)

Death Becomes Her, hailed as musical comedy revitalized, is a new musical adaptation based on the 1992 Universal Pictures movie of the same name. When a novelist loses her man to a movie star and former friend, she winds up in a psychiatric hospital. Years later, she returns home to confront the now-married couple, looking radiant. Her ex-husband's new wife wants to know her secret and discovers that she has been taking a mysterious, magical potion which grants eternal life to the person who drinks it. The actress follows suit but discovers that immortality has a price in this supernatural, dark comedy. Producer and writer Marco Pennette transformed the play for the theater, which is directed and choreographed by Tony-nominated Christopher Gattelli. Tony Award nominees Jennifer Simard and Megan Hilty take the lead roles as Helen Sharp and Madeline Ashton, the former friends competing for the same man’s affection and finding a solution that is simply to die for. Renowned stage actor Christopher Sieber and millennial’s goddess Michelle Williams of Destiny’s Child round out the cast as Dr. Ernest Menville and Viola Van Horn (que thunder and lightning). It’s a dark comedy essential to add to any playbill collection.

Christopher Sieber (Ernest Menville)

Few Broadway shows, let alone any play, have had such an illustrious reception in Chicago. The gays, the theys, girlies young and old, allies and kings all donned their best summer theatre attire to attend last night’s performance, all dutifully in their seats the moment the play started with a literal CRASH of magenta-hued thunder. Lightning struck and we were all worthy to be transported to the magical world of New York City to follow the story of best frenemies Madeline Ashton and Helen Sharp. For the entire run time of 2 hours and 30 minutes (with a 15-minute intermission), Chicagoans were treated to an artistic cornucopia for the senses. The live orchestra playing catchy tunes, lavish scene and stage designs, alluring and dramatic costume designs, the illusion and fight sequencing, the lighting, the makeup, the sound, the dancing and musical arrangements, the orchestration, every single solitary artistic element left the audience spellbound and awestruck. Brought to life with the incredible talents of the four main cast members, supported by an inclusive, talented, and drop-dead gorgeous ensemble cast, Death Becomes Her is sure to be a powerhouse on the Broadway circuit for decades to come.

The cast of Death Becomes Her

In addition to the production quality and value delivered, what makes this adaptation so flawless is the story itself. The elegant-gothic motifs in Death Becomes Her are timeless and hold up in 2024 just as well as it did in 1992; beautiful women feeling the pressure of unrealistic societal beauty standards and attempting to defy the natural order of aging, friends as fierce rivals and competitors, love triangles, and the desire to remain as we are, to stop time. While Death Becomes Her might not be able to defy gravity, it does stop time for a blissfully fun three hours. And that is pretty damn magical.

Balanced with witty banter, clever one-liners, raunchy humor, and exceptionally timed comedic delivery, Death Becomes Her is exactly the realistic escapism we need in our chaotic world and one we are all supremely worthy to behold. The musical comedy is now playing at The Cadillac Palace Theatre (151 W Randolph St, Chicago) through June 2nd. Get your tickets today before they magically disappear.

Broadway In Chicago is excited to announce that individual tickets for the world premiere of the first ever touring production of HARRY POTTER AND THE CURSED CHILD will go on sale Monday, May 13 at 10:00 a.m. CT. Tickets will also be available online at BroadwayInChicago.com starting at 10:00 a.m. CT or stop by the box office at the James M. Nederlander Theatre and be sorted into your Hogwarts house, take a picture with your house banner, play HARRY POTTER AND THE CURSED CHILD trivia, and more.

Previews begin for the six-time Tony® Award-winning production on September 10 at Broadway In Chicago's James M. Nederlander Theatre. The official opening will be Thursday, September 26. The final performance of the 21-week engagement will be Saturday, February 1, 2025. 

The touring production is based on the acclaimed Broadway production, currently playing at the Lyric Theatre, New York. It picks up right where the last Harry Potter film left off: Nineteen years after Harry, Ron, and Hermione saved the wizarding world, they're back on a most extraordinary new adventure – this time, joined by a brave new generation that has only just arrived at the legendary Hogwarts School of Witchcraft and Wizardry. When Harry Potter's head-strong son Albus befriends the son of his fiercest rival, Draco Malfoy, it sparks an unbelievable new journey for them all—with the power to change the past and future forever.  

HARRY POTTER AND THE CURSED CHILD, the first Harry Potter story to be presented on stage and the eighth story in the Harry Potter series, has sold over 10 million tickets worldwide since its world premiere in London in July 2016 and holds a record 60 major honors, with nine Laurence Olivier Awards including Best New Play and six Tony Awards including Best Play. The international phenomenon has cast its spell worldwide with productions currently running in London, New York, Hamburg, and Tokyo, and has completed runs in Melbourne, Toronto, and San Francisco. The original two-part production in London's West End recently celebrated its 7th anniversary, while the reimagined Broadway production celebrated its 6th anniversary. 

The most successful non-musical play in Broadway history, HARRY POTTER AND THE CURSED CHILD has the unique distinction of being named by the Guinness World Records as the highest-grossing non-musical play in Broadway history with over $270 million total sales and over 2.5 million tickets sold.

To stay up to date with the latest information, go to tour.harrypottertheplay.com.

PERFORMANCE SCHEDULE

Preview performances are Tuesday through Saturday at 7:30 p.m. with additional Monday performances at 7:30 p.m. on September 16 and 23 and matinee performances at 2:00 p.m. on Saturday, September 21 and Wednesday, September 25.

Opening night is Thursday, September 26 at 6:00 p.m.

Regular performances are Tuesday through Saturday at 7:00 p.m. Matinee performances are at 1:00 p.m. on Wednesdays, Saturdays, and Sundays.

 Additional performances are Sunday, November 10 at 7:00 p.m.; Friday, November 29 at 1:00 p.m.; Thursday, December 26 at 1:00 p.m.; Sunday, December 29 at 7:00 p.m.; Thursday, January 2 at 1:00 p.m., and Sunday, January 5 at 7:00 p.m.

On Tuesday, December 24 and Tuesday, December 31, there will be 1:00 p.m. performances instead of a 7:00 p.m. performances.

There will be no performances on Sunday, September 29; Tuesday, November 5; Thursday, November 28; Wednesday, December 25; and Wednesday, January 1.

TICKET INFORMATION

Individual tickets will go on sale to the public on Monday, May 13. When tickets go on sale, ticket prices will range from $49.00 - $193.00 with a select number of premium tickets available. There will be a limited number of lottery seats available for this engagement. Details will be provided closer to the engagement. Patrons can purchase HARRY POTTER AND THE CURSED CHILD as part of the Broadway In Chicago Season, which is currently on sale through May 26 at BroadwayInChicago.com. Groups of 10 or more can book tickets now by calling (312) 977-1710 or emailing This email address is being protected from spambots. You need JavaScript enabled to view it. . For more information, visit www.BroadwayInChicago.com.

ABOUT HARRY POTTER AND THE CURSED CHILD

Based on an original story by J.K. Rowling, Jack Thorne and John Tiffany, HARRY POTTER AND THE CURSED CHILD is a play by Jack Thorne, directed by John Tiffany. 

HARRY POTTER AND THE CURSED CHILD features movement by Steven Hoggett, set by Christine Jones, costumes by Katrina Lindsay, music & arrangements by Imogen Heap, lighting by Neil Austin, sound by Gareth Fry, illusions & magic by Jamie Harrison, music supervision & arrangements by Martin Lowe. US Casting by Jim Carnahan, CSA. 

HARRY POTTER AND THE CURSED CHILD is produced by Sonia Friedman Productions, Colin Callender and Harry Potter Theatrical Productions. 

Instagram: @CursedChildUS ● Twitter: @CursedChildTour ● Facebook: @CursedChildUS ● TikTok: @CursedChildOfficial

ABOUT BROADWAY IN CHICAGO

Broadway In Chicago was created in July 2000 and over the past 24 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining up to 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago's Loop including the Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, Auditorium Theatre, and just off the Magnificent Mile, the Broadway  Playhouse at Water Tower Place.

@BroadwayInChicago

Facebook  ● Instagram ● TikTok ● #broadwayinchicago

Broadway In Chicago is excited to announce that individual tickets for the world premiere of the first ever touring production of HARRY POTTER AND THE CURSED CHILD will go on sale Monday, May 13 at 10:00 a.m. CT. Tickets will also be available online at BroadwayInChicago.com starting at 10:00 a.m. CT or stop by the box office at the James M. Nederlander Theatre and be sorted into your Hogwarts house, take a picture with your house banner, play HARRY POTTER AND THE CURSED CHILD trivia, and more. Pre-sale tickets are available starting May 6; patrons may sign up for pre-sale offers by visiting BroadwayInChicago.com or tour.harrypottertheplay.com.  

Previews begin for the six-time Tony® Award-winning production on September 10 at Broadway In Chicago's James M. Nederlander Theatre. The official opening will be Thursday, September 26. The final performance of the 21-week engagement will be Saturday, February 1, 2025. 

The touring production is based on the acclaimed Broadway production, currently playing at the Lyric Theatre, New York. It picks up right where the last Harry Potter film left off: Nineteen years after Harry, Ron, and Hermione saved the wizarding world, they're back on a most extraordinary new adventure – this time, joined by a brave new generation that has only just arrived at the legendary Hogwarts School of Witchcraft and Wizardry. When Harry Potter's head-strong son Albus befriends the son of his fiercest rival, Draco Malfoy, it sparks an unbelievable new journey for them all—with the power to change the past and future forever.  

HARRY POTTER AND THE CURSED CHILD, the first Harry Potter story to be presented on stage and the eighth story in the Harry Potter series, has sold over 10 million tickets worldwide since its world premiere in London in July 2016 and holds a record 60 major honors, with nine Laurence Olivier Awards including Best New Play and six Tony Awards including Best Play. The international phenomenon has cast its spell worldwide with productions currently running in London, New York, Hamburg, and Tokyo, and has completed runs in Melbourne, Toronto, and San Francisco. The original two-part production in London's West End recently celebrated its 7th anniversary, while the reimagined Broadway production celebrated its 6th anniversary. 

The most successful non-musical play in Broadway history, HARRY POTTER AND THE CURSED CHILD has the unique distinction of being named by the Guinness World Records as the highest-grossing non-musical play in Broadway history with over $270 million total sales and over 2.5 million tickets sold.

To stay up to date with the latest information, go to tour.harrypottertheplay.com.

PERFORMANCE SCHEDULE

Preview performances are Tuesday through Saturday at 7:30 p.m. with additional Monday performances at 7:30 p.m. on September 16 and 23 and matinee performances at 2:00 p.m. on Saturday, September 21 and Wednesday, September 25.

Opening night is Thursday, September 26 at 6:00 p.m.

Regular performances are Tuesday through Saturday at 7:00 p.m. Matinee performances are at 1:00 p.m. on Wednesdays, Saturdays, and Sundays.

Additional performances are Sunday, November 10 at 7:00 p.m.; Friday, November 29 at 1:00 p.m.; Thursday, December 26 at 1:00 p.m.; Sunday, December 29 at 7:00 p.m.; Thursday, January 2 at 1:00 p.m., and Sunday, January 5 at 7:00 p.m.

On Tuesday, December 24 and Tuesday, December 31, there will be 1:00 p.m. performances instead of a 7:00 p.m. performances.

There will be no performances on Sunday, September 29; Tuesday, November 5; Thursday, November 28; Wednesday, December 25; and Wednesday, January 1.

TICKET INFORMATION

Individual tickets will go on sale to the public on Monday, May 13. Pre-sale tickets are available starting May 6; patrons may sign up for pre-sale offers by visiting BroadwayInChicago.com or tour.harrypottertheplay.com. When tickets go on sale, ticket prices will range from $49.00 - $193.00 with a select number of premium tickets available. There will be a limited number of lottery seats available for this engagement. Details will be provided closer to the engagement. Patrons can purchase HARRY POTTER AND THE CURSED CHILD as part of the Broadway In Chicago Season, which is currently on sale through May 26 at BroadwayInChicago.com. Groups of 10 or more can book tickets now by calling (312) 977-1710 or emailing This email address is being protected from spambots. You need JavaScript enabled to view it.. For more information, visit www.BroadwayInChicago.com.

ABOUT HARRY POTTER AND THE CURSED CHILD

Based on an original story byJ.K. Rowling,Jack ThorneandJohn Tiffany,HARRY POTTER AND THE CURSED CHILD is a play byJack Thorne, directed byJohn Tiffany. 

HARRY POTTER AND THE CURSED CHILD features movement byStevenHoggett, set byChristine Jones, costumes byKatrina Lindsay, music & arrangements byImogen Heap, lighting byNeil Austin, sound byGareth Fry, illusions & magic byJamie Harrison, music supervision & arrangements byMartin Lowe. US Casting byJim Carnahan, CSA. 

HARRY POTTER AND THE CURSED CHILD is produced by Sonia Friedman Productions, Colin Callender and Harry Potter Theatrical Productions. 

Instagram: @CursedChildUS ● Twitter: @CursedChildTour ● Facebook: @CursedChildUS ● TikTok: @CursedChildOfficial

ABOUT BROADWAY IN CHICAGO

Broadway In Chicago was created in July 2000 and over the past 24 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining up to 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago's Loop including the Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, Auditorium Theatre, and just off the Magnificent Mile, the Broadway  Playhouse at Water Tower Place.

@BroadwayInChicago

Facebook  ● Instagram ● TikTok ● #broadwayinchicago

After many years without seeing the movie or reading the story of Peter Pan, the moment I learned that Peter Pan: The Hit Broadway Musical was coming to Chicago, my inner child couldn’t contain its excitement. I arrived at the James M. Nederlander Theatre, quickly found my seat, and noticed joyful children surrounding me. The adults were definitely outnumbered, but hey, we are still kids at heart and have imagination, too! As expected, on opening night, the theater was filled to capacity, and excitement was palpable.

As the lights dim, theatregoers are welcomed into the shared childhood bedroom of Wendy, John, and Michael. Their parents, preparing for an event that evening, are putting the kids to sleep as they prepare to leave. As soon as the parents are gone, Wendy is woken up to Peter Pan and Tinkerbell rummaging through the bedroom. Wendy confronts Peter, and he explains he’s looking for his lost shadow. Wendy helps him reclaim his shadow, and in the process, wakes up her brothers, John and Michael. One thing leads to another, and before you know it, Peter is sprinkling a bunch of fairy dust on the children. They take flight, and with a magical poof, they soar out of the window, embarking on their journey to Neverland. Sounds familiar, doesn’t it?

While the plot of the show shares similarities with the movie, it also introduces its own unique twists. Notably, a conflict arises between Tiger Lily’s tribe and Peter Pan along with the Lost Boys. The ongoing battle involves accusations of theft between the groups. Surprisingly, once Captain Hook enters the scene, Tiger Lily’s Tribe and the Lost Boys decide to form an unlikely alliance and become best friends.

The unification of Tiger Lily’s tribe and Peter Pan and the Lost Boys is, in my opinion, the best scene in the play. This performance is packed with ambient singing and beautifully choreographed dance. The musical number called “Friends Forever” plays as they dance along and try to find a new handshake to seal their newly established bond. The song boasts a wonderful melody, seamlessly intertwining with the joyous celebration.

The cast of Peter Pan is wonderfully diverse, featuring actors from various racial backgrounds. This production breathes new life into the story, making it feel more inclusive and significantly more multicultural than the original 1953 animated movie. Every actor delivers an outstanding performance, with special recognition for the young Reed Epley, who has captivated audiences on stage since the tender age of four.

Captain Hook, played by Cody Garcia, is excellent. Garcia is everything you could ask for in an antagonist. He is funny, sassy, and downright evil. Throughout the show, we watch him sing and dance his way into wicked plots to kill all of the children. Surprisingly dark for a kids’ show, I must say. Every time Hook is on stage the crowd laughs, captured by his beguilement. He has what sounds like a Scottish pirate accent and owns it with every word. Garcia’s singing is also impressive with a surprising vocal range that has depth and great heights.

Nolan Almeida, portraying Peter Pan, showcases remarkable acting skills. His singing, dancing, and ability to charm the audience with magic are truly fascinating. Almeida flawlessly hits all his cues and fully embraces his character throughout the show.

My only disappointment stemmed from the choice for the character of Tinker Bell. Anticipating the fairy in physical form, I was surprised when the show opted for what appeared to be a flashlight’s glow instead. Despite my reservations, the children in the audience adored the fairy light, with some even declaring Tinker Bell as their favorite character.

The live orchestra is phenomenal. Their music does a wonderful job complementing the show with whimsical sounds and adventurous beats. Each song is sweetly crafted to help tell the story of Peter Pan, the Lost Boys, and the children versus the dreaded Captain Hook. The music by Morris (Moose) Charlap is perfect and brings the show to life.

Beyond the enchanting music, the choreography by Lorin Latarro truly captivates the audience. Every dance, intricately woven into the musical numbers, is a resounding success, executed flawlessly by the talented cast. The exhilarating flips and graceful couple dancing add an extra layer of excitement. Amidst the choreography, the simulated fights between characters during the show provide an entertaining spectacle. And let’s not forget the magical flying sequences, seamlessly orchestrated by Paul Rubin, which transport us into the heart of Neverland.

Costume design emerged as one of my favorite aspects of the show. Anticipating a vibrant array of colors, I was not disappointed. Sarafina Bush, the costume designer, delivers costumes that are not only true to each character but are also bursting with life. Tiger Lily’s group sports a unique tribal look, while the Lost Boys’ attire exudes wildness and adventure.

The set and stage design further enhances the experience. The lush green jungle landscape of Neverland and the cozy children’s bedroom stand out as exceptional set pieces. Each set was thoughtfully interactive, seamlessly accommodating every scene. And within the Nederlander Theatre, the ambiance feels like the perfect gateway to Neverland—just a sprinkle of fairy dust and a glimpse through French casement windows, and you’ll be soaring.

Kudos to director Lonny Price and executive producer Trinity Wheeler for breathing new life into Peter Pan. Their fresh adaptation transports the beloved characters into a modern world, embracing the timeless magic of imagination. Whether you’re a first-timer or a seasoned viewer, this show promises fun for all.

After the show, I chatted with a few audience members to gauge their thoughts on Peter Pan. Cindy exclaimed, “The show was fantastic, and they had a thrilling cast.”

Kelly, on the other hand, shared a different perspective: “It was a great show, but this wasn’t the same Peter Pan I remember from my childhood. It feels like I didn’t recall any of this happening.”

And then there was Steven, brimming with excitement: “This show was fabulous! It’s a classic story with a modern twist—an absolute must-see for all ages.”

In summary, I thoroughly enjoyed the show. Peter Pan: The Hit Broadway Musical rekindled my youthful spirit and left me wistful for the days of unbridled imagination. While the entire performance was entertaining, Act Two held a special place in my heart. My inner child reveled in the magic, and I departed with renewed inspiration to seek out more ways to stay forever young.

Catch Broadway in Chicago's Peter Pan is being performed March 26th through April 7^th at James M. Nederlander Theatre. Performances are Tuesday through Thursday at 7:00 p.m. (with a Wednesday matinee at 1:00 p.m. on April 3rd), Fridays at 7:30 p.m., Saturdays at 2:00 p.m. and 7:30 p.m., and Sundays at 1:00 p.m. (with an additional performance on Sunday, March 31st at 6:30 p.m.).

The run time of the show is about two hours with a short 15-minute intermission. Make sure to arrive early as the line outside of the theatre is likely to be buzzing with anticipation.

The Groundhog Day musical debacle left me wary of movie-to-stage adaptations. I saw them as cash grabs, mere shadows of the beloved originals. So, I approached Mrs. Doubtfire with trepidation, fearing another corny, uninspired musical. Thankfully, Mrs. Doubtfire surprised me. It wasn't just enjoyable, but the refreshingly unapologetic old-fashioned style of musical theater was a welcome change.

In case you’re unfamiliar with the source material, Mrs. Doubtfire is based on the 1993 movie of the same name. It starred the late incomparable Robin Williams and Americas sweetheart Sally Fields, and yes, we really do love her. The musical faithfully captures the heart of the movie, while incorporating essential modernizations. The plot is straight forward, Daniel Hillard a fun-loving vocal actor, devoted father to his three children is having marital problems. His free-spirited personality and impulsive behavior often clash with his workaholic wife, Miranda. Their differences culminate in a divorce. Daniel loses custody of his children although he gets limited visitation rights. Meanwhile, as Miranda’s work as a gym-wear executive requires more of her time, she now requires a Nanny. The process of interviewing potentials is comedy driven, as is so much of what unfolds in this 2-1/2-hour show.

After securing an interview with Miranda, Daniel sets out to become the nanny. He visits his gay brother Frank and his equally gay brother-in-law Andre. Both are in the costume design business. The first production number of this show (Make Me a Woman) sets the bar extremely high for future production numbers. Frank and Andre give Daniel several options to choose from. They start out with glamorous ‘Jackie’, ‘Diana’, ‘Cher’ and ‘Donna Summer’ until they realize ‘Eleanor Roosevelt’, ‘Julia Childs’, ‘Margaret Thatcher’, ‘Janet Reno’ and ‘Oscar Wilde’(strange, but it works) is closer to the nanny Daniel is going for. Daniel becomes Mrs. Doubtfire right before our eyes.

The production updated the material by using modern devices to its benefit. In ‘Easy Peasy’ Mrs. Doubtfire uses Alexa to find recipes and suddenly chefs pop out of every corner of the kitchen to help create a chicken recipe, even Julia Child and Paula Deen, with extra butter, make an appearance.

‘Playing With Fire’ is a fever dream of Daniel where he questions everything he has done thus far and involves the entire company. It is a big production with excellent choreography bringing the whole company together.

The heart of this production is Rob McClure, a theatrical force seamlessly transitioning between Daniel and Doubtfire, McClure is giving a career defining performance that would surely make Robin Williams proud. The lovely Maggie Lakis as Miranda and their on-stage children Giselle Gutierrez as Lydia (what a voice), Cody Braverman as Christopher, and Kennedy Pitney as Natalie make up the Hillard family. 

The supporting cast includes Aaron Kaburick (hilarious as Frank), Nik Alexander (a dramatic Andre), Leo Roberts (a powerfully built Stuart Dunmire) and Jodi Kimura as stoic station manager Janet Lundy.

In the wrong hands this production would be a mess, in the hands of four-time Tony Award winner, Jerry Zaks it becomes gold. His illustrious career boasts triumphs like "Guys and Dolls," "Six Degrees of Separation." and “La Cage Aux Folles”.  His keen eye for talent, comedic timing, and the ability to draw out the best in his actors have cemented his place as a Broadway icon.

This heartwarming and delightful musical is a pure joyride. Unlike some shows with hidden agendas, its sole purpose is to make you laugh out loud. While it's a charmingly old-fashioned family-oriented production focused on pure entertainment, the underlying message is clear: love conquers all, family is everything.

When: Through March 10

Where: James M. Nederlander Theatre, 24 W. Randolph St.

Running time: 2 hours, 25 minutes

Tickets: $44-$116 at www.broadwayinchicago.com

Nostalgia-inducing unforgettable hits! Broadway In Chicago is delighted to announce that the internationally acclaimed hit theater show, THE SIMON & GARFUNKEL STORY will return to Chicago for a limited one-week engagement at the CIBC Theatre (18 W. Monroe St.), April 30 - May 5. Tickets will go on sale on Monday, March 4.

The immersive concert-style tribute show recreates the magic and authenticity of Paul Simon and Art Garfunkel on stage and chronicles the amazing journey shared by the iconic, GRAMMY-award winning folk-rock duo. It tells the story from their humble beginnings as Tom & Jerry, to their incredible success as one of the best-selling music groups of the '60s, and to their dramatic split in 1970. THE SIMON & GARFUNKEL STORY culminates with the pair's famous The Concert in Central Park reunion in 1981 which had more than half a million fans in attendance.

The show features a set list of nearly 30 songs and uses state-of-the-art video projection, photos, and original film footage. A full live band will perform all of the hits including "Mrs. Robinson," "Cecilia," "Bridge Over Troubled Water," "Homeward Bound," and many more complete with the unmistakably perfect harmonies that will transport audiences down memory lane.

With more than 100 million album sales since 1965, Simon & Garfunkel's unforgettable songs and poetic lyrics poignantly captured the times made them one of the most successful folk-rock duos of all time. Over the years, they won 10 GRAMMY Awards and were inducted into the Rock and Roll Hall of Fame in 1990. In 1977, the Brit Awards honored their "Bridge Over Troubled Water" album with Best International Album. In 2003, Simon & Garfunkel were awarded a Grammy Lifetime Achievement Award and the following year saw their "The Sound of Silence" awarded a Grammy Hall of Fame Award.

More information about THE SIMON & GARFUNKEL STORY can be found at http://www.thesimonandgarfunkelstory.com.

ABOUT RUCKUS ENTERTAINMENT (Producers): 

Ruckus Entertainment, based in Los Angeles and formed in 2022, brings together veteran entertainment producers Alison Spiriti, Justin Sudds, Dean Elliott, and Ralph Schmidtke who are collectively responsible for producing over 100 touring productions seen by millions around the world. Their burgeoning production company brings audiences world-class concerts and live events and is focused on celebrating the history and music behind iconic, globally recognized musical artists. Current productions include THE SIMON & GARFUNKEL STORY, RESPECT, The Life and Music of George Michael, and The British Invasion. For more information, visit www.thesimonandgarfunkelstory.com

PERFORMANCE SCHEDULE

Tuesday, April 30 at 7:00 p.m.

Wednesday, May 1 at 1:00 p.m. & 7:00 p.m.

Thursday, May 2 at 7:00 p.m.

Friday, May 3 at 7:30 p.m.

Saturday, May 4 at 2:00 p.m. & 7:30 p.m.

Sunday, May 5 at 1:00 p.m.

TICKET INFORMATION

Individual tickets for THE SIMON & GARFUNKEL STORY will go on sale to the public on Monday, March 4 and range from $25.00 - $85.00 with a select number of premium tickets available. Tickets are available now for groups of 10 or more by calling Broadway In Chicago Group Sales at (312) 977-1710 or emailing This email address is being protected from spambots. You need JavaScript enabled to view it.. For more  information visit www.BroadwayInChicago.com.

ABOUT BROADWAY IN CHICAGO

Broadway In Chicago was created in July 2000 and over the past 24 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining up to 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago's Loop including the  Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, Auditorium Theatre, and just off the Magnificent Mile, the Broadway  Playhouse at Water Tower Place.

For more information and tickets, visit www.BroadwayInChicago.com.

Facebook @BroadwayInChicago ● Instagram @broadwayinchicago ● TikTok @broadwayinchicago ● #broadwayinchicago

Broadway In Chicago is pleased to announce SOME LIKE IT HOT, the "Super-Sized, All-Out Song-And-Dance Spectacular!" (The New York Times), will be coming to Cadillac Palace Theatre for a limited two-week engagement, October 22 – November 3, 2024. Tickets will go on sale at a later date.

TICKET INFORMATION

Groups of 10+ are now on sale by emailing This email address is being protected from spambots. You need JavaScript enabled to view it. or by calling (312) 977-1710. SOME LIKE IT HOT will be part of the next Broadway In Chicago subscription. Current subscribers can renew beginning on Monday, February 26, and the season will be available to new subscribers on Wednesday, March 20. Single tickets will be on sale at a later date. Ticket prices range from $30 - $125 with a select number of premium tickets available. For more details, visit BroadwayInChicago.com.

Set in Chicago when Prohibition has everyone thirsty for a little excitement, SOME LIKE IT HOT is the "glorious, big, high-kicking" (Associated Press) story of two musicians forced to flee the Windy City after witnessing a mob hit. With gangsters hot on their heels, they catch a cross-country train for the life-chasing, life-changing trip of a lifetime.

And what a trip it is! With its irresistible combination of heart and laughs, song and dance, SOME LIKE IT HOT won more theater awards than any show in its season, and was named Best Musical by the Drama Desk, The Drama League, and the Outer Critics Circle. No wonder Deadline calls it "a tap-dancing, razzle-dazzling embrace of everything you love about musical theater."

SOME LIKE IT HOT features a book by Matthew López (The Inheritance) & Amber Ruffin ("The Amber Ruffin Show"), music by Marc Shaiman, lyrics by Scott Wittman and Marc Shaiman (Hairspray) and direction and choreography by Casey Nicholaw (The Book of Mormon). The musical is based on the classic MGM film Some Like It Hot which has been named the "Funniest American Movie of All Time" by the American Film Institute.

The creative team also includes Scott Pask (Sets), Gregg Barnes (Costumes), Natasha Katz (Lights), Brian Ronan (Sound), Josh Marquette (Hair), Milagros Medina-Cerdeira (Makeup), Christian Borle & Joe Farrell (Additional Material), Mary-Mitchell Campbell (Music Supervisor), Kristy Norter (Music Coordinator), Charlie Rosen and Bryan Carter (Orchestrations), Marc Shaiman (Vocal Arrangements), and Glen Kelly (Dance and Incidental Music Arrangements). The production team also includes Steve Bebout (Associate Director), John MacInnis (Associate Choreographer) and Juniper Street Productions (Production Management). 101 Productions, Ltd. serves as the general manager.

SOME LIKE IT HOT was produced on Broadway by The Shubert Organization and Neil Meron and co-produced by MGM on Stage, Roy Furman, Robert Greenblatt, James L. Nederlander, Kenny Leon, Hunter Arnold, John Gore Organization, The Dalgleish Library Company Group, Sheboygan Conservatory Partners, Ambassador Theatre Group Productions, Bob Boyett, Cue to Cue Productions, Janet and Marvin Rosen, The Araca Group, Concord Theatricals, Marc Howard, Independent Presenters Network, Juanita Jordan, Jujamcyn Theaters, Henry R. Muñoz III, Ostar and Mariah Carey; D. S. Moynihan, Executive Producer.

The North American tour is booked by The Booking Group (www.thebookinggroup.com) with casting by The Telsey Office.

Concord Theatricals Recordings released SOME LIKE IT HOT (Original Broadway Cast Recording) on streaming and digital platforms worldwide in March 2023 with CD and vinyl now available.

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Direct from Broadway, A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL will make its Chicago debut, November 12 – 24, 2024, at Broadway In Chicago's Cadillac Palace Theatre as part of multi-year North American Tour. 

TICKET INFORMATION

Groups of 10+ are now on sale by calling (312) 977-1710 or by emailing This email address is being protected from spambots. You need JavaScript enabled to view it.. A BEAUTIFUL NOISE will be part of the next Broadway In Chicago subscription. Current subscribers can renewal beginning on Monday, February 26, and the season will be available to new subscribers on Wednesday, March 20. Single tickets will be on sale at a later date. Ticket prices range from $40 - $135 with a select number of premium tickets available. For more details, visit BroadwayInChicago.com.

"Some of my most thrilling nights have been while I was on tour, bringing my music to audiences across the world," said Neil Diamond. "Having A BEAUTIFUL NOISE go on tour is an honor and I can't wait for audiences across North America to experience this show. I hope they enjoy it as much as I have."

The tour will be lead produced by Ken Davenport, Bob Gaudio and NETworks Presentations.

Producer Ken Davenport said, "Neil is one of the best live entertainers the world has ever seen. In his fifty-year career, he's performed for millions of fans around the globe. I couldn't imagine a more perfect way to honor his legacy than having A BEAUTIFUL NOISE touring North America, visiting the same cities where he gave so many people so much joy."

Producer Bob Gaudio said, "When Neil and I first started talking about making a musical using his music, I knew how daunting that would be. With Jersey Boys, I learned how vital it is to have a first-rate creative team making sure everything weaves together. We have that on A BEAUTIFUL NOISE—an incisive book that tells Neil's story honestly, fantastic choreography, one of the best directors on Broadway guiding the entire production, and of course, Neil's iconic songs. Having the show go on tour is an exciting next step."

The Broadway production continues to play for cheering audiences nightly at the Broadhurst Theatre in New York City.

A full tour route and casting will be announced at a later date. Please visit abeautifulnoisethemusical.com to sign up for the email newsletter and be among the first to receive tour news and updates.

"SO GOOD, SO GOOD, SO GOOD!"

CBS, CNN, GMA, Entertainment Weekly, Morning Joe

"DAZZLING! WE SAW HIS SHOW, NOW WE'RE A BELIEVER"

WBUR

"THE BIOGRAPHICAL DRAMA IS A HEARTWARMING CELEBRATION OF MR. DIAMOND'S UPLIFTING MUSIC AND INSPIRATIONAL LIFE."

THE WASHINGTON TIMES

ABOUT A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL

This is the story of that Brooklyn kid who made it big and took us all along for the ride. From those exhilarating early days in New York to the sold-out spectacles that defined his career, A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL explores the life of a rock icon through the music that made him "a national treasure" (Los Angeles Times).

The story of the legendary Neil Diamond comes to life on stage in an uplifting new Broadway musical, A BEAUTIFUL NOISE, featuring all his hit songs including "Sweet Caroline," "America," and "Cracklin' Rosie."

The grandson of Jewish and Polish immigrants, Brooklyn born and raised, Neil Diamond was a New York kid down to his boots, strumming his guitar on the steps of Erasmus High School on Flatbush Avenue. 1960s America was hungry for change and so was he. He landed a gig selling songs for fifty bucks a week in the legendary Tin Pan Alley's Brill Building. At night he honed his voice on stage at the Village's Bitter End, but knew he was destined for something greater. This was New York, after all. City of dreams. Full of life and opportunity where anyone could write their story. And so he did, in song after song.

10 Top 10 Hits. 140 million albums sold. His 1972 concert and live album Hot August Night sung in front of 5,000 screaming fans catapulted him to fame as the ultimate entertainer. He sang his way to a Grammy Award, into the Rock and Roll and Songwriters Halls of Fame, then topped it off with a Lifetime Achievement Grammy and the Kennedy Center Honors.

Directed by Tony Award® winner Michael Mayer (Spring Awakening, Hedwig and the Angry Inch), choreographed by Olivier Award winner Steven Hoggett (Once, Harry Potter and the Cursed Child), and written by four-time Academy Award nominee Anthony McCarten (Bohemian Rhapsody, The Two Popes), A BEAUTIFUL NOISE is a thrilling look at an artist's search for himself and a celebration of the enduring power of his music.

The design team for A BEAUTIFUL NOISE on Broadway features Tony Award winner David Rockwell (scenic design), Tony Award nominee Emilio Sosa (costume design), four-time Tony Award winner Kevin Adams (lighting design), Tony Award winner Jessica Paz (sound design), Jamie Harrison (Illusion consultant), and Luc Verschueren (hair and wig design). The production has music supervision and arrangements by Sonny Paladino, incidental music and dance music arrangements by Brian Usifer, vocal design by AnnMarie Milazzo, and orchestrations by Bob Gaudio, Sonny Paladino, and Brian Usifer. Casting is by Jim Carnahan, CSA & Jason Thinger, CSA. The A BEAUTIFUL NOISE tour will be directed by Austin Regan and choreographed by Yasmine Lee. The stage management team is led by production stage manager Stacy N. Taylor. The company management team is led by Erik Birkeland.

A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL is produced on Broadway by Ken Davenport, Bob Gaudio, Sandi Moran, Hunter Arnold, Scott Abrams, Marco Santarelli, Jonathan and Rae Corr, Marguerite Steed Hoffman, Ron Kastner, Rob Kolson, Valli Family Group, Caiola Productions, Paul Dainty AM, Gaudio Family Group, Joseph J. Grano Jr., Starlight Theatre, Roy Putrino, James L. Nederlander, Tricia Blake, Mark E. Jacobs, Universal Music Group Theatrical, Deborah Green, Patty Baker, Sheri and Les Biller, H. Richard Hopper, Sharon Karmazin, NETworks Presentations, Adam Riemer, Matthew Salloway, BB Investments LLC, Universal Theatrical Group, Witz End Productions, Theatre Producers of Color, and Ryan Conway.

The Original Broadway Cast Recording of A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL, produced by Bob Gaudio and released by UMe, is available now as a CD and to stream on all major platforms. To order the album or stream it, please visit www.abeautifulnoise.lnk.to/originalcastalbumpr

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ABOUT BROADWAY IN CHICAGO

Broadway In Chicago was created in July 2000 and over the past 24 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining up to 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago's Loop including the Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place and presenting Broadway shows at the Auditorium Theatre.

For more information, visit www.BroadwayInChicago.com.

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